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John Bjarne Grover

bokmålsordboka himle = 1) https://translate.google.com/?sl=no&tl=en&text=rette%20%C3%B8ynene%20oppover%20som%20uttrykk%20for%20gudfryktighet%2C%20oppgitthet%20eller%20lignende&op=translate What is the italian post strikes and actions of go-slow about? Could be it is solved but I make a few observations nevertheless: If it be about this phenomenon, there is a theory sailing up, for which I have little or no evidence but it makes sense in the general framework of 'dritte Reich' as a mythological structure potentially imposed onto my person:

Assume that my penis contents were transplanted over onto my official maternal caretaker in 1970, and that she either had been a 'trans' for some time or was turned into such at the time of the summer 1970 when I turned 13, at the onset of my puberty. (She was for treatment at a hospital in Sarpsborg - often called 'Sarp' - for a few days in the summer 1970 and we children did not get the details but could have guessed that it was the type of problem which is not so easily told of - she herself worked at the hospital in Fredrikstad so maybe that was the reason). The 'dritte Reich' as a political concept constructed on basis of Andrea del Sarto's artwork Madonna col Bambino e san Giovannino, for which a norwegian speaker immediately would associate with 'handreach himmler' since the eyes of the boy on the lap is called 'himmler' in norwegian language, seemingly also entails the concept of inhalation through a sanitary towel soaked with menstrual blood during a rape which then also would have had to be in drugged condition of the child. This would have had to be in the period when I also was subjected to school dentistry which destroyed nearly all my healthy teeth - I inspected them in detail and they all looked fine a white and I had not had any problems earlier. He said he had drilled 31 holes and filled them with 52 'flater' or was it 'plater' - but in actual fact the fillings looked like tram lines in a street. If this were the 'dritte Reich' for turning the roles of Adolf Hitler with me, for dumping his war crimes onto me and turning him into a type of my kind, then it is even possible - if that were medically possible in those days - to speculate whether the maternal caretaker could have been a rebuilt Heinrich Himmler. The idea sounds immediately absurd also since I have always believed that it was a normal woman, and certain child memories could suggest that the natural femininity could not have been associated with the former Gestapo chief - but I dont know if it would have been mediclly possible at all. It is noteworthy that these important data - which seem to tell that a rather giant postwar Auschwitz-built 'intelligence project' were constructed around the opening of my head some days after birth in 1957, can in fact suggest something similar: The data seems to suggest that the names of those who could have been present at the head opening could have included e.g. John Fitzgerald Kennedy - and while this likewise sounds absurd it is noteworthy that this cartoon - which according to this theory should have served to tell of the name 'Fitzgerald' - indeed seems rather suggestive in the form 'fish-gear-role' or something like that, likewise in the form 'per-sec-ute' updated with a 'fire' hydrant, but clearly such references are always and essentially ambiguous. Another theory could point to e.g. the name of Erwin Rommel? However that be, the interesting observation is the cartoon which would serve to index the official maternal caretaker 'Eidsvig Ragna' (then 'Ragna Grøver'), whose name could have been indexed by Himmler's 'Aktion Reinhard', containing 3 (including 'Treblinka' for my name 'jump-jarnegg-grover') of the altogether 6-7 death camps. The cartoon is this - and it is observed that the three men whom the woman sees indeed seem to index the name of Heinrich Luitpold Himmler: The man covering his genital region with the hat could be the 'Heinrich', the man with hand on hip in slightly forwardsleaning posture could be a 'lut-pold' ('lut' is 'lean forwards', 'på' is 'on' and the 'old' could be the hip on which he has his hand), and the man looking up at the bulletin board could be a 'Himmler'. It means that if these cartoons served to tell the identities of those present at the head opening, there are reasons to see a connection to the name of Heinrich Himmler in the maternal caretaker.

Assume therefore that this could have been the case - on this assumption it can be speculated what would happen in the employees of a post office in Italy when I stride into it: The 'post' would then be my own behind subjected to rape in 1970, reinforced with school dentistry in the 'door opening' (the thermometers which in those days were inserted into anus for body temperature measurement), see also this article, and indeed if it were my own penis contents that had been transplanted over onto the maternal caretaker for use in the rapes of myself, then there could - under certain specific assumptions and circumstances - have been a natural association or 'recognition' of my person (qua 'flesh') that were striding in the door to the 'post office'. Highly unpleasant ideas could arise, of course, and a 'strike' could be telling of a wish to turn the meaning of this 'streaking behind' into its opposite.

If this should have been the story, then only one additional element would be needed for understanding it: How can it be that the society's postal services accept such a mixmax in the identification? One reasonable explanation to this could be that there could have been extensive plagiarisms of my intellectual properties - my literary works - among italian publications. The 'Società italiana degli autori ed editori' have their premises on the other side of the canal relative to a post office where I had my 'PO Box' of type 'aperta' (the old system with independent boxes was closed some years ago in Venice and now there are only 'open' boxes, which means almost the old 'poste restante' system, plus a handful boxes near .... which all probably are in use.

Why these apparently paradoxical problems?

If the Himmler-Hitler program of 'dritte Reich' has the specific aim at proving that the italian catholicism cannot handle the problem adequatly due to some problems with the 'swallowing of the flesh', then the purpose could have been to compromise these religious matters - could be by way of a largescaled holocaust program which nobody would be able to relate easily to and which therefore can be used also for compromising these aspects of the 'flesh' that is 'swallowed' by 'the body' (in the sense of the gullet in communion). For example in an attempt to reach conclusion that 'italian catholicism is the same as italian fascism': If Adolf Hitler (or some follower of his) should come to succeed in turning the roles relative to me, that could be precisely his favourite slogan: 'Italian catholicism is but the same as italian fascism' he would be thundering, and many could come to follow him there.

But clearly then the thermometers in the door openings are not the right way to 'turn it around', so to speak. Therefore the covid curve hopped around on the same day.

The real problem is that all this remains airy speculations filled with ifs and buts which come to nothing as long as I am kept completely ignorant of it. That is, of course, in the case that there is some substance in these speculations and it is not only ideas generated by mytological redundancies of 'business' and other types.

The program could have been to invite italian catholicism into accepting a nazi madonna on basis of the intuition which insists on the swallowing of the flesh instead of only the 'symbolic biscuit', such as protestantism says. This seems, as many could say, to be the essential difference between catholicism and protestantism. Humans are sinners - that means that they understand only a fragment of the full reality, and they live in a strangely 'crumpled' world of causalities and methods for reinforcing certainty of this frail knowledge. If a divine such as Jesus should take the task of living in a human reality, this reality would respond with precisely that which characterizes the limitations - and hence the crucifixion tells of essentials in the interface between divine and human reality. The holy communion means that humans cannot transcend these limitations except by taking on the flesh of Christ. Protestantism tells that the biscuit is but symbolic of this flesh-consumption while catholicism insists on the eucharist being transubstantiated into the flesh of Christ when it glides down the gullet. Catholicism may tell that the merely symbolic sense is not enough but leads to terror in order for some to try and 'take the place' of others.

Of course it is for avoiding this nazi madonna that it is wise to e.g. remove the thermometres from the door opening - since the school dentistry is not the right sort of turning-around of the problem.

But I do not have the needed information to battle this problem. I do not know anything else than the official data - which tell that my parents were a doctor and psychologist from Ålesund who had decent careers with normal human problems and I always used to believe that I was a very normal person in this sense of it.

Maybe I got one little 'knert' of info once in my life - there was a norwegian (originally polish, I think) rock musician whose band was called 'Holy Toy' and I think he once made some pointing or something like that towards me at a pub or what it was, as if he knew who I was.

Of course if the story should happen to be like I have outlined in the above on basis of more or less mythological redundancies, then the real problem would rather be that the state of Italy still allows for norwegian embassy and consulates. The program would have had to be called 'the purest nazism there ever was' - the very 'dritte Reich' - and to allow for official representation of that would be the real reason for such problems.

If there have been murders that could have seemed to 'solve problems' of this kind, that tells of how extremely important it be that the state be not forced to accept the conditions of such international mafia. In particular it must be avoided the extremely unfortunate conclusion that the problem is me - for example when I stride in a door to a post office.

How high would the 'Himmler' secret be if it be this story? Some could perhaps be inclined to say that Andrea del Sarto's artwork Madonna col Bambino e san Giovannino is a certain sign that even Buckingham supports this program, while others would be more inclined to say, if there is a connection, that it rather could mean the opposite - that the secret (of a 'Himmler Madonna') is too high and tough to tell but there is no doubt about it when it is on this level. I myself could add that the apparently widespread plagiarisms of my work could have the purpose of indexing just 'andre-a-deles-art-of' in the sense of my art shared among others without the necessary crediting of the source - that is, in the form of plagiarisms - which then would have the function of turning the interpretation of a Buckingham proof of a Himmler Madonna being in construction around to its opposite - a proof of Buckingham's support of just this. In particular in Italy such plagiarisms could have an unfortunate effect in that sense of it.

Is it shown that the Decameron is fraud - a case of 'blue ecstasy' which people have problems with not taking confidence in? If it has or can been shown to be fraud, advocating a grandiose program of italian 'flesh', I think this fraud should be published very loudly and of course it is possible to write popular criticisms of the data available, reasons why one thinks it is fraud, the documents, evidence etc etc - and make a national attention to the problem. It is very possible that this is the innermost secret in the story and the very reason why Hitler's program could come to succeed. If your wife has been replaced with an evil copy - would you still defend her 'because it is, after all, my wife'? That is what a piece of fraud in the root of the modern state could be.

Face the fact: It is not the 'flesh' that cheats the italians - it is rather the plagiarisms in the culture. But why then should they indulge in plagiarisms? Ah, for avoiding this 'flesh' factor, of course.

The whole problem could be solved by taking the plagiarists. I dont know the jucidial details but I have fancied that there is an all-or-nothing law which protects plagiarists - telling that if a publisher is found guilty of having published a plagiarism, the entire income from the sales must go to the original author - not only 10% or 90% or something like that. This means that plagiarisms rarely are taken since a country doesnt have that many 'serious' publishers after all.

In the article on the cartoons of the New Yorker magazine, on the discussion of the cartoon which could index my maternal caretaker in 1957, there is mention of 'Rød Mix' which today could be recognized in the formula 'Löhr-MI6'. Are there signs of an identity of 'Rød' and 'Löhr'? There are. If one finds a clear and solid L/R confusion there are the D/R present in the ado about my PhD, including apparent attempts to drain my formal competence from the MA degree 1992. To this can be added the effect of the recent earthquake in Turkey - my student friend 'Pernille' had a partner who died in Botswana in 1986 (about the time of Chernobyl and the onset of Brundtland's government 13 days later) and she later married a 'Mørkhagen' whose name could be interpreted as the ex nihilo piece which seems to index MI6 and thereby also could be in the concern of the apparent fraudulent Lanfranco artwork ('Senecas död') in Stockholm - for which I have theorized that the coup in Burma in 2021 could have been about lending punch to the effect of this possible Lanfranco swindle. 'Pen rille' could be what the turkish earthquake looks like on the map, reinforced with the train disaster of 'La rissa' in Greece. This could be relevant to the D/R by the role of the bombing of the US embassies in Dar-es-Salaam and Nairobi at the onset of Brundtland's WHO-chief role - adding that Gabarone is the capital of Botswana. This could make for the 'Löhr-MI6' factor which could concern a similar swap relation of my person in Zinckgasse. The L/R is a little more complicated - I quote from 15 march2023: "I recall the official father twice reaching out his arm as over a landscape:

1) In about 1966, the first official father, while we were eating outdoors outside the house in Moldeliveien in Molde, soup or something, showed how Charles de Gaulle had a grip on the french people - reaching his arm out in a gesture while saying "la gloire!".

2) In the 1970's the second official father stood under the 'himling' (high slanting ceiling inside like a roof outside) in the living-room in Labråten, that high ceiling which could be seen from the road outside, and used a similar arm-hand gesture down towards Labråten street, towards the house where schoolmate Anders Framholt lived (and he could probably see that 'himling'), saying "la mer!".

('Anders fra Molde' could mean something like 'otherwise/another from Molde')".

The cue to the L/R is now in the hebrew word for 'spies' or 'agents':

spies = מרגלים = 'M-RaGG-LIM' which alternates by L/R for 'M-LaGG-RIM' in a way which could be telling of these two incidents of french words:

REF מרגלים = spies, agents = 'my gloire' מלגרים = from towards the dwelling = Anders fra Molde, 'la mer' game Since LIM = norw. for english GLUE and RAGG is the woolly tufts of knitwear and maybe down-similar things, one could make for the constructions REF מרגלים = m'ragg lim = 'toll-reif glue' alternating in L/R with the name of 'Torleif Grue' מלגרים = m'lagg rim = 'from towards the dwelling' = 'Anders fra Molde' (about the 'himling') REF רגל = foot of man/beast, step, pace, to go about slandering, explore, spy out Tiph. (§6., No.5) to teach to walk, to lead by hand There was the story with my telephone ('tlph') (REF) Hitler's postcard = Eugene Paisseau = 'you jump S over S' = §. (REF) = '&='Oslash; kjempesår + the 'number 1' phenomenon (alternating with 'number 5') (REF) See also this article on the hieroglyphic 'foot' - for that 'B' = '13' which could be the secret of the entire 'zidalweidun' construction. This looks like a quite solid L/R adding to the D/R for turning 'Rød mix' into 'Löhr-MI6'. It could have an overarching function of referring to Heinrich Luitpold Himmler. Hence the overall impression is that L/R could signify Heinrich Himmler while D/R could be Adolf Hitler -cp. my former speculations that the 'hardon' AIDSHIV epidemic could have related to the name of 'Aron Eidsvig'. *** - which also could be contained in the Andrea del Sarto artwork Madonna col Bambino e san Giovannino. The overall impression is that L/R could signify Heinrich Himmler while D/R could be Adolf Hitler. I know little about politics but have an intuitive understanding as follows: The cold war ended in a gradual dismantling of the Soviet Union and a new global equilibrium was the aim and everybody were happy about that - only one little piece in the puzzle was lacking for reaching this and that was the norwegian confession and apology for this story with me and Hitler and Himmler. At least 3 decades were spent with dikking the little child under the chin for getting the apology out, but it was not misunderstood and Norway believed that it meant that everybody were happy about this fancy Hitler-Himmler service power liga solution. The terror in Syria including destruction of the Palmyra ruins would have been one of the 'proofs' they took confidence in up there in Norway. On 24 february 2022 at least 30 years of steering towards a global peace had elapsed but there were still no signs of an explanation in the making there, and it may be that the decades had come to be understood as a temptation for a global rule. Now there are signs that unless the explanation and apology comes up, one will have to return to the former east-west divided world. A great pity that would be. It may be that Norway believes that apologizing is to ask for war and if one doesnt admit anything at all there is not a goodenough reason for war, therefore it is a duty to keep the mouth shut. Ahja, that is precisely the crumpled world which cannot be any world peace but only 'service' terror for 'government', indeed a step backwards to small kings in conflict, supported by their own 'aristocracy' of privileges handed out in the 'services' to 'andre adels art-of' built by the privileges of abuse and plagiarisms. Ahja, it is of course very naive to contribute to the progress by keeping the mouth shut about old problems - therefore all the dikking in an attempt to wriggle that cramp loose. Intelligence power is not the state and not the people. The people make the state by selecting leaders while the intelligence make their power by selecting information: The worse their selection of information, the more power they get because they abuse the people's confidence. Their trick is to conflate these forms of selection, which is the same as putting the gloves on something valuable. My article on Rembrandt shows that the 'intelligence power project' called ZIDALWEIDUN has its quasi appeal from putting the gloves on the valuable knowledge and pretending that this is knowledge which the intelligence services can serve to the people. That is to conflate selection - and they are the enemies of the people with their ZIDALWEIDUN program. 'Nail ground so ghostly manteled' tells this devotional Windows on a housewall in Venice - that makes the 'intelligence power' want to have it - and that means the power sausage takes its way through the landscape by way of swindle and terror. It is likely that most of the Hitler-power which the intelligence services are after is this sort of precious knowledge which should have been developed but which can be hampered by terror and swindle from the intelligence services - who thereby can pretend to be the people's friends like the wolf pretended to be the granny. The Beast of terror could be constructed as what you see is what you get in the Windows. 'Gil Cordero' could, as a 'corder-of' = 'baits', be seen as the Beast of terror who 'bor der og' = 'resides there as well'. (There aren't plagiarisms in the Windows, I hope?) The border ado (with the VECTRON wagon) on my last crossing at Tarvisio Boscoverde - followed a few days later by the terrible earthquake in Turkey - could have been a play on this - by the idea that I reside in both Austria and Italy and thereby I am on the border (187!) to breaching the obligations for my residence home in Vienna - since it is not permitted to have this flat if I have another residence as well. Therefore the intelligence services could have been out for preventing me from taking up residence in Italy since that would protect the catholic Madonna from being under the threat of the Beast of terror - the power sausage that goes from the one index cluster to the next. However, it is likely that the real interests are very simple - the beauty of the Madonna in the Windows is likely to be the same as the 'nail ground so ghostly manteled' in Jacopo Bassano's artwork "Flight to Egypt" = TEQ #606 - a deep ratch like in Turkey. Therefore it could 'look right' to try and get this under control by way of a power sausage. Alas, it is not right - it is to prevent the knowledge from being in the world of the people. Do I have another residence? I have only one - the flat in Vienna. But you have a house in Szolnok, Mr.Grover? I have a house but it cannot be used - it is dangerous to go in there. It is built of adobe and it has water pipes inside the adobe - probably controlled by intelligence agents who can open the taps and the roof falls down - and so the security isnt bigger than the reliability of the tap-controllers. That is power of the intelligence services - that they dont tell this to me. They have chosen to not tell it - it is their selection of information. It is very possible that this house was planned by Adolf Hitler. When Tveterås sent me the folded (!) desk-to-desk paper dispatch in class in 1973, it had annotations of USE NO HOOKS, THIS SIDE UP and HANDLE WITH CARE, which spoon to 'hus no juks' ('house no hoax'), IS SIGHET TOUCHA/DUPP and CANDLE WITH h-AIR. (Even the wooden annexe seems to have water pipes inside the beams that hold the solid stonetiled roof up - the roof is tight and wont leak a drop of water through but there is a water damage nevertheless in the ceiling near to one of those four wooden beams - so it is likely to resemble a candle with a wick inside). These three mysteries are likely to be the same as the names of the three death camps of Himmler - 'hus no juks' = Belcez, 'sighet toucha' = Sobibor and 'candle with hair' = Treblinka - the camps of 'Aktion Reinhard' which compares with 'Eidsvig Ragna'. Could be these three labels on parcels of breakable material was for preventing Glasbrå:ten - could be even of Labrå:ten? Of course all these details - the truth of Hitler's program - must be told to the people. Intelligence power is not the friend of the people. They get their power from what is not told. For example, if surveillance should get hold of some magic sounds from my life, like the 'ex nihilo' sounds of 20 jan 2020, it must not be permitted that these be given to 'intelligence projects' that turn them into enemies of the people.