The Celan/Demus correspondence and some other things
John Bjarne Grover
The correspondence ('Briefwechsel') between the Celans and Demus/Maier was published on Suhrkamp in 2009 ('Paul Celan - Klaus und Nani Demus - Briefwechsel'). It contains some interesting details which could throw some light on the hypothesis that Celan was in Odda in 1960 - as well as other aspects of this story.
A study of the correspondence tells of certain relations which perhaps can give basis for a hypothesis on the following format: While Celan lived in Vienna 1947-48, he was befriended by Klaus Demus and his wife Nani Maier. The intrigue on 'The third man' was staged before he had left Vienna. After Celan had reached Paris, Demus came over for studies 1949-50. It was in this year that Celan took up contact with the Golls on recommendation from his Bucharester or Czernowitz mentor Margul-Sperber. The following version of the story is constructed on basis of the hypothesis that Goll's death and the famous 'infamie' accusations (the claims from Claire Goll that Celan had borrowed too many formulations from her dead husband Ivan Goll without crediting the source in his poetry) were a political project in which the Golls participated:
On 27 September 1949, Paul Celan writes to Ivan Goll on background of the recommendation from Alfred Margul-Sperber in Bucharest. After some weeks, he received a reply letter telling that Ivan Goll had been on a travel when Celan's letter arrived, but was now back in Paris and he was welcome to visit them. No sooner had Celan been there, the news appeared that Goll suffered from leukemia and had only a few days left to live, although, as told the news, this had developed gradually through many years but had so far been known only to him and his wife (up to Celan's arrival, that could mean). There is the undertext-joke in this version of the newspiece that his wife had poisoned him gradually - or maybe it contains a reference to the leukemia death of Rilke whom his wife had known in the years before his death - in fact one could speculate even if the marriage of the Golls (relating to some Jensen birthday?) were intertwined with her involvement with Rilke - and if the Acts of the Downing of the great poet could be seen in such a light. She later published a novel called 'Arsenic' - and in the beginning of her autobiography she lists a number of famous poets and artists she had known. Ivan Goll allegedly died on the day 5 months after Celan had sent his letter, and he had just the time to write his will wherein he mentioned Celan and he distributed to him work for money-bringing translation. The accusations from Claire Goll were that he had borrowed some formulations from these works in his own poetry.
One can construct another version of the story as follow: No sooner have the Golls received Celan's letter with recommendation from Margul-Sperber - perhaps Celan's letter vibrates with some 'mentorial naivity' and forced expectations, could be he would not have contacted the Golls if his mentor had not adviced him to do so and equipped him with this letter - they plot the intrigue: Yvan Goll will pretend to be on a travel to Venice and Switzerland untill 6 November. In the mean time, they work with putting together the intrigue based on the political role of namesake de Gaulle and others. They could have used the Oslo Report as the basis since it would have entailed a british responsibility claim. Goll could have written his "Elegie d'Ihpetonga" on this travel on basis of figures 1 and 2 in the Oslo Report, with Mannahatta as the 'hat-shape' of fig. 1 and Lackawanna ('like Havanna' - the cigar-shaped torpedo in fig.2). These ideas - one notices also Manhattan 2001 and Venice as 'lackawanna'? - and the name of the elegy suggests a communion host on the tongue - could also have been an attempted imitation of Celan's own letter - which could have transpired of some 'mannahatta' and 'lack of money'.
They then make - as goes the hypothesis here - could be in October 1949 - a 'bibliophile' print of the 'Elegie' dated 'May 1949'. According to Camille Schneider's "Yvan Goll - Lebensdaten und Lebensumstände", quoted in Wiedemann's "Paul Celan - die Goll-Affäre" (2000), the story is this for the year 1949: Goll leaves the Strassburg 'hospital', then from September to November goes for a trip to Italy. Publishes 'Elegie d'Ihpetonga, suivie de Masque de Cendres'. Comes on 13 December to the American Hospital... [etc]. This account of Wiedemann of the year 1949 suggests that the 'Elegie d'Ihpetonga' - 'e legge det po tonga' is sunnmörian-norwegian for 'I put it on the tongue', as if it were about a communion host which Goll or even Gröver/'Mengele' had put on Celan's tongue, followed by this 'ash-mask' as if it tasted not too well (there are some comparables in the story, such as the beshe-meshe of Qvale on Karl Johan, hofte-kofte and homse-komse) - could have been published after Goll received Celan's letter. His wife Claire Goll was originally born Clarisse Liliane Aischmann (cp. Eichmann?) in 1891 (only forty and some days before Sachs) and married editor Heinrich Studer in 1911, the year when Josef Mengele was born. She divorced from him in 1916, the year when John Jensen was born. She went to Geneva and studied philosophy and was engaged in 'Friedens- und Frauenbewegung'. She had a 'liaison' with Rilke in 1918-1919 after which she met Yvan Goll who had gone to Switzerland for his pacifism, and they left for Paris where they married in 1921. She wrote much fashion journalism for newspapers and magazines and her name 'Claire Goll' sounds in norwegian like 'klær går' = 'clothes walk', e.g. on the catwalk.
Then, tells this hypothesis, Ivan Goll could have pulked (pretended his death while really leaving for some other location and identity for the rest of his life) on 27 February 1950, on the day 5 months after Celan had written his letter. (According to his wife, he threw the nurses out: "Let me be alone with my death!"). They could have used his letter such as one could have used Sachs' application paper to the state of Sweden in 1940. In Goll's will, Celan is mentioned along with another three poets who should be in charge of his literary inheritance after his death: There are two 'johngrövers', sort of, 'Robert Ganzo' (!) and 'Alain Bosquet' ('bukse' could suggest 'San Pantalon'), plus a Mme Deletang-Tardif, poete habitant en Neuilly (sounds funny, doesn't it? - or does it even resemble Norbert C.Kaser from Brixen?), and Celan.
In these last days of his life, Goll was dependent on blood transfusions. He received his blood from Paul Celan and Klaus Demus - and another 14 poets of those days, as seems to have been the story. After his death, Celan had less blood but more money and the task of translating Goll's poetry, such as this 'Elegie d'Ihpetonga'. One can guess that the plot could have been to prepare for some of Goll's formulations inevitably to surface in Celan's own poetry - via the tip of his tongue - unless he was willing to give up his poetic view on the human race and started thinking in suspicious secret service terms - and this would have lent much force to an intrigue on the integrity of his poetry.
Klaus Demus was present in this Goll story even before it started. Demus had befriended Celan in June 1948 and Celan left for Paris already in early July. Demus followed after him to Paris for the year 1949-50 and was present when the Goll story started.
There is another parallel story which deserves attention. The matrimonial history of Anne Sexton runs with some precision in parallel with the publication history of Celan. When Paul Celan's poetic mentor in Bucharest was Alfred Margul-Sperber, it was a man of body height apparently well beyond two metres - the famous photo of him with another two men must have been made with two rather short representatives of the human race selected for the photo, since he looks closer to two and a half. He looks nearly double their size, to exaggerate a little.
But Celan did not go directly from Bucharest to Paris. He had fled from Bucharest to Vienna where he first had planned to stay. This is where he met Ingeborg Bachmann and it was in Vienna that he made his first publication, a prose commentary to a work of art, as well as his first book of poetry: "Der Sand aus den Urnen". The manuscript to this poetry book, which had been written in the period 1940-48, was completed right before he left Vienna for Paris in early July 1948 (which means that it must have been completed and delivered to the publisher around the time when Demus befriended Celan, or perhaps some days before) and was published by Verlag A.Sexl in Vienna in October 1948. On his way from Vienna to Paris, he made a stop in Innsbruck wherefrom he on 6 July 1948 sent a letter to his Czernowitz friend Ruth Lackner (Kraft). I don't know if this name is interesting for the disease and death of Ivan Goll.
A possibly important part of this story could to be the name-similarity of Alfred Margul-Sperber with the husband of Anne Sexton. It seems that the first date between then Anne Gray Harvey and 'Alfred Muller Sexton' II, the 'Kayo' who married Anne Sexton in August 1948 after a common friend of them had provided for the first contact per letter or rather message exchange between them in May 1948 and a first dating took place in July 1948. In August 1948, Celan's first piece of prose was published on Agathon Verlag in Vienna - a preface to a work on the surrealist painter Edgar Jene, whose name backwards arguably is similar to 'Anne Sexton'. He had apparently met the painter in Vienna in late 1947 and it was in the context of an exhibition made by Agathon on 27 March 1948 and a reading on 3 April that he wrote his comments to the painter's work. Alfred Muller Sexton, who probably had been recommended to Anne Gray Harvey in Boston via their common friend, sent in May 1948 a note to her wherein he introduced himself and she returned the reply 'come up and visit me sometimes' back to him. The first meeting or dating seems to have been in early July 1948 (Middlebrook's biography) which should indicate the time when Celan completed his manuscript, went for Paris and sent a letter to Ruth Lackner, and they started a relationship whereby Anne reportedly lost her virginity in spite of her formal engagement to another man - with whom she also had sex with a guilty mind before she broke the engagement and ran off with the lover, according to Middlebrook. Anne and Alfred escaped in a stormy romance, climbing out of a high window and running off in a car (a 'convertible') to North Carolina where they could marry already at the age of 18 - and they married there on 18 August, which probably was at the time when Celan's prose on Edgar Jene was published as the preface to the book in Vienna - on 'Agathon Verlag', cp. 'North Carolina'. Anne Sexton, as her name was after the wedding, was of unstable mind throughout most of the rest of her life - and perhaps she was before they married also. At least she quickly fell in love with Alfred, tells her biography. It seems that Celan made his prose before the romance started which led to the wedding at the time of the publication of his work. Celan seems to have written his prose probably in April 1948 (or at least he was involved with Agathon in March). Hence it is at least temporally possible that the 'publication' of Alfred Muller Sexton could have been a part of the Goll intrigue which followed after Celan, on Alfred Margul-Sperber's recommendation, had contacted Goll in late 1949, after which Goll died exactly 5 months after the letter had been written. Anne Sexton seems to have developed her psychiatric problems some time later.
It can be noticed that it was in 1959 that Celan came to know Jean Bollack and Peter Szondi in the context of learning about what seems to have been my birth with Celan being my father. Even Theodor Adorno was a part of the story from the summer 1959 which seems to have indexed Celan's authentic fatherhood relative to me - while the Goll intrigue, if the intrigue it looks like, would have served to assign the authorship to his work to the conventional father of mine (Gröver/'Mengele') via the claims that Ivan Goll was the authentic father to a part of his Celan's poetry. Adorno died in 1969 under temporal circumstances which could have indexed my presence at the 70th birthday of Bjarne Eidsvig (he died exactly one month later), while Szondi died in 1971 under tragic circumstances resembling Celan's in 1970. Only Bollack survived the 'cleansing' of the intellectuals. One can guess that the role of Peter Szondi (pronounced 'sondi') in this Sils Maria meeting would have been to represent the knowledge that the story was contained in the painting of Fumiani in the ceiling of San Pantalon in Venice = 'Ceils Maria, sånn Peter De vet'. However, although this form of his name could have been a good enough reason for his presence in this Sils Maria event, one can notice that the name 'piter sondi' - if the form of the name had an function at all - also could have been taken to mean 'pike er zombie' = 'the girl is a zombie'. Perhaps this means that one cannot totally exclude the possibility that the role of 'girl' Anne Sexton (she had also worked as a photography model in her youth) would have been only a romantic and poetic correlate to Celan's publication history. Even Sylvia Plath - another female poet from Boston - married a long poet - Ted Hughes was perhaps not as tall as Margul-Sperber but he was tall enough to be called a long poet. Sexton and Plath had the same 'confidante' Lois Ames through a period of their lives - I think even close to their deaths which were with quite a number of years inbetween. There is a photo of Ames in Middlebrook's biography. The Sexton marriage continued as long as Celan lived and published. After his death in 1970, their marriage deteriorated and they divorced not so long before Anne Sexton's premature death in 1974. She was found 'asphyxiated', as is the technical term for the death by carbon dioxide gasing similar to the one used in some nazi death camps (Chelmno?), in her garage on 4 October 1974. Same death as Plath. One notices the reflex of the date 4 January 1960 when Albert Camus died in a car accident - and this story of Camus could be essential for understanding the relation of Celan to Demus. It is the official variant of Sexton's death who tells of this asphyxiation in a garage. She had attempted suicide a number of times earlier. I have scanned her daughter's biography in vain for details of the verification of her body after her death but have found only reports on people telling that she was dead. She could have been taken to represent Celan's authorship in nazi mythology on the background of this parallel story of the two poets.
It must be emphasized that the October 1920 issue of 'Modern Language Review' seems to present the newspiece in advance of Celan's birth in Czernowicz. Which means that he could have been planned to be my father along with Sachs as my mother for a 'cruci-form' construction of Hitler's swastika on me, for which reason there is theoretically no limit to the intrigues that could have been constructed by international secret service on his life.
The question is therefore whether Klaus Demus and his wife Nani Maier are a part of such an intrigue story. Demus and Celan seem to have become rather close friends from the time in Paris and they kept up much contact up to the first half of the sixties. Demus was first Celan's close associate in the 'infamie' debate but turned away from him after some time, and Celan broke the contact with him. When Celan was in a psychiatric clinic after the publication of his 'Fadensonnen', Demus took the opportunity to visit him there and was received with some reconciliation. He brought a poem which can be interpreted (at 2/3) as containing a responsibility claim on the death of de Gaulle in 1970 - which could mean even the death of Celan earlier in the same year. The published correspondence of Celan and his wife refers to the days of 14-31 July 1952 which were the first time the two spent a longer period together - and that was in fact as guests by Demus and Maier in Kärnten in Austria (which must mean Millstatt, I suppose). The timeline tells for Gisele Celan-Lestrange: "Schwierigkeiten wegen der nicht vorhandenen Deutschkenntnisse, der daraus resultierende Eindruck von Distanz löst tiefe Angstgefühle aus". She was not proficient in german - and she was overcome by anxiety from the impression of the social relations in those days.
My impression from the reading of the correspondence is that one possible role of Demus and Maier can be interpreted as representing me and Nathan Milstein relative to Celan as my genetic father - for the idea that the eventual conclusion could have been that Milstein was the father and Celan was not, another version of the Goll affair relative to Gröver/'Mengele'. 'Nani Millstatt' cp. 'Nathan Milstein'. An important part of the story is Celan's apparent visit to me in Odda in early September 1960. It would have to be a little secret that he would go there and he would probably need help to make it. It seems that he consulted Demus. Celan was in Vienna to visit Demus before his departure officially to Stockholm and on 9 August 1960 - after he had been there - he sent a letter to Nani Demus retelling some details from the meeting with her husband in Vienna - here an excerpt from the letter which tells this Vienna event:
Es war so schön bei Euch, Nani, es war schön mit Klaus durch die Stadt zu gehn, im Dunkelwerden, im Dunkelgewordenen, das letzte Mal durch den Stadtpark, ganz spät; da stand dann ein Mann, er hatte sich über den Rasen gebückt, ganz krumm war sein Rücken, sein Mantel war grau, eine graue Haut und Nachthülle wars, sie hing bis zum Boden herab, geknittert und gefaltet, der Mann war ein Grauer, er war der Graue, und mit einer Taschenlampe - die nur scheinbar etwas mit Elektrizität und dergleichen zu tun hatte - suchte er den Rasen ab - wonach wohl? Und da, auf einmal, muß etwas uns Unsichtbares dagewesen sein, ein Käfer wohl, die Hand des Grauen schlug zu - er hatte es erwischt, das Gesuchte, und seine Blechdose stand bereit, die's aufnahm. - Das hatte, wir fühlten es, etwas mit den Dingen zu tun, die uns angehn die uns umgehn - wir nahmens in die Augen hinein und gingen weiter. Es war wirklich spät.
On background of the hypothesis that this scene had something to do with a planned trip to Odda - whether it was some coincidental scene they came to assign meaning, or whether it was something that Celan had made up for telling something to Nani Demus, or whether it even was a 'grey man' whom Demus himself had put out for telling something to Celan - one can recognize the name of 'John Gröver' in the bending grey man, and 'Josef Mengele' in the electric torch and the search in the grass. The tin can = 'Blechdose' could be representing a syringe of Hammerfest and the beating could be about Hitler on 'Kampen', while 'Lampen' would be the electric torch. The story is likely to mean that his travel to Odda had to be very secret and very well defended off from leaks - which would mean that he needed a helper who could travel to Stockholm in his place - could be even in his passport, which would not be very permitted - and send a telegram to Demus and a letter to his wife and so forth. My guess (although I know nothing about this) is that it could have been Demus who travelled to Stockholm in his place - or at least that he was the correspondent for those days when Demus/Meyer officially were in Millstatt and also a trip down to Venice wherefrom Demus sent a postcard. In theory, it is therefore possible that Demus was in Stockholm while Celan was in Odda and his wife Nani Maier Demus could serve as witness that Demus had been with her to Millstatt and Venice in these days, and so he had his 'alibi'. Felstiner mentions that when Sachs received Celan in Stockholm, she did not recognize him: "und stand vor ihrer Zimmertür; sie erkannte ihn jedoch nicht, oder sie wollte ihn nicht sehen" (p.213). This plan of stand-in in Stockholm could in theory have been the purpose of the travel to Vienna before Celan's departure in the end of August.
Some of Demus' poems seem to be about a glacier which twists and turns down the valley - in norwegian 'the glacier' = 'isbreen', while 'i Spreen' is the end of Szondi's life when he was found dead in Halensee in Berlin in 1971 under circumstances very similar to Celan one year earlier. The poem Demus brought to Celan in 1968 was called 'Morgennacht'. There are 316 lines plus the line 'Für Rudolf Hirsch' in Demus' 'Morgennacht' of 1968, at least such as it was published by Neske in Pfullingen in 1969. Computing 2/3 through takes it to two alternatives: 210.666 = line 211 should be the proper place, while the dedication to Hirsch can make for an additional line to 212. Here are the two lines:
211 - sanftwilden Himmeln, bläuehohen,
212 - wo meerher schwerausleuchendes Gewölk
Clearly line 211 could be seen to index the name 'Hilde Löveid Varvin' ('hilde' typically means a fata morgana of some sort - a 'hildring', while 'löv-vei[d]' would be the 'leaf-road/weighed' and 'farven' = 'the colour') born in 1973 and my neighbour in Voldgaten 1 in 1978-80, while line 212 could be about 'wo John Bjarne Gröver' ('ausleuchtendes' = 'down' = 'ne[d]) - hence the two lines mean 'person A wo person B' = the PLACE Voldgaten 1. Cp. also the situation of the leafage canopy in the T-262 in Molde in 1969. Voldgaten = the street of violence. And hence to de Gaulle 1970 - and that means Celan 1970 - with me in the back seat of the beetle T-262 under the leafage canopy of Aure-Osen.
This is a possible interpretation - if it is of any interest at all.
I notice that 'Blechdos Rasen' - the observation sent by Celan to Maier in 1960 - is a form similar to 'Berthold Grünfeld', in which case the concept of me as the 'berte' who was 'held' by the nazi on Kampen could make some sense. Held over him and sunk down on it. The name of Grünfeld could be taken to mean just that essential piece of information from 1960 that Gröver was Mengele. Gröver/'Mengele' once told me that he and his wife had been in a taxi, I think it was, in Oslo along with Grünfeld and the famous sexologist had presented a compliment to his wife. Could be it was in the back seat. Berthold Grünfeld could, on background of this letter of 1960, be taken to represent the concept or historic fact that John 'Jensen' Gröver's real identity was Josef Mengele and that is what Gröver/'Mengele' told me with this story.
Albert Camus died on 4 January 1960, which was a few days after we had arrived in Odda from Hammerfest, or maybe it would have been around the same day. I think the official date of the move is one of the last of 1959. Camus died from a car accident at 'Villeblerin'. There is a certain name-similarity of 'Albert Camus' with 'Klaus Demus'. Are there traces of Camus' death in Demus' letter before 4 jan 1960? A letter from Demus to Celan is written on 15 dec 1959 in 'Luxemburg':
"Lieber Paul, liebe Gisele, / in wenigen Tagen hoffe ich bei euch zu sein. Morgen geht es von hier nach Belgien, Mecheln, wo ich bis Freitag oder Samstag zu tun haben werde, so daß ich Samstag oder Sonntag in Paris sein kann. Leider wird es nur sehr kurz sein können... Ich freue mich so sehr, Euch und Eric zu sehen. / Von Herzen, / Klaus".
I don't know when the french expression bric-à-brac was formed. Demus' letter soon after my birth on 29 June 1957 - and his wife's letter some days before my birth - are also clearly telling of knowledge of my birth and name.
Nani Demus to the Celans: [Wien,] Dienstag früh, 11.6.57 / Paul, Gisèle und liebster kleiner Eric - / Nun bin ich aber voll Aufregung und Freude, nun ist es bald Wirklichkeit! Klaus ist im Amt und wird den Brief erst zu Mittag finden - ich antworte sogleich, um es Euch ganz gewiß zu machen, daß Ihr mit der größten vorstellbaren Liebe hier erwartet werdet. Und daß das liebe Kind mitkommt, hatte ich gar nicht zu hoffen gewagt (sondern befürchtet, man könnte es wegen der Zartheit seines Alters der Obhut der Tante überlassen) - ach, wie schön ist das - und Gisèle wird es mir wohl ein klein wenig leihen während des Hierseins? / Wir werden alles versuchen um in der Nähe etwas Bescheidenes zu finden - aber ob es möglich sein wird, ist allzu ungewiß. [...] / Klaus hat folgendes eingeleitet: eine Aufnahme im Rundfunk kann stattfinden
etc.
which tells of great expectations, only a few days before my birth. Celan responded with a telegram on 11 June - telling the time of his arrival to Vienna - and the title poem to his 'Sprachgitter' signed Wien, Rennweg, am vierzehnten Juni 1957. I think the Demuses lived in Rennweg at that time and hence Celan could have made a copy of his poem and given it to them there.
Klaus/Nani Demus to the Celans:
Wien, 5.Juli 1957
Liebe Gisèle, lieber Paul!
Ein sehr weißes Sommerblatt will Euch in den Bergen grüßen.
Es treffe Euch in Kühle, Ruhe und Genüge.
In allen Wäldern wird das Licht gemäht
und Feuerwiesen ziehen mit den Flüssen
die Stunde abwärts in die Spiegelmeere...
Grüß Euch der Himmel!
Klaus
[plus some additions]
which seems to be telling of my name John Bjarne Grøver - both in the first line, in the three concepts and in the three following lines.
What should be the conclusion if Demus knew about Camus' death in advance - even in advance of Celan's trip to Odda? (Milstein was born in Odessa). It could have meant that Demus' role as Celan's assistant in the trip to Odda was something that was planned by the intrigue-makers in advance and that Demus had been given this role in advance. When Celan made the plans of going to Odda, this could have been 'put on his tongue' in advance in a way a la Goll, and hence the death of Camus could have been in response to this even in advance. That could be why Celan felt that Demus eventually gave up and joined the 'wrong camp' when he turned away from Celan in the 'infamie' case: The pressure from the death of Camus was simply too much and he dared not stay with his friend any longer. He got 'cold feet'. Only strange that Camus died before Celan had been to Odda, as if time were going rückwärts. One could guess from the death of Camus that Celan's own idea that he would have to visit me in Odda in September 1960 would have been engineered by international secret service themselves. All this intrigue could have had the purpose of producing the eventual conclusion that Celan was not my father - his ideas were a lot of intrigue from the services only - which only means that this story constitutes quite a proof that it really is Celan who is my father.
Demus' role - if he acted on behalf of these services - could have been to install such buffering as the death of Camus and things like that in advance. Including the idea that Milstein is the father - for the 508 project. It is of course even possible that this Milstein 508 serves only this purpose of wrapping Celan's relation to me into the mythology of international secret service. There is the axis Vilnius-Vienna-Venice. Millstatt (Demus-Maier's place) is 30 km NW of Villach (in Kärnten) which relates to Venice such as Warszaw relates to Vilnius on this northern axis. 30 km SE of Jozefow or Alexandrow part of Warszaw there is the tiny place called Gorki, same name as Lenin's datcha where he died in 1924.
Are there other traces of pre-informedness by Demus, as if he should have been doing a job for international secret service relative to Celan? I look for a trace of a rape of me by Hitler in Christmas 1957 and find a letter from Demus to Celan dated 17 Dec 1957 from Halmstad ('Hay-stand', cp. 'Heu-te') in Sweden:
Auf der Suche nach dem Magus im Norden [...] in ein kleines winterlichen Städtchen, und gehe lange unter großen Morgen- und Abendröten, die fast im Süden leuchten. Es schlägt mir der Reisekompaß stets falsch aus, leider.
In a letter of 1 Jan 1958: "Die herrlichen Gedichte - das richtige, so schöne Buch - Eure Liebe und Euer Gedanken!" We moved officially to Hammerfest on 16 April 1958. On 20 April 1958, Demus writes to Celan: "Wir werden eine Reise tun, in wenig Tagen, nach Sizilien, in die Frühlingsspiele des Lichts, zu den gebräunten Tempeln im Kamillenduft [...etc...] Ich bin am 16. Mai wieder in Wien". Which could have been about the mirror in time - some days before, some days after. For the theory of chemical torture of 20 Jan 1959, I find a letter of 20 Jan 1958 (one year before - as for the death of Camus - "herzlichst beglückwünschen wir Dich zu Deiner baldigen großen Ehrung in Bremen [etc]" - but that is of course because it had just been announced that Celan had got the Bremen prize that year) and one of 21 Dec 1958 (one month minus one day before). In the latter, Demus quotes the scene from the Upanishads with the two royals embracing a tree - which has a counterpart in the famous photo of king Haakon VII and his son the crown prince Olav under the royal birch in Molde in 1940 when german bombers attacked the town and they were waiting for the ship Glasgow to come to their rescue. Haakon had died some months earlier - on 21 September 1958, a date of much importance for the installing of Aktion Reinhard (Sobibor, Treblinka, Belcez) in the mythology, such as by the bridge from Stockholm to Oslo with the post codes of 12 May 1968 etc. On 3 September 1958, Demus writes to Celan from Millstatt near Villach: "wir haben eine Tauernreise über Gletscher und Kristallhalden gemacht, morgen in München werden wir durch viele Bildgründe wandern, dann des Hauses am Großen Hirschgraben Besucher sein, endlich am 8. abends in Trier ankommen (Gasthof Pieper, Thebäerstraße 39). Wohl am 10. darf ich, wenn es angeht, bei Euch eintreten, 'den Gruß getauscht mit dem Dunkel...' Euer Klaus". The quote from the Mundaka-Upanishads on 21 Dec 1958 is four lines about "des Weltenbaums Königspaar", with a reference to Celan and his wife as this couple:
Zwei schönbeflügelte verbundene Freunde
Umarmen einen und denselben Baum;
Einer von ihnen speist die süße Beere,
Der andere schaut, nicht essend, nur herab.
which is reminscent of the guesthouse (Gasthof Pieper, Thebäerstraße 39) he had planned to visit in September.
I don't have much data from my early life which could find an interpretation in the period from my birth to the beginning of the sixties suitable for testing the hypothesis on the nature of Demus' letters, but I know we moved from Molde to Oslo on 26/9-57 after my birth on 29/6-57 - a sort of spoon there. Klaus/Nani Demus sent a letter to the Celans on 21 September 1957, five days before the move. It consists of two parts plus a short addition at the end. The first part (about one page) could perhaps be taken to encode the concept of 'Molde' ('Das Herbstjahr kam über Nacht, mit Bergen steht die Reinheit über dem See, schon mischt sich Leuchtendes in den Duft der Wälder' etc) while the second (about half a page) could perhaps be 'Oslo' ('Herzlichsten Dank, Paul für Deine Freude, Du Lieber, und Deinen Gruß. Herr Mauz hat unterdessen meine Vorschläge für die Auswahl einverständlich und recht freundlich beantwortet' etc). The third part is only two lines: "Seid von Herzen gegrüßt, von uns beiden - wir hoffen so sehr, daß der Umzug gut vonstatten geht!". The Celans were planning to move to a new flat in November that year. Could be one could see the move from Molde to Oslo mirrored with 5 days in advance in this letter. In the following month, Gröver/'Mengele' had his birthday on 27 October and Nani Demus wrote to the Celans on 22 October (one month and one day).
Demus in some of his recent poetry seems to have been into ideas reminiscent of those which can be read from my own self-published poetry, but one would perhaps not call it plagiarism. I have not studied it in detail. His earlier poems seem much concerned with the symbolism of the glacier, if it was not the same poem he worked on for a long time.
The Grövers had a recording with (I think it must have been) Milstein playing Mendelssohn's Violin concerto (one of the great things of my childhood, that recording) and a record with I think Jörg Demus playing Schubert - Impromptus, I think it was. And some other records.
This story about Camus, if not coincidentally relevant to the story of Demus, could perhaps serve as a proof that Celan is my father.
One can construct a working hypothesis that Demus in his relation to the Celans represented international secret service. If the theory of Sexton is relevant, one could check some dates in her life. Her first book of poetry was accepted for publication at Houghton Mifflin on 19 May 1959 and her father Ralph Churchill Harvey died on 3 June 1959, which means 15 days later. In a letter to the Celans dated 9 May 1959, Klaus Demus writes from Düsseldorf:
Liebe Gisele, lieber Paul, / seid herzlichst gegrüßt. Wohl lebt sichs hier anders als uns not tut, der Anker faßte keinen Grund - er liegt, wo unser Leben ist; an weiter Kette treibe ich auf der Lichtfläche gezählter Tage. Und doch ist Ahnung von Anderem, Resten von wahrem Grund. In Herzlichkeit, / Euer Klaus.
One can perhaps spot the name of her father Ralph ('Wohl lebt sichs hier anders als uns not tut, der Anker faßte keinen Grund') Churchill ('er liegt, wo unser Leben ist' - PLUS PERHAPS NEXT) Harvey ('an weiter Kette treibe ich auf der Lichtfläche gezählter Tage. Und doch ist Ahnung von Anderem, Resten von wahrem Grund. In Herzlichkeit') in the undertext of this letter - which was sent before she got her book accepted - and her father died 15 days later. Then on 30 May 1959, Demus seems to have sent a review (?) of some work of his. The commentary to the letter tells that it is not known if the review followed a letter or if it was only a separate literary analysis. There are traces of preannouncement of the cerebral haemorrhage which her father died from 4 days later:
"...Wirklichkeit. / Sie ist erschaffen mittels einer Sprache, die im bestürzenden Ernst des vollen Sprechens, Wort um Wort Wahrheit eröffnend, dem herrenlos verwilderten Idiom das Wunder dichterischer Mächtigkeit erweckt".
Things like these do arguable sound like a 'hint' about the cerebral haemorrhage of her father, but some space for coincidences could perhaps be traced even here.
In March 1960, her father-in-law George Sexton died in a car accident and on 8 May 1969 her sister-in-law Joan (probably Sexton) died - also in a car accident - on her honeymoon, 6 days after the wedding. I could not find traces of these in Demus/Maier's letters - but maybe this could be a sort of other way round - that this death of Alfred Sexton's father was the 'reply' to a murder of Anne Sexton's father. That could indicate that Sexton's husband could have been an agent - and hence he was punished for this brutal murder of her father with the loss of his own father after he had been involved in the loss of hers. I have no idea if this is the case - but who should have punished a ruthless agent in this way if they were not of the same type as the agent himself? If his own sister also died in this way on her honeymoon, it could have been about signifying hand-in-mouth and hence the question of drugging of Anne Sexton for driving her into her psychiatric condition. Anne Sexton was more or less constantly troubled with psychiatric problems - at least since the time when she met Sexton - and attempted suicide a number of times before she succeeded. In principle, I suppose many of her problems could have been due to secret drugging. Now this does not mean that her husband was an agent who drugged her - it could mean that these deaths of his own close relatives left the impression that he was. For which reason the two deaths - of his father and sister - could have served to make that impression. It is also possible that the death of his sister could have been correlated with the birth of a sister of mine in the late sixties - and then the impression of a ruthless secret agent could have been lifted over onto me by these means: The person in the back seat of the car. If so, it could have been expected that one could find a particularly light and joyful tone in the letters of Demus around these times if these deaths of Sexton's relatives were supposed to be 'punishment' because of the brutal methods of the agent. Here is an excerpt from the letter from Demus to Celan on easter monday 7 April 1969, one month and one day before Joan Sexton's death:
Die Welt steht mir wieder fester, der Himmel, der mir über Paris eingestürtzt war, an einem Kardinalpunkt, und einen ganzen Erd- und Lebensquadranten verschüttend, ist wieder hoch, und des Herzens Reisegedanken ist diese Richtung nicht mehr verboten.
Which sounds optimistic. The car accident on the honeymoon travel ('des Herzens Reisegedanken'?) could have shattered such high feelings.
One could, on background of such a view on the story, guess that Alfred Muller 'Kayo' Sexton was not an agent, but such intrigues as these would gradually have dumped on him the diffuse impression that he had to be. The couple split in 1973 - and if that were the result of intrigues from international secret service, the purpose of it could have been to split the publication history of Celan from himself. Just like there seems to be an intrigue which aims at crediting Adolf Hitler with the poems which Nelly Sachs wrote - however hilarious that may sound today, there seems to be a comparable intrigue which aims at crediting Gröver/'Mengele' with the poems which Celan wrote. That could have been the purpose with the 'infamie' accusations of Goll since the late fifties, with a peak about 1960, in a story going back to the blood-donations 1949-50. I don't know who is planned to be credited with my authorship - but one would guess that british secret service have such plans. Could it be about Jarle Bruvik?
But if the deaths of her and his father and his sister were the result of political intrigue, and 'Kayo' Sexton was not an agent, how come they had managed to discover the couple - or even to couple them in 1948? If the death of her own father was the 'price' for the acceptance of her first book of poetry, it means that the otherwise rather unknown couple at that time would have been discovered in advance of this. It could of course have been the name of Alfred Margul-Sperber and its similarity with Alfred Muller Sexton (cp. also 'Nathan Milstein') which was the background. They could have searched databases for Millers and Mullers and things like that, could be even for a Millstatt or Milstein reflex, or he could have been discovered for example for his name when he was a soldier in Korea in 1949-50 - but with the extreme importance for the intrigue of Celan since his birth 1920 - for example, it is likely that the Kristallnacht was arranged in Germany because Celan travelled with a night train to Berlin that night - Muller Sexton's name could have been found in databases much earlier - for example at the time when the coupled mated at the time when Celan completed his first manuscript and was befriended by Demus. If one should launch the theory that Muller Sexton was an agent, it could have to include that he intruded not only into the 'pants' of Anne Gray Harvey while she was engaged to another man - with whom she then had the sex she had 'promised' before she regretted the 'harvesting' or rather 'harrowing' = 'angre harvi' (in norwegian) and ran off with Muller Sexton instead. But if this Muller Sexton is supposed to be the reason for a role for Milstein and the story on basis of the ('promising') recommendation letter from Margul-Sperber, it would likely have been rather early - spring 1948 or something like that. My guess is that the relation between the Sextons relative to Celan could have started out as a spontaneous thing - including the fantastic relation to the european poet - and that this later could have been discovered by administration who took the opportunity to abuse it. My interpretation of Heraclitus tells that this is a possible interpretation - which then would have been on basis of her poetic intuition and perhaps the 'palindromic harmony' in her new name relative to the 'Edgar Jene' Celan had written about in the sectorized Vienna of 1948.
There was the letter from Demus one year before 20 Jan 1959, and the letter one month minus one day before the date which could have been the injection of 'Mengele chemicals' in me in Hammerfest. This timing of the letters could, if planned in advance, be about the role of the calendarial telescopes which give the ratio 508 for the relation of Milstein's birth relative to mine. (For a political relevance of this number, see the photo of Karzai printed on most international newspapers front page on 3 nov 2009 with the announcement of his victory in the election - it seemed to be the same photo in every newspaper). There is one letter dated 21 November 1962, which is one year and one day before Kennedy assassination day:
"Lieber Paul / ich wünsche Dir von Herzen alles Gute. // Dein Buch - es freut mich sehr. / Die Krüge gingen nicht verloren: Ich danke Dir. / Klaus".
from which perhaps the name of John Fitzerald Kennedy can be read in the undertext. Then there is a postcard from Jerusalem from November 1963. The previous communication before this was in June 1962 and the next was in June 1964, and it seems that Celan did not respond much after July 1961 when his last letters seemed to try and bring the letter-writing to an end - could be he communicated something like 'close the mouth'. ("Eines - hoffentlich nicht allzu fernen - Tages wird dieses Kesseltreiben ja wohl aufhören", 13 Oct 1961). The Kennedy assassination was therefore not much worth from this point of view.
The last communication is from Nani Demus to Celan dated 16 April 1970, which was 3-4 days before he disappeared. It is about "Dein Dasein, Deine Existenz als Leidender, Fühlender, als Denkender, der es zu äußern vermag, wie kein anderer in dieser bitteren Zeit, mit den vorgetriebensten Organen, dem lebendigsten Puls, was nicht mehr faßbar ist" etc. In light of a hypothesis - I don't know where I have this from but it is a theory which has taken shape while I have been studying the complex - that Celan in the evening of 19 April 1970 (or early 20 April - Hitler's and GHB's birthday) was abducted and tortured (Mengele-chemicals in the blood and/or other forms of mistreatment) for some days before he was murdered and dumped in the Seine, it could be chilly reading.
To conclude, there are some reasons - on background of the role assigned to Celan in the political mythomania - to consider the hypothesis that Klaus Demus and Nani Maier Demus could have been agents for the antisemitic western forces UK/US, not the least for the immense importance this hypothesis could have for understanding that the essential 'Blechdos Rasen' (cp. 'Berthold Grünfeld') could be the same as 'Bledrclos' = 'bladder-close' = 'Blair Tony' and hence 'Bledr clos racen' = 'bleeder close racing' = the 'close race' of the two donors of blood to Ivan Goll (Celan and Demus) in late 1949 and early 1950. This could be the same as Demus ('clemus') Close Racin = Clinton William ('vil hjem' = 'wants to go home') Jefferson. The third part of the 'holy troika', Gro Harlem Brundtland, could perhaps not have the name recognized in this 'Blechdos' story (unless a 'bladder-dos' = the colon box etc) but her origin could in principle be there: Her father Gudmund Harlem started his career around the same times as Demus started his relation to Celan: Harlem went (according to his CV) for studying rehabilitation medicine in UK 3 months 1946-47, Hygienic Institute (Norway) 2 years 1946-48, Ullevål Sykehus psychiatric dep 4 months 1948, Rockefeller fellow rehabilitation medicine USA 1 year 1949-50. The Dead Sea Scrolls were 'discovered' in February 1947, which seems to be when Harlem was in UK, while the stay in USA was while Demus was in Paris and there was the 'close race' among the two donors of blood to Goll. Is there a similarity of names in Close = Scroll, The = Sea and Mouth/Mouse/Muse = Dead? Could this be the reason for e.g. Bledr-clos = Blair-Tony?
If one takes it that the Demuses represented me and Milstein as my father, then this 'matrimonial' focus - possibly enlarged with the finding of the Dead Sea Scrolls - could be the origin of the systematic role assigned to the Octogon. And hence to the matrimonial interpretation of his publication history by way of Sexton.
Is there an alternative explanatory framework for the correlations of references relevant to me with the Demuses? Well there could be the trivial phenomenon that they were friends of Celan since the time of the start of the 'Third man' project in Vienna and therefore they could have come to relate to Celan in a way resembling my relation to him or his to me. All on a subconcious level, that would have been. Is that a possible explanation? I cannot determine on that, but maybe it could be, at least theoretically.
While all these data could have been of hysteric importance for the public to be informed about, for example for understanding the possible background of Blair and Clinton if this is the background of theirs, the world seems to have gone into a mass psychosis wherein it is more important to have the daily dosis of mythomania and systematic cheatment than to have the truth needed to see how the west is spreading its Big Lie about the occult origins of nazism and the holocaust eastwards and I suppose one will search in vain for publically available data on this story as late as the present moment of February 2010. In particular the US Democrat party should not be happy about such a background of Clinton in the Kennedy assassination, unless Kennedy was a pulk, of course, and the endless spirals of role-turning on the name and the 'dirty beast', as if it were I who had murdered JFK and therefore Clinton is launched as a hero for battling the dirty beast in the name of the murdered president, it is of course ridiculous and not worth anything except perhaps the general value it could have to ridicule the institutions of politics after all these postwar years. Clinton looks on this background as the program of assigning value to a US dependency relation to UK, which could mean the general 'model' of the power balance of US republicans and democrats for assigning the Throne of the Universe to England.
One notices the general function of 'Blechdos Rasen' in the interpretation 'Berthold Grünfeld' - a code which perhaps could be used for presenting the program of agency for or representative relations with England. One can spot reflexes of this 'Berthold Grünfeld' name here and there.
I refer also to the situation in France with Sarkozy and Villepin - and one has to observe the name-similarity with 'Villeblerin' where Camus died. Of course Villepin could mean not Demus in the hypothetical sense of a responsibility claim in advance of the death of Camus - rather it could means the PLACE and hence the 'resurrection' of Camus (not in the sense of his 'poltergeist', though) - but it could mean a reference to these circumstances anyhow.
One could trace an attempted new dimensionality in international politics with the two axis of 1) Octogon and Black Sea Loop, including the Orange revolution = PRAXIS = ACTS 10 = Downing Street 10, vs. 2) Klaus Demus = Blechdos Rasen = Bladder-clos = Blair Tony and the blairites. Hence England in any case. But Karzai on 3 nov 2009 could perhaps also mean 'not Octogon'. This 'divide' would look rather insubstantial, but could be recognized as the current situation in London of today when Brown has taken over in Downing Street 10. TWO such camps in the political struggle could, though, both be in extension from Downing Street 10. For example, in France, if Sarkozy represents Eisenhower doctrine #2 and Villepin represents plus/minus = for/against Demus via Camus and hence me if Demus represents me, then there could be a T-262 in France - cp. the recent 'discussion' (or rather case in court) between Villepin and Sarkozy. Which is perhaps nothing new since 1969. One could take it as far as this: If there has been a T-262 driving around in french leadership since 1970, with a continuity which allows for the question even today of 'but where is the T-262 today' and somebody comes up with this Villepin/Sarkozy relation with a reference to me as Eisenhower doctrine #6 and Demus in the mythological role of me, then one could draw the tentative conclusion that it could entail that Demus wrote his letter with a reference to Camus even before his death. Which could be telling of some aspects of the correspondence. But of course there could be links from Camus' death to me without going via Demus - but I am not aware of any such. This role of Villepin of today is an interesting observation not the least on background of the fact that he is not in a presidential power position - but if his role is what makes for a T-262, then he is 'in and out' of power, sort of, without really being there. Which could be about the function of 'close racin' elections. Cp. the one of Bush and Gore in 2000.
This beetle of Gröver/'Mengele's T-262 could be what the 'Blechdos Rasen' was beating against in Celan's letter. And even The Beatles could perhaps have the origin of their name in this letter of Celan from 1960.
The relevance of this T-262 for understanding not only french politics but much other political business emerges also from a lot of other more or less private data from Labråten 58 and other aspects of my life. When nobody else tells it, I have to tell it. And that takes time and attention. Which only tells of the immaturity of the political administrators. They are supposed to represent the people's interests, not the interests of international secret service, and then it is not very wise to leave all this story-telling to me only. If I don't tell it, then the future is in the hands of international secret service.
There is also the situation with the current presidential election in Ukraina wherein the role of the 'spoon' seems to have had some defining function. Victor Yanukovitch and Julia Tymoshenko was in a 'close racin' at noon Monday 8 February 2010 - while the last votes were counted the gap between the two was coming closer to zero. Yanukovitch seems to have won but Tymoshenko could perhaps have used an electoral paragraph for bringing it to a case in court and perhaps recounts according to certain rules. Her own counters brought it to a narrow margin in her favour. This resembles the situation in USA when Bush won with a few votes in 2000 after much recounts. 'Julia Tymoshenko' is not only a name somewhat spoon-similar to 'Tulla Elieson', cp. Eisenhower doctrine #1, she is even a little similar to her. I notice that Sexton-Plath confidante Lois Ames, in the photo in Middlebrook's biography, also reminds me somewhat of Elieson. On the other hand, the name of Yanukovitch spoons into 'jiktor vanukovitch': 'Jiktor' = 'gikt-ord' = 'arthritis', and 'Ayo Jardar', which could be recognized as Eisenhower doctrine #4, once told me that she suffered from some arthritis (or rather that it was likely that she would develop it since she seemed not much affected about it at that time) and she broke an ampoule of cyanide over the sink and flushed it down with water, because, as she said, she did not need it any longer. If the election in Ukraina first could announce Yanukovitch as winner and then a recount should land it on Tymoshenko with a few votes margin, it could resemble the story of Arthur Rimbaud who died on the day when Sachs was born - could be with a few minutes overlap = 'Jay-o Arthur' = Sachs and Arthur (Rimbaud).
The reason why this 'cyanide' is perhaps not just a faint association is in the systematic function which my official uncle Arthur's joke from the sixties or seventies could have been assigned: If the joke was the modernist pianist who said 'Jag spelade fel' and this served to encode 'Jags pella def el', for example in the sense of 'Jags pella flasker' (cp. also the 'aske-maske' title of Goll's elegy - and 'Tore Tönne' = 'Tore Barrell' was found shot in his roadside car at Asker, as if it were about a barrell- or ditch-man who 'pella flasker' = 'picked bottles' for the deposit value one could get for them), it is the chairman role of 'Jag-land' in the Nobel peace prize committee and the potential reference to the 'ALC-o-hold/ward' of books (Austrian Literary Centre, the 'Literaturhaus' with its library) and the 'LKW' on Venice which could mean that this 'Ayo Jardar' with arthritis and A BOTTLE (ampoule) OF CYANIDE in the sink is a possibly rather strong reference.
I was also into the 'ALC-o-hold' of books one day - finding in fact the new Demus/Celan correspondence book - when it turned out to be closed and the next time I tried one of the two doorbell buttons had been broken in the mean time. When there was a comparable 'shiner' (not 'Schreiner's latin grammar) event in my home environments, it could mean 'I and Arthur', although one should normally ascribe such to coincidence. The 'alcohol' reference is contained also in the 'Ältere Not' background of my flat on Simmering in 2004 if that were about Nibelungen with Brünhilde's and Siegfried's struggle with the 'burgunder'. It would have been the price offered for the 'Sitz-Garnitür' which could have made for this, if that price were about the same as the 'Finanzierungsbeitrag' which could have been installed with the deaths of Klestil and Haider. 'Gunnar Bull Gundersen' was a norwegian author.
If the plan is to launch a new holocaust and offer cyanide as an escape route from it, the responsibility claim for this could have been planned to go via my lonely knowledge of such things via these old jokes and stories. The plan could be that only the knowledge of the 'dirty beast in the revelation' (= jewish-genetic diaspora) constituted the format of the responsibility claim.
I hope my things will not be emptied from the flat if I go for a travel.
This role of 'I & Arthur' again would support the mutual spooning: If Yanukovitch had first declared his victory and then the fine count had to force him to withdraw it, he would have only 'tulla' = 'joked', and then Tymoshenko would have been 'Victor'. But since this did not happen, it was she that was 'jiktor' = 'arthritis'. This quasi-spooning relation resembles the peculiarity of british nazi-philosophical concepts based on the classic elemental theory which can be derived from in-out of the body plus the fire of the blood with its complex in-out functions - except that the genital PLACE consists in only OUT (eggs, sperm) except in the interpretation of in-out of sexual intercourse - which would have to see the spoon in the light of two persons. This again is likely to be seen as a philosophical basis for the formation of the jewish diaspora shortly after Christ - and that could be the crux of the story.
The result of this is that whether she or he won, there would remain a 'spoon' on the construction which could activate the 'diploma treatise' of Robert Huez called 'Kommentar zu den Gedichten von Robert C.Kaser' which could read 'come and take to Denke-Dichten'. (I don't know the exact circumstances of Tore Tönne's death when he was found shot in the roadside - the 'ditchen'? - at Asker). If this should be of any relevance - and I have noticed a certain 'ALCO'- reference in the Nobel peace price of 2009 which could apply to the Austrian Literary (information) Centre where Huez is chief (in a sort of parallel to Jostein Simble in once NMI = Norwegian Music Information centre) - one could reach the conclusion that whether Yanukovitch or Tymoshenko won the election, it could be conceived of as a historic event which meant that England declared cyanide war on the Black Sea Loop part of Europe. The Vancouver olympic games could be the declaration of this cyanide in the sink (cp. 'senke ftray'). But that is because Huez in the 'ALC'-o hold or ward of books could mean that although Yanukovitch's trump card against Tymoshenko perhaps could have been that he was a man rather chemically free of linguistic spooning in his marketing profile, not the least perhaps since a spoon could deprive him of his 'victor-y', he nevertheless could be seen as a spoon by way of Huez's diploma treatise (his book) - by way of the political function of Demus, including the 1960 'Blechdos Rasen' event. But it is not likely, of course, that Yanukovitch in Ukraina would have won the election because of a store of books in Vienna: The political function of it could have been only in the form of a british responsibility claim on the meaning of the election as a part of this Demus/Eisenhower complex whether Yanukovitch or Tymoshenko won. The function of Huez, considered as relevant for this framework, could then have been that if the Orange = PRAXIS = Acts 10 = Downing Street 10 revolution of Tymoshenko did not win by way of spooning, the alternative would in the form of DEMUS who could be conceived in the extension of british interests. Or, if this means the 508 of Milstein, one could perhaps call it MILSTEIN with his calendarial relation to me - which of course is not the same as Demus. But this is the reason why british interests could be seen as 'winning' the election in any case, and that means that the election could be seen as a british cyanide war declaration.
The relevance of the spoon, even of Yanukovitch, could be spotted also in the theoretical T-262 in France, however much Villepin may be not in power.
'Close the m[o]use' could also be an interpretation of the peculiar role of the category PLACE in the organismic basis for e.g submorphemic signification. It was something like that which Celan wrote to him in 1961.
I gave three books to the 'ALC'-o hold of books (by Huez, who mentioned the exile library there) in the summer 2009 but they somehow seemed to disappear. I don't know what happened to them. In the night of the counting of the votes in Ukraine, there was a blast in a gas plant in Connecticut where pipe-fitters were cleaning the gear and many of them died. On the photo, the plant looked like 'Norske Sko[g]' in 'Bruck and der Mur'. If this should have been about the norwegian 'shoes' I had given to the library, one will see that the purpose with the explosion could not have been to win or influence the election, since it seems to have happened after the polling stations closed - but perhaps the interpretation of it, whoever was found to have won. If the 'close racin' in USA in 2000 were about 11 September 2001, one could speculate that the fall of the twin towers represented a british coup d'etat in USA. There was a 'close racin' even in Ukraina. BLIKK is a newspaper in eastern Europe, cp. the 'Blech-dos Rasen' of 1960. 'BLIKK' is norwegian for 'Blech'. Kaser was born in BRIXen but grew up and died in Bruneck. His biography contains some traces of this conversion from the anal to the genital which could be the secret trick of british nazi philosophy. His father could be seen as a sort of VAT-man - a porter from the 'Tuch-Fabrik' Moessmer. Gröver/'Mengele' sometimes used to carry a handkerchief with knots on the four corners on top of his head - on the place where a nuclear bomb could hit if it fell down on it.
Kaser broke off his studies in Wien and worked in some schools in the moutain districts (like me - I broke off my studies in Oslo in late 1976 and worked for half a year at Hauge/Stalheim private school for children in the spring 1977). One of the places mentioned about Kaser is called Flaas at Jenesien. It was on a ski trip with Ragna Gröver in the sixties in Molde that she fell down on her 'Birkebeiner' ski which then was tilted up nearly 90 degrees and the edge of it plowed itself into her behind, probably on the little tailbone there, while she was hanging helpless in the ski stick straps. We children started laughing and she said, apparently genuinely hurt or embarassed: "Ikke vær så flåsete" or "Dere er så flåsete". (I recall another situation which also could have been the matter that she used that word, but I think it was this word which was used on that ski-fall situation since we laughed). The word means to be unseriously laughing at other people. 'Flaas at Jenesien' could mean just this situation - 'je e nesien' = 'I am sliding down [normally onto something]', cp. 'venesien' (Venezia, Venice - Kaser was also in Venice, according to his biography) = 'at the lower side'. The skis was, if I remember right, of 'Birkebeiner' type and hence 'Kebir Knörva'. It was a 'tur-ski' = 'Thoursie', not a professional type of ski which in those days was rather different and slenderer and expensive. When this ski was turning 90 degrees and the edge of it dug itself into the behind (cp. the concept of 'frau Röver'), it would have been 'på kanten' = 'på Kärnten' - and one could guess that it could have been about Klagenfurt or Villach or even Millstatt (30 km NE of Villach) where the Demuses seems to have been now and then. If so, it could have been about Milstein digging himself into the 'edge' of 'frau Röver' - hence Milstein as my father for the 508 project on Labråten 58. When this is based on the role of Thoursie, there is also the father of Kaser who worked in a 'Tuch-Fabrik'
Kaser had, according to the web, also worked in 'Vernuer at Riffian'. 'Femur' = the thighbone, and I drank some Ruffino red wine in the late seventies. I had a cupboard with empty bottles in Voldgaten 1. But german 'Riff' could mean 'the white cliffs of Dover'. The Gröver/'Mengele' family was for a holiday trip to Röros at 'the white cliffs of Dovre' in I think the late sixties. I suppose the crossbones in the pirate flag are femur bones, and then the white cliffs of Dovre could be the skull of the pirate flag, for the british flag and the slogan of Eidsvoll 1814 on "united and loyal untill Dovre falls" which must have meant "united and loyal to England (as long as the white cliffs of Dover remain)". Hence british nationality claim. If Kaser also was a 'ver-nuer', he could have quite simply stolen his material - a pirate - from somebody else. The longterm plan could have been to recognize me in this Kaser and hence the program could be me as a pirate with stolen poetry.
However, a more interesting interpretation of 'Vernuer at Riffian' is the norwegian 'femer' or 'femmer', a 'fiver'-coin. I don't know if they still exist but they used to be the biggest-sized coins in Norway, hence the name 'komlokk' or 'kumlokk' = 'manhole lid/cover'. This could be the same 'kum-lock' as in the name of 'Arne Treholt' for example. I suppose these big coins could be seen from the side for a bas-relief view ('riffian') resembling the effect of the folded US dollar banknotes - see under 8. The bomb in Bologna - and hence if 'Vernuer at Riffian' encodes a project of international secret service, it could be just this pre-announced responsibility claim on Manhattan 11 September 2001.
Brixen: I had a book of Gröver/'Mengele' by Karen Blixen (but I think I sent it back to Labråten 58 some years ago). I recall Ragna Gröver's use of the word 'T-bricks' for some pastry in Molde.
When he died in Bruneck, it could also be about 'brown fat' in the upper part of the back. It was Ragna Gröver who told me about this phenomenon - I don't know if the fat there really is called 'brown' - and she said that it has a particularly high rate of metabolism. If people have much brown fat there, they can eat a lot and stay slim. A sort of 'primus motor' in the 'rucksack'? Could be it is the plan to credit 'Jarle Bruvik' (hence Bruneck) for my work - according to the biography on Eichmann in Jerusalem p.8. Bru = bridge, and one could speculate if 'Bruneck' could have been the 'idea' in the event with the small stampede and the sharp piece of green glass on the parapet which penetrated the skin of my hand in Venice in the spring 2009.
'Kaser unternahm mehrere Reisen und unterzog sich einer Kur in DDR' (Wikipedia article). 'Unterzog sich eine Kuh' = Octogon or rather Sodoma and Gomorrah, as for the story of Lot with his two daughters who fled to the mountains - like Kaser when he broke off his studies in Wien and went to teach in the mountain schools.
'n.c.kaser' is talked of as pioneer when he consequently spelt his words without use of capitals, an idea which he could have borrowed from 'e.e.cummins'.
The massacre in Columbine high school was by Dylan (Bennett) Klebold and Eric (David) Harris, which could mean Klylan Debold for Klaus Demus. Who would be 'Bennett' (a norwegian travel agency is called 'Bennett'). 'Er i Karis david' = 'is in Kari's David' could be about the child of 'Kari David'. The two lines of Klaus Demus' Morgennacht at 2/3 which could be seen as a responsibility claim on the death of de Gaulle in 1970 seems to have indexed the name of Kari Löveid's daughter born in 1973. (I don't know if she really was in Kari Löveid's stomach, but it was her official daughter and so she could of course well have been). In which case 'person A wo person B' would be about the PLACE of Voldgaten 1. Certainly this was the path ('the street of violence') which the two young terrorists had chosen, in which case it could be about recognizing me as the other person, hence as Dylan Klebold = Klaus Demus with a particular relation to Millstatt.
One can guess that Klebold and Harris, if they were secret service agents, could have been a little older than normal schoolchildren of their age. The massacre could perhaps have been carried out with escape route and perhaps dummy bodies for themselves by the help of some 'international secret service'. The aim of it could be this Klaus Demus responsibility claim in his Morgennacht. The massacre was carried out on 20 April 1999, which was 29 years exactly after Celan disappeared on Hitlers and Gro Harlem Brundtland's birthday. Hence it could have served to create this link of Brundtland into the 'Blechdos Rasen' of Blair and Clinton for the turn of the millenium when Brundtland was chief of WHO.
The recurring role of the category PLACE could be a part of the reason for british state terrorism's apparent interest in my book 'The Dreamer' which is about 'the form of place'.
If the biography of Kaser is constructed, it could have been by international secret service (cp. Al Qaida) and (I suppose) on behalf of UK/US.
Kaser was for a brief time in a 'Kapuzinerkloster' which could decompose to Ka-Puzin-ner-clos-ter' = 'ka-Rasen-ner-dos-ter' = 'Blechdos Rasen' (for Blair, Clinton and probably Brundtland) which would mean that 'ka-ner-ter' = 'Blech'. One of the two 'attentater' in the Paust case (with a later reflex in the death of Thomas Klestil) was with a gas 'canister' (of 'Blech', probably) leaning against the door of the flat of the Pausts. The norwegian children's book author Anne-Cath. Vestly has written about 'Lillebror & Knerten' - which also could find an interpretation in terms of 'Eric David Harris'.
Schinkel and Stühler
Friedrich Schinkel (1781-1841) was a german architect who worked in Berlin in the tradition of antique style from Friedrich Gilly (1772-1800). He was followed up by his 'schüler' Friedrich Stühler (1800-1865) who continued his work in Berlin, the later location of the british export of philosophy. There was not so much left of this german 'name-game' architecture after WWII - and it was probably not a name-game originally. Should this be the reason why 'Fredrikstad' came to be the locus of the postwar intrigue? Games on names - why does this attract so much giggle and interest? Well that is the theme of Plato's 'Cratylus' which is the earliest treatise on 'submorphemic signification'. Plato did not attempt to link these matters of signification to neither 'platonic objects' nor to 'Wienerschnitzels' (platonic 'K[ri]egel-schnitte'), as far as I know, but one could recognize a postwar french variant in terms of the venetian 'San-Polo Zattere' axis of Jean-Paul Sartre with the 'semen bower' of Simone de Bouvoir for the 'platonic-geometric' right angle running along the Apostoli-San-Pantalon-Zattere 'L'. The couple never married. Clearly this is to situate the origin of german nazism on the choice of career of Friedrich Stühler - had he chosen another career than just architecture the world could have looked different today. But that is of course nonsense: The problem is not Stühler's education but the idea that the submorphemic meaning of the names of his and his teacher would have been a german correlate to the british confusion of the anus and the genital orifice. A british attempt to 'recognize themselves' on the continent.
This Schinkel could of course be the reason for the choice of Ehamgasse as the next Visthouse - and with Sartre/Bouvoir as a reinforcement of the british confusion onto the town of Venice, the axis goes from Vienna down to Venice. And then Vilnius makes for the genital interpretation. That could be the origin of the idea of a british bomb on Venice - hydrogen or some madsized nuclear thing - for making something big out of the Holy Ghost of a 'fart'. Bombe, Rompe etc - british 'submorphemic signification'. The architect who built Labråten 58 in Fredrikstad - the 'home' of Gröver/'Mengele' - was called 'Romberg'.
On the background of Schüler/Stühler, one could expect Schinkel/Stinkel. For the Ehamgasse, this gives the US american 'disnis-bisnis' Echelon surveillance system with a global scope and, according to Microsoft Encarta, with 11 earth stations located in Leitrim (Canada), Yakima (Washington), Sugar Grove (NE USA), Fort Meade (Florida), Sabana Seca (Puerto Rico), Menwith Hill (Scotland), Bad Aibling (Germany), Misawa (Honshu, Japan), Shoal Bay (Northern Territory, Australien), Geraldton (Western Australia) und Waihopai (New Zeeland). (This 'Waihopai' is probably not the same as 'Jean-Paul'). This looks like a dirty beast sitting on his 'schinkels' and sucking himself, which perhaps is the answer to what USA is worth. The same idea could perhaps be spotted behind Steven Spielberg's film production, which started about the same year 1971 with a typical american title (cp the later 'Challenger' disaster) and in 1974 was followed up with a correlate to the 'Sugar Grove' earth station. His titles up to 2004 are the following:
1971 Duel, 1974 The Sugarland Express, 1974 Jaws, 1977 Close Encounters of the Third Kind, 1979 1941, 1980 Raiders of the Lost Ark, 1982 E.T. the Extra-Terrestrial E.T., 1983 Indiana Jones and the Temple of Doom, 1986 The Color Purple, 1987 Empire of the Sun, 1988 Indiana Jones and the Last Crusade, 1991 Hook, 1993 Schindler’s List, 1993 Jurassic Park, 1997 Lost World: Jurassic Park, 1997 Amistad, 1998 Saving Private Ryan, 2001 A.I. Artificial Intelligence A.I., 2002 Minority Report, 2002 Catch Me If You Can. The 'Minority Report' was made after I had mentioned Midori's London concert in my first poetry book 'Hammerfest' (1997). There are traces of dirty beasts (Jaws, for example, on an impressive but not so popular animal). If one analyzes the name of the film-maker, one can find traces of a slanting PIL-spurt, as for an 'Apollo' bridge between a Klipra and a Jar connection. 'Steven / Spielberg' can also analyze even further into 'Stühler / Schinkel'. Notice the 'Bad Aibling' of Echelon with the 'Bad Sibling' ('bad' is norwegian for 'bath' - the bathroom was between mine and my younger official sister's rooms in 1971) with the corresponding 1997 title 'Smestad' in Oslo. 'Frede Castberg' on Smestad nominated Gandhi to the Nobel peace price in 1948 - on 31 January, the day after he was shot and the last day before the nomination deadline. There was a neighbour Skistad in Molde. Notice also the A/I film - I have earlier noticed a variation of Skistad vs. Sjåstad (shi/sho) which could be about the same. A dinosaur in this interpretation could be about the erection of a young jew who had grown up in non-jew environments (cp. the 1980 title). 'The temple of Doom' could find an interpretation in the intersecting road Dommesgasse to Ehamgasse - my flat on the fifth floor was near the corner to Dommesgasse, there was only one neighbour inbetween. 'Saving private John' could indicate that the flat was crammed with surveillance equipment for data which would be stored away for some later occasion if the plan is to use these data for making a 'Golem' beast, a sort of Frankenstein. These would be 'very american' plans, and the collection of secret surveillance data, telling of what US integrity is worth, would be for the purpose of violation of the privacy of the jewish-genetic diaspora. One is wise in having no illusions about americans. The national program is certainly the extermination of every jew on the earth, if only somebody else could do it for them. If the jewish-genetic diaspora is considered to be equivalent with some Frankenstein monster which works in the service of Al Qaida and things like that, the american attitude could be to exterminate the monster for the sake of rescuing the world.
Am I supposed to publish the details of my private life for being able to claim that US culture abuses my person for their engineering of such political plans? My private life remains private but when there is enough reduncancy of a certain theme clustering around indexings of my person, it attaches to me anyhow, and there are lots of such redundancies to me as the one who lived in Ehamgasse. But why should this be about just me? It was around 2000 that I could prove this by referring to the front page of the german magazine Stern which seemed to have my name John Bjarne Grover as the 'theme' of its front page illustration every week - and they did through many years. That should sufuice as a proof. That was also a part of the reason why I did not bother to wonder if the Kursk-and-Cole phenomenon could have been a coincidence when it indexed me as a 'dirty beast in the revelation'. That is also a part of the reason why I do not bother to speculate whether many or most american Hollywood film productions have me and my private life in the undertext. The americans should tidy up in this themselves and not leave it to me to prove the references to details of my private life. But that would mean for USA to give up such grandiose genocide plans.
It is doubtful whether 800 billion dollars in economic compensation to me would have sufficed for balancing off the damage which US culture could have entailed for me - but the US financial institutions seemed to be content with the surprise gift from the government (when I came to Venice in the summer 2008), whether they identified with me or not.
The american society is very young and immature. Ezra Pound died after the Vietnam war was over. In his youth, he studied poetry together with Yeats who published his works along with Tennyson. And Tennyson was born only 20 years after the first US president (Washington) took office and lived at a time when an american was a self-made man who built his home on a site plundered from the indians and would throw up his rifle and shoot them if they came around for getting it back. That is not long ago. The Vietnam war was not long ago - could be they still saw for their haunted eyes the ghosts of the indians riding up in front of the White House. Some days ago, I passed a person in the street who was elected to the US house of representatives during the Vietnam war by the help of just Nixon. Hence the first US president is not long ago, and it is probably not long ago that americans thought of themselves as having just settled, although the generations of the new millenium could tend to believe that their forefathers always were there, sort of. The americans have probably not had a clean conscience from those years of brutal settlement - they really had only their force to 'justify' themselves with - and they must still be considered young and immature. An old culture such as the chinese or indian knows that such behaviour as an Ehamgasse/Echelon/Starwars does no good in the long run - in the american conception, it does not pay off in the long run. A bad investment could be the language the americans understand. But the americans seem to believe that such smartnesses can solve their problems and needs. That probably means that they don't understand themselves. It is not en empty phrase that americans don't understand history. There could be reasons for this truth. The apparent project on me would have been designed in a time when the US rights to be there were very fragile. If they acquired their rights to the american soil by exterminating the indians, and continued the exterminations untill there were no more claims to it, the solution to the immature culture is not to exterminate the jews in order to acquire the rights to their old culture - in order to overcome their own problems of immaturity of culture and critical shortage of moral integrity in that way. It is time to think it over. It is very naive to believe that they can acquire the culture and history and moral integrity from the jews like they once got the soil from the indians.
The name Echelon for the secret surveillance system, said to be able to peep around any corner, could then be telling of the systematic role of this Schinkel/Stühler story for US philosophy of administration. Rudolf Stingel was one of the artists exhibited in 'Mapping the studio', the largescaled exhibition in Dogana and Grassi in Venice opening in June 2009 and lasting at least into 2010, and for which one could speculate if it be about surveillance of my private 'studio' premises, at least my private computer. Stingel's works were probably the ones most obviously related to or based on my work, but of course uncredited. NSA is the US military surveillance unit which is running Echelon and for whom it may be more important to install mythomaniac concepts about jews than to keep up a decent culture. The terror bombings in Iraq are - as one can understand from the overall story - consequently probably american for whipping up nerves to which Iran has to respond, hence their nuclear program for telling of the US terror in Iraq. With Iraq = the KEY or genitals with Iran = the N or END = excremental, as could be the american philosophy of a sort of 'hobby' format, there are the bombings in Iraq for getting the elements under control and for driving it all into the neural region with its 'Denke-Dichten'. Which suggests that an Al Qaida bomb planned on Venice probably would be american. Which could be telling of what USA is worth. Postwar art of most forms have developed into simplistic schemes which vibrates with the mythology of such eisbein disease and that is the 'meaning' which is recognized as the value of the art. It is enough to take a look in a video seller who can offer US productions to be able to make a conclusion on USA. The problem could be that the west cannot take more of the goodwill from the east, since they cannot understand what it's for, but can find no other way to tell it. It is well possible that the 800 billion dollar bailout in the summer 2008 would have been a natural sum as economic compensation to me (victim of surveillance and representing the jewish-genetic diaspora) - and when they give this economic compensation to the US financial institutions, that meant that these institutions were me. Hence US finances for the global crisis were refined as me - and if the Echelon 'intelligence' network constitutes a comparable embodiment, one wonders if the US program is a complete identification with the jewish-genetic diaspora - for a program of 'taking-the-place', of course, a la the story with the indians. The 800 billion could then be the 800 euros in 'Invest-Ab-löse' (with the Invest = Financial institutions being 'abgelöst' against me), and the 'Ab[e]' could then be the 'ekkel on' the wall in the 'Abstellraum' - the remains of a hermetic glass of 'rote Rübe' (beetroot) which had exploded there, according to the previous tenant. I never thought of it as wallpaper blood from a 'tornoffen arm' in shoulder height.
Why should they have 'ablöse' with the 'dirty beast'? For doing dirty beastnis, of course, while throwing the dirt of it on others. That is dirty beastnis. One of these could be the terror bombing in Iraq and the dirt is that they blame 'Al Qaida' for it - while the present analysis has concluded that 'Al Qaida' is more or less identical with the US control with international secret service.
As far as Schinkel and Stühler and Gilly is concerned, it is likely that Hitler's 1924 signature was not only about 'Nelly X' but just as much about this 'Gilly' as the first Friedrich in the timeline of Berlin's 'stylish' architecture of which there was not much left in 1945. Cp. also 'Henri Guilbeax' and his apparent responsibility claim on the death of Lenin (which hopefully is not related to Rudolf Stingel in Venice). Hitler's signature could therefore be telling of his agency relation to London. Celan's father was called Leo Antschel-Teitler, not Antschel-H[e]itler, and MLR Oct 1920 suggests that he could have been an agent. Since the story suggests that even Sachs' parents would have some sort of agents or at least representatives (in Berlin) with the task of bringing up the child, could be including some early infancy mutilation, one could guess that her 'Leonie Sachs' could be about the same Friedrich 'Gilly'. 'Leo wants a Hitler'? - it must be recalled that Hitler was only a small boy when Ibsen wrote his drama 'Eyolf Little'. Which then could be the joint origin of the whole story. And this explains Bjarne Eidsvig's oyster farm on Vågstranda - under the two mountains called Blåstolen = the Blue Chair and Trollstolen = the Troll's Chair. Hence 'Friedrich Fjelly' could be a constructed variant. Smelly, which could mean also an exploding bladder-close. On this background, the view of the oyster farm in the closed fjord inlet with its many floating 'bladders' = 'blåser' holding the underwater chickenwire baskets afloat, hence the inlet with the oyster farm could be called 'blåsete', the word 'flåsete' ('flås' can also be spelt 'flaas') of Ragna Gröver on the ski trip in Molde could be seen to have quite a historic weight and that could explain the reason for it in later constructions. If Kaser is a construction, his alleged work at Flaas - which would have been after the ski trip in the sixties - could find its origin there.
Isn't even cyanide associated with blowing over the lips, hence 'blåsete'? I don't know where I have this idea from.
For the 800 in Invest-Ablöse, there could be the 800 billion dollar US bailout in the summer 2008, the Gilly/Nelly-X-signature of Hitler, and the year 1800 which was the overlap by the death of Gilly and the birth of Stühler - as for Rimbaud and Sachs? Not Henri Rimaud? And could be for the H3355 of Ehamgasse.
This essential T of Schinkel/Stinkel etc could be the T in the T-262. Hence possibly also Ehamgasse/Echelon. Which then could come out as T-of-An-tschel-Teitler = T-262 in contrast to T-of An-tschel-Heitler = T-261. We did in fact drive behind the T-261 once in Volda and Gröver/'Mengele' pointed forwards to the number.
Conclusion: It is fully possible that I have been made for being not only a jewish-israeli-diaspora zwischenpapier but also a switchboard for many such political arrangements which will remain invisible for everybody else but can have large political effect via my role in the mythological construction and thereby assign much power and responsibility to UK/US - for example via a persecution program against which one has only cyanide to offer. If, as the current case in court in France (Villepin/Sarkozy) could suggest, Demus can have a large impact via e.g. Blechdos Rasen = Bledrclos (Kaser?) = Blair-Tony (and Clinton etc) and if Demus also acted on behalf of UK/US in the role of me relative to Celan, launching Milstein (via his wife) as the alternative father and as an administrative principle of calendarial telescopes, or, for example, modern international politics are going into the two camps of either Octogon for the US republicans or Demus qua me for US democrats and England, it follows that I have to tell the details which are necessary for the public to understand it unless somebody else does. This means that it is inevitable that I have to mention some things which could feel like toe-stepping for some individuals. For once, this is not my intention, and I do apologize if I come to mention people in a possibly unfortunate light, secondly I am convinced that I am not right in all my assumptions or guessworks but I cannot find out which are right and which are not, thirdly it feels like a catastrophe to have to publish yet another page of this material which I should have been out of already since years. I would not have touched this material at all if it were not necessay for these reasons, and I do not like to publish it and get a response to it as author from history or society. My poetic world collapses with every such new page and it can take me a long time to get it up again. I had hoped that the need for these pages were over when I returned to Vienna, and I hope this is the last time I have to come with more news of this kind on the web.
The Soviet Union did not manage to keep up its communist aspirations. An important reason why people seem inclined to accept the western world of mythomania instead of historic truth could be the fact that nobody told publically e.g. that Hitler was an agent for England or that political pulks generally could be accepted by the state leaderships. If the Demuses should have been secret agents for example for the political interests of England, the accept of this by administration means, according to folk understanding, to accept their role - if they really were agents - and secret agency among people, on the very interface of friendship and confidence among people, is the end of communism. It should have been trumpeted out from Moscow and Beijing that Hitler lived in Norway if that is the story - but with the long traditions of apparent swindle announced in MLR - apparently including e.g. Dead Sea Scrolls of 1947 - it is of course likely that such public announcements could have led to even worse trumpeting from the west - for launching new historic lies. If the 'holy troika' of the turn of the millenium are based on a 'Blechdos Rasen' since Celan's visit to Odda, just in order for making much out of the personal relations in the jewish-genetic diaspora which the UK/US seem to be interested in hijacking by way of divide-and-conquer strategies, it is important that people get the chance to come to knowledge of it - and then people could have been more interested in the good intentions of communism than in the world of western competition. How on earth can it be that Israel has not told the truth about the holocaust - when the truth seems to be that the function of the 1939-45 holocaust was to index the Klipra connection for a postwar harvesting of the profits from the tragedies in England and USA? When they do not, then people do not believe anything but the official version, and then the world is already prepared for a second round of holocaust - which it then seems that Israel accepts and then people will accept the pretexts and official lies which are needed for making it run. It is not enough that the administrations know the intrigues - if that were enough then they do not represent the people any longer and then there is no value in the 'communism' any longer. It was not only for their own sake that Israel should have told the truth about the holocaust - it was just as much for the sake of the rest of the world who desperately needed to know what the reason was behind the terrible history. This is likely to have been the reason why the russian revolution failed, since Lenin had not told the truth about the Klipra connection and then he was shot by Fanny Jefimovitch Kaplan (whose name resembled the essential name of that Klipra connection) as a traitor of the revolution. The treason was that he had not told the truth which was needed for the people to understand the history. If the state of Israel could be declared a mistake when five minutes had passed after it was opened in 1948 and they had still not told the truth about the holocaust, the russian revolution could also be declared as failed when one week had passed and Lenin had still not told about the Klipra connection (as the secret of the holocaust) and the plans about Hitler. These plans could have been the very reason why the russian revolution was so needed. The name of Stalin means that Hitler was planned by England as early as 1814 (as a counter-plan to Napoleon) when the state of Norway was established as his 'safe haven' ('St.Helena') after 1945 - and that is the reason why Lenin was squeezed out of the failed revolution and Stalin took over when it was too late. And then Hitler made his signature look like Nelly/Gilly/800. There was no more important reason for the revolution than the need for truth and when the truth did not come on the table on the very first day, or at least after a few months, it was already a failed revolution. And today the world looks like a flatscreen TV with propaganda programs from morning to evening and from evening to morning.
This could of course have been the intention in making me with the mythological role of 'dirty beast in the revelation' (Kursk-and-Cole) - in order to make me tell these things due to switchboard function etc.
I don't know the exact circumstances of Tore Tönne's death when he was found shot in the roadside - the 'ditchen'? - at Asker (between Skylla and Carybdis?), in fact it happened when I was up to Montmartre and strolled around Sacre Coeur (Kyla & Sacry-bdis?) waiting for an appointment to see a flat, and a Mercedes had parked when I came around the church in the foggy evening and the driver was twisting his fingers around and around each other (means 'loop-aper'?) clearly for me to see it when I passed the car. Tönne had been director of Norwegian Sea Foods (not Dead Sea Scrolls) and minister of health in the 2000-2001 norwegian government (there seem to be traces of a Venice-Vienna connection in that government, could be even my change-of-route to avoid the camera on the 'bru-stad' = 'bridge-place' at San Barnaba in Venice 2009). 'Norwegian Seafood' of Tore Tønne in the 2000-2001 norwegian government resembles 'Seife-Huez' ('safe choice'?), cp. Huez from Lana and 'Bücherwürmer' - which is not the same as 'Bösendorfer' (a grand piano klaver, if I don't fail). Green is not white. The free newspaper 'Heute' was started in 2004 and distributes something like 400.000 copies every day - a brief scan of some front pages tells that it is likely that 'SEIFE-HUEZ' is the concept on more or less every issue, main photo included. I noticed the additional 'safe choice' on an issue with Schwarzenegger's election victory on the front page, with a photo of himself. 20 October 2006 has headline "Top-Experte fordert: Schule erst ab 9.00", then the a red photo shows the head of 'Schumi' who is running his last Formula 1 race before he resigns in safe time, and then an ad for (probably waterproof) boots. 30 June 2006 tells "Wiener halten den Scheidungsrekord / zwei von drei Ehen scheitern", plus a red photo of a house on fire. 14 September 2007 tells "Wiener 'Al-Kaida': Vierte Verhaftung" - plus a photo of musician 'Sting' in 'The Police'. One wonders if it is about building an 'Al Qaida' Bösendorfer. Most front pages I have looked at seem to have this as a possible reading. A recent issue showed the photo of an olympic sledge-driver head first down a steep ice hill.
If 'Seife-Huez' is the concept, it seems likely to be about Norwegian Seafoods. Tore Tönne, which means 'to dare the barrel', was shot himself - the nes told that it was suicide, but nobody drives out to shoot oneself in the roadside between Skylla and Carybdis. Which means that it is not smart to nourish plans about 'daring a barrel'. Which means that the joint project is likely to be to develop a new Adolf Hitler to play on the Bösendorfer and not be shot in return - and the newspaper Heute is there for preventing that the monstrous 'statesman' be shot before he reaches enough power. But that cannot be austrian interests. But it is not my job to take up the struggle with the newspaper and to get smear campaigns in the face in return. Somebody else must understand that such programs cannot be for any other purposes than for seeing the city demolished. But that cannot be austrian interests.
'Feature-conversion' seems to be the key to the 'pulley' at the entrance door of San Pantalon, the 'verboten' concept. A new newspaper 'Österreich' was started around 2006 and is apparently still partwise distributed for free in parallel with 'Heute'. Feature-converting 'Österreich' takes it to something like 'fuck a spy' or even 'fuck a fy' (with variants 'fake as few' etc), while 'seife-huets' feature-converts to something like 'ich ficke spion'. Or via norwegian 'A fikk FK' = 'FAK'. 'Heute' gets into something like 'is the fuck' or 'is the pack'. 'Security' can, not surprisingly, feature-convert into something like 'a coup wife up'. Then if it is a piano which is 'fucking hans kone' = 'a coup wife up', and if the 'Bösendorfer' is thought to be the piano for a shiner on Italy, then it could be about 'fucking han skone' = 'fucking the shoe-man'. Is the piano jewish? If the revelation (a bomb) over e.g. Venice is like Ezekiel's vision, then Bush's name in hebrew could be telling of a jewish origin. And there could be much justified wrath over the 'jewish' Bush after Iraq etc. Hence wrath over the jewish 'spelling' (the word can be used in norwegian about playing e.g. the piano). Gusenbauer worked for some years as news presenter in TV, bringing the 'Nachrichten'.
The program of Literaturhaus feb 2010 is about 'Staatsoperetten' ('sope' or såpe' is norwegian for soap, Seife) with Franz Novotny and Otto M.Zykans (not John Otto Haug, psychiatrist) which could invoke associations with MLR April 1957 for my birth - could be also the 'syka-ans' of my disease when I got Kittelsen & Skeibrok (below). There is a Franz Novotny on the program of Alte Schmiede the same day, and they had a concert with a Fritz Novotny on 6 feb.
Michelson-Morley could be a central concept for the attempt on Lenin 1918. Some possible cues: Kittelsen/Skeibrok's 'Sannferdige Skröner' ('Truthful Lies') was in the bookshelf in Labråten 58. (I recall that I got it from Ragna Gröver once when I was in bed with some disease, flu or whatever, but it may be that it really had been in the bookshelf above and that it was not acquired for the occasion of my disease). If 'Kittelsen' rewrites to 'Michelsen', then 'Skeibrok' rewrites to 'Beiskrok', which could be the back seat ('ræv-krok') of the VW or whatever. Al Qaida = the Base, and would 'krok' = 'hook' be about (international secret service) carabinieris - for 'making the revolution'? The 'police' of 'Heute' 14 September 2007? Beiskrok-Meiskrok = Bæsje-Merce?
In fact the difference between 'Bösendorfer is' and 'Literaturhaus' is approximately (backwards) something like 'I feud/food/fool/fuel a struts/Ostrich-help' - with variants. Seafood and ostrich/orange etc. Cp. also (at the time of Vancouver) 'reiv a en chest'-iölp - 'reive' is lapp language for the wrapping of children in 'komse' etc. My missing doctorate? One could think of the pianist on a Bösendorfer as british secret service who also seem (according to my analyses) to have abused my authorship for state terrorist programs reflected in the MLR. But clearly this Bösendorfer could be a western counter-idea.
For Skeibrok (cp. Schreiner's grammar and dictionary and the 'shiner'), one notices 'Skreiv-bok' which could be the 'notisbok' which Ragna Eidsvig used to get when as a child visiting her grandparents (some ancient Devolds, could be [grand]son of the Ole Devold himself) along with the juice = saft-og-vann (juice-and-water) which she told me that she also used to get from them. Cp. jews and father - whether Milstein (miklstein?) or Celan (morley = antschel?) is the father, which could be about Dead Sea Scrolls. When do the dead see 'scrolls'? Could the 'scrolls' be about victims of 'Mengele chemicals', such as they look from the other side?
The orange revolution in Ukraina could have been the people's wish to have the truth about the Klipra connection from outspoken Tymoshenko. When it was not yet told on the day of the election, then the western-oriented Tymoshenko could unfortunately not be elected.
© John Bjarne Grover
On the web 10 February 2010
Last updated 12 February 2010
