The final mystery

The final mystery

John Bjarne Grover

The whole story is really about the status of the material world against higher level of spiritual reality. The story is contained in the phenomenon of small pieces of matter falling out of eternity - or is it the poetic reality - now and then. It is probably a normal phenomenon often called 'house/room dust', and it is probably in only more rare cases that it takes on such bulky sizes as the story of the 'stonehenge' potato peel filter that fell down in my bathtub some years ago. I have later observed under the microscope much smaller pieces that take on certain characteristic shapes. It is possible that one cannot really understand the history without some mention of these. One of the characteristic matters - a highly strange phenomenon - is the sudden occurrence of what looks like, and probably is, pieces of the brown outer skin of onions. My book title 'And hang under the Justcan keys' is concerned with the mystic phenomenon that is the probable background of this phenomenon - I had then not observed it in onion pieces but the title is about what could be the common origin. This book title of mine seems to have led to (or it took place not so long after I had written the title on my computer) the spontaneous 'Costa Concordia' disaster as it crashed into the rock that 'hung under the tuscan coast'. This tells of the high political value that is assigned to the phenomenon. 'Costa Concordia' means then the phenomenon of the outer edge of female breasts from which an apparent alphabetic letter or anchor (as I have observed) is hanging down in a more or less elastic 'rope' of what could be symbolic of spider thread attached like a mountaineer's plug into the granite mountain wall. It is that black-and-white thread phenomenon which can be observed on such pieces when they fall out of eternity into history. These are really strange things! Here are two photos I have made from such outer onion skins that seemed to appear out of nothing in my bathroom - the one to the right is a poor photo of an apparent anchor (or is in an 'I'?) hanging from a rock side or whatever:

(Does it say 'his bag'?) It is hard to understand the depth in this mystery. Such strange anthropomorphic ideas! The 'stonehenging' mountaineer is called 'H', and onset-truncating my book title 'And hang under the Justcan keys' could provide for another 'proof' that this is a phenomenon of high value for political mythology. It is perhaps not ordinary humidity that the fine threads are made of.

The colour on the silken curtain are probably a variant of this: It seems to derive from a very small bit of pigment that has attached (possibly from a 'higher reality') to some threads and spread through the fibres.

The other peculiar phenomenon is the one of the black outlines of hair that seem to lie under a layer of apparent black varnish on thin curving plates which are semi-smooth on the back side and very patterned on the front side - these patterns are mainly formed by curving black hairs, mostly in rings of various sorts. Here is a photo of some rings (on a piece of matter of size a little more than one square millimetre) - and some curving hairs (same magnification in the microscope) which could have been the origins of them:

Another variant of this 'conic section' of the hairs seems to be one wherein the hairs are welded into a conic shape of some sort of wax, apparently.

One quickly understands what it could be about: It looks like the tuft of fine curly hairs - typically totally black and totally white hairs - have been on a higher level of existence and dropped one level or 'plateau' down, whereby the higher dimensionality on the higher level reduces to a surface of parallel rings which are held under a totally black layer of substance. But strange indeed it is. One guesses that this is the factual contents of the 'principle of duality' from Poncelet (with conic sections) and how that relates to the 'instigation to action' from Grassmann's studies in Rig-Vedaen sanskrit. Could be the 8 hand root bones often are used for telling of the character of these rings - is that simply the 'octogon' of my history?

Similarly, one guesses that the onion skin phenomenon, with the mountaineer in the curving mountainside, could derive from a similar reduction in dimension. Even more mystic perhaps. See my 'The Endmorgan Quartet' poem #160 (out of the total of 1719 poems), called "What a strange impression" (in TEQ book 3), signed 'H.H.H.H.Balakirev', for a semiotic-mystic-poetic account (in the essentials) of the background of this onion phenomenon. My book 'And hang under the Justcan keys', which has a certain character of 'gripping story', can be seen to be about this. People often start shedding tears when they peel onions. These are interesting relations between things which have a poetic explanation.

It is not so hard to find evidence of the political abuse role of this second black-ring phenomenon as well. One could guess that the murder of Indira Gandhi was for installing a hijack principle based on these things into politics. The black pieces of matter with curly rings looks a little like black snowflakes - and one could think of Snowden in 'Moscow' (!) as a related phenomenon. (Or is it rather that this gigantissimo sensational newspiece could be a sort of cover story for a 'Knowden'? 'Nåden' is norwegian for 'the grace').

'Knorten' could be the term for the 'warty' semi-smooth back or inner side of some of the curving 'snowflakes'. I have no reason to take faith in the rumours spread by Radio Free Service that JFK had a buckly-warty penis surface ('knortekjeppen'), and even less in the idea that only Marilyn Monroe could have identified him after 1963.

I sent a letter to Aung San Suu Kyi - and she was visited by an american called John Yettaw.

It is of course possible that the 'J on the christmas sofa' was a political project related to the same sort of phenomenon.

The phenomenon is still somewhat taboo - since british empiricism quickly crumbles under the burden of only one single such 'snowflake' - the logic seems to be that one cannot tell it since nobody believes it. It could be this which could be the background of using the story of me discussing something with Freddy Fjellheim (I recall that this was while we were pushing bicycles by the handles, walking up a road, I think it was, but it may be that I have added these bicycles to my memory later) and in a desperate position in the discussion I grabbed for the joke of a cooked-up quote from a fictional historic character I made up on the spot and called 'Jean-Baptiste Bodin' and referred to some ideas of his. I did not keep the fiction going for long, though, I explained it with a laugh after a few seconds, but it was a small possible breach in my credibility there, however briefly. It could have been this which was the background of using the names of Bodil Stenseth and Sindre Bostad for a murder of Indira Gandhi and the following Bhopal cyanide disaster, and later possibly even Manhattan 11 september 2001. It could of course have been not only the HANDLE of the bicycles (if these were present) but also the name of Fjellheim (onion granite etc?) which could be of interest for the political intrigue-makers. I recall Gröver/'Mengele' (the name of the neighbour and the little mountainside between could be telling of the idea that these are old news) telling about somebody who moved into their totally fresh house and had an inauguration party in which the ceiling plates came sailing down during the singing ('allsangen') at the table. It could of course have meant 'ferdi[g] feilheim' = 'finished failure-home' - and the political idea could be the phenomenon of being owner or tenant of a home if you have not much money: Does ownership or tenancy give different conditions for such 'house-dust'? Does the matter come sailing down from the ceiling under the singing? Or did he try to suggest that it is 'syringing' which is the cause of such phenomena? (See also Tarkovsky's 'Mirror' for some such scenes - of matter falling down from the ceiling). If so, it is only a matter of cruelty and brutality which squeezes a little spurt of love out of innocent people's souls - which is the love which creates the matter. You cannot start fabrication of potato peel filters with such brutal methods. It would be only a pale pretext if anybody should venture that phenomenon as a goodenough reason for syringing of that kind. 'Only humility is endless' (I cannot remember the source of this famous quote) and can create such matter in history out of eternity. To model a great mass of 'humble' people whose humility and love can be squeezed out with the syringe of the brutal and exploiting upper class is a very bad solution which should be avoided.

The phenomenon of hijack policy with tenancies vs. ownership could be a part of it - and I dont know if there could have been plans about creating sophisticated hijacks of e.g. my authorship by such means. Could be this phenomenon is the background of the 'pirate' parties that have existed here and there in the european parliaments.

There are some typical 'Grosseteste's - big heads - in politics.

It would be a great tragedy if the plan is to rewrite the whole blue metre to 4-letter standards for creating a new sort of government by hijack and piracy on basis of these materialization phenomena - with a society of lowered IQs ruled by such hijack power of higher brows of the 'intellence' business. This 'intellence' business are probably the ones who have this phenomenon as their esoteric club. Could be they plan to rule the world and its masses with the syringe on that basis - pumping the humility which they lack themselves out of the masses who still have some of it. This development must of course be avoided - before surveillance has gone too far to make it possible.

Particularly dangerous is the strategy which says that these small pieces of matter can be amail tablets from remote intelligences and that is the reason which is goodenough for a 'syringe' program for squeezing the info out of the humble persons. That can well be, that it is information from remote intelligences, or that this sort of matter can be used as a tool for such communication (is it '60' on the black tablet above?), but that cannot justify such brutality. On the contrary, that is a very good reason to avoid it.

Many of the small pieces seem to be equipped with long white single hairs, the one end of them being attached to the object and the other end is bending and moving around in the air - if these are not simply house dust, it could be about 'the hairs are bending' for 'the biers are hending' or simply the name of the Kennedys as 'the biers are kennedyan'. The long white hairs could be taken to be a sort of navigation gear used on the way from the remote intelligences, and if they be taken to be 'antenna' and the black rings be 'radio coils' for sending the info back again, it could be about sophisticated surveillance gear - probably a joke of the 'intelligence business', but something nevertheless. Could be this house dust even was the standard equipment with which the jewish-genetic diaspora kept in touch across the globe and the millenia?

There is the additional theory that much political weight is put onto my person in the form of the rewrite R/N on my name, from 'John Grover' leading to 'Jord Gnomen' which is the same as the socalled irish 'leprechaun' (if that really is an old concept and is not a late construction for political reasons). Rewriting back again gives 'leppenes hår' = 'the hair on the lips' which could have been a part of the strategy for the Kennedy assassination in this form of 'the hairs are bending', encoding important aspects of the archetype of the man-on-wagon lifting himself up on the curbstone, but thereby also 'the biers are Kennedyan', telling that the man-on-wagon was the assassinated US president. This could be part of the strategy which makes it verboten to think. Terboven was Reichstatthalter in Norway during the war: Knitbrows verboten? Gröver/'Mengele' told that his childhood football in Klipra was a heap of crushed newspapers wrapped together with a thin cord (like the photo above) - and the art was to avoid the knot during headings. It is easy to find these ideas in the 'emanated dust' under the microscope. There exists also another rewrite which is less interesting, though, and that is in the word 'leprechaun' when this rewrites into 'depression' by an L/D = LonDon rewrite - it tells of the collapse on Wall Street and the following depression 'down in street' and how that led to the election of Hitler in Germany. If this 'Wall Street' is the same as the onion mountainside and the collapse is the falldown one level from a 'plateau', it is really about these metaphysical mysteries.

'Blonde' or 'light-haired' is in norwegian language 'lys-håret' while 'ly-såret' = 'LY-wounded'. 'Lys-året' = 'the lightyear'. 'Dark-haired' = 'mørk-håret', while 'mør-kåret' = 'tender-chosen' (about beef etc). 'Mørk-året' = 'the dark year'. This seems to be widespread in folk-mythological political ideas - and could derive from this phenomenon of white vs black hairs falling down from a higher level of existence - including the ideas of info travelling across the lightyears of the universe. Could be even abused for lending legitimacy to the idea of wounding by LY for such transmission.

Politics is seemingly all and only about these things - and nobody says a single word about sit. That is the lowbrow phenomenon. That can be called stupidity. It is high time to bring these things to public attention if it is that dominating in politics. The phenomenon is of course philosophically interesting - why does an onion look as it does in the historic reality and how does it look in the poetic - these are matters which should be subjected to serious studies and not the tragic field of political intrigue and power games.

(I wrote a - so far unpublished - poetry book 2010-2011, first poems late december 2009 and the last in early january 2012, much of it in parallel with 'And hang under the Justcan keys', which seems to correlate with such phenomena. It is not impossible that illegal copies could have been taken by burglars of the handwritten manuscript and circulated. I am of course very concerned with avoiding that my manuscript be abused for such horror programs as could be behind a theft of it).