16 june 2024

16 june 2024

John Bjarne Grover

There have been three self-adhesive stickers probably of 'ex nihilo' origin:

1) 'ROYAL LAND' found on 25 april 2022 (the first photo of it registered on my computer on 26 april 2024) - on the tip of my light textile shoe left at the entrance door to my flat
2) 'Filósofo' found on 5 may 2022 - on a plastic pouch on the kitchenbench - bridging a folding of the plastic
3) 'Götterfrucht' found on 18 may 2024 - on my palm while leafing in a greek dictionary

It now seems clear that the third of these is related to Yuja Wang's record 'The Vienna Recital' - recorded in Vienna Konzerthaus on 26 april 2022 - the day after the appearance of the 'ROYAL LAND' - I had bought the record on probably 16 may 2024 (it was then rather new on the market) and listened to in the two days before I found the 'Götterfrucht' label on 18 may 2024 - the label could perhaps be telling of my conception of the music :

It is possible to see the label as a transform of the record cover. The yellow colour is the same. The white 'snow' or light on top of the letters of the stickers is found in the reflections of light on the hair, the dress and the piano. The inner white circle of the label is seen in the inner white line on the DGG label. The blue is not the same - there is more red in the record cover. The elbows can be the explanation: The upper arm of humans is one bone while the forearm is two. WORK can be seen to consist in a transformation from the subjective red metre = two bones to the collective consciousnesness = blue metre = one bone and vice versa - which is paradoxical since the collective should be two and the subjective one. The two 'serifs' extending left from the G and F of the Götter-Frucht can be seen to extend horizontally as 'one' from the vertical line qua 'two'. (In fact it is not impossible that the Albuquerque could have been related to this phenomenon - but whether the F-35 - cp. 'seraf' - jet crash- or crush-landed is perhaps not self-evident - however, it looked perhaps like a PIO Box on the air).

It is also possible that 'Götter-Frucht' is a form that could relate to my name. As mentioned in the article, there seems to be a potential origin of the two first labels in my prose work 'And hang under the Justcan keys' (in 'My mention e Anna') in chapter 16 - "The patent bureau" from which I quote:

"A person is a body which you can lock down in a pair of shoes", she said, quoting Arthur Oyland in an attempt to define what an invention is. "An invention is something you can register at the patent bureau", I replied and waited for her answer. "Right", she said.

We had been talking about it for some time - whether we should go in to town to look up the patent bureau to see if it would be possible to register my invention. The best would be to go by bicycle, for many reasons, not the least concerns of intellectual property. We left early in the morning, the sun was burning on the blue sky. A fresh wind gave us a good drive, and Tennison dived under the water to dive for drinking water as we bicycled along.

This 'Arthur Oyland' could be the reason for the wording (art/arch of) ROYAL LAND on the first 'ex nihilo' sticker. The 'Filósofo' sticker conforms somewhat to the 'fresh wind [gave us a good drive]' (this Filosofo sticker initially adheres well with its self-adhesive glue when I press it down onto the glass plate I store it on but after some time it always curves up again in one half of it) while the 'Götterfrucht' can be recognized in what in fact could have been the very invention itself - the poetic force in the bodily feeling of the revolving pedalled chain-wheel (or chain ring[s] or rather chain/crank-set?) of a bicycle described in the form 'Tennison dived under the water to dive for drinking water': You can feel in the soul how the pedal wheel is turning around in the form of sprocket/språket ('språket' is norwegian for 'the language') - the poetic inventiveness in this form could be symbolic of the invention which the author is taking for registration in the patent bureau in town. This feeling could conform to the circular form of the third sticker, the 'Götterfrucht', and the colours are in 'the sun was burning on the blue sky'.

Clearly my article 'The round window of the Middle East' (filename 'metope.htm') provides a good explanatory framework for the phenomenon of the three probably 'ex nihilo' labels: The stapes on the oval window is the oval 'Filósofo' label, the rectangular 'Metope' is the 'ROYAL LAND' which also shows traces of the oval window, while the round window clearly will be the third label - the 'Götterfrucht'.

PS: The 'invention' with the rotating 'sprocket' could perhaps be seen as a form of 'Götter-Flucht'. I refer to DDS III:14 with 'Liebende liebten und ritten'.

(Notice: This 'invention' of a revolving pedal is not about any perverse 'pedo' inclinations - so there is no reason for any box on the ear from that point of view. I am not a 'pedo').

I have long-since speculated if european administrations have consulted Norway about my status and got the 'information' that I should be an agent for their intelligence services. That would have been a lie - I have never been an agent for anybody and I am only a private individual without any such involvements or connections of any kind - but if I had been an agent for them, then they would perhaps not have been considered criminals if they abuse my authorship or hand it out to others for abuse, and I would not have been considered qualified for an economic compensation for such abuse. If I had been considered an agent, a 'box on the ear' could have been understandable - but, to repeat it once again, I am not an agent and have never been an agent and will never come to be an agent. Of course the administrations know everything about that - but maybe they mechanically follow routine procedures in diplomacy and international relations anyhow. The years are passing. Clearly a 'box on the ear' (by a 'seraf'?) could more probably have been about interests in participating in terror which could have related to this 'Götterfrucht' label which developed on 18 may 2024. For example, the attack on Robert Fico was on 15 may 2024 and if that should have been related to this 'Götterfrucht' sticker, the sticker must have been known at least 3 days before I found it - and then a 'box on the ear' could have served to dump the blame for this on me. There is no reason for that - I am not involved in anything such.

When am I going to be credited for the work I do and have been doing through more than 30 years? It is my lonely individual private work and I have not done it on behalf of any administrative interests (except for the 3 years of salaried work 1995-1998 for the university of Bergen when I wrote 'A waist of time' and the three months of salaried work in 1992-1993 when I wrote at the 'Centre for technology and human values' the first part of book 2 in that same work).