The blue metre - what it really means for politics

The blue metre - what it really means for politics

John Bjarne Grover

Some earlier articles have presented the blue metre and the crosses on the political map. Some examples of how politics seems to use terror against my literary work are discussed in this article.

My blue metre PEB has shown that the fourth line - which is derived from my studies with the fourth function of TEQ (the form of time) - and every function of TEQ has a local and a global form which means that it involves the 11 years of writing of the 16 functions as a background of the studies in the blue PEB - distributes in such a way that it can be shown that the governments of the world organize in such a way that they tend to leave crosses on the political map. What do these crosses mean? They are taken by politics to mean that a divine authority follows the human activities on earth - observing them through a long-distance telescope from a divine observation platform - and punish them with terror (earthquakes, disasters, epidemics, plagues of all sorts) if they do not behave properly.

The PEB has 365+1 = 366 poems and the fourth line in comparison with the government's name is as follows for the area around the british channel around 2010 or thereabout:

PEB #44 line 4 = 'to reinvigorate the life of youth' = Francois Hollande
PEB #136 line 4 = 'it is a good time' = Yves Leterme
PEB #227 line 4 = 'of distant friction, joins the packet' = Gordon Brown
PEB #319 line 4 = 'and all that lived on in their brain' = Mariano Rajoy Brey

These distribute around around the 360 degrees of the cyclic year or millenium in 4 quadrants, 90 degrees each. Each of these governments are preceded by a series of governments encoding the fourth line in the preceding poems - such that PEB #226 line 4 = 'interesting life is your domain' = 'Tony Blair', PEB #43 line 4 = 'her body is closer to mine' = 'Nicolas Sarkozy' - and so forth. Current british PM 'David Cameron' would then be PEB #228 line 4 = 'in 'Wechselstub''. The lines of continuity can be quite long - the french follows the PEB down to Charles de Gaulle and even further, and many countries have longer 'arms' and follow the PEB through many decades. It means that the PEB has a high explanatory value.

Why is this cross so important? Do divine telescopes have such crosses on the lens? Are the governments granted the right to use terror if the divine does not punish them after having focussed on them in the divine telescope sight?

The answer seems to be that the cross on the map is taken by human reasoning to be the same as the fundamental archetype called 'man-on-wagon' which I experienced myself one day when walking homewards in the western suburb (Du Fu) of Penzing and seeing this:

Archetype "man on wagon": It happened on the first summer day that I went for a long walk without a jacket and a boy age 10-13 came running over the street pulling a board (some 30 x 50 cm) on small wheels after him in a rope. On this board lay the torso of a man without arms and legs, but with a normal head and with spectacles and some beard. He had to lift his head to avoid scratching his chin against the kerbstone when the board slammed into it and started climbing over the edge, and he looked up at me with an encouraging and friendly smile, which perhaps I needed there on the long sunday morning walk down to Vienna.

Add to this the boy's way of calling for attention with a quick movement of his hand, the apparent stretch of the rope ('elastics') when reaching the curbstone - and other details. This is the famous fundamental 'cognitive' archetype that seems to exist in various variants all over the world - it seems to be one of a very small number of archetypes which are telling of the human semiotic constitution which thereby means that it is not really possible for a human being even to think without getting involved with the man-on-wagon in some form of it or not.

The man-on-wagon wears spectacles, which is a modern invention, but humans are born with lenses in their eyes. This bends the light and makes reality look flexible. Lenses are often associated with 'moral concerns'.

The archetype can be called a divine observation platform: The rolling board is a platform, the observation is through the lenses, and the being is of divine authority. There is a little 'drama' when the wagon (the rolling board) slams with a slight impact into the curbstone, but when the wagon lifts up by own miraculous forces, it is felt as a sort of 'grace'. It is the divine accept of the human existence.

It is likely that there is a childish recognition in all cultures of God 'up there in heaven' - among the stars above. It means that the rolling board is the revolving stars (hence female breasts are often recognized as 'stars' - and the man-on-wagon rests inside her bosom) and the divine is beyond this. He uses lenses when observing the humans and their conscience there on the curb - and he is crossing the street: That is the crosses on the political map. The long-distance sight with this cross comes from the childish and fundamental understanding of God living 'beyond the stars': He must have a platform up there from which he observes the humans through his long-distance telescope - and when he sees something that should not have happened, he can punish them with his divine authority.

The crosses on the map is the blue metre of collective historic consciousness of a 1000 year span, while the crossing of the street by man-on-wagon is the red metre of subjective cognition with a 2 seconds short-term memory span. It is likely that WORK is just this process of swapping red and blue - through 8 hours a day the blue metre crosses are adjusted into the red metre crosses and vice versa and the workers try to make them 'the same' or compatible somehow, and through the remaining 16 hours the human semiotics must rest. That is the reason why the 'divine observation platform' is of such importance for human life and society - wages in heaven and on earth - and it could have been the reason why Hitler seems to have been in concert with the Labour movement from about the time of the death of Lenin.

It explains the puzzling phenomenon that nazism thrives so well with Labour: Human labour or work tries to adjust the blue into the red, while nazism tries to get the blue 'under control' for use in terror-driven government. Work is tiring - some would perhaps say that it is a form of 'terror'.

The red is historically more or less the same as the archetype 'man-on-wagon'. Evidence of this (that it is not only a western or christian idea) can be obtained from a closer reading of Du Fu's poem from the 8th century China - which I here discuss a little more detailed, whether the poem be only a good example or whether it be the factual historic source itself: See the end of this web page for the chinese original and a translation - the poem 'TAKING LEAVE OF FRIENDS ON MY WAY TO HUAZHOU'. This clearly is a 'man-on-wagon' poem - and I have come to the tentative hypothesis that the five essential signs jian-dao-gui-feng-xiang in the long title or intro to the poem could even be the historic origin of 'Jensen Gröver Mengele'. The GUI looks like IJE (with E turned around) and when the theme of the poem is the ROAD of the symbol DAO, there is the inherent 'John Gröver Jensen' in the construction - the JENSEN then emerges from the look of the chinese characters (IJE-xiang etc). There is a swap of order and there is a swap of direction and forwards/backwards inherent in the man-on-wagon as theme of the poem - hence 'Mengele' could be the theme on basis of the last word in my translation.

'Feng' is the symbol translated 'Phoenix' and the five symbols can be read 'a gap on the road homewards - a Phoenix swirling overhead'. There was the austrian winner of the Eurovision Song Contest in 2014 with the song "Rise like a phoenix" and with a drag-show which thereby points to a 'drop-and-drag' of the 'foamy excrement' ex nihilo for the symbolism of 'Mengele' added to this 'phoenix'. The symbol FENG looks like a square with a cross inside - then it means WIND = WIEN? - plus a crossbar over the cross inside for the meaning 'phoenix' - typically used as an epithet to the emperor's throne. Hence the 'peacock throne' of the persian shah and the TONGs of Gröver/'Mengele' and the Tangshan earthquake. It could be rather heavy evidence, this one. I have even speculated if the two last symbols 'qian-men' in the poem is the origin of the tumults of Tiananmen in 1989 - if that were organized from the west for accumulating power to the upcoming Clinton. Jörg Haider (see last line of my translation below) was appointed Landeshauptmann in Kärnten in 1989 but left the position in 1991 due to the international scandal that was caused by his mention of the employment policy (cp. also the name of 'Wolfgang Schüssel') of the 'dritte Reich' that it was 'ordentlich'. It is of course possible that he had in mind a western ('international mafia') political program of 'dritte Reich', that is, in the sense of strangulation of young females in the course of anal sexual intercourse causing their eyes (before they 'see black') to stand out (like spectacles?) and thereby looking more american than chinese - and that this could have been the interests behind the tumults on Tiananmen, for creating the impression that the young people demonstrated against 'chinese terror'.

The title or introduction of the poem can even be read as mentioning Vienna with Zinckgasse close to Goldschlagstrasse. My own reading of the poem goes as follows, based partly on the inherent mirroring in the elements of the man-on-wagon (that it is my attention which crosses the street to the call for attention on the other side and that there is a more or less elastic connection - con-science - between these etc) - although I agree that the 'philologic' reading could be better:

After 2 registrations/years (residential addresses?), Herr Hauptstadt persönlich: Golden light (or: gold, silver and jewels in the 'category') at the entrance/school when going out the zwischenraum for the road home again - a Phoenix swirling overhead - the male Oberhaupt beginning from the lefthand side to read (the metre?), losing momentum in Bezirk Hua-Berg (Rudolfsheim?), lifting up to offer relatives a reason to leave following the going-out (= ejaculation?) through this door/entrance/school, possessing something on the back to go for a chance:

This road returns to oldtime straits
western suburbs among.
Till now courage's defect waits
to wave a hand - so long.

Nearby, it seems, returns to town
a man of high respect
who cannot tell why sunset comes
and jumps its high defect.

In the worst case, this could even be the background of the daring expeditions to the moon around 1970 - with 'amygdala' lenses before their faces, rucksacks etc - as if it were in preparation for a role of Zinckgasse in an american program on Europe.

If so, it would be all and only this single thing - that the 'divine observation platform' of the man-on-wagon is the same as the 'divine observation platform' in the heavens - wherefrom the divine looks down on earth.

A closer study of the poem could also suggest that the fundamental concept of washing-ton is in the act of wordless cleaning of the floors by a 'wordless krepper' who thereby swaps me ('worthless/wordless krepper' by career - and is that why my books are not yet published?) with other 'men of high respect' - such as the names of british PMs (Du-ny Bleier, Gordon Brown on the train etc). The role of the brown matter ex nihilo on 'sko-kanten' would be that curbstone story and the 'drag and drop' (by elastics?)

But now the blue metre is found and even if e.g. David Cameron had a historic rationale before 2010 when I completed the book, one cannot really continue with a new PM after 2010 and pretend that they havent seen the name of the next #229 in the book. That is the 'crowbar' which breaks the whole nazism of blue-red matches up - and to go for another few decades with 'divine observation' in the politics, in an attempt to get this under control, just makes the whole story ridiculous.

The cat is out of the sack and you cannot get it in again. Hitler had his rationale in the 'labour' of adjusting the blue into the red - but divine justification of terror of his type cannot go for yet another time. The blue laboured into the red will from now on be a matter of serious scientific studies (guided by truth and not by the power of the services) while the new art of administration will be in a new and much larger historic space.

The blue metre of 2010 means that all the old plans of continued nazism and racist persecution in Europe in the coming decades (for accumulating 'divine justification of terror and territory') can be bulldozered into the ocean. It is well possible that Clinton's program is a part of those plans - e.g. in a counterpoint to me and my authorship given the role of a 666 in 11 september 2001 (exactly 2/3 through the year). If there are 'american' ('service mafia', that is) plans of new atrocities in Europe, such as a 'Black Sea Loop', it is likely that these could be planned to be caused by the presence of me and my work - and in order for politicians to be able to understand it that way, in spite of the fact that it is very the other way round, it is likely that many of them would have to get their power from the 'services'. When much terror (earthquakes etc) seemingly could be traced to the birthday of Olga Sedakova, that could even be 'because' she answered a letter of mine - hence 'answered by' = 'svart av' = 'svart hav' = 'Black Sea' - and then the earthquakes of Banda Aceh and Bam and Sendai form a 'Loop'. (There could even be terror propaganda telling that an oil or gas field in the North Sea outside Norway has been pumped half full with oxygen - a rig that has been pumping wrong way through some years - and then even small sparks could come to release an explosion that could lift the seabed so far up that a tsunami hundreds of metres high could come to destroy much of Europe and roll its disasters all around the globe - that is, if the 666 receives another letter or answer, as could be the 'service logic' - this threat seems to be called 'svart hav' = 'black sea'). It is many years since I got a sensible letter in the post - except for printouts from my bank accounts, the monthly pensions slip and a few letters from Ragna Gröver (extremely unwelcome letters! - returned unread to the police in Fredrikstad with the hope that they can stop it) have gone through, plus one letter which made me change my mind for a house acquisition in Hungary, for which reason I bought the one in Szolnok instead - plus a few books I have ordered and paid in advance - but if other people have written to me, it is likely that these have been censored by austrian post - and the 'reason' for such uncivilized censorship could then be in the ridiculous idea that 'it leads to terrible disasters' - such as Banda Aceh etc - if this 666 receives an answer and the 'informational encapsulation' be broken. If this is the story, it should lead to a people's protest against the administrations which are planning a Black Sea Loop - a most horrendous tragedy that would be. And if such a 'theatre bata-clan' as a Black Sea Loop is going to be released on the european continent, the plan could be for the americans (Clintons etc) to come to the rescue on their eagle wings - and then both sides of the story will be under the control of the international services mafia. It is likely that this is how the 'services' have come to the power they already have.

It is this tragic theatre which my book can contribute to stopping - if only it be made properly available to the public. In the mean time, it seems that the international culture is trying (not surprisingly) to turn it into its opposite valuation. I mention one example - but there could of course be many of those. The author Nicholas Sparks has, according to the web, been writing novels for at least some 20 years or so and started publishing long before I wrote my PEB - if the data on the web are reliable, that is. It looks very reliable to me - and of course if my book resembles reality, reality can resemble my book as well. Sparks, who is one of the best bestseller sellers of our time, has a name which resembles the name of Nicolas Sarkozy who can be recognized in PEB #43 line 4 = 'her body is closer to mine' - and rewriting this line like the name suggests 'her IODy is closer tomb'. I notice that if line 4 in my book interprets political power, it seems that line 14, at least in some parts, interprets the phenomenon of 'simultaneous discoveries', and the evidence I have found of this is in the a of names that can be recognized at the end of the 'balance' (!) side end of the IOD function called 'Stein of language' of PEB #104 - the shortest section and the smallest hebrew letter - it has one and only one poem which is this #104. If that #104 is the hinge on the balance arm of a scales, the righthand side of it will reach to #208-209 which is in the beginning of the 'copula' hebrew letter WAW - in the semiotic letter function called 'Kayak blue' in #203-227. The idea of this IODy function being that if the scales tip over to the one side, you must drop a 'lapis philosophorum' scruple on one of the scales, and that could interpret precisely the phenomenon of 'matter ex nihilo'. Folklore can take it that this is the 'lapis philosophorum' released in orgasm/ejaculation. Here is the series of 14th lines starting just before the copula 'WAW' - with the names of famous 'simultaneous discoveries' in physics and mathematics - up to the 'luba' of 213:

202
203
204
205
206
207
208
209
210
211
212
213
his smile is strange.
and not for the benefit of bricks.
cow underground.
are lifted down and low.
the voice: "This is Lois".
put on a seat. It's there.
who stopped like 'oblivion' read.
They included.
They say: 'Una lampa?'
and wrap around it.
in the boy, yes.
and there she laughs astray.
David Hilbert
Marcel Grossmann
Albert Einstein
Isaac Newton
Gottfried Leibniz
Hermann
William (Rowan) Hamilton
Robert Adrain
Adrien-Marie Legendre
Carl-Friedrich Gauss
János Bolyai
Nicolai Lobachevsky

Some corollaries

It seems that nearly everything in the current international situation boils down to this single issue of the blue metre, and it is fully possible that USA, if they are under the control of this mafia (for example, it is said that the US president every morning has to read through a list of terror which the CIA chief briefs him about but there isnt much he can do to stop it), will try and whip up a third world war in order to keep the blue metre down. It is now soon 6 years since I completed the book but it is not yet published! Are people just sitting there gaping and waiting for the war to begin? Why hasnt a group of four students who still could have some brains left to think with started e.g. 'Students Academic Publishing' and print the books 1000 copies at the time and send them around to those who pay by VISA or to their bank account? It is only a PO Box (costs 100 euros a year), an email and a bank account plus some shoeboxes to store the copies under the bedsit bed needed for it. They could finance their studies with it and it would take only a few hours work per week - and it could stop the third world war. One should not wait for the local 'services' or CIA to send four agents to fill the student roles and sell a lot of virtual copies without any of them landing in a bookshelf. It is also completely essential to the new metre that false authorship is the same as the world war - and hence that it must be sold under the true authorship in order to preserve peace and a new cultural blossoming of the third millenium. (There could also be a problem in finding me if post and other communications to Mr.'666' are censored - but it should be possible to find me for an agreement to publish the books). There is no purpose in more persecution of the jewish people or religion - which bridges from the 'hebrew alphabet' of the blue metre to the archetype of the red - and that is why Hitler persecuted them in order to gain an upper hand on and control with that bridge. If the lunar jumparounds were the FENGs of the man-on-wagon crossing the street, the american 'service' intention in this could have been precisely this - that it was 'swindle' and therefore the divine observation platform in heaven is not the same as the divine observation platform on the ground - which is when it could be possible to continue with that justification policy. But with the blue metre of 2010, those times are over.

Do not ask the young women age 14-15-16 to sacrifice themselves by a V-um intercourse + strangulation with outstanding eyes - in the region of 'biscuit transubstantiation' in the throat - for rescueing the world from the terrible sea-monster '666'. It is the dreadful 'services' (those who tremble from fear when they see the truth in the eyes of women that age) that must be stopped - not the young loving women. It is important that this be done before all politicians get their powers from the 'services'. The 20th century was one such turn of power enhancement for the services - and everything should be done for preventing that they can do it once again in the 21st.