What is the austrian factor?

What is the austrian factor?

John Bjarne Grover

It seems that there is a close historic intrigue-affinity between John Grover in the British Library and the history of Austria. There are three publications by the author name 'John Grover' in the socalled 'retrospective catalogue'

1. Grover, John (Minister of the Trinity) (1823): "The coronation of king George the IV. spiritualized"
2. Grover, John (Captain) (1843): "An appeal to the British Nation in behalf of Colonel Stoddard and Captain Conolly, now in captivity in Bokhara"
3. Grover, John (Captain) (1845): "The Bokhara victims"

As my analysis has shown, the two publications 1823 and 1843 are so similar as parallel texts that it is likely that at least the latter of them is intentionally made as such - as a 'copycat' text which was not aware of the first. My guess is that all three texts are written by 'intelligence' for political purposes.

My guess is furthermore that the three publications could count as the three mid names Lickopuszta, Rigotanya and Mecsér between Györ and Hegyeshalom - and that this served as the secret codename for Hitler's government. That the innermost name of his government simply was 'John Grover' in the British Library - it could mean a british responsibility claim on Hitler, or it could mean that Hitler turned it around on England in this way. And that the three titles 1-2-3 also count as the strategy 1-2-3 on child abuse.

See transcript of the two first titles. John Grover 1823 starts as follows (page 2) - with my interpretations added in italics:

THE
CORONATION = Szolo-nedsnödd/Lord Snowdon
OF
KING GEORGE THE FOURTH = King Györ Jefferson
SPIRITUALIZED = Clinton

BY JOHN GROVER,
Minister of the Trinity.

Go forth, O ye daughters of Zion, and behold King Solomon, with the crown wherewith his mother crowned him on the day of his espousals, and in the day of the gladness of his heart.
Song iii.11.

Brighton; = in ' Sussex' - of young females
PRINTED AND SOLD BY THE AUTHOR, = selbst-verlag
TELEGRAPH HOUSE, = the border transgressions
IN THE VALLEY. = in Devold-y
1823

This could explain the name Devold as it seems to have entered the story around 1852 - the year when Norway lifted the antisemitic paragraph from the 1814 constitution.

The 'border transgressions' would be the roles of 'matter ex nihilo' - such as the question of 'foam-excrement' and similars.

The 1843 'copycat' text starts in a parallel way - and seems to explain my role as 'unattached', that is pensioner with an informational encapsulation imposed on me apparently from the 'services' enough to leave me 'unattached' with an evaluation of my work and role as a mere 'copycat' author who copies from the 'services' and what is under their control. The idea of me as 'heir to the throne' would be found in the parallelism of 'Minister of the trinity' in 1823 with the threefold mention of 'Member of the Royal... society' in 1843 - plus a 'szienziati italiani' which then could count as the international secret intelligence services mafia.

There is a title page to 1843 which is not in 1823 - and which tells of a role for a Colonel Stoddart and a Captain Conolly. Gröver/'Mengele' told of his official father Sigurd Jensen that he worked as 'stats-vraker' (cp. 'john-grover') - that is employed by the state for sorting fish on the quai in Aalesund - it would have meant that 'he took his father's title as his name' when he changed from Jensen to Grøver in 1946, that is like Colonel Stoddart vs Captain Conolly - hence COLONEL vs CONOLLY and the attempts to make The Whole Thing out of these old pamphlets. (There is an upper ceiling to the Pride - said the Pridegroom - in 'behalf' of something?)

The role of 1843 would then be the 'apple' in 'behalf' of England. If somebody should try and tell you that I am an agent for England or anything like that, such as 'royal society' or whatever, it means only that I am emburdened with the role of being understood as this 1843 copycat author. Or, even worse, the 'reason' for Hitler's warfare.

Who are these two whom Grover cannot reach? Phonologic permutations and speculations can of course be suggestive - I dont know.

Now for the clue: A close study of the parallelisms on page 2 tells that there is a text in 1823 which has not a counterpoint in 1843 (unless one considers page 1 the correlate) which goes as follows:

Go forth, O ye daughters of Zion, and behold King Solomon, with the crown wherewith his mother crowned him on the day of his espousals, and in the day of the gladness of his heart. Song iii.11.

It seems that this is the essential story - and that this is the reason for the 'Zion' factor. Could the Balfour ('fell-low'?) declaration and even the Zionist movement have been in 'imitation' of or comment to these documents in British Library? There are 8 mentions of 'Zion' in the 1823 text. See e.g. page 5 element 7 - which could suggest that 'Lord Fitzroy Somerset' could be the same as 'John Fitzgerald Kennedy'? The 8 mentions could also be the Eisenhower doctrine (on the Middle East) and the octogon. There are these 8 mentions - on the intro page 2, on pages 5, 7 and 34:

Intro = 1x = the VOID of the parallel = Ø

Page 5 = 2x (in elements 7 and 8) = and, on the 13th June, I attended the levee of Lord Fitzroy Somerset, the Military Secretary, and handed to him a letter, in which I informed him that it was my intention to start immediately

Page 7 = 1x (element 5) = I now considered my departure certain

Page 34= 4x (all in element 4) = then the Emir Ellenborough adds, 'That if your Majesty will order our release

The two mentions of ZION on page 5 and the corresponding places in 1843 could be telling of John Fitzerald Kennedy and the man-on-wagon archetype - 'intending to start immediately'. Page 7 could be about the phenomenon of 'Leben unter Bedrohung' - for the many talents of the cultural world since the 19th century, victims of 'dimaggios' or not. The key to the story is thereby that the first mention of Zion corresponds to NOTHING in the copycat version of 1843, hence it is VOID which in the parlance of symbolic logic is designated with the danish-norwegian letter Ø which seemingly was the aim of Hitler's government and WWII - to draw that Ø on the map of the world: It is the world of the globe with a schism of the hemispheres - the iron curtain of Europe and things like that. That is also the theme of Hitler's postcard of 1924 for 'the Devold-y' story in Gorky - that it was a message to 'Eugene Paisseau' = 'Ø kjempesår' = 'Ø giant wound' on the globe. (Indeed this tells of a link between Devold and Lenin's death and the MacDonald government - but it could of course be about making that link via 'John Grover' more than telling that Laura Devold murdered Lenin?) It is meant to tell that the whole history has one and only one theme - to tell first that the mention of ZION is VOID in 1843 (hence Hitler's antisemitic holocaust program) and hence that it belongs to the elder and not to the younger John Grover. The elder was perhaps a serviceman and the younger was not - hence it belongs to the international secret intelligence service mafia of the postwar world. Hitler's program was concerned with the man-on-wagon - as on page 5 - that is apparently the Kennedy era after the war. Could be Göring's real name was Kennedy?

The question is then the role of the VOID - a philosophical element introduced by the early atomists of Greece to explain movement. When was the 'Ø' first used to designate the VOID set in symbolic logic? I dont know but could guess that it is a counterpart to Cantor's ALEF - in particular if that means the LAPIS PHILOSOPHORUM with the diagonal running from low left to high right.

The diagonal stroke could be called an 'Ø'-streich - and that is likely to be the reason why Hitler came from Österreich and the reason for the role of the country generally.

Put differently, if the whole story of 'international secret intelligence service mafia' (whether these be in the ultimate service of UK or US or whatever) be about an attempted coup of judaism, for example for the 'philosophical' reason of gaining 'diagonal' authority to the formation of 'matter ex nihilo' as the technology of the 3rd millenium, it means that they can obtain this authority by making Österreich VOID - that is, the closing of that state is the hijack of that authority.

This seems to be the driving motor in the story. Austria was something in the 19th century when this story probably began.

This could also be the phenomenon of me as Mr.Hauptstadt persönlich and things like that - that pathetic 'service' mixmax of things instead of telling all this right out to the public - who are the ones who should be in charge of the development of the future, not the paranoid services - who could be working for this philosophical 'service' program while serving propaganda that "if we take John Grover instead of Austria, then the country is rescued" - for a unison austrian participation in the suicidal national program. But this is perhaps not really on the agenda. What hopefully is on the agenda, though, is to get the whole 'John Grover' of British Library program out of the future development.

Matter ex nihilo is not something which is experienced by 'royals' only.

I have now made the blue and yellow metres which solve these problems and Austria should be happy about that - the rescue of their future - rather than putting up me as a national scapegoat or more or less 'holy ghost' in the social machine or in media.

Was it a real 'lapis philosophorum' I made with my 'Dornenstrauch' and its yellow metre?

All the historic tumult and tragedy (such as WWII) can be called the DONNER - for that single purpose of the DONNER-STREICH of 'Ø-streich' which seems to be contained in the blue metre - and indeed be the Dornenstrauch of my yellow metre. If you read the blue metre = PEB, you can in the midst of the reading be struck by a sudden thunderbolt tearing the heavens apart and running down your spine and into the earth - wherefrom it sprouts up again some time later as a bush of pure gold in the blue dawn. That is the real Dornenstrauch for the blue metre - and political ideas are variations of this theme. It is the capacity of the yellow metre in this Dornenstrauch to solve the riddle of the parallelisms of Moses and Rigveda which could give it its appeal. Each chapter is a new blue metre - broken off with thunderbolt for chapter turns.

The Dornenstrauch was at the beginning of Judaism with Moses. The books of Moses are not fraud because of their parallelisms with Rigveda - on the contrary that means that they are authentic.

Likewise, Leonardo's 'Last supper' tells of a close affinity between the LAPIS and the role of Judas - or, philosophically, that MATERIAL BEING is a sort of collapse of the spiritual faith, the falldown from paradise into the time of history, the formation of matter by way of the convergence and crisis in a theory.

It is likely that this is the real contents of the history - to get that 'formation of matter' under 'control' for the development of a technology of the 3rd millenium for stepping in and out of material being, in and out of the theories of the spiritual world. And therefore they have made these 'diagonal services' - who could like to call themselves 'diagonal juda[s]ism' - who are out for sabotaging the whole thing by getting it under their demiurgic control?

Chomskyan grammar could be an attempt to come to grips with the problem without teasing the paranoid services too much.

Paranoid it would be to construct a Black Sea Loop (running like a Blitz from Van around the Black Sea to Paris - planned perhaps at the Wannsee conference of the nazis) instead of working rationally and democratically on the problemshift. It is likely that this is the healthy meaning of 'democracy' - that it means the control of these things under the scope of rational thinking and not paranoid power games.

The thunderbolt strikes suddenly on the blue metre - that probably means that the chapter is broken off and a new chapter starts in the yellow. (The Bhagavadgita seems to be a blue metre which is a chapter in a larger work). The burning bush consists of a number of such returning broken-off blue metres - that is what makes a bush different from a tree. The ground which Moses stands on is holy because it is a KHORA (Kristeva?), a square metre of ground which he stands on, which is the foundations of the unsolvable mysteries of the quadratic script: You cannot see without a blind spot, you cannot read without a khora ground (like the impossibility of weighing your own body on the bathroom scales because the feet cover the display). Judas was certainly a good man and a devout disciple but, alas, too attached to the material being to be really free - he was 'dependent' that means. Therefore the millenial blue metre contains inherently the mysteries of the quadratic script - and the apparatus needed to coordinate the blue of historic collective consciousness with the red metre of subjective reader's consciousness.

Why Moses has to take off his shoes? It means that any text can be dated because there is a relative time inside the absolute. Humans live in the relative historic time - that is why they wear shoes. And that is why the time is cyclic with a millenial circumference. This cyclicity is the reason why the script can contain the mysteries - and the script could not exist without the cyclicity. That is why any text has to reveal its time of writing. But to understand this one must take the shoes off and see the bigger time.

This is the Dornenstrauch which political history - including Hitler's apparent 'service program' called WWII and the holocaust - seems to have conceived of as an 'Ø-streich'. The blue metre is broken at a chapter turn - there is a stroke breaking off the reading. It is high time to understand that these things can be solved rationally and sensibly and within the scope of sensible studies that can be under the sensible control of the people and not of the paranoid services. They may have plans for a 'throat-pressing' program on the females in order to get the freethinking people under control: That could be because Caravaggio's 'Judith and Holofernes' is transcendent DDS part 2 poem 26 as the 'red canvas beyond' and the sword an immanent head-over 'Witz' of DDS part 3 poem #19 'Des harten Zufalls Witz' - while the transcendent 'Madonna dei Pellegrini' is in DDS part 2 poem 29 which tells that the MUDDER of the front page of the book shows the 'Caruso' singer as a graphic counterpart to the Jesus child on the doorstep (see also the relevance of the lefthand side for 'Judith and Holofernes'). The fragment from Caravaggio photographed here in comparison with the front page of my book is from 'Schütze's 'Caravaggio L'opera completa':

Hence the MUDDER is the saviour - in contrast to the doom of MURDER. (My PhD was rejected in 1998). But this is not the same MUDDER as the (clintonean?) 'foam-excrement' ('Sound of Music' from the austrian alps?) which tries to reduce this transcendence to an immanence falling ex nihilo onto the bathroom scales display. All this struggle is paranoid service panic only.

Recent news from Myanmar tell of reasons for optimism as far as the new democracy is concerned - it is likely to be just that democracy which brings us out of the shadows of 'international secret intelligence service mafia', that is, out of all this 'John Grover' nonsense and paranoid panic from the 19th century.

It is all there in that single little thing - if my blue and yellow books can be published for the people and not only for the 'secret paranoid services'. It seems to be the whole story. It is time to find a publisher. (If for example you are a reader and cannot find e.g. part 2 nos.26/29 for the above examples, you should be able to order the book through a bookshop - but then it must be available from publisher if 'crimes against the copyright' is to be avoided. The 'services' do not have the copyright to my works).

For the question whether the secret codename 'John Grover' for Hitler's government even could mean simply me personally, I refer to the 'trinity' of metres I have written - the red, the yellow and the blue. I have not seriously considered the possibility that there is a global 'John Grover' crisis in each century - a tradition which could have lasted for some 2-300 years - but if that should be the case, it is of course critically important that this tradition be broken.

I add also that I am not so pessimistic about the third millenium and believe that there are many politicians who work for getting out of the enclosures of the world which this story seems to be about, and it is not necessarily the case that the present century will come to contain yet another turn of a 'John Grover' (that is, secret intelligence control) character. But the spell of these games must of course be broken.

(As I published this page and looked over the links, I discovered that somebody had removed John Grover 1823 from my page - I had not done that. Yesterday I watered some flowers and a metal wire fell down from one of them with a sound which sort of said "spring has come". I had not put it there, as far as I know or can remember. If it e.g. is the austrian 'services' who lock themselves into my private spaces in order to make for an 'identity' of the authorities, it is time that somebody stops them and brings this to justice. I have not let anybody into my private spaces).

There is a law in Hungary that people can build non-habitation outhouses on their sites without applying for permission if only it be within these and those metres to the border and up in sky and square metres and so forth. Therefore many people build without permission and it is probably commonplace to have a shed or two crossing those invisible borders in the garden - the phenomenon is old and well known and is called 'eaves-dropping' - when the eaves extend beyond the border but the wall does not. That could be the 'telegraph house' - in the valley, 1823. My house is so far not attached to the 'szennyvíz' = 'wastewater' network - and there is a 'talaj-terhelési dij' ('ground-burden fee/levy') to be paid for those sites (depending on the amount of water used) being a 'burden' on the environment - the fee thereby serving to encourage people to attach to the public network. (My house is in fact attached but only from the eaves gutter - the rain water from the roof - for which one does not pay a fee). The payment deadline for this 'talaj-terhelési dij' is 31 march. The form includes the option of filling in names and family relation status to those living in the house and their incomes. The house is said to be from 1970 but there is a door between the two main rooms which clearly is much older - it is probably from way down in the 19th century. I have consulted the authorities about legal-border-crossing outhouses and they say that if these are more than 10 years old, they will not ask for having them pulled down.