The stalking complex

The stalking complex

John Bjarne Grover

I can of course not rely on any sort of 'communications' to me in the media unless my name is mentioned explicitly. If I see a newspiece that the president has appeared in flesh before the pope in some way or other, that must be seen as totally irrelevant to my life unless somebody says something or my name is mentioned explicitly. But it is decades since anybody said anything - and I have never since my birth heard any single word about all this political mythos complex which could have me in a central role - and my name is not mentioned anywhere. My life is exactly as it was years and decades ago.

Midori must answer in order to relieve me of the label of STALKER. I cannot go to a concert of hers and try to look her up after the concert is over in order to give her the book - in particular if this concert has been planned since 1978 with the STALKER (I, that could mean) being shot 'at hello' by a security bystander in the moment when he enters the back stage room. I did buy a ticket but had to return it due to the enormous norwegian squeeze-out pressure on the worthless and crazy STALKER. I have to relate to Midori's person and not to her role in the international mythos circus in order to get around this problem. Newspieces about this and that cannot solve the problem - unless my name is mentioned explicitly.

It is fully possible that football is called SOCCER because stalker is called STALKER or vice versa, and that again could relate to the address of Zinckgasse not far from Literaturhaus - in principle even for a future 'JUDENSAU' program (the smell of JUDENBLUT?). I add that the nearby school is called 'SIR Karl Popper Schule' which then relates to the lemme-SMÖR of Kennedy plus the phenomenon that modern POP music seems to be constructed in imitation of Zelenka's 'Missa Votiva' (ZWV 18) track 5, the 'Gloria' - the archetypal form of modern POP (as if I 'visste om motiva' = 'knew the motives' in such cases as Apenes/Moro since the same 1978). Then Hitler's MAUTHAUSEN concentration camp tells why it is called 'schule', although one must take it that the plans of Mauthausen were first and potential plans of the area of Literaturhaus and schools and Zinckgasse thereafter, and not vice versa. But I wouldn't be too certain about it.

Sir Karl Popper Schule is in Felberstrasse, which could be about the nose-trunk fur symbolism mentioned below (fell-be[e]r), in the intersection to Benedict Schellinger Gasse. Felberstrasse intersects also with Zinckgasse and Beingasse - Hitler once lived in the house in that intersection to Beingasse. Sörkedalsveien in Oslo intersects with Trettebakken where two lemmesmör-coloured graffiti phalluses in the morning 17 may 1983 could have forecasted Manhattan 2001. I don't know if these ideas of mine on this school are right - could be they are rooted in the book 'Smöre-koppen' which uncle Per Eidsvig sent to the family from his studies at the technological university in Trondheim in the 60's. It was a collection of student songs - wine and song and entertainment.

In short, when Midori got a high fever and had to be treated intravenously for dehydration before her last Japan concert in Osaka in early summer 1987, it is not impossible that it could have meant Tarkovsky's then recent and last film 'The sacrifice' (he died on 26 december 1986) - and hence also STALKER. It means that the idea of 'complain on KLYSEN' ('klysen' = 'the clot of body fluid') could have been a part of the preparations for Clinton's presence in the White House - and hence that there is or was a comparably enormous pressure on Midori that she shall not answer a letter from me. And when she does not, it means that the state of Norway by its constitutional paradox in paragraph 9 (= 'eidsvig', 'AIDS-hiv' 1978) and my Gori fantasy friend since Celan/Sachs 1960 can be identified as me instead and thereafter MESMERIZED (quasi lemmesmör) across the Atlantic to the White House there. The norwegian winter olympics were on Lillehammer, a name which could mean 'Bill Clinton'.

Dorothea Zimmermann from Kaiserswerth wrote 127 letters and postcards to Nelly Sachs (and Charles de Gaulle was subjected to 31 attempts, which could have been a way of telling it) in the period before Sachs' death in 1970. She started in 1962, a postcard from "Düss.Kais.10.05.62" ('Düsseldorf, Kaiserswerth'), to Frau Nelly Sachs, Bromma 4, Fack 29. The motive is "Bruckmanns Bildkarte nr.325. Franz Marc: Tränke am Rubinberge", a painting with two horses, one blue and one red, for Else Lasker-Schüler. The 'bromma' could be recognized in the broom bush outside the housedoor in Labraaten 58, at neighbour Blom - there was another neighbour Aster on the other side, hence a Blue Master, the blue horse depicted on the wellknown cigarette brand. (A 'master' is also a 'male head of house', not 'horse'). It could have been some 9 months or so before Midori was born that I was thrown out the school-door by teacher Zimmermann. Midori writes in her autobiography that the difficulties with the booked hotel room on their arrival to the Japan tour which had the Osaka fever in the end was part of the reason why she left the Juilliard school, where Dorothy DeLay was her teacher. In short, I understand that it can be difficult to answer a letter from me - and that is what inevitably leaves me in the category of STALKER as soon as I have sent letter #2. To send my book in parallel with her record from a STALKER would easily reduce it to worthless words.

It is probable that the complex is rooted in Celan possibly in Odda with a DOPPELGÄNGER in Stockholm in 1960, which could mean that a DOPPELGÄNGER - cp. Clinton in the copy room with Monika Lewinsky - could be the story. If the US democrat party has allowed for such a thing, they should tidy up in the mess.

The archetype NOSE-TRUNK (cp front page of vol.2 of my work) walks in a certain way (a bad comedian could perhaps mock it by imitating a low plough of the walking knees) and has a tube or trunk protruding in front of her face - the tube ends in some fur or hair around its opening. I recall a swedish-language joke told in the house of Tveteraas in Marmorveien on Falchaasen in the first half of the 1970's - which could be related to this phenomenon. If the trunk or tube in front of the archetype face, typically associated with a vagina, is considered the length of two penises, the joke could be seen to relate to the phenomenon that most people go around apparently without such trunk-extension in front of their faces. The joke was about a man who was out for buying salami (cp. 'at hello' in MLR oct 1978) and who said rurally in reply to the seller's question of how much salami he wanted: "It is not so precise on the cu**-hair - cut just off a couple of co**-lengths you", in swedish "det är inte saa noga paa ku*-haaret - skära bara av et par ku*-längder du". This could be recognized in the listing of the hebrew alphabet, here equipped with interpretations of the letters which are not caught up in the joke:

aleph - WHITE SP-
bet - -POT
ghimel - hunchback = CURVE
daleth - det är
he - HE
waw - WAVE= HE-WAVE = OF HIS PENIS CURVE
zain - in
heth - HET- (the word 'het' means also 'hot')
teth - te
yod - saa no-
kaph - ga p-
lamed - -aa medborgarskapet ('citizenship') = 'med-mem-nun'= KUSHaaret
mem -
nun -
samed - skära bara
ain - av et
phe - par
tsade - = HEth-TSADE = MUPPETS
qoph - ku*
sin - längder
(shin)
taw - du

There are three parts of this listing: 1) The 'pubic hair' part (daleth-nun) for the fur around the opening (cp. 'fell-ber-strasse'), 2) the penis part (samed-taw) = Beingasse?, and 3) the remaining letters which seem to contain the ideas of a white spot at the root of a penis and the hunchback curve indicating that the head of it had been replaced, which could mean the archetype man-on-wagon. 'Hetsade' is swedish for 'mobbed', cp. the 'muppets'. Het-sa-de[t] could probably also mean 'the sexual drive'. For this third part symbols, see also the photos under page 104 in Krarup Nielsen's book: Photo 104a , Photo 104b , Photo 104c , Photo 104d . (Was this latter photo the background of the numbness in my lefthand side in 2002?)

In short, it seems that the joke could have contained a code for the conjunction of the two main archetypes man-on-wagon and nose-trunk, possibly as conjoined in the third archetype 'dogs paradox', even as characterised by some peculiarities of my penis, obviously telling of some essential story elements.

KUSH = hebrew for 'ethiopian', 'aaret' = 'the year'
ku-saaret = the cow-wound
ku-klängder = the cow-clingings (such as extra udderism attached, or even silicon?)

I recalled the joke (which I think that I have told earlier on this website) when I thought that I recognized the circumstances of the joke in the shooter in the cinema of Aurora - as if it should have been about 'my Gori daughter' playing violence in front of the audience. Certainly it wasnt him - but for some reason or other I associated with him. It is therefore not impossible that the joke could have been recorded in the 1970's on some SECURITY TAPE, be that FALSE SECURITY TAPE or whatever, resembling SUPRAPHON or SUBTRAPHON or whatever. My voice could of course also have been on such a tape.

The secret service administrative interests could be to use these formulas as a secret code for the original archetypes - reserving Donald Duck & Co as 'archetypes' for the people. If it also is made difficult for Midori to answer a letter from me, and already the second letter from me turns me into a potential STALKER, then the international secret service can have hoped thereby to control the archetype interface of the public to the poetic reality. This clearly would be a bad solution. The secret bangbang services are not the right spirituality. Could be these and fractions of political parties like to think themselves into these roles assigned to parts of the mythos - and therefore they do not want to have these problems solved.

I refer also to the norwegian joke, I think it was told by Erik Eidsvig: "Og naa spör jeg deg, Kari Treseng, vil du ha han Ola Oppi?"

It could also be an essential part of the construction that it should be impossible to handle it due to the four-letter character of the material - which also could add to the raw character of the 'stalker'.

Added 23 june 2023:

I have speculated if 'The Dynasty' TV series in the new version of 2017 could have been based on this file of mine from 2013 - more specifically about the addition in smaller types.

The opening seconds from season 1 = of 30 seconds duration should be telling if it were. When I first saw it, the image was quite blurred in the first 21 seconds, then suddenly it turned clear. 'Det är inte så noga' = 'it is not so important/precise' = these first 21 blurred seconds. (When I later looked up the same, the blurredness was gone). Measuring 21/30 from the left margin of the image could take it approximately to the continuation, while the script 'DYNASTY' covers about 0,65 parts of the horizontal screen, which means appr from the left margin to the straight cheek of the male.

See this file for the idea of the SNAKE hiding in the 'cochleagram' of human semiotics - like the end curl of a violin. In the cochlea, there are small hairs moving back and forth with 'snaky' movements, so to speak. Could be a part of the 'biz' problems could be due to this role of the SNAKE. 'Mid-hår-rig-oto' = 'mid-hair-rig-oto' (or '16-oto'?) could then be about this SNAKE in the mid point (the 'thuson kai fage' theme). It can be noticed that the hebrew final 'F' which also is associated with this phenomenon in the Szolnok complex then would select 'phe - par' from the above listing. Is that a theme in this opening sequence from possibly the same season or at least same series? These opening seconds show the characters in 'pairs' of photos - but is it the same person in each of the two photos or is it a 'copy'?

Of course I do not wait for a letter from Midori. This idea could be seen as contained also in recent news about neanderthals - a cave that seems to have contained engravings 57000 years old. (I was born in 1957). Would it have been about 'ventrikkelen'-GER ('venter ikke lenger' = 'waits no longer') = 'the ventricle', for that potential role of the GEL I wrote about in the 'brief comments' on 5 june 2023? The recent file suggests perhaps that this GEL probably is not the story.

Biz concerned with such themes could perhaps try and prove that the correlation between my poetry in TEQ book 16 and Midori's music should be due to my mythos role as the SNAKE and her name meaning approximately this mythos role. I do not think that is the explanation.