New revelation in Vilnius

New revelation in Vilnius

John Bjarne Grover

The revelation

I came to Vilnius on 1 September 2006 and already the next day I went up to study the remains of the revelation in the tree. There was not much left of it - only some twigs covering the rests of a trunk in the hollow ground. A cat had come to welcome me and sat a little off the remains of the tree. There were restoration works going - when I lived there, the water was sometimes so brown from old rust that one could hardly see the bottom of the bathtub. Now they had dug down new waterpipes. I photographed the cat and when I later studied the photo, it struck me that it was a reflex of the 'microscopic' or genetic part of the 2001 revelation. Further inspection of the new photo revealed the outlines of an airy spirit having fun with the cat - a sort of 'hofnar', a court jester with a strange trunk of a nose. This part of the photo corresponded to the part in the original revelation where one could see the white shades of what looked like Bjarne Eidsvig. However, while the humble little cat in the original revelation had its attention fully at the Cathead and did not let itself be distracted by 'Bjarne Eidsvig's laughing shadow, the new cat, although more real than the original one, nevertheless had problems with concentrating and seemed to find the new apparition interesting. Here are the original 'microscopic' part and the new cat - with pedagogic outlines to the right:

It is the 'hofnar' cigar-jester who could be the interesting part of this story.

On the 4th of September, I went to get the short-term flat I had booked. The houseletters showed me the flat and when the door to the bathroom was opened, a ceramic wall tile fell out and a piece of it broke off when it hit the floor. It was the tile covering the water metre and it had not been put properly back in place, which caused the 'Saug-Glocke' of the opening door to suck it out of the wall.

I got the keys and went in the dusk of the evening to get the luggage at the railway station. As I passed on the sidewalk between a parked car and a brick gate in an old concrete wall of Geliu Gatve 6 ('GG6', so to speak), a sizable portion of the gate wall suddenly jumped out and down on the ground. It was at least a dozen bricks that suddenly had fallen out - just as in the bathroom some minutes earlier. But I had not been close to the wall - and I wasn't in that much of a hurry. A tenant in the house inside the fence came out with his dog and asked what had happened: It was clearly a new phenomenon and he was as surprised as I was. I photographed the wall. When I came home, I found that the hole which was exposed where the bricks had been showed the outlines of a face underneath. I wondered who it was: Was it Lenin waking up again?

The tile that had fallen out from the wall turned out to be quite similar to Spider's webside in 2001.

Which means that I here had a counterpart to the revelation in the tree once again: The bathroom structure similar to the bathroom webside, and the outdoor face - then in a tree, now in a brick wall. I had passed between the car ('bil' in Norwegian) and the gate - hence 'bil gates' could be the phenomenon. More to the point, though, is the name of the chief jewish rabbi in Vilnius which (at least then) was 'Chaim Burstein', if I recall it right - and on the other side of the wall there could be 'skeiv murstein' = 'slanting brick'. The bricks literally jumped out from the wall when I passed the place.

Pawel Biedko

I went to the holocaust memorials in Vilnius. As I passed a photo of the chief of executions in the forests of Paneriai, where 70.000 Jews were shot dead into mass graves, I suddenly discovered that the execution chief looked like my once official grandfather - Bjarne Eidsvig - who also could be spotted in the revelation from 2001. After some studies, it turned out to be the case that indeed it probably was him! If it was not him, it must have been a representive of his. My goodness! What a coincidence!

Martin Weiss (like the white shadow of Eidsvig in the 2001 revelation) was the official name of the man - he was director of the prisons in Vilnius and also chief of the executions. Bjarne Eidsvig had been away from the town for a substantial period of the war, and when he came back, he said that he had been at 'Grini' concentration camp in 'Baerum'. I suppoes it is likely that he had been somewhere else, could be under another name.

I went to the Lithuanian central state archives to study the documents he had left. After a few rounds with those, there was not much doubt left in my soul about the complete relevance of Eidsvig to Weiss. Little by little the pieces fell nicely into a pattern which told that it had to be about the same man or at least the same story.

It was on 18 September 2006 that I found the two document folders that gave me the key to the story. Most of the documents signed by Martin Weiss contained lists of names of people who were to be released from his 'Lukischki' prison for being transferred to some other place. I suppose that normally meant to the execution area, but not necessarily. 'Entlassung aus der Haft', was the formula, which I associated with 'Habs-burger' ('bur-g-[h]er' is Norwegian for 'does not live here'). The lists seemed to be rather advanced semantic structures for building nazi constructions. For example, the following list (R-730, Ap.2, B.187, L.41 dated 13 May 1943, which was Fatima day) contains everything needed for constructing Hitler's signature and a lot of intrigues that are still up and running, not the least on the death camps as related to the Gröver/'Mengele' house:

1. Jonski, Leo
2. Jonski, Regina (born Sygnatowitsch)
3. Sygnatowitsch, Boleslaw
4. Sygnatowitsch, Kasimir
5. Krupowitsch, Michalena
6. Krupowitsch, Witold
7. Krupowitsch, Wanda
8. Krupowitsch, Bronislaw

I notice Nelly Sachs hidden in 'Leo Jonski' (the suppressed ninth element) and 'Boleslaw Sygnatowitsch' ('sick NATO joke'?), along with the official parent names. Krupp in steel is a sort of Rotschild in banking and made railway rails = 'Eisen-how-where', but Lenin's wife Krupskaja is clearly a more central theme. One can list 1. Nelly 'my-mother' Sachs, 2. Ragna 'custody mother', 3. Paul 'my father' Ancel, 4. John 'custody father' Jensen ('kasserer' = the state discarder, Sigurd Jensen's TITLE), 5. 'Michael' Krupskaja = Lenin's wife shooting him, 6. agent Krupskaja, 7. waterous Krupskaja = the wet hand, and 8. coffee/bouillon = the bullet. Which means that the list could be an attempt to dump the blame for the death of Lenin on his wife.

Another document (archive no. R-730, Ap.2, B.187, L.63) contains a list of 15 names, including

11. Sygnarski, Zygmunt
12. Weiss, Stasys
13. Zachazevski, Marijan

If 'Stasys Weiss' = 'Stasino-Weiss' right after #11 is omitted from the list, it reduces to 14, the number of lines in a sonnet. The omission then means 'on the other side of the border', like #9 (Sachs) in the previous list. Here it seems to mean Stasino in Belarus.

A third list (of 5/2-43, archive no. R-730, Ap.2, B.187, L.10) contains only 14 names and the last name is Stasys Vasilevski. Entries 2 and 3 are Wasil Liedniov and Wasil Papow. Hence a certain density of 'Wasil' which could mean 'Wassilko-Gasse', Celan's address in Chernowicz. That means that it could be a reference to Kristallnacht - the night when Celan travelled to Berlin by train. Celan's parents were said to have died (been murdered) in the concentration camp Michailowka in the winter 1942-43. This list is dated 5 February 1943. It could be about a 'Stasino Wassilko-Gasse'. However, the likely interpretation is 'Kristallnacht' with reference to Ragna Eidsvig and Israel after the war. Entry #8 is 'Pawel Usakow'.

A fourth list (20/3-43, archive no. R-730, Ap.2, B.187, L.26) is divided into four groups. The second and fourth group contain only one name each, while the total number of names is 21. The name in the second and fourth groups are

12. Korwin-Gronkowski, Aleksiej
21. Iwanowski, Vincenty

The reference could be to the death of Lenin in 1924 with the meeting one year earlier of Nansen, Gorvin and Frick with Michail Kalinin and Leon Trotskij. The three Norwegian names could be contained in 'Gorvin-ronk-ofski' = 'Gorvin-Frick-Nansen' ('on-ski' is an 'Oslo-mani'), and then the secret is perhaps in 'Aleksiej'. (Gröver/'Mengele' often stood at the bookshelf leafing in Aschehoug's lexicon - looking like Mengele in Auschwitz). The target 'Iwanowski' = Russian plus 'Vincenty' = 'leader' is rather obvious, cp. Lenin as British responsibility claim. As such, the list means 'Norway' or 'Oslo'. I suppose there could be political secrets encoded in it, such as the story of Lenin's death and John Jensen in Klipra. Cp. the 4 'Krupowitsch' in the list above with Lenin's wife Krupskaja and the Chinese 'gang of four'.

For 'Vincenty Iwanowski' backwards, I notice forms such as '[h]iks vann a vitne cniv' or rather 'X [jo]hwan a virtue univ' = 'Inger Johanne Apenes' who allegedly was murdered by knife on 5-6 May 1978. If there was a microphone in her kitchen, this 'water-tap' could be the story of the 'kitchen tap' as a witness. It was Bjarne Eidsvig's wife who installed it in the custody parent home in the first half of the seventies by using me as the witness. John Gorvin, ed-var frekk, Fridge of Nonsens. A knife is a 'jarnegg' and hence it could be about my name (cp. Jan Miszko-Spilecki below - I was in the neighbouring house but it was not I who did it). Cp. also Yoko Ono's performance with smashing porcellain cups at Hövikodden (not 'Haavik-ködden') art centre in the eighties. Could have been about 'vin a vann-service', cp. also 'Wien Wohnservice', the housing bottleneck in Vienna. Cp. also the '[g]jester in the glass' in the above cat-photo. One notices also the 'Mies-Mies' stamp on the passport photo.

The first of the documents I found on 18 September was dated 16 May 1944 (which was only 3 days after the 'Fatima' list) and contained 10 names which Weiss ordered to be 'released'. The list was the following (R-730, Ap.1, B.270, L.6):

1. Chrzozonowicz, Liudwik (b.11.10.23 in Svencienys)
2. Serapines, Juozas (b.19.11.05 in Kodainen)
3. Gaidamowicz, Ignaz (b.7.6.16 in Nerimdeiciu Telachen)
4. Cisiulewicz, Jan (b.13.11.07)
5. Chrzanowski, Konstantin (b.13.11.07)
6. Biedko, Pawel (b.1863)
7. Biedko, Pawel (b.1884)
8. Laminski, Stefan (b.19.9.96)
9. Kamiliewicz, Adam (b.15.12.1900)
10. Miszko-Spilecki, Jan (30.6.13)

One notices the 'Swedish post system' encoded in the placenames of birth (which are given only for the first three entries), and then the similar birthdates of the following two could perhaps be about the pederasty parametre. The date could even suggest 'St.Görans Sjukhus'. Then the second half could be about genocide, including the two similar names. There is a 'jamsis nedslag' in 'Jan Miszko-Spilecki', but the name is apparently more about an ejaculated 'geno'-jump. (It may perhaps be possible to consider the space shuttle 'Atlantis' a sort of 'royal cork' - the shuttle reported to have seen two rings and a piece of foil in space before the planned 'sinking in' to earth - cp. the issue of a 'expanded' portrait photo of Weiss, and even the long nose of the apparition in front of the cat). Likewise for 'Adam into heaven', and so forth. However, the 'genocide' references seem to be about 'copies' and hence the one genetic pool for the other.

These ten names can be associated with the 10 elements in the Oslo Report such as it reduces to the 9 of the Eisenhower doctrine. And in the same folder, I found the treasure: Pawel Biedko's passport from 1940 - with his photo (document R-730,1,270,9) - he was born in 1863 and the photo was probably not new - and it turned out to be the face in the wall of the gate! Here is the face in the wall and the photo of Pawel Biedko:

The most amazing part of the story is that Biedko looks like Gröver/'Mengele's official father Sigurd Jensen in the photo I have seen of him (I think he died at the end of the fourties, some 10 years before I was born). The question is then if Weiss could have been Bjarne Eidsvig from Klipra, who certainly could have known Jensen who lived a few houses down the street (across 'Borgundveien'), according to the official story. Therefore it is very possible that Eidsvig could have brought with him a photo of Jensen and pasted it into the passport of Biedko, for some reason, or even made that passport (and identity?) himself. Jensen is apparently the key to the understanding of Vladimir Alexandrovitch who in the official report was the one who - along with Petr Petrovitch - held Lenin in his hands when he died. I notice John 'Lennon's hit about 'steel and glass', which could mean 'Gil and Strass': Did Lenin's driver 'Gil' simply drive off the road on the way back to Gorkij and there stood Sigurd Jensen in the roadside? Then 'Pavel Biedko' would mean the 'papa' (of John Jensen Gröver/'Mengele') who put Lenin to bed, so to speak. This would also explain how it could come about that Biedko, who allegedly should have been born in 1863, looked as young as this in a passport photo from the 1940's. There are not so many people who have seen the photo of Sigurd Jensen - and the historic importance of this recognition could perhaps have been a goodenough reason for the brick wall to jump out when I passed in the street and give me a hint: 'You must have a look at this passport photo', said Lenin.

The passport was Lithuanian, #V073922 (while Biedko may have been of Polish origin - 'lenkas', as probably also is the address of the Newski church in Lenku Gatve). He was a man of 1.69 height, light body stature, gray hair. He had a son called Pavel Povilo Biedko born 29 August 1884 (34 years and a day before Kaplan's attempt on Lenin). They lived in Zarasu Gatve 14 in Vilnius(cp. 'Marmor-veien' in Fredrikstad). I tried to find the house in Zarasu Gatve but on the side of even numbers there is now only one house left and that is a modern business / shopping centre in #24. I thought that #14 could have been on the other side of the river - but a person I spoke with there claimed that all the houses there were counted under 'Darbo Street' ('Darbo Gatve'). On a document left after Weiss, there is a long handwritten list of Hollywood stars (actresses) on the back of the paper, beginning with Greta Garbo (cp. the concept of 'dritt-sekker' = 'shitbags'). Which could mean that Biedko is more central to the story than just any coincidental victim. 'Zara Zoo cat-ve'? 'Zara Sygnatowitsch'? On the place where #14 may have been some decades ago, there is now only a modern shed - and somebody has graffitied the bank logo 'DnB' (a Norwegian bank) on it.

The Lithuanian form of Biedko's name was 'Biedka, Pavilas Antanas', cp. also 'bidet-capable as antennas'. ('Antenna' also means 'put fire to' in Norwegian - cp. the fire in Geirr Tveitt's house, 'Watergate' and similars). There were some cases reported of mistreatment of Jews in a garage (cp. 'Zarasu') in Vilnius in the early parts of the disaster from 1941 onwards (I think I have this information from the Vilna Gaon Jewish State Museum), in terms of people having water pumped into their mouths untill they virtually exploded like balloons. (See Bubnys 2005, p.8 - the garage was called Lietukis in Kaunas and the date was 27 June 1941). Across the street from where Zarasu Gatve 14 may have been, there is in a garden a white brick rotunda which perhaps could invoke associations to Colosseum. But maybe this street has another name. The US TV-series 'The L word' seems to contain some of these concepts. However, the series story seems to be located in California, which could be of some interest. Is there even a 'sling-jaw' lip form on the face in the wall? See also the 'L' under the face in the wall - perhaps a boot.

The nuclear bomb issue

The 'release' was ordered by Weiss on 16 May 1944, the day before the national day in Norway. The day after, which was four days after the 'Fatima' list, Weiss gave the other order, which was the second discovery I made in the archive that day. He asked that Marijona (Josas) Kazakeviciute, Aloyzas Krymas and Juozas Romanis should be released the following day from the 'Anstalt' and led (in deloused condition) to room #148 in the house of his office. The letter is signed Weiss personally, on Norwegian national day 17 May.

Click here for a facsimile of the 17 May 1944 document (copied from the central state archive who also told me that the archive has no objections to publication of them).

Then on 18 May, which means 18.5, he wrote the following notice:

Click here for a facsimile of the 18 May 1944 document.

The 'semantic structure' which is contained in the story is about the numerals 148 and 185 along with national day in Norway = 175, hence 147 or 158. In any case, this will be about the calendarial telescope on 185 (which applies to me and runs up to the Orderud Paust case in 1999 and the forced hospitalization of me), and the names in the handwriting have undergone a comparable transformation. The names will now read:

1) Marijona Kazakeviciute = Marijo Nagasaki vitt-shoote = bomb Nagasaki nuclear
2) Krimas Aboysas = the boys of skrima = Hero-shima
3) Ramonis Juozas = Juozas Romanis = choose Oslo manis/monis/manus

Bjarne Eidsvig relates to Adolf Eichmann via the two bombs on Japan in 1945 - while this was written in 1944! Weiss clearly knew about the nuclear bombs in advance. The error of the handwriting, which could have been the reason for using hand instead of typewriter, clearly shows 'Aboysas' for 'Aloyzas'. Notice also the 'manis' vs. 'monis', 'manus'. For the 'skrima', I notice also the theft of Munch's painting 'The scream' some time ago.

It is the interpretation of the third name which is of interest for understanding Weiss' reference in Vilnius. 'Jews as Romanis' could apply to the tragic end (if it was not a pulk) of the Romani-scholar Knut Kristiansen in Oslo. (Cp. also Martin Weiss' Vilnius address in Teatro Gatve 4 - where I think the Ukrainian embassy is located today - in the intersection to 'Jonas Basanaviciaus Gatve'). Weiss apparently knew about the nuclear bombs on Japan in 1944. It could have a certain political effect, at least. The Rwanda genocide showed that ideas of genocide after the holocaust was not empty talk. 'Juozas Romanis' allows for the rewrite 'Jesus Romanows' - the resurrection of the Romanows, which could mean a return to the times before England made its responsibility claim by the death of Lenin. Here the original name form could mean just that responsibility claim. It can be observed as perhaps somewhat relevant that John F.Kennedy jr.'s last takeoff in his private airplane was on the day - could be even on the hour - 81 years after the execution of the Romanows - and the great earthquake of Izmit in Turkey, which claimed nearly 20 thousand lives, struck on the very second (or at least the minute) one month after the wheels lifted from the tarmac. Which perhaps could be telling something in return. That is Wheelnews!

Document R-614, 1, 242, 151 of 19 November 1941: Weiss assents to a request of 11.11.41 for return of 2 out of 3 typewriters. He asks that his office be permitted to keep the third.

Could be about the 2 bombs on Japan and a request for avoiding the third.

Document R-614, 1, 242, 257 of 21 May 1943: A letter to 'Lohn- und Auftragsstelle im Ghetto Wilna' (where my interpretation of the slightly difficult handwriting goes as follows): "Ich brauche den Beschlag von 10 Pferdehufen aus gelieferten Material für die Dienststelle der dritischen Sicherheitspolizei u.d.S.D. durchzuführen".

'Beschlag' is ambiguous: It can mean confiscation and it can mean the shoeing of a horse. It can also mean the acquisition of knowledge, the acquisition of 'Schimmel' and the copulation of big wild animals. 'Gelieferten Material' can mean either material that has been delivered from somewhere else, or it can mean laminated material (cp. Stefan Laminski in the above list), such as 'butterdough'. When this clove is 'Pferdehufen', then it is about 'hesteku[r]' ('Pferdekuh'). Or 'ku-hesten' = 'question'. The question could have been the one of 11.11.41 - about return of 2 out of 3 typewriters. If there are four shoes for each horse, that makes for 2.5 horses for 10 shoes - or 2-3 horses. Could be it means that the third bomb is not a complete bomb, but a half nuke.

'Pferdekufen' would also be about the 'Kufen' = 'slades','runners', the key to the name-conversion of Adolf Hitler into Aron Eidsvig, the brother of Bjarne Eidsvig.

'Der dritischen Sicherheitspolizei' = 'Malene Drietrich', who is #2 on a handwritten list, after Greta Garbo as #1. The list is on the back side of document R-730, 32, 220, 151 (or was it R-730, 2, 220, 19?) - a list of famous actresses (sex bombs?), in two columns, handwritten and apparently jocular for a lunchbreak or so, with quite a number of names in the lefthand list, filling in the paper to the bottom, and with a singular name in the righthand column, as if there were just not enough space at the bottom of the paper and therefore it had to be added on top to the right:

Greta Garbo Grace Moor
Marlene Dietrich
Jeanette Gaynor
etc.etc. to the bottom

The single entry in the righthand column is 'Grace Moor' = 'grei smör' = 'easy buttering', cp. Lenin's personal doctor in 1918 called 'W.A.Obuch', and the concept of LENIN DOCTOR is clearly of much importance.

Hitler's postcard was addressed to 'Firma Eugene Paisseau', which probably meant 'Firma Eidsvig Bjarne'. A parallel reading with the current text is interesting. A guess could be that the 2004 terror in Beslan could have been about this - here for 'Beschlag'. Notice that 'Bislan' also can refer to harnesses for horses ('bissel').

Document R-614,1,242,151 - of 6 Aug 1943: In a letter to the same office ('Lohn- und Auftragsstelle'), he asks for having '2 Arbeitswagen' repaired. That probably means '2 horsepowers', '2 workhorses'. Could be it is the 2 typewriters which they badly needed but had to return on the request of 11.11.41. 2 horses means 8 hooves, which means that a 'pair' of hooves should be added for the 10. Those can be added to the 'rear' - hence 'repair'. But that is about the 'Beschlag' copulation of the big wild animals with cloves. But horses have no cloves - they have hooves. 'Qu-hestion' that means if 'Beschlag' is the theme. Now the original 'qu-hestion' was of 11.11.41 for return of 2 typewriters - and here Weiss himself makes the question - for repair of 2 Arbeitswagen. That is to turn the speech act of a question around - hence a 're-turn' of the speech act. If the number is not 10 but the number of keys on a typewriter, the speech act is a writing act and it could be about the 'keys to heaven'. The keyboard is then not 'qu-hestion' but 'qwerty' - or in German 'qwertz' = 'quarts' or 'quatsch'. Are there some 40 keys on an Underwood? Then a 'quartr' of them is 10. And then the number means a subset which is quarter of the total set and hence the total number means the 'keys to heaven' - by the logic of 'Mengenlehre'. But maybe this is simply 'quatsch'. 'Heste-kuen' = 'the horse-cow' is more likely to mean 'cow-get-off' = 'ku-dett-a' = 'coup d'etat'.

The conclusion seems to be that the issue is Vilnius and 2 or 3 nuclear bombs - and the qu-estion whether Eidsvig and Weiss were one or two persons. Or whether Eidsvig, Eichmann and Weiss were 2 or 3, like the typewriters. The revelation photo shows that these 2 or 3 really are the protagonists in the syzygic event which is represented in the shadow's in the cat's fur - with Bjarne Eidsvig laughing in the first variant. In the second, it is all turned into a 'Ganesh' or 'Hofnar' variant. What this means is that the political drama is a sad misunderstanding of the real semiotic issues. One notices also the role of the 'C-amphora'.

Can it really be as tragic as this - that Eidsvig/'Weiss' executed some 70.000 Jews in Vilnius for the idea of an 'ejaculation' in 'Vilnius' - for installing the concepts of coup d'etat (11/9-2001? - cp. the body height of Biedko being 1.69) and Dr.Verboten 'deeply into history' via the 'Klipra connection' (cp. the British 'naval attache' in Oslo with the Oslo Report after the 'sinking of the Royal Oak' in 1938) = Bjarne Eidsvig? 'Eu-gene Paisseau' could in fact mean just that 'eu-gene' = 'John Jensen' and the passport photo. Nazi logic could perhaps be that tragic.

There seems to be a freemason-like secret political project running from those days via 11/9-2001. I think it is high time that administration with access to these secrets publish them. Is the Great Project which it all circles around the one of making a dead body move? Dead man walking? By administration? If it is, then it is but a variant of the former case of rulers spending all the economic resources of the people - while here it is about spending their time and spiritual resources on a silly joke on 'poetic logic'. If poetic logic can alter the state of the material world, then there is no need for all those tragedies.

(I recommend also a comparison with the photo of Mandelstam in a quarry in Armenia - apparently of high importance for understanding the event with the brick wall and the photo of 'Biedko'. One can even spot a 'Ganesh' in the shadows of that stone structure reminiscent of Lenin-Biedko in the wall - which could be the trunk-figure in front of the cat above, having taken the place of Bjarne Eidsvig in the first revelation. This Ganesh can be recognized as relevant to the issue of 'Isac Chiva' and the Israeli 'Knesset').