6 january 2023

6 january 2023

John Bjarne Grover

Tiepolo's "Danae & Giove" can be seen as a 'function 6' artwork by my TEQ #349 from The Endmorgan Quartet book 6.

Some peculiarities:

The 'eagle' or 'bird of prey' is probably a possible association to 'august'

'Preclini' = 'in front of the bed'

It seems to be essentially 'the theatre of the heart'. The 'Verkleidung' over the lefthand bedpost 'button' can perhaps be seen to go 'durch seine Küche in die Wohnung'

All five, all point = hand of the boy

Routage = the incisions in the bedframe like (= redirected to) the curvatures on the giant wall behind - an impressive bathroom

But why 'Wiener'?

It is possible that this is a little advanced: I found in Vienna the two stigma pieces 1) on the inner sole of the shoe = and 2) at the foot of the bed (in the bed) which corresponds to the 'near-identity' (except for the substances - a sort of apparent 'brass' and some 'wood', is it 'teak' or 'mahogany' or something like that?) relation between his foot and her feet - and hence it is not impossible that this is 'Wiener' - if, that is, the occurrence of these two apparent 'ex-nihilos' is something special for Vienna.

The 'all point' would then also be the elbow point of the elder woman - where the boy touches the younger woman 'there' with 'all five'.

The parallel hebrew to the beginning of Exodus 14:4 is

חזקתי = to become strong, firm, fast
את- = ACCUSATIVE
לב- = the heart
פרעה = Pharao, but compare also פרע for the crown of the man surrounding also the older woman in her collar
ו = COPULA 'and'
רדף = to pursue, follow after
אחריהם = stay, tarry, cp. hinder, retard