Aage Krarup Nielsen

John Bjarne Grover

In the late sixties, I got the book 'Mitt livs eventyrreise' by the danish author Aage Krarup Nielsen (translated into norwegian 1964 edition by Arthur W.Gammelgaard - and one notices such phenomena as 'Nielsen Norge') as a gift from Grøver/'Mengele' when he came back from Oslo for a weekend or so - which means that it probably must have been in the autumn 1968 or spring 1969. The book describes a round-the-world travel, including the role of doctor among the lapps in northern Norway, with several black-and-white photos by the author. Some of them could perhaps be taken to indicate 'kan du lese av lyse[t]' = 'can you read the [light] metre', cp. Phia Rilke's letters to her son - letters which seem to contain a certain poetic metre. Between pages 64 and 65 in Nielsen's book, there are the following photos (johnbjarnegrover.com/aagekrarupnielsen.jpg):

One can spot the immediate relevance of the post-2000 pop hits of Kylie Minogue (born Kylie-Ann Minogue, cp. 'konkylie min og' = 'conch mine too', on 28 May 1968) and one thereby notices also a certain possible relevance of the same semantic complex as can be assigned to the names of Alois and Edith Mock. The european in the lower mid photo (surrounded by the 'pop group') could resemble Adolf Hitler. If the female to the right resembles Nicole Kidman, the 'Ockham' male to the left could perhaps even have contributed to the role of Nicolas Sarkozy (via 'stop smoking' campaigns etc). I recall Vibeke Grøver had on her home desk in Volda 1964 or spring 1965 a dried-out sea animal of 'hedgehog' type ('kråkebolle' she called it) comparable to the object on the right-hand photo. 'Grav ut sel[v]' = 'dig it out yourself'. Parallel streets to Labråten in Fredrikstad are Gluppe, Pettersand (west) and Risløkka (east).



Here are all the photos in the book with a brief discussion (the form of the discussion is deplorable but maybe I will improve it later if I get the time). The photos are inserted inbetween two pages of text, either two or four photos on one or two leafs (which means that a,b,c,d means that b and c are as in the example above), and are referred to by the text page they follow.

The photos are normally of some 4-500 kB of size.

Here is the cover to the book. One could guess that it is about a british and/or secret service project for putting fire to people for the purpose of administrative control with global signification. The (probably) author at the globus could represent 'kjenner De uni-jord?' = 'Kennedy junior' (possibly even 'J on fits-general' etc) - see also 96a for 'June Bride' - while maybe the female dancer could be 'princess Diana'? In short, it could well be that the whole book (at least the photos) are about a project of pulk and resurrection of Kennedy jr and Diana.

Between pages 16-17: Photo 16a, photo 16b. There was a sami type doll from probably Hammerfest 1958-59. I think it belonged to Vibeke Gröver. It resembled somehow the old sami woman on this photo. The photos on the next page 16b could be about 'fitler'. Notice the horn on 16a.

Between pages 32-33: Photo 32a, photo 32b, photo 32c, photo 32d. I could recognize aspects of a trip to Zagreb in 1983 in 32a. The town was in darkness at night except for a few illuminated sectors for reasons of saving of electricity. The female lifted her fur above her head but was otherwise dressed to the winter season. The penguins and the whaling were not, as far as I remember, immediately associated with Zagreb (except perhaps for 'pen kvinne' with 'veiledning' in the darkness), but one could think of the name of 'Krarup Nielsen' as associated with the concept of 'graver ut selv' = 'digs it out oneself', as for bringing an end to a sad and open story by own hand into the open top. An unsolvable paradox? We went to an opera and saw 'Aida' - I think I remember an irish coffee or someting like that afterwards - I don't know if that is related to the later Al Qaida. Is it the Woodstock festival there with all those penguins? There is not much left of that culture after all the 'penguins' in the lower photo have been collected and removed by the 'woodstock' in the upper photo, it could be about. 'Egg-stokk' = 'ovary' (and hence 'wood-stock' could be about the Kennedy factor relative to the names of Sachs, Celan and me). I have speculated that there could be plans for british CIA-bugs that could eat libraries, for example. Or does it mean the removal of an ovary from a beautiful woman which could have given rise to many new ones?

Between pages 48-49: Photo 48a, photo 48b, photo 48c, photo 48d. 'Reisningen' is norwegian for 'the erection' but it can also mean 'the travelling'. Is it about a tramline, such as were installed with the 'dirty trick' of my teeth destroyed by the school dentist in 1970-71? Which tramline could it be about? It looks like a poorly edited photo with that 'knife' in 48a - and in fact the whole figure of the author looks scissored into the photo - and indeed most elements in this group look unnaturally grouped. Are there some wellknown faces there? The tall man could resemble Margul-Sperber. Notice the Feng vs the HENG in 96d. 'General Feng' could apply to 'Fitzgerald'. The cross on top of the head in 48d could perhaps be recognized in the 'fanatic' in some Hollywood films, with such forms on the forehead etc - or in e.g. the fanatic of 'The da Vinci code'. I notice norwegian 'Feng-sel' = 'prison' = 'Ge-fäng-nis' - for example, if one sees somebody who looks like Feng on this photo the spontaneous reply in the head could be 'feng sel[v]'. It would then be about looking similar to somebody. 'Feng-hette' is what is needed to detonate 'dynamite' - and one could think of a some typical 'Kennedy gear' in the form of a metal pin to be put into the rectum of sleeping children for short electric 'whips' ('pisk') for 'behaviouristic' upbringing. (See MLR july 2010 which was not so long before the mine disaster in Chile which attracted the attention from an estimated 2 billion TV watchers = Chile-minene = slim-hinnene = the mucous membranes, for example title 11 by Sally Dalton-Brown cp. Wally Dalton-Drown). The father of princess Diana was Edward Spencer, Viscount Althorp (cp. 'pisk-count torture'), and if a Kennedy should suspect me of being involved in a 'Bermuda triangle' (cp. 'princess Diana'), he would perhaps feel entitled to use his gear on the one to whom I would be father? 'Feng-hetta' is the gear needed to detonate dynamite, 'heng-fetta' could mean 'hanging fat', cp. 'Rwanda'. Who are the three people in 48b? There could be various associations, but I should perhaps mention from my personal history the one to the left as being somewhat reminiscent of Frank Tveor Nordensten (schoolmate of mine in the first half of the seventies), perhaps as they could have guessed in the first half of the sixties that he would look 10 years later - in which case the photo could be about the concept of 'norr-bagg' in the sense of british pulkers into Sweden for a gradual take-over of the power there.

There is something one could call 'the joke of democracy': In democracy, the human rights are respected - except for one person. And who is that? The king, of course. It is probably not for this reason that Mohamed El-Baradei is in the forefront of the events in Egypt nowadays.

Between pages 64-65: Photo 64a, photo 64b, photo 64c, photo 64d. If the couple in photos 64b-c could invoke associations to Nicole Kidman and Tom Cruise, the photos of 64d could perhaps invoke associations to Angelina Jolie and Brad Pitt (with Emile Gaugin, the son of the painter). The roof of greens over Gaugin's wife in 64d - is that about 'Steven Spielberg'? With 'staver[s]' on the other side, the jungle rover in 64a? Or is it Jack Straw? One notices the similarity with the sami woman with the horns in the background of 16a. It is possible that Hollywood is nothing but all this. It is likely that the art of Gröver/'Mengele' could have included the attempt to edit my look during my growth in childhood and youth to be a possible decendent of Adolf Hitler. One can even speculate whether this single point - that I should be the son of Hitler - is the one and only theme in Hollywood, although then it is likely that it could be about this book - which could mean Kennedy jr and Diana.

Between pages 80-81: Photo 80a, photo 80b, photo 80c, photo 80d. This seems to be the complex around the Seut river (or Urban Loritz Platz) in 80c and Gressvik (the 'camel-store'?) in 80b. I notice the 'bakli[g]' posture of the person with the crossed legs and the 'badeliv' scene from India. If the situation in 80a is my edited chin, the one of 80d could perhaps be about an edited skull form of mine ('knørva' it could perhaps be called for the male to the left). Hopefully not about digging out the history by own struggle, such as I have had to do with writing the book of this web page. I could perhaps recognize some names from my norwegian history in this cluster of photos at page 80-81. What happens if you 'cross the legs', as in 80b, that is, fertilize an egg from parents that are dead and buried, or at least one of them is? Would it then be about 'blonde hair' = 'lys-haaret' = 'kan du lese av lyset?' I don't know if this is a relevant issue. 'Kan du lese av lyset' = 'could you read the light/metre' is what a man from the electricity provider ('e-verket', can also mean 'etterretningen' = 'the secret service') could ask the housewife when he comes to read the metre. Then she can tell about this visit from 'e-verket' to her husband when he comes home for dinner. "I wrote it down/off for him" = 'jeg skreva for ham' which also can mean 'I parted my legs for him'. And then it is about the 'hair' - to the 'throne'?

Between pages 96-97: Photo 96a, photo 96b, photo 96c, photo 96d. 'Kua la lumpur' = 'the cow laid lumps', plus a bad taste of 'norwegian semantics' when reduced from 'Kuala Lumpur'. To sleep in the street was a part of my fate around 2002 - after my PhD had been rejected by Jens-Erik Fenstad, Jens-Erland Braarvig and Anders Holmberg. I notice the fence in the lower 96a and the 'braa-vig' = 'sudden turn' of the car in the upper 96a. I don't know if 96b is relevant to the third name in the committee. The name of 'Fenstad' can also be spotted in 'feng-hetta' = 'fen-gitter' as in the combination of female and male prostitutes, the former behind metal grids = 'gitter' in 96b. I don't remember when Chirac formed his l'UMP party, but it may perhaps have been around those times. The mid photos 96b-c could be about Gabrielle Gifford: 'Ga brille' = 'gave spectacles', 'gitter' = 'grid'. On the lefthand side behind the grid there are prostitutes. The 'Billy boys' (male prostitutes) could perhaps be recognized in the name of 'Billa', the grocers chain (for 'biss') with shops on nearly every corner in Austria and in some neighbouring countries. There is a slightly redlight district behind Westbahnhof. 'Gafle Gripboard' as a rewrite of 'Gabrielle Gifford' (Mel Gibson is in a film 'The Beaver' released around these times) is contained in the poster for 'Komunis Indonesia'. The 'revolutions' in Kyrgystan and Tunesia recently - cp. 'Komunis', and 'Venezia' is often called 'kirkestan' = 'the town of churches' - could be related to the issue of the 'Finanzierungsbeitrag' which I should have got back from ÖVW when I moved out from Ehamgasse on 8 April 2008. There is a 3 years limit for claiming those money in the court (while I am saying that this is politics and then politics must tidy up in the matter and not leave it to me to run it in court and risk having to pay for the case in the high court - a housing contract must be registered for the financial department within a limited time for being valid and my contract was perhaps signed and registered too late by the houseletter, for which reason it could be that the supreme court would take 'Finanzierungsbeitrag' to me 'deposit'). After 2 years there was the revolution in Kyrgystan, when there were 3 months left the revolution in Tunesia and the attack on Gifford. 'Bottleneck' could be a rewrite from the 'Menckhiar' such as 'Persaudar' rewrites to 'Pahlavi Reza', who died in late 2010 (Reza Ali Pahlavi, I think it is, while the tunesian state chief was Ben Ali). 'Bottleneck' is norwegian 'flaskehals' = 'flass-kalles' = 'dandruff' = 'the rough dane' = 'Aage Krarup Nielsen' in e.g. the sense of 'Aaron gikk in pilsen' = 'Aaron Eidsvig'. It could be a normal joke about a 'grand danois', cp. 'grand piano klaver' for my name. I notice that both 'Thomas Klestil' and 'Jörg Haider' are names which could associate with 'Finanzierungsbeitrag'. For 'Bombay', one can speculate that there could be british bombs dug down under Vienna or other austrian cities, as a means for political control, a condition they could have had to accept for the independence of 1955. I don't know if that were the story, but clearly it does not matter much if a british bomb is over or under the house. Most european cities have them over.

Between pages 104-105: Photo 104a, photo 104b, photo 104c, photo 104d. The canopies could perhaps be associated with 'løveid' which thereby could be the theme of these photos. 'Truong Trung Vuong' (104b) could perhaps resemble a declination in some language. The rudder sort of thing of the mother and child in 104c could resemble the character on the righthand side over the altar in San Pantalon - could be that means 'Winston Churchill'. If this in sum should suffice for the name of 'Hilde Löveid Varvin' who was my neighbour (a young girl of age 5-6) in Voldgaten 1 in the late seventies, I notice that the revolutions of 'Tunesia' and 'Venezia' = 'Kyrgystan' could make for a TV-rewrite of her name into 'Hilve Böteiv Tartin' which, with subtraction of 'böyd' = 'inflected', leaves 'helvete tartin' which is close to 'hell torture'. In short, the name in 'Atrium W.Gammelgaard', reinvoked by the statue of Raffles, could suggest 'helvete böyde tartin' = 'the hell crooked/inflected the torture'. One can fancy that the political program and purpose with the two revolutions in Tunesia and 'Venezia' thereby is to prepare for the program of 1) torture which thereafter can be crooked and 'overcome' by 2) hell (= war?). The Vietnam circumstances could be suggestive, as well as ideas of 'revolutions' - representative for example of the relation of Norway to Vietnam, Iraq ('med-dit-er-rainian' - there was a shower across the atrium in Voldgaten 1 from Varvin), Italy. I notice that Aage Krarup Nielsen also wrote a book called 'Helvetet hinsides havet' = 'the hell beyond the ocean'. There has been unrest in Egypt as well - is it the plan to run revolutions around the Mediterranean sea?

(I add the observation on two mystery objects on my desk, whether relevant or not: The 130 square cm 'zwischenpapier' with the little whole in it (80d?) was suddenly on my desk in the summer. I cannot remember that I had put it there, but who knows. I recognized it as my sonnet PEB 183, telling of the function of the 'diagonal' of a year, and speculated that it could have been a representation of that poem or function. It could have materialized like the mystery object in my bathtub. But of course I would not exclude the possibility that intruders had been in here with it - for example for purposes of hijacking my book in some way or other, or, even worse, for keeping themselves updated on my most recent drafts to new manuscripts - which then could come to suffer very serious losses. More recently, in fact the day after I had given this PEB book of mine to a library, I found the 'Ricevuta' which I had tried to launch by a similar donation in Rome when I changed my mind and did not need a signature on it. However, this 'ricevuta' occurred on my desk (around the time of the unrest in Egypt) at the time when I also had a lot of books on the same desk and I am very certain that it at least in theory could have been hidden for example as a book mark inside one of those - I could have brought the book on the travel to Italy - and there I suddenly found it by surprise hidden under one of them on my desk. However, it could of course also have been left there by some intruder while I was out if they had spied on the donation in Italy - I cannot decide on this. It was after I found the square paper that I also noticed some occurrences of square and circle - apparent 'paradoxes' - in the 'Rotenturmstrasse' corridor to the house, if that street name is not only my own personal association, and my surprise was not big when I found a circle - a plastic band that had been around some newspapers or some pack of some sort - there the day after I had found the 'ricevuta'. This was when the tension was escalating in Egypt - but it could also be that some person in the house is 'psychic' and feels the need for balancing off ideas that occur in the head with objects positioned in the public space. But these phenomena are in fact well contained in the poetry of Kavafis from Alexandria, so I would not be so certain that it is due to political intrigue. It could just as well be about poetic phenomena - unless, of course, that is the source even of political intrigue or they are trying to turn those mysteries into their own).

When in 1995-98 I wrote my PhD at the university in Bergen, there was an exhibition BRUDD with works from students at the sculpture class at the academy of arts where Birte Löveid had been (and still was) rector for some years. 'Skulle-paa-tur' could the photos b. The exhibition turned out to run in parallel with Rilke's fourth Duino elegy, which makes sense of the San Pantalon element. This exhibition and its relation to Rilke's elegy is described in my dissertation part 3 (out of 5). The person who put together the committee for evaluation was in fact himself a scholar of vietnamese language and chose the three names Jens Erland Braarvig, Jens Erik Fenstad and Anders Holmberg, who could be recognized in 96a and 96b. 'Fenstad' is also a potential part of the 'fen-ghetta' in 48b. The rest of the photos of 96 could perhaps be recognized in the names of the committee (Erik Brown, Lars G.Johnsen, Marianne Skaanland plus expert opinion by Michal Walicki) who rejected my obligatory lecture in the theory of science, also included in that part 3 of the dissertation. The dissertation was rejected in 1998 shortly before the bombings of the US embassies in Dar-es-Salaam and Nairobi and in Omagh and I eventually ended up in the street (96a) in 2002 for reasons of lack of money. This was a LUMP which could be seen to have a reflex in Chirac's L'UMP party. It is likely that this couping of the doctorate was planned to have a very important role in the intrigue and could have been part of the Kosovo bombing campaign by NATO (which could have served to index Kennedy/Diana and hence a Bermuda triangle relative to me - as if the western world opted for Kennedy/Diana as against the 'octogonist' - the propaganda commercial being found in people's feelings that they do not want intruders into their marital relations), for which reason my career could not make progress without a doctorate and I eventually had to study for that goal - only for seeing it rejected, of course. 'Crapping into the skulls' of people - is that the politics of NATO? Teaching people how to 'think excrements', at universities and cultural institutions and elsewhere. That is the western world of 'democracy'. The 'octogon' relative to a 'Bermuda triangle' could be the pretext for this - which then should be telling of the 'moral' and mythological control which England has in NATO.

I don't think there can be much reason to doubt that the plans of the international secret services (under UK/US control) is to run a Black Sea Loop and another one or two world wars in some sense of it or other.

Between pages 112-113: Photo 112a, photo 112b, photo 112c, photo 112d. The sculpture of Stamford Raffles in 112a reminds me somehow of the sculpture in the main square of the Old Town in Fredrikstad. I lived in the jewish district of Stamford in London in 1998. I notice the Bali girl in 112d preparing decorations for the 'galungga' new years feast: In the moment when I for the first time put my foot on Vilnius train station in March 2000, the church in Kanunga in Rwanda of the 'Movement for the restoration of the ten commandments' led by Joseph Kibweterie went up in flames with hundreds of believers inside. I don't know what the book about 'Mads Lange' in 112c can be about. 'Mad' is danish for 'food'. The ships with food in 112b are long = 'mads lange' = 'foods long/length'. Could it be 'matt slange' for 'Matt Groening'? What could 'mutts lunge' mean? Could it be about 'Chile-minene' (for 'slim-hinnene' = 'the mucous membranes') which were so much in the news in the summer 2010? 'Som snytt ut av nesen' = 'like blown out of the nose'.

Between pages 132-133: Photo 132a, photo 132b. Is 132a supposed to mean 'tanks'? Or, rather, the text 'den unge Legong-danserinnen i Pliatan som var landsbyens stolthet' could suggest (with some turning of features) Ibsen's title "Naar vi döde vaagner" ('when we dead awake/wagon'), which again could suggest a pulk or two. 132b could perhaps be about John Fitzgerald Kennedy jr and princess Diana a la Mr. and Mrs. Simpson (cartoon) - she with her 'heir' to the 'throne' of 'inn-glan'? See also the 'princess' of 'whales' in 32c. These are the end photos, and with 'a doll fitler' in the beginning, the purpose of it could be to create the idea that I am 'a doll fitler' or rather his son.

I must tell the story from the late sixties - could be I had already got this book or maybe it was before it - that Gröver/'Mengele' took me for a ride with his car to 'Bud' at the coast with the Atlantic horizon. This is also where Shetlands-Larsen saw land on his way to Tirpitz (I think on Gröver/'Mengele's birthday). Gröver/'Mengele' stopped his car in the roadside just outside the small place Bud and turned around to me in the back seat. He made a gesture with his hand a la the females in 132a and 132b towards Bud, the ocean and the light out there, and said "This is Bud". Then he turned the car and we drove back again. Hence we had not been to Bud but maybe to Ubud. See also 112c for Ubud and 'Mads Lange'. For 132b, one could speculate (on background of the 'long food' in 112) on the form 'madens lange arm leier ut' in contrast to 'lovens lange arm meier ned' of 132a ('meier' can also have a reference to breasts and hence food - being directed out or down - but 'meier ned' otherwise means 'mows down') which could have been the rationale in the royal massacre in Nepal - and hence with ideas about royal immunity and things like that in cases of massacres - as if the law were unilateral. Could be that is the project with a Kennedy jr and Diana if they have pulked to a couple - to create a unilateral immunity against the law for the upper classes.

'Slobodan Milosovic' is a name which could be about 'O-slo Bud and mil-o[g]-se-vits' for this trip to Bud in the sixties (I think there are about 50 km from Molde to Bud, which means 5 norwegian 'mil' = 'miles', 100 km or so in total for the trip), which could mean that Milosovic made the preparations needed for NATO to let down their droppings on the Kosovo-Albanians = 'Sachs-Celan-ian' braine = my skull, for the overall concept of 'Aage Krarup Nielsen' = 'egg-crapper genetics' = NATO dropping their excrements into the jewish-genetic mind-culture-space. If this was in preparation for the same Kennedy/Diana project in extension from Gröver/'Mengele' in the sixties, one could assume that not few people in the domain comprised by NATO would feel that they had been pulled by the nose. It would mean that a small group of intrigue-makers in NATO abuse the representative power which the people have given them.

There seems to be quite a lot of interconnections between the photos - could be one could form hypotheses on the nature of the fates. My guess is that the photos in this book are telling of what the overall project of Kennedy/Diana could be about. I have not analyzed the complete set of photos and leave that to the reader.

I should add that I got also a book from Bjarne Eidsvig in the sixties - it was by K.O.Björlykke and was called 'Om stenene og jorden' = 'About the stones and the earth/soil'. 'Kortfattet lærebok i sten- og jordlære. 3.opplag. Kristiania 1920'. This book is unfortunately lost after I sold or gave away most of my norwegian books in early 2000. Whether the book really had been published by an ordinary publisher or if it were made in this single copy for me only, I don't know. I notice a certain '7:50' in the '1920'. Notice also the decorated high form on top of the head in 132b and the concept of 'Rwanda' and 'heng-fetta'. It can be noticed that the title to this book 'Mitt livs eventyrreise' segments into 'midt i' = 'mid way' = '50:50' plus 'seven' for 7:50, plus 'ti[d]' = 'time' and 'reise' = 'travel', 'trip'. I don't know if Krarup Nielsen really existed or if he were only a security concept, but notice that another four of his titles are listed on the inside flap of the cover leaf: 1) 'Helvetet hinsides havet' (Den vide verden). 2) 'Blant hodejegere i Ecuador' (Den vide verden). 3) 'Aloha' (Hjemmes boksamling). 4) 'Marco Polos reiser' (Fakkel-bok).

Scanning the names of american film 'stars' leaves one a little puzzled: There seems to be hardly a name which cannot be considered a part of a complex around these photos for the apparent purpose of sawing off the top of a head ('Anne Hathaway') and quite simply dropping excrements inside it ('Annette Bening'). What could 'Catherine Zeta-Jones' mean? If it is left there with an open top and weights onto it as a 'stink-kasse', it may be that the poor victim will have to bring an end to it himself. The photo 64b could be about this 'puppet theatre' = 'a doll fitler'. It could be about the technicalities of how to solve the paradox of removing the own brain with the own hand into the open skull: Is it possible at all - or will one have to faint before one has completed the intended act? Well, maybe there exists such a technique - with the thumb down there between wall and gray matter untill you feel that little thing there and then a quick jerk to the left. Is this all the american entertainment is about? That is what one calls an immature culture. US culture is probably one of the youngest in the world, and maybe other cultures understands that better than they themselves do. It takes time to build a healthy culture and maybe the americans for the time being have not much more to bring, quite simply because they are not so old. It can, though, be a dangerous culture if it understands itself as little as that - it could mean that they are under british control and that the britons have a desperate need of laughing at others such as Satan is laughing at them when they sit there pressing onto the poetry. Is it my brain they plan to do it in - the apparent son of Adolf Hitler, the 'octogonist' - and sure they don't like nazis, as all these names are telling of? Or could there be some other reason for all this strange phenomenon - such as this 'stink-kasse'? Hopefully the Rwanda genocide was not for such purposes. Sadly, if the culture hardly does anything but indexing a 'stink-kasse' in this sense of it, they risk ending up like that themselves. But that could of course be precisely the purpose with Kennedy and Diana - on behalf of England: It could be that the entire cultural program of England is a world-wide scope of its program of making everybody else 'think excrements' in order for England to be able to take the lead in the development of the third millenium. Does this mean that people, when they see a briton, are supposed to believe that they see what they think that they see?

In the autumn 1994, Ragna Gröver was on my door in Oslo (I did not let her in but gave her, in vain, a last chance to confess and regret there on the stairs) and she offered me 'plums from the garden and father's anorak'. This could have been around the time when Bettino Craxi was sentenced in absentia.

Could be the purpose with the whole big 'administrative-logical' project is contained in the concept of 'Persephone' or rather 'Bersephone' in the sense of 'bærse-fone' = 'the sound of excreting' (into a bowl or container of some sort).

I must confess that I have not read Krarup Nielsen's book, only seen the photos, although I have not recognized the relevance to the media world before just recently, since this is not the way I see a photo - these are photos of human beings and not such scornful concepts, and I cannot tell if the book contains the secret key to my poetry, with massive cueing in the media, although I would think that the few possible references in my work to these photos which I have found are of a secondary character, an attempt to find a better way.

It is also possible that this book has been used as a template for driving me around from place to place.

This book could have looked like a mystery if people had any faith left that there were authentic reasons for the correlations with it. But there is nothing left of all that - the only conclusion is that the correlations are made by british and american administration.

Why do the administrations agree to such behaviour from the secret services? Is it because the society believes that it cannot develop economically and technologically without a certain degree of pederasty (child abuse), cannibalism and genocide, and for making the world accept these tragic parametres they have to run such 'projects' as these? Then it is high time to develop a better computer than that british one.

The overall purpose with the Krarup Nielsen 'project' is likely to be to try and make everybody in the world except britons 'think excrements', to create the new race of british overclass leaders ruling the mob. I don't know if Krarup Nielsen really existed or only is a security concept (cp. 'Zinckgasse' in Vienna relative to a concept of 'stink-kasse' - the egg-skull with excrements inside - as a possible reference of the genocide in Rwanda, cp. 'heng-fetta' as a 'W[e]randa'). The conclusion seems to be that USA and the rest of NATO are the easy tools of England who use them for what they like, such as the Kosovo bombing campaign. A global cultural program on 'thinking excrements' (such as by the Hollywood programs) is, though, nothing good.

The conclusion is that all this horribly tragic politics can in fact be brought to an end with a thorough information to the public of the details in the construction. One should not be content with the conclusion that 'this is democracy'. This story is also about 'what warms a british heart' and then it is not necessary even if it should be recognized as an unfortunate effect of democracy. It is the 'english disease', if you have seen photos of that: It is not truth which carries the construction but sheer power.





© John Bjarne Grover
On the web 16 January 2011
Last updated 31 January 2011