The blue metre

The blue metre

John Bjarne Grover

This article outlines why my blue metre work probably is of large importance for the progress of knowledge which can be very revolutionary and how it could be threatened by 'challenges' from 'politics' who tries to exploit its potential for historic change.

I wrote the book 'POLAKK English Bloggi' (PEB) in Venice in 2008-2010, the last months in Vienna. It is 'the biggest discovery ever made' - in the sense that a text can be dated with much precision on basis of its semantic contents only - and it is going to lead to a major revolution in all fields of academic study. Example of dating: The book contains 366 poems and dividing 'Oedipus Rex' into 366 segments one quickly finds that there is one alignment with my book which is particularly good while other alignments are not. Compute the offset of this alignment relative to my book and divide it with 0.366 and subtract the resulting number from the year 2009 when I wrote my book - that gives the year when Oedipus Rex was written. In this case that gives the year 1569 - subtract 2 millenia and you have the year 431 for the year when the play was written (normally assumed to be a few years later). Try Shakespeare's 'Loves Labour Lost' and you find that it is written in 1589 (likewise assumed to be a few years later - clearly if this obtains for all works then 2009 must be replaced with some 2015 or thereabout in the computations). The conclusion is that this 1000 year cycle is a result of the alphabetic technology itself and is an inherent part of any text. The book is subdivided into 23 sections which give a semiotic rationality within the architecture of the blue metre to each of the letters of the hebrew alphabet - each such 'rationality' being radically different from all the 22 others - and that is what an alphabet is. It is only in 'modern times' that an alphabetic letter is conceived of as a class of similar sounds.

All major fields of academic study will be changed by this discovery of an absolute time and order in history - and it is my current theory that this absolute time and order in historic time is the same as Chomsky's concept of phrase structure. That this is the theme of e.g. political science can be verified by the phenomenon of line 4 throughout the 366 poems. The name of e.g. 'David Cameron' will not be found as such in any line 4 but the line could look like 'the wide came on her' or something like that. When you have found the line, the governments can be tracked backwards in book and history - 'Gordon Brown' could then be in line 4 of the preceding poem which could be e.g. 'go down on order' or sth like that (see below). The governments can be tracked backwards in time normally for many decades - often up to half a century, it seems. (I havent checked out if the other 13 lines of each poem constitute the names in each corresponding goverment - that is an interesting theory). The generality emerges from the apparent empirical phenomenon that if the british government is in poem 1, the french is in poem 184, the belgian in 93 and the spanish in 275 - that is an origo on the channel in the year when the book was written. The same phenomenon seems to obtain for other countries such as Austria-Hungary, Norway-Sweden etc. The series that is followed by the governments seem generally to continue with more or less precision for some years or decades before a 'revolution' makes a major leap and lands the government in some other region of the absolute time and order of the millenial and 'alphabetic' cycle.

If Gordon Brown is the fourth line of poem #227 ('of distant friction, joins the packet'), the preceding names follow the same principle, all of them with a peculiar attention to the buttock region - with one single exception in 'Harold Wilson' = 'and pull them from the book'. The current Francois Hollande is in #44 ('to reinvigorate the life of youth'), which is Brown #227 minus 183. Even here one can follow the french presidents back to Charles de Gaulle ('points chopsticks in the air' = #38). Most interesting is the phenomenon of 90 degrees axis: England-France = +184, and with a 90 degrees axis Belgium-Spain crossing it, the logic suggests that Spain and Belgium should be +184/2 = +92. Look at that list of spanish PM's from Brey = 319 and backwards. That is impressive! - and Belgium isn't bad either. Notice the phonological and semantic axis. See also Denmark with Helle Thorning-Schmidt on 177 relative to Norway/Sweden (Stoltenberg = #268). And who is #360? Surprise: It seems to be Bulgaria - apparently having made a major leap. (A 'peoples protest movement' called 'Dans with me' was started in Bulgaria some time ago - I dont know if that could have been by 'networking' on the interests of my work).

This is also the real contents by the obsession of politics with 'the meaning of names'. It explains why politicians could advance a certain person to the forefront of their party due to mainly the name. No sooner was my book completed and the discovery made in the late summer 2010, british Labour elected new leader 'Ed Miliband'. However, when he lost the election this year, it means that people are tired of the phenomenon - when the book wasnt even published in the mean time. Had it been published, he could perhaps have won - since that would have made his leadership appear less exploitative relative to my authorship.

Then why isnt it published yet? That goes by itself, if you see the point. Politics wants to be in that game instead of publishing its skeleton. The polish aircrash of Smolensk (with the top 100 leaders of Poland on board) was hopefully not a bad joke on this. I gave the book as part of my 3-volume edition to Zürich Zentralbibliothek and a dozen or so of mountaineers were massacred in an attack on a climbers' station high up in the Himalayas a day or two later. Cp. also 'smink-gasse', 'zürlich'.

One day it must get out, being the biggest discovery ever made - and then it can be a big seller - every student of philosophy, literary theory, political science, linguistics, physics, history etc etc must have a copy - it is not enough with a brief mention of the general theory - you must have the book in your hand. The book establishes the year 66-67 for the authorship of Acts (including the socalled keys to heaven of chapter 10 which could have prompted theories of a much later authorship) hence every student of theology must have one as well - and study the details in the mapping.

However, if I now should send it to a publisher, the SELSNEPE network (which also provide power to many politicians by their magic of names) could be quick to let the publisher know that it should be rejected as 'not goodenough', and that would shift the historic 'go' over to them and I would suffer a setback which could last for many years while the 'nazis', as I call them, would ride the historic wave from success to success in the mean time. They hope to make new nazism in Germany and new faschism in Italy by way of the formula of 'kursk pa-sport' in terror and had perhaps hoped to be able to abuse me for such purposes. The magic of [place]names is one of the major tricks they seem to use.

In my novel 'The Dreamer' (1994-95) I describe the story of a writer who was sent from heaven to earth for writing a report in the gap between his schizoidofreniform 'everybody' making up the narrative of the collective consciousness (meaningful car numbers etc) vs the subjective writer who sees and describes it. The book was written in the year after I had submitted a manuscript ('Submorphemic signification', parts of the theoretic basis for TEQ) to a publisher and waited half a year for the rejection and then another half for the next, while the 'nazis' rode on from success to success. If you ask one of those they will certainly call the book 'worthless excrements' and 'empty mythos' and things like that - perhaps not the least since it seems to pull the cork out of their accumulated potentials of power.

Therefore the only sensible solution is that somebody else finds the publisher who reads the book in a library to which I have sent my self-published edition and thereafter contacts me for permission to publish it. This I am still waiting for - therefore it is not yet published beyond the small number of copies I have made for libraries - in spite of being the potentially most sellable work in history. A 'submission' of mine is not sensible under the present conditions.

It is also important that it be published before the more or less same 'networks' have launched their new theories on basis of pathetic 'data analyses' of literary databases - finding general structures and cultural phenomena on which to raise meantime theories - but without mentioning my pioneering work. Particularly bad it would be if they do not mention my name because the 'nazis' have planned to make more nazism in Germany and faschism in Italy by way of abuse of my name and history.

Clearly all the strange ideas about names in politics have taken it into quite a puzzling circus (including world wars etc) - to which the comment could be that it had that single important function of making the discovery of the blue metre possible. Now it is discovered - and we can return to the normal reality again - that is, as soon as my book is published. With a deeper understanding of 'absolute time' and 'universal order' of occurrence, we need no longer have a certain name in a certain social position nor compute the political reality decades and centuries in advance. A new spiritual freedom that can be - for the society and for the individual.

It must count as a crime against humanity to make a new global culture out of this and suppress the identity of my authorship.

This is about the blue 1000-year metre for the collective consciousness. I have also written a red metre of 2 seconds duration for the subjective consciousness - but this is a little more complicated and reaches into the poetic functionality of my TEQ. Clearly it is in the interface between the two metres that new concepts of labour and time can be made.

It must be noticed that I wrote the blue metre PEB (2008-2010) in the immediate continuation of 11 years of study of the inner complex functionality of time in terms of the 16 main poetic functions that I conceive time as composed of in my TEQ = The Endmorgan Quartet (1997-2008) - which is a study of the form of time over 1719 poems which later even turn out to be a symmetric structure - which is no small matter when the full work is a complex web of interacting functions with a local and a global scope and e.g. poem #454 written in march 1999 relate symmetrically with #1266 written in january 2003 - with mid poem written in 2001, that is, at the turn of the millenium. It was at the end of those 11 years that the PEB could be written. That is not the same as a fast and cheap data analysis of a computer corpus of literary works. It can constitute major progress for the knowledge of the human kind - and to suppress that for the purpose of making a new Hitler must count as madness and nothing else.

I worked out the theoretic basis for the blue metre of 1000 years cycles in the study I made of the history of formal linguistics in parallel with levels of information technology at the Centre for studies in technology and human values (TMV) in Oslo in 1992-93, and parts of the theoretic basis for the red metre in 'Submorphemic signification' in 1993-94. It means nearly 20 years of work before the blue metre could be articulated in the PEB.

It is not permitted to let this revolutionary discovery - could be the greatest discovery in history - be reserved for politics such as an election campaign of Hillary Clinton. I have seen the cover photo of her book with 'brucks' in her cheeks - it resembles a photo of Ragna Gröver I got from her in the late 90's. There is also a new trouser ('brok', 'brioki') fashion on for the time being where you can see the 'mother' quite clearly. If the concept should be that Bill Clinton is 'Germany' somehow (cp. queen Elizabeth's 3-4-day visit to Germany in june 2015 - I speculated whether the program in fact could have been significant of sir-phonology-morphology-syntax = sir-William-Jefferson-Clinton via sir-Rigotanya-Mecsér-Lickopuszta), I tell the story of Vibeke Gröver in probably 1974 told that she had problems with a wisdom tooth growing 90 degrees out through her cheek and therefore she had to go to a dentist in Moss. If this means 'press-i-dent' with 'potato balls' (Clinton is said to be 188 cm high so it is not interesting to speculate if he could be Vibeke Gröver in person), I tell that the room used by her in the 70's was in the far end of the house, next to Tone Gröver's in the middle and then the one I used - before the TV room, the entrance and the freezer etc. It means that if everything is based on me in the middle between Györ and Hegyeshalom, if Hillary Clinton is launched as 'Tone Helene Gröver', so to speak, it could be the strategy to be launched as the one in the middle - the one who wrote the PEB. Or 'controlled' it, so to speak. The biggest discovery in history. Nothing is more important etc. Clearly I very strongly protest against any such abuse of my work - the Clintons have absolutely no affiliation with this work of mine. Is it clintonean interests behind the terror of Smolensk and the Himalayas - could be of much else?

Vibeke Gröver told me in probably 1974 that she had been to an oral 'specialist' in Moss, while I was taken by Gröver/'Mengele' to a 'specialist' in a basement in Oslo in 1975 - that was real and outright torture with pointed metal tools down in my throat - he said that he tried to open up a sensitive abscessa there but did not succeed in opening it. However, it was very painful. Speculations could suggest that they tried to teach me about 'triangles' - could be for the 'octogon' and the issue of 'free choice'. But it was not 90 degrees out - it was right down in the throat.

In the worst case, plans for a Clinton campaign could be on that torture story from 1975 - while surfing on my blue metre work for harvesting support. In an even worse case, that could be for preparing for the 'bridge' to Germany (from the hungarian mid point) in order to construct a future new Hitler. On basis of my work and suppression of me as its source?

And there is even the theory that these should be my 'friends and family'?

And on whom would this campaign dump the blame for the terror?

Such abuse of this work of mine would be an exquisite example of politics gone astray.

You see the point? Everybody agree that this blue metre book must be published as soon as possible, but no sooner are you informed that it could have been challenged by politicians such as e.g. Clintons, many would turn around and say that, no, we dont need it now, perhaps later.

Isnt this too bad?

I add more details on the 'dirty beast in the revelation' as a role assigned to me and the theory that there is something special about the address Zinckgasse. This rests on the theory that Hitler and Himmler are names of the railway line from Vienna to Hegyeshalom to Györ and that the mid point in the hungarian part is around Lickopuszta, Rigótanya, Mecsér - the district called 'Szigetközi Tájvédelmi Körzet' (source: 'Kisalföld és környéke' Radwanderführer & Karte, Frigoria Kiado, www.frigoriakiado.hu). 'Szigetközi' means something like 'island-between' or simply 'archipelago', cp. the russian GULAG or the norwegian Hvaler. 'Tájvédelmi Körzet' = 'landscape-protection area', and I suppose the areas to be protected are not contiguous but somewhat spread over the district - apparently along the Mosoni-Duna river and the Duna = Donau itself with several islands (Nagy-Sziget, Töklevél-Sziget, Madarász-Sziget etc) therein along the border to Slovakia. It is the phonological difference between Zinckgasse and Szigetközi which seems to be something special about the address Zinckgasse: It turns my name 'John Bjarne' into 'jobb på hjörnet' = 'job on the corner' (the address of the family in Molde in the late 60's was 'Björnstjerne Björnsonsvei 7'). This again is interpreted in the keys to heaven in the combination of verses 2 and 5 (see towards the end of the file) - for the form 'poion eis Ioppen' or simply 'John på jobben' = 'John at work', suggesting that John worked on some corner. I have guessed that this formula could have been in use for a posthumous Kennedy. The point would then have been that this 'keys to heaven' formula is so strong that it has to bend my name off its upright form when the address is Zinckgasse - due to the heavy historic load on the Szigetközi area relative to my person.

This is also the reason why this 'mid point' could be used in this way - shifting it from the landscape map to the house space of Labraaten 58. I notice the corresponding 'Tone Helene' which then could turn into 'doge lilla' for 'lilla huet' and the idea of my penis head having been replaced with a copy at least once if not twice (it had a strange little fleshy flipflap on the top after the first 'replacement' which later somehow seems to have disappeared, could be around the time when certain embellishments by colour also seems to have occurred, but I dont know if nature could tend to level out such strange flipflaps by itself). See the keys to heaven group #6. 'The dirty beast in the revelation' could then have been the concept.

Do you believe that this is all and that this architecture of human cognition is enough to make nazism in Germany and faschism in Italy simply by me living in Zinckgasse? Because of the name of the street? For those who believe in the power of names it could perhaps be - and they could refer to the theoretic history with Kennedy and the Kennedy assassination - which then could suggest that Kennedy abused me thrice in early age. But I would suppose that many would take this 'keys to heaven' for a surface pretext only and that the real construction of such politics for Germany and Italy would have to go via more substantial arrangements. In which case the construction could serve the role of being the explanation for involvement while the real involvement could be of less 'pronounceable' type, such as involvement in terror (kursk pa-sport) etc. This could also be a burden to my life - for example, when I took the photo of the painting in the church in Padova, the airplane over Ukraina's eastern border was shot down - which then could be seen to be 'kursk pa-clo-va' and hence the division of Ukraine had already begun. Because of this Zindrgasse? The french aircrash in 'Les trois eveches' while the 'kumpe' pilot was to the toilet in the behind of the airplane could likewise associate with 'Landstrasse washes' on a similar logic. There was in fact somebody washing in a window in the other side of the atrium - with a washing-wagon (for bucket etc) left in the middle of the atrium - shortly before the aircrash in France - which does not mean that I was the fanatic kamikaze pilot whose 'kumpe' pilot was in the other end of the plane. It is possible that 'vaskedamer' ('ill-ke') also applies to the name of Rainer Maria Rilke for rewrites into the main 'type' labels of abusive character ('parre-maniac purke' etc).

There is no other possible option for me at the present stage (and it has been so for two decades) than to publish my works myself - that means making a small number of the books - say, some 2-3-4 dozens - by hand and giving them to libraries where they can be consulted and studied - not the least for being discovered by scholars and the publisher who wants to publish them. Hopefully that does not mean that the books are considered as sufficiently published and are spread around as 'intelligence data' or copies for personal use for further explorations of the study I have begun - while keeping me as the unmentionable dirty beast in the revelation. Clearly this could be about not only the right to be credited as the source but also to some extent a matter of Money.

6 july 2015: It happened in late 2011 that I went out the atrium and believed that I saw my official sister Vibeke Gröver Aukrust washing a window pane in a door on the same wall as the man washed when the french airplane crashed. It looked as if she waved to me but she was really only washing the pane. I took it that it was an IMPERSONATOR or just a coincidental similarity. I mentioned the incident in my diary on the day after the case against Breivik of the Oslo terror had started. I add that the news of the arrest of Strauss-Kahn came around the time when I was just completing poem 11 in my 'Caruso', a poem which I had drafted well in advance.