5 july 2024

5 july 2024

John Bjarne Grover

Assuming that 'Götterfrucht' applies to Yuja Wang's recording 'The Vienna Recital', it is possible to hear the record as the 'Immaculate Conception' of Christ in the virgin Mary. This 'immaculate heart' is also the concept for the Marian revelations of Fatima in 1917.

As I observed in the article 'The fifth dimension', this dimension could be understood in terms of principled 'isomorphy' - and I noticed a case of such potential isomorphy in this comment of 5 may 2024 - notably the isomorphic relation between the Marian apparitions in Fatima 1917 and the lightstand in the church of Santi Apostoli in Venice:

Interior of Santi Apostoli church, Venice

source of the photo
from this article

This lightstand is, as observed in the comment of 5 may 2024, situated exactly on the line of vision between Giambattista Tiepolo's "Communione di Santa Lucia" (source in this article) and - on the wall on the other side of the church - Gaspare Diziani's 'La vergine col Bambino, san Giuseppe, san Giovanni Battista e sant'Antonio da Padova' (source in this file).

As I observed in the article 'The fifth dimension', a study of Tizian's artworks relative to the geology or geography of the planet Venus could give rise to ideas that organismic life on Earth goes via procreation in generations because of this planet Venus.

The interesting question is then: What would be the cosmic correlate to the immaculate heart of the virgin Mary? She promised the visionary children that she would bring a miracle for them on the last apparition, on 13 october 1917 - and it turned out to be just 'the miracle of the sun'. Would that be precisely the immaculate heart of the virgin Mary? The divine conception of the Christ? The children described her as "a Lady more brilliant than the Sun".