28 august 2013

28 august 2013

John Bjarne Grover

After my personal donation of my 3-vol work to Zürich was rejected and could be lost, I cannot send more of my 30 stradivariuses (a total of 7,5 meters in the bookshelf) to the potential dustbin and have instead sent my blue PEB ('POLAKK English Bloggi') to some libraries and included the article on the book, telling in a letter that the library can get the 3-volume work as a free donation from me if they want. There has been no reply so far - for whatever reason. I hope the post functions.

I sent also one copy of this book with the article to Frederik Stjernfelt, semiotics professor in Aarhus. His name can be seen as permutationally somewhat remarkable as far as opposite interests are concerned, so to speak, cp. also 'Fredrikstad'. Some time later I was in the U-Bahn in Vienna and a person with braces seems - although the source of such things can be difficult to verify - to have let out a flatulence, and I guess that it was around the same time that the chemical gas attack took place in Syria.

There were also some people in the entrance hall.

I have earlier described the relation between the PEB and respiration problems in terms of 'breathtaking beauty', and the nerve gas which was used in Syria seems to have led to respiration problems and constrained pupils among the survivors.

The guess is therefore that the chemical attack could have been carried out by angloamerican interests as a part of their war on poetry in general and my work in particular.

I refer to the 23 photos I took on the Danube island in the summer 2012 and the apparent american coup attempts. See e.g. photo 17 and the poster to the fresh american film 'Lone Ranger' and photo 3 upside down and the poster to the no less american film 'Killing them softly'. There are some strong relations to my own TEQ in these photos which could be the basis for an interest in abusing them - or maybe it could be only the photos themselves and their inherent logic. Could be there are many more film examples of this kind. I have not been informed about any coup attempts, nor have I been asked for permissions, nor have I seen the films, but made the obervations on the posters and my photos.

In the worst case, a chemical attack on Syria could have been for the one and only purpose of an american hijack of my work. The angloamericans could have planned a strategy for warring down the whole thing - the british strategy on Grassmann's 1844 work and the central role it still has in tragic western political intrigue - could be even for selling it thereafter as US propaganda. I suppose UN would consider this possibility, and if the plan of the US administration could be of that kind, it could be considered 'crazy' and call for a serious reorganization - I suppose most americans would agree that it must be considered totally crazy to go to war for couping a work of poetry. Would that mean that 'Hoboken' is the reason? Or even 'not Hoboken'? Even more crazy it would be if the purpose were to sell the book at a later stage, for a terror-driven sales strategy - the more copies sold the more people have died. My work is not for terror-driven sales.

Installation of poetry in administration (such as e.g. imitation of poetic lines and their logic) is a war against the poetry. It is not for the poetry or the poetic logic - it is against it.

Should the threats of an attack on Syria and the possibility for an escalation of the conflict mean that a publication of my book can lead to world war? If so, then the UN should tell Obama's administration what the limits to political behaviour are.

When comes the book with the analysis of the real reasons for the Vietnam war?

I have so far got no information whatsoever about any relation of my person or mythological role to the political situation. Everything I have written about it, for example on this website, is pure guesswork from my side, and I have always believed that it should have led to some response if there were a basis for it in the real world. Do not come around afterwards with allegations that the attacks on Syria would not have taken place if I had moved to another location. It is too ridiculous to claim that my address should have been the reason for a war - in particular as long as nobody tells me.

I have described earlier why it is futile for me to submit my work to a publisher - somebody else must help me find the publisher. It can be urgent to find e.g. a small university press on the european continent or east of the british channel which - on a commission contract with me - can make the books and sell them to those who are interested.

PS 29 august - it was said in the news that only 'atropin' would help against the injures from the nerve gas. 'Atrofin' = 'the atrophy'. If e.g. my corpus callosum were injured in childhood or I have been drunk, it would mean technically 'brain damaged'. The plan of the intrigue-makers could of course be to swap roles of the 'brasses' with me and claim that I am mentally disabled due to 'atrophy' and hence could not have written my work. 'Ho-boken' = 'the she-book'. I notice that Pim Forteyn was shot while he was on the way down the stairs from the broadcasting house where he had given an interview, cp. 'pimp or söyn/sane'. The plan could be to coup my authorship by claiming, on some such formal basis, that it is somebody else who has written it. I am no agent. It is I who have written my work and it is 20 years of work which could be of large importance and value for the global society and the americans have no right to destroy such authorship. The public image of 'american' is rather worn all over the world.

Had such plans involving my authorship not been hostile, they would of course since long have found a publisher for me. It is very simple.

It seems that the current political situation is a network of 'meanings' in a mythological system wherein the power is hidden in secrets of details of the mythology. For example, it is possible that the phenomenon of 'Bond James 007' derives from my name with the V in Gro-v-er moved to the front ('vann paa hjernen gror over' = 'water on the brain grows over' - could it be my hair was replaced in 1957 with an offspring from a Kennedy?). The current italian prime minister Enrico Letta resembles somewhat vaguely an acquaintaince of mine with name initials HOG, which could 'mean' that the V = wood is behind rather than in front as far as the story from the log-chopping in the mountains in the summer 1976 is concerned. Sounds well - that I am not the agent Bond James 007. However, if the HOG is the secret of the relation between e.g. Pim Forteyn and HOBOKEN, there could be other secrets of power hidden in the mythological scrabble. There is also the RI-ALB of the Nanga Parbat massacre. There could be many further layers of mythological secrets which I don't know and which serve to turn the end result back and forth, ending up either this way or that. The 'power' is probably hidden in the phenomenon that the people 'feel' (since they do not know the secrets) that an opening into the future occurs when a vowel changes value to something else - and therefore they vote for the diphtongue - but clearly this is just an advanced form of bullfighting against the people. Or the 'peep-hole' as it goes in 'ved-ic' politics. All this scrabble drains the people's confidence and the underearth rockpedo earthquakes have demolished people's spirituality. It is too tragic. Soon there comes a new Hitler who wants to get rid of all this scrabble and restore spirituality. Sounds well and everybody agrees that this is the right way - the only catch being that it is a terrorist who is an agent for the angloamericans who finally can battle this beast and thereby the last chances for a sensible spirituality. This seems to be the recurring phenomenon which goes in centennial cycles. Soon there is 2014.

My PEB provides a chance to transcend these tragic cycles of history and thereby also the theatre of politics. Could be the reason why politics wants to get it under control. It is important that somebody - rather than just sitting there waiting for the next holocaust to start - finds a publisher so that the work will not be totally lost or turned into pure angloamerican nazi propaganda via a hijack of the authorship.