Holm april 2022
John Bjarne Grover
The current political situation
It seems that there are three big political parametres in the world today:
1) PTRSIM PIK
2) Dirty beast
3) Dritte Reich
1) PTRSIM PIK arose from Henry VIII's breach with the Vatican - probably on background of Henry believing that the communications from God to the pope were not authentic but that they could be proven to be transmissions in historic collective consciousness from Henry's own life and whereabouts: Therefore he broke with the Vatican and declared himself the head of the new church. After the french revolution the royal power lost its historic legitimacy and it was (I guess) probably the royals of Europe who constructed the PTRSIM PIK program: That consisted in constructing a genetic Stammbaum on basis of a certain selected verses from the books of Moses to the verses of the gospels of the new testament, thereby imitating what was assumed to be a 'historic justification' for Christ in the fulfillment of the scriptures. The genetic Stammbaum would, generation by generation, eventually complete this function from the old to the new testament, and the plan was that when the child eventually was born, the historic collective consciousness would believe that it was Messiah who was born. Then a few days after the birth of the child a politician would arrive to the child like three wise men, the child's loose skullcap would be wriggled off and the politician would masturbate a spurt on the child's cortex before the skullcap was repositioned and held in place untill it was reattached. This seems to be an old trick for couping the child's future - and the politician would be elected by the voters believing that he was Messiah. The story is that I seem to be that child (or one of them) and John F.Kennedy may have masturbated on my cortex some days after my birth, in july 1957. Evidence that something like this happened is in this scan of my brain (by MRT Mariahilf, Vienna) - my skull is intact. Did JFK suffer from strabismus? His administration seems to have been concerned with my person untill he himself was hit by a 'Silberstrahl' on his own cortex in 1963.
This PTRSIM PIK (the concept is taken from two elements in that Bible function from old to new testament) seems to be one of the big invisible parametres of modern politics. JFK's fate was very exceptional and there could be speculations that it was theatre for demarcating the end of a long tradition rather than the beginning of a new. My speculations tell that Ludwig Wittgenstein also was a PTRSIM PIK and that Grover Cleveland had masturbated on his brain - but this I know little about - and that the story of Hitler was all and only based on monkey business on Wittgenstein's life.
PTRSIM PIK could serve to endow monarchic power with lost historic legitimacy by way of the quasi-divine authority couped by the masturbator.
3) 'Dritte Reich' seems to be Hitler's concept for a parody on this PTRSIM PIK, since PTRSIM PIK can be summed up superbriefly as follows: "They stand there farting and blame the weathergods for the bad smells and thereby they feel divine" - since they feel like the weathergods. Hitler's parody on this is the construction called 'dritte Reich': A boy reaches puberty age and the contents of his penis is replaced with somebody else's and his own transplanted onto a rapist who rapes the puberty boy: Thereby it can be claimed that the boy raped himself and hence that he is the rapist - just like the farters who feel divine like the weathergods. The difference is that the 'royal' (typically british monarchy) authority would be based on gas = 'air' while his would be based on 'earth' - otherwise the two concepts are quite similar. 'Dritte' would mean the excrements in the boy's rectum while the 'reich' would be the 'reaching out' of the rapist's organ. This 'Reich' would have been the meaning of the Heil Hitler sign whereby millions of germans made the gesture for this parody on british monarchic power. 'Blut und Boden' was another of his essential concepts which could have meant the idea of the drugged boy breathing through a sanitary towel soaked in menstrual blood during the rape.
The theory exists that I was planned for the PTRSIM PIK role since my birth in 1957 and that Hitler planned this 'dritte Reich' program on me: This theory tells that my official mother was rebuilt to 'trans' for such rapes in the summer 1970 (when she was for a few days to a hospital in Sarpsborg - we lived in the neighbouring Fredrikstad). Why should the PTRSIM PIK boy be born in Norway? The story would suggest that the state of Norway was established in 1814 for precisely this Stammbaum boy and that the shape of the new state Norway of 1814 was made in northern Europe to be a rotation-symmetric form of Italy in the southern Europe: This would make of England the western arm on a swastika - that is the reason why England makes claims on northern Ireland since it provides a counterhook on the swastika, including religious conflicts since Henry, and an eastern arm around the Black Sea can be postulated. This theory tells that Norway was established in 1814 as part of the PTRSIM PIK program made by the royal panic after the french revolution. It would have been this swastika which was Hitler's emblem - and it could have been this eastern arm that was the theme of his Wannsee conference in 1942. The geographic swastika would then really be a british-royal symbol but hijacked by Hitler for his parody.
2) 'Dirty Beast' is the mid articulation between the two extremes of PTRSIM PIK and 'dritte Reich'. 'Dirty Beast' is, most simply, the phenomenon that all spectra leak, of that paradigm and syntagm are mutually dependent, like harmony and counterpoint, and the two dimensions cannot be totally independent of each other. PTRSIM PIK is constructed by selecting all words that occur twice and only twice in e.g. the first book of Moses - that seems to be 775 or so such words. By imposing a division line in the book the number can be extended, depending on where the division line is put, and it can be adjusted to output just 1067 or 1071 such doublewords: When listing these alphabetically they can be matched against the 1067 or 1071 verses in the gospel of Matthew - and this is supposed to be the function from the old to the new testament that serves as a construction of a technical Messiah. Those who try to 'believe' in such a Messiah will say that there are deep religious mysteries hiding in this function. However, if one picks away everything trivial and coincidental from this function, it can be argued that something unique remains which I call 'the fundamental theorem of linguistics' which I have reduced to the following simple statement: "Two and only two items can be the same across different (metaphysical) realities" - the idea being that the physical reality gets its shape from this reduction from 2 to 1 and that a linguistic item is created in addition to preserve the knowledge of the original difference between the two items. It is essential to the theorem that only 2 items can be 'the same' in this identity - with 3 it gets into human categorization (although christianity has a concept of 'trinity' for a divine level). Say, if a bicycle in one metaphysical reality is supposed to be recognized as 'the same' as an umbrella in another, and the two reduced to one with one common name, then the mind that makes this identity must be rather biased and strange - a human 'sinner' that is called, quite unable to see the world clearly, but left to see it as a riddle in bits and pieces, like in that 'mirror dark', but humans have retained the faculty of language for keeping track with the original differences nevertheless. It would be the redundant and biased character of the form of the human psyche that leads to a particular reality and hence a particular form of the human language - hence this 'fundamental' nature of the theorem. It can be assumed that if a philosophy is supposed to include a concept of metaphysics, then the philosophy will necessarily have to resemble this theorem in some way or other - simpler it cannot be - and therefore this theorem contains the secret of what is postulated as 'quasi-divine' by the adherents of the PTRSIM PIK matrix with its 'two and only two' occurrences in the book of Moses - as it projects into the gospel of Matthew. It is observed that this 'articulation of the gospel' also will concern the question of the inner articulations of the author of the gospel in precisely the assumed theme of Henry's reasons for breaking out of the catholic creed. That is the link to the PTRSIM PIK program.
I have postulated two fundamental theorems - one of linguistics and one of logic - and it is of course tempting to compare the one on logics with Hitler's 'dritte Reich' parody in a similar way.
A 'fundamental theorem' would often by associated with a 'dirty beast', a 666 of leaking spectra etc - and western ideas about fundamentalism being associated with 666 could be telling.
Briefly, one could postulate 4 'elements' for these three basic concepts.
My own view, not the least as potentially involved as a victim of abuse, is that WWII was a competition between Hitler and England on being the most ridiculous definition of divinity - and England won the competition with its gas-based model.
I am very crystal clear on this point: PTRSIM PIK and 'dritte Reich' are perverse philosophies that a modern society should distance itself from as far as possible. In particular, attempts to construct a new quasi religion on basis of a 'unio mystica' between a rapist 'Madonna' (presumably a man in woman's clothes) of 'dritte Reich' and the raped child (me) must be considered a very sick and perverse form of human organization of knowledge and society. Such constructions of a quasi religion will typically try and keep it secret (quasi 'mystic') for not being discovered in its fundamental flaws.
It seems that the phenomenon of 'international secret intelligence services' as a modern international power factor is the most essential articulation of such quasi 'religion'. A government will always need intelligence services and these should be principly devoid of power interests - but it is always a problem that the government is dependent on their integrity and therefore they will always be tempted to make a little power by eccentric intelligence and that is called 'intelligence mafia'. It is, I believe, these who conduct terror in the modern world and they constitute by their unconstitutional power a threat against the constitutional power of the legal governments. It seems (I guess) that it is this intelligence mafia who wants to construct this perverse quasi religion: Monarchic power is contained in a small human body which in modern times can be replaced with a copy from those services and therefore, one concludes, monarchic power is more or less the same as international mafia.
The unconstitutional power of the intelligence services are those who take illegal copies of my work and circulate it to the institutions of society.
I do certainly not support any monarchic or comparable philosophy. I am particularly not interested in being in the role of a PTRSIM PIK or a dirty beast or a dritte Reich. I am a normal human being with humans in the Stammbaum and I am convinced that there were no gods or devils or animals in my genetic Stammbaum - and it is totally uninteresting whether they were royals or came from Aachen or Bochen or Kachen or by other indexes were resembling the doublewords from Moses. There is no basis for associating me with PTRSIM PIK - except for recognizing a possible story of bad child abuse which should be investigated by police and brought to public daylight with confessions and apologies.
The problem
Why should that be difficult - to wring confessions and apologies out of the official caretakers?
There is no doubt that my official father was replaced with a copy in a summer in the end of the 60's - probably 1969: He always spoke cultivated words and never used street language but the last word he said before he stepped out of the car in a queue waiting for a ferry was "I have to piss" - then a few minutes later he came back as a new person - somewhat similar but clearly not the same. There is the theory that this new person was Adolf Hitler in rebuilt form - for running his 'dritte Reich' program on me from 1970 on. The Cuban missile crisis of 1962 could have been pretelling this - while the Pigs Bay invasion of 1961 would have told the location of the replacement ('Vikebukt ferry station'). Kennedy would have been a 'royal' element in US administration from the viewpoint of this theory. (There was also a Kings Bay story of 1963 in Norway).
In sum, this story tells that there could be strong angloamerican forces involved in the Hitler role - and this is the reason why a confession and apologies could be difficult. The Apollo program to the moon (planned by Kennedy) could have been telling of a 'travel to the moon' of my cortex in 1957 - which could mean that this Apollo 11,12... really were an Aprilo 1-1, Aprilo 1-2... etc and the closest one could come to an apollogy. I would guess that there never were people up on the celestial moon.
In the postwar world 'security' seems to have been developed as a new art of 'inner sensation' (a la Henry?) based on the concept of 'farts' (the opening of something in the soul) as significant of a threat against the security, with the constant problem of 'farts' being identified as the gas-based concept of England. Austria could be an example: They are obliged by their 1955 Staatsvertrag to be completely demilitarized but seem to have built a little military nevertheless and therefore they could be nervous about CONTROLLO - therefore they will also be nervous about anything that moves unpredictably in the spirit. This is because a control of their own military installations could lead to an instant 'sapsaram' of the state. Really? Austria even partakes in military collaboration with other states. If there were to be an international control today, it is likely that this would have found forbidden installations - but it is not so certain that the Staatsvertrag would have been automatically invalidated thereby. This could even be an underlying factor in the russian attack on Ukraine - on basis of the russian claims of a denazification and demilitarization of the state.
In short, the problem could be (although I know little or nothing about this) that Norway on behalf of international unconstitutional interests could have granted Hitler and his government political asylum after the war but have not dared to confess it officially (it is not told in the schoolbooks). They seem to have developed a solution which tells that 'adoll fitler' = 'drinking & whoring' is the problem, and blame me for it. My drinking and whoring should, is the impression, have been so grandiose that the state is almost shipwrecked, tells this strange version. (I do not drink and the whoring is limited to what even could have been a state-controlled project). But clearly to dump this big problem onto me - or maybe jewish genetics generally - is no solution either.
A theory on the Ukraine conflict
It seems that the fairy tale of Little Red Riding Hood and grandmother and the wolf could be the story - ultimately going back to the Fatima revelations as a form of the german Fischamand story of the flounder and how England rose in divine powers (notice that 'unio mystica' sometimes tends to be associated with a union with the 'godhead') untill they landed in the old hut again. Now the wolf would be Ukraine and grandmother would be Austria which somehow had landed over there. There is the theory that Asia is a lynx face - with kazakh and mongol eyes, tibetan snout and himalayan teeth - even to the extent that Downing Street could have its name from that mongols. But for the hairy ears of the lynx, one must include the Kola peninsula of Russia up to Norway, and that is Europe, not Asia. This theory makes for a division line (cp. PTRSIM PIK?) along the Urals. This map with a division line in the west would have its 'cognitive' counterpart in Ukraine with its division line in the east along - that is the Donbass conflict which could have its origins in the unconstitutional powers of international 'mafia' trying to gain control via the role of Mongolia. The Grøver family several times travelled from Molde to Oslo and back again in car and we always stopped at Dombås for a dish of 'lapskaus' at the railway station restaurant. It is possible that the politics really is the socalled 'Black Sea Loop' of the Wannsee conference of 1942 - a chain (links) of horror running as underearth panic from the Van sea in Turkey around the Black Sea towards Paris as the eastern arm of the swastika: When this turns south it runs like overearth panic in Mussolini's collection of the fascies (for making the pane) from Sicily towards Paris - for making Hitler possible in Germany. If Donbass is under russian control, this could stop the loop - unless a 'lapskaus' can be observed. 'Brigate Rosse' in Italy could have been telling of a 'bridge at the Russia'.
Lynx could be a symbol of porn - could be not only in terms of 'I have to piss' = Horace's 'Epistle I.xiv.21' (with its 'fornix tibi et uncta popina' = 'brothel and greasy cookshop') but also by the idea that the name of Adolf Hitler qua Adoll Fitler could have been derived from the sensual elegies of Sextus Propertius: It is a possible theory that all british PM names that have resided in Downing Street (through at least some decades, could be before the war) have indexed these elegies in a countdown - and the current Boris Johnson could be #2 - towards what could have been conceived as a 'Black Sea Loop' planned since at least the war.
Did post-1969 John Grøver leave a proof that he was a rebuilt Adolf Hitler? It is true that it happened at least once or twice or even more when there was cake on the family table that he said "I will have only a small piece" and then he took nearly half the cake, which could have meant 'pro pertius'. However, if that is no proof, the 'Yom Kippur' = 'Day Slippers' = 'Idle Feetler' war could have been a more heavyweight. (This war was from 6 to 26 october 1973 - John Grøver was officially born on 27 october 1916). It happened in the mid 70's that my official grandmother Laura Eidsvig born Devold were for a brief visit from Ålesund to Fredrikstad and told me, while opening the kitchen bench water tap, that "man må jo ha teknikern for å få opp denne" = "one must have technical education for getting this one up". Some time, could be a few years, later, John Grøver opened the dishwasher machine under the same bench and told me that he had been to a priest for a confession = 'skrifte'. The priest of Klipra where the original Jensen grew up a few houses down from the Eidsvigs was called Monrad Norderval. The myth tells that my grandmother Laura Devold along with Vidkun Quisling shot Lenin in 1924 - hence the concept of 'quisling'. Hence she could have been a 'morderhval' cp. 'Norderval' for a John Kippur.
It is possible that this evidence is reflected in the name of the current british Labour leader 'Keir Rodney Starmer' if 'tupperware' is included into the derivation from 'Sextus Propertius Elegiae' (and 'sex' is the 'ware' that is for sale). 'Tarmer' is norwegian for 'intestines'. This derivation could go via the name of 'Monrad Norderval': 'Måne er der' = 'moon is there' = 'Cynthia'. (I learnt the expression 'selling tupperware' from some such sellers in Haugsvik 1977).
30/4-22: It happened in Molde in the 1960's that I was on my way home from school and it would have been in lower Bekkevollvegen or more probably a little further down in Glomstuvegen that another schoolboy came over to me and asked me with a somewhat worried look if intestines could fall out behind - he told me that it had happened to him and that his father had discovered it and helped him stuff them back again. Of course it sounds like sexual abuse under 'goodenough pretext'. I believed his nervousness about telling it was true, and that his worried look was not only his father's. As far as I remember, he carried his schoolbag in his hand, not on the back, which was unnormal - it would have been more normal for an adult with leathern handbag on his way to work. Could be it 'meant' his father. If 'Starmer' means a reference to this situation, it hopefully means not the attempt to stuff publishing of my 'inner poetic articulations' back again. My poetry is not written by some rapist's penis in my intestines - it is written by my inner poetic articulations of a quite different type. If it had been in lower Bekkevollvegen (and not a little further southwards down in Glomstuvegen, which it probably was) that the schoolmate came over to me for telling this, it would have been under the chestnut tree crown in the garden of the Høstmarks whose son Alf-Gustaf was in my class. Alf-Gustaf once mentioned the music called 'Måneskinnsoldaten', the moonlight ('måneskinn') soldier, instead of 'Måneskinnsonaten', the moonlight sonata - I think that was under this chestnut tree then leaning out over Bekkevollvegen. The tree now seems to have been cut down. Would Alf-Gustaf's name have been telling of a photo from the american pogroms wherein britons could have been more involved than others? I am only speculating. I notice the collection of english poetry called 'The school bag' of Hughes & Heaney published when I was in London in 1997. The norwegian king and crown prince stood under a birch at Glomstuen when allegedly german airplanes bombed the town in 1940. My work is not subjected to crown copyright, only normal personal copyright which I have so far not relegated or sold to anybody else: I am the only one who have the copyright to my work. (In Fredrikstad after 1970 I may have played a little too much on the piano and maybe bothered the new official father, who, though, had not revealed his identity, cp. the swedish el-pianist in France. The family went to London 1972 in a 'Caravelle', as he took care to mention. When I travelled by airplane from London to Bergen in november-december 1997, the pilot said mid way over the loudspeaker, as if that by accident had been switched on but should have off: 'Take a seat, Carrington'. The last line in Eco's "The name of the rose" is "Stat rosa pristina nomine, nomina nuda tenemus". See also Modern Language Review april 1981 title 7).
Such a Yom Kippur war could have been quite a heavy proof. If Hitler were rebuilt to Grøver of 1969, it would have been a wolf in sheep's clothing - and I myself found the theory rather ridiculous when I first came across it, and maybe I still do. But this myth of a wolf in sheep's clothing could have combined with the myth of the grandmother shooting Lenin - for an explanatory framework of the current situation in Ukraine.
My genetic parents seem to be the jewish parents Paul Celan and Nelly Sachs.
What would the 'dritte-Reich' wolf be in this sheep's clothing? It would have been the idea that my poetic authorship really is dictated by the historic Hitler on basis of his holocaust. That would be just the same complex as Henry relative to the pope's communications from God.
My 16-volume poetic work 'The Endmorgan Quartet' of 1719 poems is written entirely by way of inner poetic articulations and has in its 14th book on the distibutional semantics of all words in the work a proof that my poetry is inspired by inner articulations not from any manipulating administration or secret intelligence but from a larger semiotic endowment of presumably innate character: This 14th book (of 2004) is called "If you're going to København" - which perhaps could be associated with 'Flying Tigers Copenhagen' ('fjør' = 'feathers'), the chain selling paperwares, the international spread of which could be telling of the essential issue of who is the ultimate source of the poetry - of the inner poetic articulations.
What I hope will not come to be the case is the idea that a Black Sea Loop could come to be constituted by chemical horror persecution in a chain from the Van Sea to Paris whereby the one link is a name which in its form is selecting a new place wherein a new person is found with a name selecting a new place etc - in a progressing chain controlled by my authorship which thereby will come to engineer underearth panic before it swings 90 degrees down on catholic Italy for a strong 'fascist' impulse. It is natural to believe that it could be the history since Henry VIII which could be interested in these sorts of problems.
Intermediate info with smaller types for preventing delusions
1) It is probable that I am the person who is identified as the PTRSIM PIK at the end of the 200 year old Stammbaum contructed since the french revolution. This role seems to have been subjected to rather massive surveillance abuse and 'monkey business' - it is a guess of mine that all my book manuscripts have been abused for selling plagiarisms which accumulate abusive power - but of course this plagiarizing mafia will not admit that and of course they would deny it if I were to make claims. "You cannot prove it", they probably say. From this point of view it is important for me to be able to insist on and prove that PTRSIM PIK - that is me.
2) But PTRSIM PIK is constructed as a perverse quasi religion parody for pulling goodhearted people by their noses into supporting and voting for those whom they do not want - such as cheating all jews after the holocaust into voting for Hitler - and that PTRSIM PIK I am certainly not.
The PTRSIM PIK program is nazi. I am not nazi. My genetics may be PTRSIM PIK.
The first aspect of PTRSIM PIK is what calls for confessions and apologies from those who abused the child and later the copyright to works, while the second is launched by the mafia as an alternative in the form of a threat.
Briefly: I am probably entitled to suggest the claim that it is my works that have been badly abused by media, business, politics, the whole circus of the public world through decades - but these claims of mine do not mean that I support the monarchic and unconstitutional power construction and I certainly do not accept any divine contents of this PTRSIM PIK construction.
What sort of abuse was there in my childhood? I have a proof of the skull opening soon after birth and have guessed on rape at the age of 6 months and chemical horror injection at the age of 18 months, rapes in puberty accompanied by school dentist destruction of my teeth - the drilling went on for weeks (he installed 'tram lines' in my teeth) and could be the 'reason' why UN did not stop the Hutu destruction of the Tutsies in the Rwanda genocide in 1994. In the spring 2021 there was apparently aimless drilling of the street body of Mariahilferstrasse and Lindengasse in Vienna - this 'softening of the street' apparently went on for weeks and month before the real digwork started for the construction of the U2 U-Bahn station on a 'verandah' or 'carnap' curve joining U2 with U3 at Neubaugasse. Whether this was planned when the irish rock group U2 was started, I dont know.
I have guessed that there were 8 cases of major abuse of my childhood and there could have been a construction of an 'octogon' of 8 abuses of marital relations in return from me after my 18th birthday for making it possible to dump the blame for the abuse on me - with a third 'octogon' in the 8 Kennedy siblings. The childhood abuses were all of a kind which I could not remember or find out of - except for the school dentistry.
All this seems to be the doublebottomed power of the western world - a world wherein it seems that Adolf Hitler worked for the british monarchy. The heart of the story is the authenticity and integrity of the inner poetic articulations of the poet.
The fantastic thing is that I am now 64 and I have still never heard a word about all this story or any abuse of my work. That is a little incredible, isnt it? It would have to be that I am encapsulated by a network of agents? 'Containing the beast' was a program of US foreign policy since the 1940's, and then they probably spoke about the 'beast of communism'.
I walk around as in a bubble in some distant world and even if the news could be filled with communications to me, nobody says a word. If the ukrainian TV series is built up on elements from my life and work, nobody says a word. Even if it is obvious that the police investigation of the massacres in El Paso and Dayton would have needed copies of my poetry notebooks from the church, one of them with a password on the last page as the only contents of the second half, the other with date annotations, and that they maybe even had surveillance copies of them in advance (since the El Paso massacre started in the moment when I re-entered the church for looking for the lost rucksack, an hour and 20 minutes after I forgot it there - and why did I forget it there?), the police has not found again for me the poetry notebooks which I lost, not even a printout of surveillance copies that could exist. Is my work that little worth? Or was it on the contrary because my poetry is valuable that the massacres were carried out - for putsching it? The burglary of my house in Szolnok seems to have been conceived as a part of an 'intelligence project' that included the sinking of the Hableany ship with dozens of korean tourists on board, and therefore (?) the police could not help me and the insurance company has (probably, but the bank wont tell me the ins and outs of the account) not paid me since that makes it look as if I am the burglar - 'dritte Reich' style. Every step of progress I make seems to be annexed by surveillance, and therefore I should not be resident in Austria.
Why dont they say a word? If I got some knowledge, it could become clear that the world owes me a lot of money.
I believe that it is this unpronounced complex which is the essence of the political state of the world - and that major progress towards a global equilibrium is reached the day when the story (including my name) can be pronounced. Those who want to construct PTRSIM PIK and 'dritte Reich' power do not want the name to leak out. In 1999 I was hospitalized against my will in a mental hospital in Norway and got a diagnosis of paranoid schizophrenia: This could be used for explaining advances such as the present account of the story. Could be I am a little weak after all the assumed abuse but I still believe that my sense of basic reality is intact. I also fancy that they spy on me by surveillance and the material is used by public advertisement for turning my inside world outside and make my work and ideas commonplace without crediting the source: This would be a parody variant of the PTRSIM PIK as the good shepherd who leads the flock over the pass and into the green valley on the other side - and then of course it would be the surveillance who thereby pretends to be in possession of the copyright who appears as the author wolf behind the sheepy surface. It would also be a way of compromising the integrity of ordinary people for softening them into accepting the rules of power.
Why haven't I launched more direct appeals for help to solve these problems? I was unemployed for 6,5 year before I got a disability pension (on basis of the 1999 diagnosis) - through 4 of these years I was dependent on unemployment benefit which required constant work with searching for work and sending applications and I believe I could have sent, say, one to two hundred applications, book submissions included - all of which were systematically rejected in spite of my good unsiversity results for an MA degree. At the end of the series there were not even answers. I got a university stipend for a PhD degree but the dissertation was rejected and the US embassies in Dar-es-Salaam and Nairobi as well as the peace conference in Omagh were bombed while I was writing my appeal, and hence it looked as if this terror was my appeal on the form 'rejected on a political basis'. The former norwegian PM Gro Harlem Brundtland was appointed chief of WHO 'instead of' my doctorate degree. The natural question comes up, accompanied by an accusing finger: Why havent you contacted a lawyer for bringing an end to this abuse? It follows that my optimism and enthusiasm is a little blunted and it costs me too much to see the lawyer choosing the other side as soon as he has got a telephone from the intelligence services explaining that this 'intelligence project' has top priority all over the western world. Of course it is not I who should tidy up in this mess - it is somebody else who has to do it on my behalf. Are some or most of Dan Brown's books written on basis of a template derived from my 1995 novel "The Dreamer" - self-published in a few dozen kitchenbench copies but apparently circulated to the world of media, business, politics long before I made and donated these humble copies to a few libraries? I have compared only the beginning and end of some of his against mine, so I dont know. Brown has earned 1,5 billion dollars from his books, told a newspaper article - and he may be only one of many such cases. My novel seems to have been turned into somewhat of a genre called 'subliterature' - flourishing in kiosks and bookshop shelves of 'bestsellers' - but I have never seen my name mentioned. The trembling indexes are filled with indignation: "Why havent you contacted a lawyer?" The top priority western intelligence project probably tells that "Mr.Grover is salaried as an agent for us and is only happy to see you use material from his workdesk for your business purposes", whereby they with 'salaried' mean my disability pension (about 30.000 euros per year) and I have not been able to stop the illegal tapping of my life and work so far, which of course does not mean that I have agreed to it. On the contrary, I am protesting strongly against this abuse but have never been informed with a word about it. I am not an agent and have never been and will never be. I have never been in possession or control of any greater sum of money than the 25.000 euros I got in pension afterpayment in 2002.
The question is this: Are all politicians the same? Why cant they say my name - let the cat out of the sack? Nelly Sachs was born 'Leonie Sachs' which could mean 'the cat in the sack' - for the name of the genetic mother in the Stammbaum. It is a cheap trick they are running - and it is very high time that my name be told out loud and my books be offered for sale of legal copies. It is not that they should sell so many - it is rather that it must be possible to acquire some copies that are legal. As long as only pirate copies are available, it would not really help me much if friends should organize helping actions on basis of the material they get in the form of illegal copies from the intelligence mafia: Then they will, in the last analysis, help the intelligence mafia since it appears that they are in charge of the copyright and hence it appears that they are the author.
The fact is that I have never heard a word about all this. For more than 20 years I have been writing papers like the present one in the hope of getting at least a fringe of response that I can use for my support, but there has so far not been any single trace of it. I had never touched my relations to the political situation before my PhD dissertation was rejected in 1998 - that is when I understood that I had to do this myself. It should have been the task of politicians to do this work and present these data to the public and to give me the declassified information I need for avoiding the abuse - but it was in 1998 that such politicians do not exist. That is a very surprising phenomenon - and it left to me to do all this work. I have been writing these things regularly for more than two decades and I opened my web page in 2004 - but there has not been one single word of response anywhere. Everybody are concerned with the big mythos theatre in the media where I certainly seem to have a role, and it may be that those who support my case seem to support that role in the mythos theatre - but that is of course only to support the nazis (who have constructed it) if they do not give me a chance.
The conclusion is that Hitler's 'dritte Reich' and the british-monarchic PTRSIM PIK are two sides of the same 'elemental' coin and the logic that drives the mythos theatre seems to be of the most primitive kind. It is only this cheap trick over and over again that it is the boy who is to blame for the 'dritte Reich' rape since it was his penis contents. That is primitive logic - and if one ignores this there is the even more primitive of terror.
The elemental theory was the one of classic times before Christ and it is normal and somewhat 'british' philosophy to say that Christ transcended this for the 'arbitrary morph' (Martinet's double semiotic articulation of linguistic signification) as the new level. This is likely to be the british conception - that the elemental stage is what was re-entered with Henry VIII and PTRSIM PIK is supposed to transcend this for a new millenium.
It is an enclosed world which is likely to have arisen from british brexits on the island.
There exists an alternative called TRUTH. Why not tell the truth of all this?
People ask in the intelligence 'what is the truth?' - and the international intelligence mafia, who take illegal copies of my work, answer - and they add that "if you use Mr.Grover's ideas for your intellectual work, you are not allowed to mention his name because it must remain secret for security reasons". That potential threat against my and others' security is under the command of the same intelligence mafia, it seems.
The first big step towards a solution to these problems is the day when it can be possible to buy legal copies of my work. The intelligence has not the copyright to my work and can only provide criminal copies which ultimately has only the function of couping the copyright and hence authorship from me.
If the world were to pay me for the copyright breaches against my authority, it may be that there is not enough money in the world for that. I have guessed that illegal intelligence copies of my work circulate in all the world's administrations every day.
I have written thousands and thousands of book pages on the internet about all these problems of the illegal abuse of my life and work in modern administration: Those thousands of pages should have been written by politicians but it seems that those do not exist.
Now I am in very urgent need of economic support to be able to move to another location - Vienna has apparently tapped my life and work for too many years and now it cannot continue any longer. I cannot buy a normal little flat in a house since the world of international secret intelligence mafia could quickly fill up the rest of the house with agents and drive the houserent up. If I take up a loan in a bank the bank can be driven bankrupt by Big Finances or inflation could drive the interest rates up too high for me to be able to handle with my retire pension. Everybody in politics and administration want me to accept the mythos theatre wherein they can support my role but not me. Maybe there is not enough money in the world to pay me for the copyright breaches against my life and work - I once read somewhere that USA has thousands and thousands of kilometres with old tape recordings in some basement archives - and I guessed that those are illegal tappings from my life - the childhood of the PTRSIM PIK and such nazi things which could have been planned for cheating the 'democratic' public. And the world cannot even produce a lodging for me in some other country - but come up with suggestions for how I can solve that with my meagre economic means. It is totally crazy, of course. It is that level of the primitive logic. And the years are passing by - I tried to make some savings from my pension and could eventually afford the cheapest sort of house (adobe) in Hungary but it turned out that it may have been a trap constructed for me since 1970 (it has water pipes inside the adobe walls instead of inside the house itself and it is likely that the secret intelligence mafia controls the taps that can make the water run inside the adobe) and therefore I could not use it - but nobody told me that in advance.
It is that nazi 'unio mystica' mythos of the trans madonna who rapes the little Jesus boy which is the worst part of all this. They hope perhaps to construct a new religion from that 'dritte Reich' with Blut & Boden - and those are not outdated Hitler concepts - they are probably the most essential working parts of western administration. It is all this nazism which must be brought up to daylight. But for that, Norway must confess (I cannot remember that Ragna Grøver raped me with a sanitary towel soaked in menstrual blood before me respiration - I need to have information for being able to claim that) and they dont want that - it would be a serious fall in their official status. The world has now been on a standstill for decades waiting for this confession and nobody touches it since it had to come from themselves on their own free will and that would be the end of the nazi story - but they did not want to and eventually Russia started the war against Ukraine.
The evening before the US election on 3 november 2020 there was a shooting spree in Vienna, starting on that spot outside the jewish synagogue in Seitenstettengasse which could be seen from the window of the lawyer I used for returning some things I had once borrowed from the family home - and a letter to Ragna Grøver about (as far as I remember) the client's unwillingness to have any further contact. She returned a letter to the lawyer - and unfortunately the lawyer gave that to me and I took the paper while still having confidence in the lawyer and left. I read only a line or two - and had gone some metres up the street before the world started to crumble around me and I had to hurry back with the paper. It was too late, though - I had for a brief moment accepted a communication from Ragna Grøver - and nazi mythos probably moulded that into me qua PTRSIM PIK accepting an ejaculation from the 'Madonna' and it may have been therefore that the shooting started in Seitenstettengasse which could be seen from the lawyer's window. It seems that this could have been what changed the election in USA the day after, only a few hours later: Trump was scheduled to win the vote in the course of those following hours but lost surprisingly. The trick could have been the very simple one that "now Mr.Grover has accepted a paper from Ragna Grøver and then it should be in order" - but Mr.Grover had gone a few steps up the street and then he changed his mind - he did not want it 'to rump' so he returned the paper after all. The shooter ran up to Graben where I some years ago had met then president Fischer outside Frick bookshop and then the shooter ran back again, told the news. The name of the shooter was allegedly 'Fejzulai Kujtim' - there could be secrets (say, from those basement kilometres) hiding in that name but clearly it could simply be about the name 'Fischer' for that 'Fischamend Markt' which is 52 km from Pamhagen on the corner to the airport Schwechat - as the real reference of the Fatima revelation in the german story of the flounder. Everybody want that solution - that the aspirations of Henry for divine status eventually lands him in the little fisher's hut again - and that is what they voted for in USA.
In addition, the route of the shooter could perhaps be called a 'Weinstein': Trump had taken Weinstein for touching the actresses in his films but not for plagiarizing my work - which means that the actresses only got more money than before while I got none. It may be that when Trump was elected in 2016, everybody waited that he would squeeze money out of plagiarisms of my work in modern media and that would be the end of this abuse story - but when he did not take more than Weinstein, that meant that 'Weinstein' was the name of this surprise.
I need information for being able to reject Ragna Grøver efficiently. I do not have any proof that such rapes were going on. This is what changed the result of the US presidential election in 2020, it seems. The world has been waiting for this norwegian confession, it seems - but that means that 'drinking & whoring' assigned to me will not function any longer as explanation to the problems which asylum for Hitler & his government in Norway after the war could have constituted. But the world cannot continue waiting for decade after decade and I have guessed that this is what was behind the russian attack on Ukraine. If the Oslo terror was organized by the state itself, it could have been for the idea of 'british exits on the island' ('Ut-øya' = 'the island outside', 'U-tøya' = the bugs in e.g. bedclothes) - that England has to come up with the explanation (say, to why Hitler should live in Norway after the war). 'Fischer like utenfor' = 'Fischer like outside[r]'.
Of course if the official father was replaced with a copy in 1969, the official mother could have been replaced by the 'KROCK' of her car collision in 1981 and then the new one would not remember any 'dritte Reich' rapes. Of course it is not about such personal things - it is a political matter on a national level - but it concerns my person.
It is likely to be my norwegian citizenship which makes such an effect on the US election. I need a new citizenship which could lift me out of this soup. The norwegian citizenship could be what allows for illegal surveillance and abuse of the material?
I am a normal human being and I do not participate in that nazi mythos theatre which is constructed by modern media for being a control with the socalled democratic constitutions and elections - and I have the right to much money in compensation for the loss of crediting of my work.
If PTRSIM PIK is royal in the sense of being an attempt to rescue royal justification for power by an attempt to lend quasi 'divine' authority to the royals, republicanism should not be the alternative in the form of Hitler's 'dritte Reich' parody - of course it must be much more radically different.
The current political situation is, though, probably steering towards an elemental state of pre-christian classical character designed for the new computer technology - see this article. A perverse nazi madonna philosophy probably says that pedophilia was common in pre-christian classical times and Mary Magdalene was a man in woman's clothes - therefore it is called a 'virgin' and a 'frontal krock' has a rod in the gap - who raped the naive Jesus boy and that led to christianity. This is, though, a breach with catholic dogma.
La jeune Parque
Paul Celan and Robert Schumann shared two things - 1) both had considered settling in Vienna, and 2) both attempted suicide in the river. Celan succeeded (if it were not only murder or accident), Schumann failed.
I may have found an explanation to this mystery in my poem TEQ #230 - on background of the story of Celan translating Valery's "La jeune Parque" and sending it to Nelly Sachs in 1960. She quotes in her letter of 24 march 1960 from his own translation line 29 from the end Valery's "chargés de jour et de créations" into "die Licht- und Schöpfungsfracht". Could be 'Schöpfungspracht' would have been more normal - in which case his days of youth with studies in medicine in Tours could have been referred to. Or would it have been about 'die junge Farze' or 'Jange Furze' = 'John Grøver'?
The three 'Parzen' are the three goddesses of fate Nona (spins the thread of fate), Decima (decides on the quality of life) and Parca/Morta (cuts the thread of life) in latin mythology. My TEQ #230 (written on 20 june 1998) can be seen as relevant:
TEQ #230
Luke 21:8 πολλοι γαρ ελευσονται επι τω ονοματι μου, λεγοντεσ οτι εγω ειμι και ο καιροσ ηγγικε = "for many will come in my name, saying 'I am he' and the time is near"
If a viewed case is seen as a thought case,
then they are anominal.
Parceline
It is probable that the aspect shared by Celan and Schumann - 'considering settling in Vienna' - could be interrelated in the 3 PARCAe:
i) considering = a viewed case = ελευσονται επι τω ονοματι μου
ii) settling = seen as a thought case = λεγοντεσ οτι εγω ειμι
iii) in Vienna = anominal = ο καιροσ ηγγικε
επι τω ονοματι μου = in the onomati mou = in the nominal
anominal = the opposite - in the end is the beginning - cutting the thread of life can also mean cutting the umbilical cord
The second last poem in my 'Der Dornenstrauch' (2015) has second last stanza:
| So ist die schöne Musik | |
| die Schönheit der Weiber in Licht | iii) |
| einer himmlischen Wohnung Mystik, | ii) |
| eine Gabe aus menschlicher Sicht. | i) |
|
So sieht sie bei uns aus, die junge Parze, etc | |
[2 may 2022: My first childhood memory is the poem Nelly Sachs sent to Paul Celan on 8 march 1958 - I am on all four, before I could walk, in the entrance hall to our flat in Brinken 2 on Kampen in Oslo, I look down in the floor, then lift my eyes to see the wall in the end of the corridor before I look up in the ceiling to the circular lamp shade there - the memory fragments of a brown-grey carpet on the floor and some dead flies inside the lampshade are uncertain - and I believe the memory is from Paul Celan finding her letter on the floor to his own entrance hall in 29 bis Rue de Montevideo and reading it right away. My birthday was 29 june 1957. Would this first memory tell of the 'Balfour declaration' of 1917? Celan published his translation of the first lines of Valery's 1917 'La jeune Parque' in 1959].
In the end of the 1960's Norway had opened their country for pakistanian foreign workers. They suffered some hostile emotions by the expression 'pakkis' in the sense of people who came there from abroad to take the work from the norwegians. Why had Norway opened for pakistanian foreign workers? The word 'pakkis' means also 'pack ice' in the arctic or antarctic regions - and the name LARSEN is associated with the crew who followed Amundsens and Nansens on their polar expeditions. 'Larsens' they were - and Shetlands-Larsen was the highest decorated marine officer from WWII.
A hypothesis could be that Celan's suicide in 1970 could have been due to this 'Larsen Pakk-is' for his translation of 'La jeune Parque'-is which he sent to Sachs. More than that - one can speculate that this translation of his could have been the reason for the norwegian opening for pakistanians in the late 1960's - to create this 'Larsen Pakkis' because of Celan's translation - which he sent to Nelly Sachs, could be in the context of my person.
The Fracht/Pracht could then be seen in Larsen/Tarzan - the murder of Inger-Johanne Apenes on 'Kongsteen' probably in the night when Aldo Moro was shot in Rome.
The old speculations whether Klara Schumann had emotions for Brahms - as the background of Robert Schumann's attempted suicide - could then be explained by Brahms-Klara = Parque La-jeune/Raccoon. Would Beatles' 'Rocky Raccoon' have been this theory?
It could have been a norwegian initiative for promoting Ragna Grøver instead of Nelly Sachs - and that contributed to Celan's suicide on Adolf Hitler's and Gro Harlem Brundtland's birthday in 1970 - since he did not want his work to function that way.
(Even Hovdhaugen once quoted this joke from the 1970's: "Du verden så mye pakkis det var her" - meaning 'Larsen' looking out from the polar boat onto the pack ice, but with a modern twist in the racist connotations from those days. Could be he wanted to tell me something).
Heinrich Heine has a poem about the Parzen which is less sympathetic and could be a play on witches and Parze/Warze. [30/4-22: This poem of Heine could have been around for quite a while, such as dry 'Hängelippe' a la 'hunchback' or dry eyelids cp. the 'lid' on the Notre Dame de 'Guadalupe' Paris - or 'Guadalupe' El Paso? the Hableany, the nose etc]. In the summer 2021 somebody had written a fragment of a poem by Heine with chalk on the asphalt in the park, a sort of Heine-Schwund that could have been, and in early march this year there was an arrangement for students (choices of future - sex to use propp er choose a leggy A) in Wiener Stadthalle where there also were posters for an animalistic organization:
If the dog-pig (here 'on grass') is meant to be a 'Schweinehund'? For the contents of penis translanted over onto a 'trans' - in a hitlerish 'dritte Reich'? Would that 'Schwein' have been about a Judenblut?
It could look like 'tjukk Ragna' (for 'Ukraina') = 'fat Ragna'.
I took these photos on 3 march 2022 - that was only few days after the russian attack on Ukraine. I would guess that the arrangement could not have been made in the course of a few days only - and so it is theoretically possible that it was organized before the russian attack. Of course this arrangement could not have been the reason for the attack but it could have been a part of a larger arrangement which could have been the reason. One guesses that it could have been about an arrangement about a Black Sea Loop of some kind - a chain of horror going from the Van Sea in Turkey around the Black Sea in towards Paris - the eastern arm of the european swastika.
Norway opened its work and study market not only for pakistanians but some years after 1970 also for sri lankans, which was a welcome enrichment of the cultural landscape. It was on presidential election day in Ukraine, which was on easter sunday in 2019, that sri lankan hotels and churches were bombed. Trump asked for the data on the ukrainian election and was impeached for just that - which could mean that it is something - like this pakistanian factor could be. Ceylon / Celan.
Hans-Henrik Holm
He published his 3 volumes of poetry (in total more than 1360 poems) called 'Bygdir i solrøyk' ('Villages in sunsmoke') in the 3 years 1949-1951. The three volumes - each divided in two half-bands - have different titles and it seems that the collective title 'Bygdir i solrøyk' has been put onto them after their completion: It is a title that is found only on the three outer-jackets that are put as wrapping around the original jackets of each of the three volumes - and there seems to be no mention of it inside either. It is probably that Holm gave this collective title to his 3 volumes after the series was completed and the editor printed the jackets up separately and wrapped them around later. What is interesting here is that 'Bygdir i solrøyk' could be seen as a derivation from 'Bagdir in silrøyk' or 'Pakkis in sil[d]røyk' = 'packice in herring-smoke' - the view of a 'Larsen' from the boat down into the sea wherein swim the herrings and the icefloes with glittering sunrays. Celan published his 'Fadensonnen' in 1968 - and one recognizes this from the illustrations to Holm's book which are woodcuts by Hans Gerhard Sørensen printed directly in the book:
The lefthand illustration is to the 6th half-band 'Fjøllsus i dalgrøda' = 'Mountain wind in valley produce', mid title page to this and right the illustration common to all the extra outer-jackets for the three volumes: Clearly this 'Fadensonnen' with the 3 Parques is the same as for the 6th half-band - but this is all I have found of traces of the outerjacket inside the three volumes.
I recall from the end of the 1960's the US western TV series 'Gunsmoke', which could have been a parody on the norwegian handling of this 'Villages in sunsmoke' - as 'villains in gunsmoke' or something like that.
The US western series was for radio (some 480 episodes) and TV (some 635 episodes). The first radio episode was recorded in june 1949, which, one could guess, was just when Holm's first volume was published or in processing. It seems that the TV series was made after the three volumes had been published: I don't know when the title 'Villages in sunsmoke' was given to the three volumes as one unified work, but it is natural to guess that it was done after the third was completed - and the publisher wrapped this outer 'jacket', a sort of 'parka', around all of them. The TV series includes a 'Festus Haggen', which sounds like 'Fjøllsus i Dalgrøda' ('Fjøllsus Heggen'), a 'Newly O'Brian' which sounds like the first poem in vol.3 'Vi hev god-dag i vente med kvelvgull i aust' ('We can expect a good day with golden expanse/vault in the east') etc. The three volumes seem to contain 1362 enumerated poems (plus a small number of 'pre-poems') which could then be that T-262 car number of Gr/'J' since 1961?
In the late 1960's the official mother Ragna Grøver became a member of a 'Council for the care of the disableds' (headed by Gudmund Harlem, the father of Gro Harlem Brundtland) which could be called a sort of 'Trygderåd' - could be it was established as a mock on the word used by Holm?
If this 'Gunsmoke' series is based on this work of Holm, e.g. one could fancy that each episode encodes one poem, e.g. the essential secret of the poem turned into a driving reason for the story in the episode, political interesters should take it as a high priority aim to squeeze an apology and economic compensation out of the US state or the responsible producer and a withdrawal from the market of all episodes. There is of course very great damage done to the literary work - and to the cultural context it was written for.
The 'reason' for such a series of mock would probably be in the 1814 program of a function of shifting the ridicule of the 'churchhead' or quasi 'pope' of the british monarch up to Norway for a ridicule of the inner poetic articulation up there and via a PTRSIM PIK function returning divine authority. The british monarch looked well and fine as head of the church as long as he enjoyed divine status and justification for the power, but as soon as the french revolution had reduced this to historic relativity, it looked pitifully displaced and the urgent need for refueling of divinity seems to have prompted the construction of the PTRSIM PIK program of mocking the inner poetic articulation in Norway: This turning of the british arm of the swastika up to Norway is then assumed to be driven by the horror of the eastern arm swinging down onto Italy for fascist panic there. Hence the 'Gunsmoke' series arousing holy rage in Vietnam around the globe from Norway - and Hanoi with Ho Chi Minh would have corresponded to Oslo with Hans-Henrik Holm. The swastika could, though, apparently have been for endowing the british monarch with quasi-'divine' feathers from the PTRSIM PIK construction.
The same could be the case for my TEQ if that is going on. Of course I strongly protest against such a fate for my work.
The poet makes dedications to earlier poets of 'Nynorsk' traditions - and one sees the tragedy - it is possible that his work is far beyond anything else of comparable type in earlier norwegian literature and somebody who could not take that could not resist the temptation that arose from this attitude in the dedications to earlier poets. 'Fjøllsus i dalgrøda' could have been 'internationalized' into 'fallus & conte del porno' by 'fjallus i dølgrøda' equalling 'Bygdir i solrøyk' into 'Pakkis in herringsmoke' = 'Pakkis-Larsen'. The 'reason' for such 'Larsen-pakkis' at the end of the 1960's could have been Celan's 'Fadensonnen' - and maybe also that I could have met Celan in the early 1960's and this could have given me some 'attitude' of optimism and courage for my life. The purpose with such an intrigue could have been to turn the 'Parques' into a symbol of the 'trans' of 'dritte Reich' - and hence a misidentification of the 'wrapping' jacket or 'parka' on this 'trans'.
Holm's 'nynorsk' language - a dialect allegedly spoken in Setesdal, a district of a few thousand speakers - can perhaps still be read and evaluated but there are probably very few left who speaks his language - and in a few years time there isnt anybody left who can read the poetry without extensive use of dictionaries.
See my translation of some of Holm's poems - here by the two examples:
4. I was prepared for hardships
Desire makes might courageous
in various sorts and ways
conjuring up hearts for favours
to more than the lightbeam stays.
Of all that my sighs collected
for weaving ingrediences' fate
bad conscience my step infected
and need gave my substance rate.
5. Thorns rise the sorrowful scent of roses
In longing the might is to suffer
the glades of achievement's unease
that strengthen from mass expansion
the truth out of fantasies.
The body of green grows furry
forgetting the famous and steep
glints of the holy that hurry
over oblivion's deep.
Are these exceptional cases from the end of his authorship - against a lower character in the rest of his work? I decided to pick a poem coincidentally from the 3-volume 'Bygdir i solrøyk' - the lookup happened to land on the fifth part, chapter 1, poem #44 = V-I-44 = "Legg i gardtrivsla godviljen til" (from Holm V 1951 p.101) which I tentatively translate as follows - with doubt about that 'thrive' - can the verb really be nominalized in english? - if not, one could try 'drive'? - no, one could not - the poet's essential point, in particlar in this poem, is the good reading, not the bad:
Optimize your farming thrive
If you plough not frequently
soon it postures sequently.
Up the hillside pastures weave -
run your turf not thin.
Little lazybones achieve
come the crops not in.
Gather toil's spite, endurance,
labour sharp grey impedance.
Coarses/Courses often stain their dust,
cold north winds ice hard,
pulse in sudden shrieks apart,
ominous owls spar.
Late it is and barely must
vassals space their stars.
The poem seems to be a play on vocalisms - posture/pasture, coarse/course, vassals/vessels etc - could be for 'lifting' the fate of the humans upwards. The 'star' is here thought to be the classic seaside sedge - the original text tells that it is late and not so right (or, strictly speaking, 'ubeint' which also strongly suggests 'no bones left') to clear a new farm for/of a vassalman or 'little man/farm'. But the Vietnam war is perhaps more easily understood with the 'stars'. Lazybones little asheave - like constellations of stars on the dark winter night. Could be the Vietnam war simply served to insist on the true poetic original intention - against the 'gunsmoke' mock of some norwegian and US interests which could have assigned a 'low' or 'bad reading' - the poet's wish to lift the society and its spiritual life up instead of pulling it down? Like when vessels space their sedges?
A translation more in line with a traditional conception on these points of the poem could read
Apply your goodhearted understanding of/on the thriving farming life
If you plough not frequently
soon it postures sequently.
Up the hillside pastures weave -
run your turf not thin.
Lazybones little achieve
come the crops not in.
Gather toil's spite, endurance,
labour sharp grey impedance.
Courses often stain their dust,
cold north winds ice hard,
pulse in sudden shrieks apart,
ominous owls spar.
Late it is and sure unjust
to clear a vassal farm.
I translated this poem on 27 april 2022 after having found it by coincidental lookup the day before. It is interesting that I found two pieces of probably ex nihilo type - the first on 23 april, the second - the ROYAL LAND label - on 25 april. The first was this - overview left and details:
One sees the 'coarse cloth' which justifies this version of 'coarse' against the socalled 'proper' version 'course'. The 'ROYAL LAND' label, with sticky glue on the back side (it could have been a label on some banana brand that had fallen off the fruit onto my shoe during the shopping?), seems to comment on the 'vassal' fate and justify this reading for the probably more normal 'humble/little farm'.
Holm's poem 'I was prepared for hardships' includes the line 'bad conscience my step infected'. The label could look like a sort of 'bygdir' surrounded by a golden 'sunsmoke'. It also calls forth associations to the beginning of chapter 16 "The patent bureau" from my "And hang under the Justcan keys": "'A person is a body which you can lock down in a pair of shoes', she said, quoting Arthur Oyland in an attempt to define what an invention is". I notice that if one searches for the exact 180 degrees around the world from Wuhan where Covid-19 started, there nearest earth one finds is Easter Island with its 'Hanga Roa' - cp. this 'ROYAL LAND' with "And hang under the Justcan keys".
Holm is not an ordinary poet. One has to search far and long for finding anything like it in norwegian literature - there is of course also in norwegian literature a lot of intrigue and one-dimensional opinions (and what is beyond could sometimes seem verboten) but it appears to be nothing like Holm's poetry, and it is likely that the norwegian culturati in the small language could have been boiling over with envy and hatred against this 'alien' and agreed to try and lock him down in oblivion - reserved for abuse by the nazi intrigues of the secret intelligence mafia - such as this 'Gunsmoke' series, the murder of Apenes in Norway ('Tarzen-Fakir') internationalized with Aldo Moro in Italy on probably the same day.
It is easy to see how the poem 'Bygdir i solrøyk' V-I-44 = "Legg i gardtrivsla godviljen til" can be read in a mocking fashion - suggesting that it is 'business' to get bodies into the earth - and to use this negative reading as basis for a TV program of 'Gunsmoke'. Holm's poem is about just the opposite - to find a lasting solution against this negative attitude that is so destructive for the world. It could have been just this aspect of Holm's poetry that Vietnam wanted to defend against the 'american culture imperialism'.
The inner jacket of 'Fjøllsus' could receive support from the classic archive photo of Holm with 'goathorn' hairdo suggesting that it is the inner jacket that counts, in the sense of he himself not partaking in the intrigue on the outer ('parka'?) jacket:
There could be reasons to believe that systematic surveillance and harassment of my poetic work could have been going on and that has made the state of my poetic authorship look like Ukraine does now and my bodily health is somewhat of the same - the skin of my penholding hand runs dry and cracks up. If Holm's 'Bygdir i solrøyk' were systematically harassed in the US series 'Gunsmoke', his more than 1360 poems turned into more than 1100 episodes or so of pure mock, the question is: What did that lead to? The answer could be: The Vietnam war. The 'gunsmoke' there lasted for 20 years = 1040 weeks, appr as long as the US series if that were once a week. 'Ho Chi Minh' = 'Hans Henrik Holm' was the leader of the war - which could have been prompted by a holy rage about such bad reading of the great poetic attitude in this work: The Vietnam war thereby divided south Vietnam = 'gunsmoke' from north Vietnam = 'sunsmoke' and when in 2002 Chirac/France rejected my application for asylum, it was to reject the french republic (I was fleeing from the monarchic power in PTRSIM PIK and its parody 'dritte Reich') and this rejection seems to have haunted french elections ever since. The simple reason could be that when Chirac rejected the 'sunsmoke' = 'Roi de Soleil', he rejected the republic and went for the PTRSIM PIK monarchy contained in the 'gunsmoke' mock (based on the european swastika of 1814). France had a role to play in Indo-China before the war and could have been all too used to have a bad conscience about the Vietnam war 'infecting their step'. However, if France considered the war as being on a line with the vietnamese revolt against the exploitation and suppression, it could in actual fact, tells this poem, have been, for the vietnamese, a matter of vassalship in a 'ROYAL LAND'. This could have added paradox to the political understanding of the situation after 2002.
Susmoke/gunsmoke is trivial phonology only and should be a repairable problem. However, it is maybe not so very simple. This ROI (Soleil) could be contained in this possibly 'ex nihilo' ROYAL LAND label - which means latin letters like quasi chinese schimmelbild script - in which case it means that the alphabetic letters have the function of a 'printed Joseph': "There is Mary Magdalene, / the printed Joseph" then means that the print is like smoke, the form of the angel Gabriel who announced the conception of a son for Mary: The 'sonsmoke'. It could have been this problem complex which was behind the death of Paul Celan in 1970 after the publication of his 'Fadensonnen' - a title which of course in theory could have been in allusion to the graphic illustration on the 'parka' jacket of 'Villages in sunsmoke'.
Hadnt it been better to terminate that gunsmoke series rather than sending vietnamese and american people to the war? But maybe the series was made for the specific purpose of making war elsewhere on the globe? Vietnam is a sort of quasi 180 degrees around the earth compared with Norway - with Hanoi in the north like Oslo in the south. 180 degrees it is not - but if one considers this south-east Asia a counterpoint to Europe, with Taiwan as England, it looks rather similar.
ROYAL LAND seems to the story. This 'klistremerke' ('sticker') could be what some people have felt like 'shiners' in recent times - leaving traces of an 'A' on some. It can be noticed that this could be an aspect of Holm's poem (as discussed here) that can be recognized in the vietnamese warfare as a revolt against the suppressive american gunsmoke - and hence that this label tells of the poetic impetus in the vietnamese history which politics is inclined to cash in for themselves. The same for the ex nihilo 'coarse cloth': It tells of an (anglophone!) aspect of Holm's poem that could have surfaced only in Vietnam but originally was intended to lift the cultural landscape up in the deep mechanics of the poem's literary form. These could be aspects of his poetry which one rarely finds comparables to in other norwegian literature - and therefore the damage by the pitiful mock was even worse.
Ehud Olmert was sentenced to some years in prison for having accepting money while he served as israeli prime minister, and he was released from prison some years ago. It is of course well possible that the international intelligence mafia has planned to reveal that Holm was an agent - could be even that he really was a foreigner who learnt norwegian later in life. That is not likely to be true - but it may be that his poetry had an anglophonic or rather universal substrate that made it international beyond the norwegian borders. If there are rumours that he could have been an agent, that could perhaps only mean that there had been too much 'trygderåd' and things like that in Norway - and 'Gunsmoke' in USA - and the Vietnam war could have cast a magic spell on the international power mafia. Neither am I an agent.
About Vienna
This (in addition to many positive things) I have to say about Vienna: I have the feeling - which I cannot document - that if I write a line which contains only the slightest little trace of poetry, it is attacked by security, intelligence, business, advertisement and turned into elements of their activities. There could be an enormous damage to the poet's work and to the world thereby - and this is precisely what can lead to world wars. The surveillance is probably all too detailed - if I can see it, they can see it, and they can probably see finer details than I can. It does not help if I write in a park with small lettering in the narrow slit of a barely opened notebook. There seems to be only one solution to the problem and that is to either stop writing or to move to another country.
What I fancy is that the surveyed material could go into 'intelligence'-controlled terror for turning my poetic authorship into pure evil which is so strong that it has to break into blossoming in some other country at some other time - such as in terms of new nazism in Germany. The program could conceive of my poetry as 'Satan' and this being sanctioned by Norway, like Holm for the 'Gunsmoke'? I am only guessing, though. The war in Ukraine could be another example. However, there exists an alternative to this 'evil' breaking out in some other country - and that is that Austria itself is warred down. What is needed to stop this, if it is not too late, is that some responsible (a chancellor or something like that) says "stop the surveillance-based harassment and terror" - and thereby the world is rescued. Why dont they? Is there somebody who says that it is NATO who has asked for it - in the name of 'democracy'? Of course somebody in NATO could have said something like that, but the NATO council cannot support such opinions or behaviour among its employees. It must be crystal clear to all the members of the alliance what sort of politics they are leading.
In the present case, it could seem like the poet has been constantly harassed through a longer time and now Ukraine looks as it does. The demonstration outside Wiener Stadthalle looked like intense hostily against me: "Take that purke!" it seems to say - as if the conditions in Ukraine were due to my work - as if the destructions were resulting from an 'evil' in my work and not from an 'evil' in an administrative interpretation of it. That could be called a certain lack of understanding. Is that the same as antisemitism?
Beerhallputsching is evil. Sex to use propp er choose...
In short, if Vienna is making terror in order to engineer war, then they must be prepared for war - otherwise they would not have done it. They are building a new U2 station at Neubaugasse / Zieglergasse, a sort of 'verandah' or 'carnap' to the old U-Bahn which looks somewhat preheralded by the school dentistry on my tutsies in 1970-71: Could be they hope to swap a la PTRSIM PIK or 'dritte Reich' this into Neuglaubgasse and Zaubergasse - say, for a sick and perverse nazi mythos with a 'trans' Madonna (pretending that the original Mary Magdalene was a man in woman's clothes) raping a Jesus child? But isnt that too cheap - to try and say that it is I who made the terror because they used my poetry for it? Normal intelligent people cannot bite that 'magic' hook?
The construction of a 'Neuglaubgasse' for a nazi mythology of the 'trans' Madonna with the raped Jesus child could be the background of the role of 'fat Ragna' = 'tjukk Ragna' = 'Ukraina'. Why did Russia have to attack? 'Lauv-stad' was the name of the biology teacher who had written about 'TEGEs' = 'Billa'. Cp. also "'Lauv'-heid um vår".
Why did they want me to buy a house in Szolnok - built by a 'master builder' who mixed up the location of the water pipes? Could be because of the Solrøyk: Byg-MES-dir Szolnok/Solnes = Byg-MOCK-dir Solnes. Royal Land, Neuland, Neuglaubgasse, 'I lauvheid um vår'.
But 'Papierchen hat man glühend hinterlassen': Simple bad-reading understandings always present themselves as possible, but there are very different reasons which are the real reasons, and so it is with Holm's poetry as well.
All this smart tricks of dumping the blame for the rape on the victim of the rape is Hitler's nazism. But if that nazism were a hilarious parody on the british PTRSIM PIK, what was the 'british holocaust'? It cannot have been only Zaubergasse broom-riding? Did England exterminate peoples and tribes in colonialist India? Or would it mean the american indians? Could be there are secrets there which are too heavy to allow for public inspection - and these secrets were the real reason why France could have had such a bad conscience for Indo-China - and therefore Chirac could not accept my application for political asylum. But that is no reason to allow for continued nazism.
30/4-22: I have this feeling that the progress of my work is kept under constant surveillance and its best parts turned into terror. I thought when I wrote the above "Like when vessels space their sedges?" that it was a typical example. Today I read the news that 'Mino Raiola' had died. I notice also the possible role of the nynorsk word 'ubeint' = 'unjust', 'uneven', 'boneless', 'legless'.
1 may 2022: The high relevance of this is shown in another two translations I made of Holm's poetry. I discuss them in turn:
1) I translated also Holm's Bygdir i solrøyk V-xix-9 (p.140): 'Feggane pratar p tram' = 'Old men talk on the threshold' ('tram' is typically the step or stone just before the entrance door):
Old men talk in thresholding (6)
Din of dance and horny height 9
rumble down from wood tonight. 7
Late comes silence as obtuse: 8
We old need no countenance. 10
We lack both the fire and fuse, 11
generously swarm in twos. 12
Late comes bed of boun[-]tinance/bountiness
13
on the heath of hues. 14
I test the theory of thresholding against my 23 photos and can suggest the parallels: Title = #6, line 1 = #9, line 2 = #7, line 3 = #8, line 4 = #10, line 5 = #11, line 6 = #12, line 7 = #13, line 8 = #14. See also the very interesting parallels to these in the chinese film. For example, where do I find the reasons for translating 'horny laugh' as 'horny height'? That can be found in just this film - the photo at 00:35:32 for 'horny height' in parallel with my #9 for 'din of dance'. Why do I translate 'på heidi no' = 'on the heath just now' with 'on the heath of hues'? Well, the heath is far away from the threshold so if it is now it has to be somewhat ethereal. Secondly, the chinese film shows a hand lifted to the hat-brim which suggests norwegian 'hit' = 'hereto' and 'hues' = 'the head's', such as e.g. a hat.
What is interesting is that Holm's poem seems to suggest a certain 're-ordering' of the elements - if #9 must be moved down between 8 and 10 for preserving normal order of things. This could also explain the division of lines in the poem.
The result of the analysis is likely to be that it be about a phonological level which includes the concept of 'syntactic' ordering. This could mean the explanation to the first word of Holm: 'Feggane' seems to mean 'old men' or what also is explained as 'man after man on farm' - perhaps a comparison to a military order:
FEGG ANE
EGG-f-ANE
This phenomenon is seen very precisely in my TEQ #501 (written long before I read Holm) - the poem starts:
Your spirit is twelve, one
acquaintance, first with the
[the] first emperor
and visible band,
knew they very well from
cliff of the chief:
You're a fire-resorter,
Egg-Bjarne/Begg-Jarne!
We lack both the fire and fuse, Egg-Bjarne/Begg-Jarne!
It must be noticed how advanced this aspect of Holm's poem is and how strongly it relates to the film from the chinese culture revolution - at the time of the Vietnam war.
The phonology of this alphabetic letter level - with assumedly permutable symbols - could be telling of the apparently ex nihilo label 'ROYAL LAND' - remarkable indeed it would be if this is ex nihilo and contains such lettering. I recall the new official father in probably the 1970's referring to a norwegian administrative regulation on 'skjenelause køyregreier' = 'rail-less driving/commutation means'. Would this label have existed as a phenomenon reported earlier - here for the idea of 'skjenelause høyregreier' = 'railless/apparitionless audition means' - a la the 'Sobibor' mystery? The ex nihilo label would rather be telling of 'AURAL HAND' in the sense of a logic (cp. the 'commutative law of entropies' as the basis for my fundamental theorem of logic - based also on a 'regularity of pulses') in the correlation between sounds and visual symbols - as in this movement in the relation between Holm's lines and my thresholded photos. That correlation could be precisely the nature of the alphabetic script.
2) This complex with Asia is seen also in the next example from Holm's 'Bygdir i solrøyk' vi-ii-4 = Strandrug i kveldsrode':
Sedges in evening red
Sweet flattery from a playful trick
of evil gets by poison quick.
All fate becomes through ages
a statutory care
but after humid rages
the profits often flare.
Expensive are the pages
that count belonging's fare.
Our mental shares do suffer
the thread of treason's guess
and/but after stings and shuffles
[comes] harmonious blessedness.
Sea tangle softly buffers
heart's innermost recess.
This is from the chapter called 'Sailor's bride' and could in principle be the innermost reason for the apparent intrigue on my poem 'Der Seemann'.
('Strandrug' seems to be the seaside grass called 'elymus arenarius'). It is seen how close this title 'Strandrug i kveldsrode' = 'Stars/sedges [at seaside] in evening red' resembles the last line of Eco's book, the name of the british labour chief, even the name of 'Starkey Richard', the Beatles' drummer. When one adds the high relevance of the photo with the boat with soldiers from the Vietnam war, it is permitted to observe the relevance even for this poem. One could speculate that it could be about the problem of politics trying to take the place of the poetry - which could be a general problem in these times not only for poetry - with the chinese film under poet Mao as an exception. There has been little covid in China.
My translation has been a little liberal in some lines - notably 'a statutory care' is to the poet's ear right but a little difficult to explain. The original tells something like 'strong pulses of lashing rain in 'sut' = activities' ('omsut' = 'care' - while 'om' can mean 'repeated' like in the pulses) - suggesting a poetic idea of this strong rain in nature resembling the pulses of electricity going through a human body in activity. (I notice also that water is emitted from the human body only in intervals or 'pulses' - like the auditory impulses from the neighbourhood in the 'Sobibor' mystery compared with the constant visual impression - cp. also the above notice on the 'ROYAL LAND' sticker). How can that be 'a statutory care'? [2/5-22: See the above on my first memory and the 'Balfour declaration'. Could be the idea of german 'Fronleichnam' ('Corpus Christi' as religious concept) is needed for explaining it - as in the rest of this poem DDS IV:15 and a metaphysics of a 'fundamental linguistics theorem': "So sieht sie bei uns aus, die junge Parze / vor unsrer Körper Brust. / Der Spiegelvogel erzählt von dem Quarze / und alles All bewusst" - whereby a 'statutory care' even can be recognized on 'Spiegelvogel' level]. The 'belonging's fare' interprets 'eignarlut' which in this poem seems to concern the burden of what belongs to you. It is the sailor's bride which is the theme of the chapter where this poem is found in Holm's work - and the last word 'recess' is likely to be about 're-sedge' - how one sedge becomes two or more - but a certain biased interpretation in the form of 'the moving bier' is not really in the scope of the concept of 'resurrection' - and it should not help much to move it onto 'the other side' of the swastika.
Combining these two poems one finds that the motion of the imaginary bier corresponds to the logical motion of the black-and-white thresholded photo assignment. (These 'gunsmoke' associations are not a part of the poem, though - but maybe later cultural productions). The philosophical rescue seems to be in the 're-sedge' being understood as a 'red-sedge' in the evening - like moving that #9 to the front. In conclusion, the poetic solution of Holm is not in terms of a biased reading of catholicism moved to the other end of the swastika up north for swinging therefrom down back onto England - but rather it can be understood as the secrets of the two fundamental theorems - of linguistics and logic. That is when it is not power but knowledge.
The poet should not be suppressed for being converted into politics. In the case of these poems of Holm - who writes in a language which could be troubled with unspoken conditions of statehood in 1814 - his poems are about these existential problems but not in the sense of persecution of bodies or 'movement of the bier' and things like that. It is not that the evil-rooted flattery gets 'quick' through poison because somebody else quasi 'transcendently' lifts the bier - it is rather that the evil-rooted flattery by normal human mechanisms feels that it cannot really get off the spot before it has been punished for its evil (rather than searching forgiveness in e.g. church) - that is why 'all fate becomes / a statutory care' through history etc. But such things can of course go in the ditch of misunderstanding. Is that why Holm is not mentioned in some overviews of modern literary history - because somebody wants to swap roles with him?
It must be understood that my work - such as e.g. these 23 photos - could be of much value, here shown in the analysis of Holm's poem, but I cannot continue residing in Austria (even if England should want me here for running a Black Sea Loop - 'transcendently' on the other side of the swastika). But I cannot continue my work well without some help to find a new permanent solution outside Austria. Do all politicians support Hitler - or are there still some who do not? I hope to get some help to move to another country.
Sources:
Celan, P.: Gesammelte Werke. Vierter Band. Übertragungen I. Suhrkamp 2000.
Hahn (post Lachmannum et Tischendorfium): Novum Testamentum Graece, Lipsiae 1861.
Holm, H,-H.: Bygdir i solrøyk I-VI. Gyldendal, Oslo 1949-1951.
Valery, P.: La jeune Parque. In: Celan (2000).
Microsoft Encarta World Atlas 99.
© John Bjarne Grover
On the web 28 april 2022
Last updated 2 may 2022
