2 august 2024

2 august 2024

John Bjarne Grover

The story of the apparently ex nihilo 'Götterfrucht' labels involve the uncertainty of their status. Whatever that be, the first and the most recent appearance - on 18 may and on 15 june 2024, both cases of apparently spontaneous formation on my hand - seem to interpret a certain 'transformation' which includes the turning of the label and the movement of it appr 'three and a half' from palm to little finger on my left hand:

First appearance on 18 may 2024

Most recent appearance on 15 june 2024

This phenomenon seems to have a certain interpretation in my TEQ #632 (parallel is Exodus 18:11):

Clearly the first pass was on 18 may - and it may be that the 'tragic pass' was on 19 may - with the fall of Iran's president Raisi's helicopter. I now see that the Wikipedia article has updated his name to a more original form 'Ebrahim Raisolsadati'. In fact I once went through the Hofburg in central Vienna and saw, between Heldenplatz and the entrance to the national library, an apparent military helicopter parked with a soldier standing next to it, if I remember right. It seemed to be some demonstration for the public who could be interested in seeing it (on some metres' distance). It could perhaps have been spotted from the window of the austrian president's office.

The line 'what three and a half is, is not an easy matter' is a quote from an earlier line in TEQ - in TEQ #9.

It can be noticed that the hebrew parallel עתה ידעתי כי- גדול יהוה מכל- האלהים כי בדבר אשר זדו עליהם from Exodus 18:11 contains two words for 'God' - 'Yahweh' and 'Elohim' - and the word 'Elohim' = אלהים sounds like a transform of the last word 'Elihem' = עליהם by the 'boiling' or 'seething' in the pharynx in the second last word זדו (see this word in Davidson's dictionary) etc. The Götter-Frucht/Fear seems to be the theme of the verse - and even the transform from between index and long finger on the palm up onto the little finger can be seen as contained in the verse - semantically in the theme and phonetically in the articulations and the similar 'passes' of airstreams. Indeed that should be interesting for a theory that seeks to understand how the diachrony can be present in the synchrony - such as I have been concerned with in e.g. my most recent articles 'The fifth dimension' and 'Giusto de' Menabuoi'. Even the signature 'Chεckpoint' finds an interpretation in the 'Götter-Frucht' label itself - if considered a laryngeal closure a la the hebrew א (such as in אלהים - a 'checked' phonological articulatory feature is concerned with the larynx) vs its higher pharyngeal constriction in the ע (such as in the last word עליהם).