Some words on the Iliad

Some words on the Iliad

John Bjarne Grover

(See the comments on the Iliad in the discussion of my works as the background for my noticing of the following). I notice that the line Iliad 17:309 seems to be the key to high-level political intrigue - and names such as Obama, Cameron and Sarkozy (and others) seem to be contained in it. Ba-runk o-ba-ma = norwegian for 'please masturbate, she asked me' ('bare runk, ho ba meg') = second half of Il.17:309 greek = dia dame-press etc. Niklas Sarkozy = sikles kroasan-y = diset troasanöf (cp. also Day 1-2-3 of Columbia) = cliset troasanöf = siclet sörv-oatan = sikret sörv-is. The IS of sörv-is is apparently the aim of the attempt on Gifford in the sense of the last parts of Gen.3,12 the hebrew of LI being graphically ambiguous with hebrew MIN = ambiguously 1) who, that and 2) manna from heaven = husband Kelly, hence Eve says "and I did eat" which then ambiguously also means "manna ate". On bedsheet tucks-on (avl-yting, av-lyting) etc. Manhattan, Woatan. This IS reads graphically from hebrew LI (with upper horizontal stroke right) and MIN (upper horizontal stroke left). Cp. Rafik Hariri = graphic of Ri-Ri/LI-LI. It seems that the concept could have been a book by Ewa Lipska ("Meine Zeit. Mei Leib. Mein Leben") which I have in my bookshelf after having bought it in I think 2004. Then MIN = the Chile mines 'accident' n the summer 2010 which seems to have been preannounced in MLR July 2010 = LIPSKA, and the book could have been the concept of MLR october 2010 (such as by its peculiar 'Fassbinder' with rough cardboard cover - see front cover, inside second page, inside title page, and particularly Lipska's poem "Wir wählen die Freiheit" could have been used to engineer revolutions in the mediterraneans cp. 'wirbelen tiefer Eiheit'). That makes 'Ewa' out of the January 2011 issue of MLR, if one can find it there. "A book in my bookshelf" could of course mean only the one by Krarup Nielsen. 'Ton bal upo kleida mesen' = not bal klupoe idea mesen = noble club-of-idea-mesen (menin aeide = Il.1,1, first half), cp. also niklas sörkedalsveien = niklas sarkozy-treason. (Not wall klype = Wenche Kleppen school memory). 'David Cameron': The divide of this line 17:309 in two halves for the transposition of 4823 lines to another place - an enormous lot of 'poetic substance'. 'After is great', it could be about, cp. ideas of islamic terrorism. Then it could be about 'dumping the blame on another shoulder', which would be the one in 7:123. Hence if USA distances themself from France (and a possible 'madness on the continent'), it could be about David Cameron opening this line as an 'after' for letting the poetic substance out, possibly in the sense of a blame dumped onto the shoulder of somebody else. That substance could of course be conceived as thee poetic-jewish collective consciousness - which could have been the target of the selections in Auschwitz if they stood there picking out those with lights in their eyes, so to speak. Now I hope of course that the plan is not to shoot me or others out in a 'Challenger' trajectory into lonely 'Mengele space', such as e.g. in the event of the royal wedding in England. The noble club of idea-mesen could be about the tapping of my computer and other aspects of my life (av-lytting), with the spreading of the ideas to the 'noble club' of media and other business, for which I am paid with a pension from Norway ('lyte' can be a reason for disability pension, defined I think by Gudmund Harlem's committee where Ragna Gröver was member - the three reasons are 'sykdom, skade eller lyte' = 'disease, injury or fault/defect'). This would also be the reason for the systematic rejection of my book submissions to publishers. I add that Petter Andre Syversen = Iliad 7:50 = the Challenger disaster (when Columbia on day 1.2.3 = 7:123 - and it can be noticed that the Columbia crew seems to have represented the potential citizenships I could have acquired as alternative to norwegian - see e.g. William McCool's peculiarly swedish look - Nelly Sachs was swedish citizen and I could theoretically have acquired one by that). This PAS officially died in Botswana on 7 august 1986 which was in the exact mid point between the cyanide GAS disasters of Bhopal and Halabjah (GAS-PAS-GAS). The US embassies in Dar-es-Salaam and Nairobi were bombed on the day 12 years later, a few days after my PhD dissertation had been rejected - which was a part of the basis for the 'mesen'-ary of the pension. The capitals of Kenya, Tanzania and Botswana make for a symbolism of inserting a hot dog (norw. 'pölse', swed. 'korv') into the oral space (gape-on, there's the salami, now it is up in it). Which also could make for a 'croissant' with 'sikles' = 'saliva running from the lips', cp. 'ton bal upo kleida mesen' and the dame-press of the second half of the line. This makes for norwegian PM 'Lars Korvald', cp. '3 sausages' = 'tre pölser' as a variant of the swedish '3 kronor' via 'trekker oner' etc - 'sprechen sie deutsch/pölser' etc. The rest of the names of PMs since the war seem to go into a similar scheme. Even John Lyng = John lign-er ikke = the graphic difference between LI and MIN with its 'ner-ikke' = 'down-not' ('on yar nerover'). Kennedy in 1963 = Ich bin ein Berliner Romanus = ich bin ein 'bölle-narr-om-anus', hence 'Einar Gerhardsen' = 'ein Narr gear-hardsen' for the Kennedy assassination. One guesses that the theme is 'the war continues' in the sense of the Auschwitz ramp, for a second round of holocausting. My view is that the political intrigue has sensed the 'poetic aspects' of the Iliad and used the shoulder symbolism for dumping blames from one part to the other because they have felt that this had something to do with the jewish culture, without being aware of the formal aspects contained in my work - for which reason they feel that they are right somehow - but clearly for wrong reasons. The world should not accept these plans of a continued holocaust, and a complete dishwashing with publication of all details should be done as soon as possible. There could also be an urgent need for stopping further intrigues on the aspects of copyright which could be spotted in the mid word 'collarbone' (german 'Schlüsselbein') as far as the hilarious question whether Big Brother's tapping of computer by interactive control lends to the 'noble-club' authorities the copyright to the work written on the tapped computer. Such ideas would be no less wrong way, hypocritically based on the idea that the pumping off all that substance over onto somebody else's shoulder (or onto the responsibility claim or copyright) is not right, for which reason copyright to the written texts does not obtain. Such alternatives to a continued holocaust should be explained to the public in order to prevent the confusion contained in the giant-sized intrigues on that single line. It may be that the story is the simple one of reaction against the new information technology contained in the understanding of poetic logic (as for the poetic-logical reason for Iliad 17:309) and the immature and blunt and violent rejection of it (as in a shoulder-based reason for it) - which could have been the holocaust. The symbolism of three sausages and things like that tells of a self-consciousness on this background. They may call it 'power without justification', but that only tells of the immaturity. It has taken culture some time to cope with the problem of violence in marriage, and today it may be that men who formerly would have felt the 'right' to carry out violence against their wives for reasons of respect towards the 'natural drive' in their nature and natural disposition granted them by God himself, today will have to realize that they were wrong. Likewise, racism in USA should not be the same today as it was after the second world war. Everybody come better out with non-violence in such relations, themselves included. It is probably the same sort of problem - seeing that 'poetic disk' coming up in the horizon it should not be needed to throw out the boot against it on the first spontaneous impulse. To continue that misunderstanding is no way for a sensible future. I don't know the reason for the mediterranean revolutions, if it is CIA/UK making boelle-narr-om-anus, but if it is about the people's spontaneous expressions, it could be about the phenomenon of me still having to write these 'political' analyses on the world of Josef Mengele, while my computer may still be tapped and its contents spread to the 'noble-club' - and I don't even know if my post functions as it should. The earthquakes of Bam and Banda Aceh were on 'boxing day' - Gröver/'Mengele' once referred to boxing as 'the noble art of self destruction'. People want the facts and the truth, not more myths from british administration - as seems to have been the theme of the people's political involvement since the mid 19th century. If MLR conducts or at least preannounces the progress of the project, it means the british administration. The question since at least 11 september 2001 or even the Vietnam war is perhaps whether England controls not only CIA but also Pentagon. If people in the sixties had been shouting slogans 'USA out of Vietnam' ouside the british embassies instead of the american, it could perhaps have led to something. (I notice also that the withhold tax of 15% which was imposed on my pension in 2010 is one seventh, and the question of tax return could take it to 50% if one cannot find out of the matters, which seems difficult. I only hope the plan is not to see me in the ditch again). One guesses the plan: To present the Iliad program as if it were about 'british poetic science and logic' and then let somebody else take the dirty job of releasing the substance onto somebody else, when only England allows for the opening of it. That could have been precisely how it was with Hitler. Could it be the plan to let Germany do it this time as well, under the trembling finger of indignation from England who sees the german madness as an attack on the poetic logic from England? It must be kept in mind that the british strategy probably qualifies for labels such as 'dangerous death cult' and 'war against poetry and poetic logic' and that a later attack on poetic thinking or jewish diaspora culture probably must be considered an integral part of the current project from England - such as possibly evidenced in MLR 2010-2011.