21 december 2025
John Bjarne Grover
Cornelis Vreeswijk (1937-1987) was born in the Netherlands but was a swedish troubadour in the Bellman tradition, a swedish national song-poet who never became a swedish citizen but who was more swedish in his language than most swedes are: "Somliga går med trasiga skor / säg, vad beror det på". Swedes can not say that because it is all too swedish. A computer could not understand this point: What do you mean? Anybody can of course say that?
Sweden has catholic (and jewish) traditions even if the state church is protestant.
Here is the song with running translation - here is the swedish text for this song - and here it is translated with Google Translator.
Here follows Vreeswijk's poem 'Somliga går med trasiga skor' (in my appr. transl.) to the left and my comments to the right:
| Some people walk in worn-out shoes. | ragged, tattered shoes |
| Say, what's the reason for that? | say, what depends the shoe on = say, what is the earth upon which it rests |
| God our Father who in Heaven lives | hence heaven and earth |
| maybe wants it like that. | God's will is more 'ragged, tattered' = unordered than a computer |
|
God our Father who in Heaven lives | heaven and earth |
| closes his eyes and sleeps sweetly/well. | God is very human |
| Who cares about some worn-out shoes | human will does not care about the ragged, tattered |
| when one is old and tired. | tired = trött cp. swedish trottoir = Bürgersteig, sidewalk - is God (ah so human) a sweetish/swedish citizen? |
|
Who cares about how the days proceed/walk | the time is a walking shoe = on the trottoir |
| they wander/walk as they want/will. | the days walk as they want |
| Citizen, in one hundred years | Bürgersteig state dependency and time |
| you do no longer exist. | lasts longer than the human lifespan (cp. step-span) |
|
Then somebody else has taken your chair/stool. | has taken your thwart-place? taken your sit-i-sense-hip? |
| That you do/will not know about. | the cloud of unknowing |
| You know neither rain nor sun | the sensations of human life |
| down in your dark grave. | the nothingness of mysticism = night of the senses |
|
Who cares about how the nights proceed/'father' | the night/fathering of the spirit - 'far' = 'track' |
| I do not care at all = I do not care a 'track' | time is a (double) wagon track - 'spår' = 'track' |
| if only I can have my face remain[ing] | the face kissing the earth? |
| hidden in my beloved's hair. | in the unordered uncombed hair (like a worn-out shoe?) - at the Godhead? |
|
I am a dubious/doubtful character/nature | the doubt is the earthen nature |
| who is not good for much. | 'duger ej mycket till' is more swedish than swedish |
| Behind a corner Death stands in ambush. | på lur = norwegian for 'on sleep', 'in ambush' |
| He takes me when he wants. | the will of death |
|
Some people walk in worn-out shoes | some walk |
| untill they have stopped walking. | untill they stop |
| The Devil who in Hell lives | the devil who wants to catch you |
| will have a good laugh then. | because he was cheated by his delusion? cp. 'gott skratt' |
|
Whistling.... | |
'På lur' = death in ambush = God asleep? The doubt is shifted over to be caught by Devil/death after the turning point of the night of the spirit (cp. also Cornelis Vreeswijk's name) - that is because time is a double wagon track - and the devil gets a 'gott skratt' = 'a gott laugh'
somliga går med trasiga skor - norwegian 'somle' = 'to be delayed'
säg vad beror det på - ror = rows, that is backwards, on a thwart
Vreeswijk interpreted the decay of human life and drift through life towards death in a mystic sense in some of his songs.
Here is another of his 'mystic songs' - 'Balladen om herr Fredrik Åkare och den söta fröken Cecilia Lind' = 'The ballad of Fredrik Åkare/Traveller and the sweet miss Cecilia Lind'. (Here on another youtube URL).
One naturally guesses how the ballad could have progressed - and then there is 'Fredrik Åkares morgonpsalm' (his morning psalm) - here is the original swedish text with translation: Is this only a trivial romantic song about the old man's bad conscience after having been with the young Cecilia Lind - or is it high mysticism of nature - such as being about the earth under a fir tree? Is there light coming up from the earth there? Cecilia Lind is the soul who is attracted to the God. She is 'soon 17', says the other song - and here it says 'My mother wasn't awake' - which could have meant that she was not really 16 although that is nearly 'soon 17'.
Some of the religious symbolism is present also in Vreeswijk's Felicia's sonnet - here is the text and here it is translated with Google Translator. ('Driv-hus' = 'green-house', but that is probably not the intention). There are certain similarities with my own sonnet of 5 april 1997 (a part of my PhD dissertation). I wrote this sonnet while I was working with the first poem in 'The Endmorgan Quartet' (the work with this poem extended over several months) - although then the forest was not of copper but rather silvery.
22.12.2025: Here is a story about the mystic Santa Theresa and copper, and here is Santa Theresa painted on a copper plate - both examples include birds etc.
21.12.2025: The man who called himself 'John Grøver' after 1969 once told a story about Vreeswijk which I think he said had been in the newspapers: Vreeswijk had one evening brought with him two women home but when it turned out that they were transvestites he put a knife into the bottom of one (or both?) of them. I dont know if (political?) intrigue could have accumulated around him, or how early that could have been. There is also a trivial spoon on his name which could look like 'får Nelly's Cressvik' = 'gets Nelly's Cressvik' - cp. 'Gressvik' by Fredrikstad and Henry 'Cheswicke' Rawlinson who deciphered cuneiform.
22.12.2025: 'Fanil Sarvarov' died in a bomb attack this morning. 'Få[r] nils arv av Rov' = 'get[s] nils inheritance from Rov/robbery/prey' ('rov' = 'predation', 'prey', 'robbery', 'røv' = 'behind', 'buttocks'). Fjellheim on Gressvik published 'Rov' on 02.10.1995. I have not read the book but notice that my own 'The Dreamer' was completed in the end of may 1995 (whether that be relevant or not - I have not plagiarized Fjellheim). Would the bombing in Moscow be suggestive of the idea (on basis of what I wrote yesterday) that Fjellheim would be the son of God - cp. Vreeswijk's 'Fredrik Åkares morgonpsalm' and the idea that Cecilia Lind is the soul drawn towards God? When I in the autumn 1999 applied for changing my name from 'Grøver' to 'Grover', there were a series of bomb attacks against apartment buildings in Moscow and other places while the application was handled. (Yesterday I also wrote something on my home computer about the idea of Norway having to keep itself upright which even could have been seen as a 'reason' for certain chemicals in 'Ukraine'?)
(On 17 and 18 december there were also some apparent firecrackers somewhere in the neighbourhood).
© John Bjarne Grover
On the web 21 december 2025
Last updated 22 december 2025