The stretch

The stretch

John Bjarne Grover

A few observations for the discussion of the possible media web around my person. I would have preferred to let all this be - I am since long very tired of this internetting - but there are a few things which perhaps only I could tell and which I therefore should add.

Joktan of Genesis 10:26-29 had 13 children CLICK HERE. For the question of split-brain or not, or at least the question whether the helmet could have been changed, I took some hair from the neck, not as far down as the shoulders but below the skull border, and compared it under microscope with the ordinary hair. The ordinary head-hair is blonde and transparent while the neck-hair is dark and intransparent. I don't know if this counts as anything. Click here for comparison of the two hair types and here for another photo of the same.

Although this could suggest that the hair in my neck is not the same type as on the head, I had my brain photographed and it seems that the corpus callosum is intact. There was a small blur in a single point on the righthand ventricle side (which perhaps could correlate with the 2002 numbness in my lefthand side). That is anyhow a minor problem, if a problem at all. However, the technology of the photo was probably not goodenough for deciding whether the helmet had been replaced - I would, though, guess that the photo really was of my brain and not some standard template transferred with radio from the services. It is of course tempting to just leave it there and conclude that my head probably is well healthy except for some trifles on the righthand side, which could add to the problem of the numbness which really is a matter of surveillance. A person under surveillance is a sort of split-brain, and this can perhaps lead to disturbances of various sorts on the righthand side. Briefly, if there is a global-consciousness project on me from the secret administrations, it could of course be that I am considered technically split-brain in the sense of being under surveillance of those administrations.

(See at the end of the article for further discussion on possible early opening of the skull).

Joktan = the octogon, as in the 'undertext' of the Eisenhower doctrine of 1957.

I cannot discuss the reality of this 'genetic' project here but mention some examples which clearly could have some role to play for the constitution of global power anyhow.

My guess is that the global power project would be about the relation of the acoustic and the visual reality.

The 'control system' seems to have been encoded in small stories and examples communicated to me (as 'Joktan', that could be) throughout my time of contact with the Gröver/'Mengele's. I tell some of these here, to give a flavour of the system and tell those I for the time being remember or can put together as systematically related:

Three jokes by Erik Eidsvig

It was my official cousin Erik Eidsvig who told the two first jokes at a dinner (I think it was the same dinner for both jokes) at Vågstranda in the late sixties:

1) Two men walked on a beach and saw a third man sunbathing naked, and one of them suddenly started running with the other following. When the other, having got his breath back, asked him why he had started running, he said: "But didn't you see how short his fuse was?"

2) There was the grocer who had to fire his errand boy because the customers did not want cyclamate.

3) The drunk priest: He was fired or got a reprimande after his sunday sermon when he was drunk. The reasons were three errors he had made: a) Jesus was not shot - he was crucified. b) One says not 'cheers' after the sermon but 'amen'. c) One does not slide down the handrails from the pulpit but walks the stairs.

Erik Eidsvig is son of Bjørn Eidsvig. I think he later educated to machine engineer. He told yet the third joke (could be there were even more but this is the only additional one I remember) in the nighttime darkness after the children had gone to bed in the outhouse or were it an upper room.

Yet another joke by Erik Eidsvig

I think it was he who told it at another dinner table on Vaagstranda, although I am not totally certain who it was. The joke is simple on names, the priest again: "Og naa spör jeg deg, Kari Treseng, vil du ha han Ola Oppi (som hos deg staar)"? 'And now I ask thee, Kari Woodenbed, will have Ola Upinto as your husband (sth like that)". Treseng or Tresseng was a name in use, and I think Oppi was also in use as name. 'Tre-seng' = 'wooden bed', 'oppi' = 'up in it'. It could have been around the time when I had a friend called 'Geir Hagbö', cp. 'gay rabbi'. He got in those days a sister called Sissel Karin Hagbö - 'sissel' means something like 180 degrees turnaround.

Three quotes by Gröver/'Mengele'

It was my official father John Jensen Grøver/'Mengele' who told two quotes from the norwegian author Johan Borgen at a normal day dinner table (I think it could have been the same day for both quotes, or at least they were roughly around the same times) in Kongensgate 8 in Fredrikstad in 1970-71, could have been some time into 1971 (this is as far as I can remember, of course - but I do remember with certainty the 'Pommac' - a sort of cider - Grøver/'Mengele' drank in that year 70-71 - cp. 'Alfons Hackenjos', postwar husband of Irene Schönbein):

1) "The Coca-Donald culture".

2) The archetypal first of may banner is on the form "work is our profession, sport gives us strength" ('arbeid er vårt yrke, idrett gir oss styrke').

3) The 'Pommac' cider or whatever it was (looked a little chemical in the bottle) could have been a third 'quote'.

In the inner Hofburgtor in Vienna, a sort of helmet or upside-down 'jar', there is not only the Spanische Hofreitschule (plus Kaiserappartements, Sisi Museum and Silberkammer) but also a plaque on the wall telling that the 'Dichter Alexander Lernet-Holenia' lived there from 1952 to 1976. On the other side, another plaque telling of the composer Gottfried von Einem.

The plaques, which seem to suggest some reference to Labråten, Fredrikstad, could of course mean that my current helmet has descended from 'komponisten Bjarne Eidsvig'. One of the sculptures is made by Antonin Pavel Wagner from Dvur Králové nad Labem. I don't know if this could have been about the O-Dichtung which was the cause of the Challenger disaster ('dra lenger ut på landet med den der').

Three travels/trips

1) Inner Ostfold: Ragna Gröver pondered buying a summer house in Inner Ostfold and took some (or all 4-5?) of the family to look at a house not far from either Askim or Mysen, I think it was. Called Indre Östfold, sometimes jocularly called Indre Enfold.

2) Moss: Another time she wanted me to see a house she considered buying in Moss where she worked part time - it was 30 km from Fredrikstad. I recall standing on the veranda while she was leaning against the parapet looking like a hebrew R or something like that. There was a street underneath.

3) Rösholmen: As ar as I know, it came to nothing with the two houses and the family eventually acquired a site on Rösholmen not far from Ed on archipelago Hvaler (Kirköy, not far from the summer house of Leif Stene Johansen). One needed a small boat (which also was bought for the project) to get the few metres (well, some metres, but not so many) out to the small island Rösholmen, but Kirköy could be reached by car. I recall the situation of the buying - the seller pretended to be depressed about the low price he could get and said that his wife would be angry with him for this low price when he came home. The site was bought but I think even this project of building something there came to nothing and the boat and probably (I don't remember this, maybe not) even the site was later sold.

Three throwouts

1) The throw-out by Zimmermann from the school 1970-71: He threw me out the door - grabbed my neck and bent me down and lead me down the corridor and out the door - I was running along him with head bowed down - because I had been 'right' when the class was about to enter a room next to the school dentist. This could have been a comment on the 127 letters and postcards which Dorothea Zimmermann sent to Nelly Sachs - appr. in the course of the ten years time when Charles de Gaulle was subjected to 31 attempts.

2) It happened when I met Gröver/'Mengele' on 'Kaffistova' (I think it was called, sth like that) in the end of the eighties that the servant was bringing the coffee but instead of putting it on the table he poured it directly into the lap of Gröver/'Mengele'. A few drops could have remained in the cup which he placed in front of him on the table. I tried to point out the inappropriate conditions of the serving but both of them waved it off.

It is the bad teacher and the bad servant. Gröver/'Mengele' had travelled with the train to Oslo - and I had once before met Leif Stene Johansen on the railway station before going to Oslo from Fredrikstad. Or maybe he was going only to Moss? He went around me on the floor but did not talk to me and did not really give me a chance to say hello, as if he had been waiting for me there in the roadside but did not really recognize me. (It wasn't a copy?) I was sitting 'stand by' there in the waiting room, and if he had been JFK then perhaps he had been in bed or at least in office with my aunt? I don't know if he went with the train or not.

3) The third throw-out could be the one at the time of the Palme murder. 'Rösli[g] holmen' = 'dickly palm-tree' if the tree is the holmoak of the Fatima revelation.

Three tricks

1) Grøver/'Mengele' telling me on a walk on 'Skaret' that the cannibal's favourite dish is the ball of the thumb in the palm. The muscle in this ball could be subjected to exercises of the headhunter on Krarup Nielsen's photo holding the head on his index by small jerks in the thumb - but this is something which only photographer Aage Krarup Nielsen would have been aware of. He could have told it in secrecy to somebody.

2) Grøver/'Mengele' telling me on a walk to telecom link 'Tusten' (second half of the sixties) that Andy Capp's mother or mother-in-law said that people should be arrested for being naked under the clothes. (Or was it even me telling it to him? I don't think so but cannot exclude the possibility).

3) Counting on the fingers, not the palm, starting with the little finger (Joktan): 'Kremt ('throat-clearing') tom tommeliten tom tommeliten'. That takes it to the thumb. Then we children were asked to repeat it but none of us cleared the throat (children don't do that) and therefore we did not end with 'tommeliten' on the thumb but on the index. The trick seemed incomprehensible - how did he do it? He did it once again and cleared his throat on the little finger and ended with the 'tommeliten' (= 'Little Tom') on the thumb.

Some other phenomena

Aage Krarup Nielsen's photo:

HZRMWT, Joktan's third child, in hebrew reads from left to right TWM RZH which could mean Tom Roots-H, for the hand-root bones and for the muscle in the palm.

The photographer's index is the correlate: 'has arm of huet' = 'has arm of the head': When the headhunting cannibal moved his thumb, the photographer moved his index. ('Seife huet' = to press the photographer's index for taking the photo?)

For the question whether this single photo of the headhunter could be of extraordinary importance for the construction, I notice also the name of Alicia Christian 'Jodie' Foster relative to Joktan's child Abimael Father-of-fatness. As far as I remember, Ragna Gröver mentioned her name around the time of the release of the film 'Taxi Driver', something about the scandal of such a young actress in such a tough film.

This means that much power can have been balanced on this single index and the photographer's role - summed up in the name of HAZARMAWET which also seems to be the key to the tragedy of Robert Schumann and hence apparently even Blair and Clinton (below).

Olof Palme could have been this phenomenon. Palme was shot from behind not so long ( I don't remember the time exactly but believe that it was not so long before Christmas and then it must probably have been in 1985) after I had met Ragin Wenk-Wolff via Söderlind (this was not so long before she left for USA to marry Mr.Putterman, if I later got it right) which could mean that Palme could have been about a swap of index and thumb. Ragin Wenk-Wolff ('rook in wenk wolf' = the rook in the thumb-root?) could perhaps be seen to index the Genesis character Reu, son of Peleg who is brother of Joktan. Christer Petterson has been linked to the murder: Pister Cletterson could be telling of this. 'Ragin' in hebrew can be seen to mean 1) Leif Stene Johansen (really 'stoning'), thereby 2) the Ausdehnungslehre of Grassmann and the 'poetic revolution', 3) terror and 4) visuals. It could perhaps also mean the 'woolly socks' rewrite of the adversary 'Tore Hund' = 'Sour Socks'? of the first king of Norway in the battle on The Stiklestad - see below. (Nathan Milstein in his autobiography mentions a clothes-seller called Wolf at whom he met Schönberg). When in addition 'Wenk-Wolff' could be seen to mean daughters (of me, for example) constituting a 'global-consciousness' web, and I don't know if it may be that 'wenk' could be about turning the gender to the opposite-valued males in the construction, the name of Ragin could be seen to represent the idea of a terror-driven poetic revolution via this 'web' of Joktan. If, therefore, the murder of Palme (cp. the bones in the hand) in 1986 was associated with me meeting her some time before, it could have been that it got a quasi-justification in the sense of looking like an attack on the meaning of her name relative to me. The murder seems never to have been clarified. I and Wenche Stray had formerly met Söderlind at the subwalk of 'Töyen' = 'the stretch'.

The 'power' of the HZRMVUT could be represented in the name of Baader-Meinhof member Holger Meins = 'hold germ eins' = the little flask of germs which can exterminate the human race if it is thrown out the window. This little flask can be held in the palm against the root of the thumb, with the index pointing up for the 'eins'. (Meins was arrested when he came running out in only underpants - another symbol of the same).

If the situation with Zimmermann in probably early 1971 was about 'ka-fist-ova', it could have been about the hand holding that little flask with 'germs' - which could be my genetics. It could be that when terror indexes me or my role as Joktan, then it is really about 'throwing the bottle' - as a symbol of the power. It is not impossible that the throwout of early 1971 could have been about 9 months before the birth of Midori Goto - whose name most clearly is relevant to Hazarmevuth = 'green' (= japanese 'midori'), 'call together', 'enclosure' (and the name of Hazarmevuth is also listed by Davidson as meaning 'court of death'). It could be the role of my fantasy friend Gori from 1960-61 which makes some sense of this idea.

I add the observation that the Cruise of Tom Cruise in reference to the headhunter photo also has a potential reference in Penelope Cruz as the index into the head - the 'penel-opi[n]'. She was born in 1974, well after I was sexually matured. Cp. Joktan's last child 'Jobab Crier'.

Between these two cruses - the thumb and the index of this photo - there are the bones of the root of the hand. Grøver/'Mengele' told me in the early seventies the mnemo-technic trick for remembering the latin names of the 8 small bones in the palm of the hand: "Når ludder trenger penger må menn kapitulere hurtig" (for example, I think 'ossa ludens' is one of the bones) = 'when prostitute needs money must men surrender quickly'. (Ossa sesamoidea were not counted). In this mnemo trick, 'kapit-ulere' could be about this headhunter photo. And the story could thereby be about the principle of power - whereby the genetics and its acoustic reality is kept under some administrative or at least 'semiotic' control.

Cp. also Augustine (I think it was) on the etymology of CRUS - it relates to both CROSS and BONE. Hence the idea could be about the crucifixion palm - which has a certain 'semiotic' force, not the least when it comes to the role of Christ as representing the cultural level of the WORD.

But all this power could rest on a PHOTO from headhunter environments.

Is acting or dancing visual arts? I would say that both acting and dancing are not really visual as arts - although they require visual embodiment. But for the media this ends up in the two-dimensional photo.

(I wrote an analysis of the story with me and an 'Iselin', I think was her name, on the grass in the park at Lykkeberg but cannot remember if it was in early summer 1974 or if it were a later year and it is not so interesting if it were a later year. If in 1974 it could have been about 'holding the child'. The story was that there was no erection - the J was Lax - in the attempted intercourse which could be explained by a hypothetical 'tampon' (I suppose not for real) which also was her name. A passerby could have told it to others. The concept of 'juvenile delinquency' - cp. 'pen-e-loop-e cruz' for the pen scratching on the paper - could have been the key to the political power on this story, although we were reasonably dressed and did not commit any crime there in the park. There have been some 'tampa' etc newspieces - and at the Innere Hofburgtor in Vienna there are four sculptors: Antonin Wagner, J.Lax, H.Scherpe and Ev.Hofmann - for the latter two I could associate with the two stories Ragna Gröver told about Per Eidsvig that he had cut himself through a door with an axe and pulled the whiskers off a cat - and perhaps the octogon name of Eisenhower doctrine #8).

Another two stories of relevance to this complex of controlling acoustics:

1) The family was invited to dinner at aunt Åse, mother of Erik Eidsvig, on Böler outside Oslo. (Cp. also 'tante Åse' = 'ta en tåse'). Gröver/'Mengele' was sitting close to the wall and when a piece of cauliflower ('blomkål') jumped from his plate down on the floor, he had to fish it up from the darkness underneath without being able to move his chair much backwards. In this position, his head came to rest almost on the dinner plate while he was fumbling under the table. Hence 'headhunter' on the plate: The head was on the plate and the hunting for the lost cauliflower was under the table - at the feet.

2) In Odda we went for a walk which was quite long for a 3-4 year old - around 'Mannsåker' = 'mansfield', while 'mannsokker' = 'mansocks' (this could have been the time when fertile material could have been elicited from my body). On this walk, we stopped and watched a smith shoeing a horse = driving nails into their feet or hooves. Could have been details from this which were used for later 'control'? I notice also the end of Krishna.

The Eisenhower doctrine was perhaps or tells about a pushdown automaton structure. The last line of #7 is suggestive of the name of Petter Enok Skau Jakobsen, the last line of #6 could be about me and the last line of #5 could be telling of the name of Jan-Henrik Ihlebæk, classmate of mine from 1974 (I think born in 1954 or 1955) who was very interested in music in high school times (he recorded many organ concerts in the church) and works as journalist. I have fancied that there could have been some links to Hans Werner Henze, but these were only my own personal associations. Eisenhower point 5 last line: "Furthermore, our joint resolve should be so couched as to make it apparent that if need be our words will be backed by action" - could contain this relation between my and his name in terms of 'joint resolve'. In the hand? Point 6 last line: "in addition to the other mutual security programs for the area hereafter provided for by the Congress" could be telling of the same phenomenon of 'security program'. Point 7 last line: "Words alone are not enough" = Petter Skau Jakobsen Enok.

As I have earlier noticed, discussing recordings of Helene Grimaud (born in 1969, cp. Joktan's second child Shalep), there could be some observations to do on the role of the leaflets to the CD's she has published. No sooner was the CD invented and put in commercial use (I think this was in the first half of the 80's), Anne Orderud Paust started as the personal secretary to the norwegian defense ministers and had this job untill the end in 1999, with the Orderud Paust case - her husband Per Paust died after some time of illness on 6 may 1999 (120 years after the birth of Bedrich Hrozny, cp. 'bedridden ostrich' or even 'o-stretch') and the chinese embassy (representing the country on the other side of the globe) was bombed by NATO in Belgrade. This was when the NATO chief on duty that day was a norwegian - and hence probably used to have some contact with Anne Orderud Paust, who was shot a night some 15-16 days later along with her two parents whom she visited. I think she was shot on 22 may 1999 and I was transported to psychiatric hospital Sandviken Sykehus (cp. 'Aung San Suu Kyi') on 22 november 1999 - on the other side of the year. The internationally dramatic story could thereby have left much emphasis to the role of the opera score of Anne Pedersdotter of Edward Fliflet Bræin (cp. 'It was a Split-Bræin'!) which I had just completed writing out in better form before I went to Rome in 1981 and the pope was shot. This 'It was A Leaflet Bræin' could thereby have been about the new CD leaflet formats which serve PHOTOs on the ACOUSTIC representations which most people have some relation to.

It could have been the same format of political power as the headhunter photo of Krarup Nielsen.

There was, as I understood her after the car accident in 1981, although I am not totally certain how explicit the wording was (or if there were an element of 'stretch' in the interpretation which made me conclude so - for example, the 'dickly' could have been 'palm-tree' etc), an extramarital relation of Ragna Gröver with (I think) neighbour doctor Anders Munthe-Kaas on or from I think Stuevollen 1962-63. He had daughter Ellen Munthe-Kaas (about my age, I think) which could constitute some name-similarity - 'munn-tek' could mean the 'mouth-tech'-nology of a 'grime' - both for horses and people, in different senses of it. However, this could be the background of my ideas that Anders Munthe-Kaas could be in some administrative relation to Treblinka chief Franz Stangl who was chief for a part of the time of its existence and the other chief was Irmgard Eberl - which relates immediately to Grimaud Anders: Anders Munthe-Kaas = Anders Grimaud = Eberl Irmgard. 'Treblinka' means 'jump jarnegg grover'. It is high time with a closer study of the holocaust history. I notice Irmgard Eberl --> Irmgard Böler. It is therefore not impossible that the Big Project could have been an administrative swap of Franz Stangl and Irmgard Eberl as the two chiefs of Treblinka for a 'split-brain' modelling of a global-consciousness relation of Helene Grimaud with me for the acoustic parametre relative to the visual modality which has been the purpose of the administrative project in terms of the construction of the new binary-logical information technology reducing poetic time to historic.

(It is the apparent mention of HG at birth in MLR which makes some sense out of this idea - and there is the presence of Treblinka in the same MLR well before the work with the construction of the camp was started. It is very high time with a complete dishwash of the british role in the holocaust - and this idea of a split-brain information technology is probably not a 'goodenough' reason for continued secrecy on the history).

I add the observation made before that Munthe-Kaas was at Stuevollen in Molde 1962-63. This was one of the few places we lived which was not immediately next to a hospital. The other one was Brinken 2 in Oslo, close to the prison 'Botsen' (Botsfengselet) which I think was a male prison. The one for females was called Bredtvedt, if I remember right. I recall a story told in late 60's or perhaps winter to 1970 (winter it was, at the upper part of P-bakken, just across the fence at the white house there) by I think 'Helge' was his name (wasn't he even sometimes called 'Pölsemann' = 'Sausage man'? - cp. 'ausage an' = 'o-stretchen'), about the same age or rather a little older, that when the female prisoners at Bredtvedt were served sausages, the sausages were always cut up before serving. If any of us boys understood why? We did not. The third address was Moldelivegen (or Moldeliveien) in Molde. And the rest (if I have not recalled right) of the many addresses, except for the final one in Labråten(!), were always next to hospitals.

Schumann and Brahms

The political war against the acoustic reality can perhaps be considered an antisemitic orientation. It seems that a cornerstone in the intrigue could be the romantic story of the Schumanns and Brahms from the first half of the 1850's - could be there is a tradition in 'international secret service' of assuming a secret relationship between Clara Schumann and Brahms. Robert Schumann threw himself into the Rhein when he crossed the river on a bridge on 27 february 1854 - a standard interpretation could be that it was for the mentally unbalanced idea that he wanted to be 'clean' = 'rein' (cp. 'B-ræin' and my 'clean'-writing of his score) when he came mid way over the bridge. He was rescued by some boatsmen but had to be brought to a nerve sanatorium where he died after a couple of years. If one speculates that he could have been injured when he hit the water - that would be 'Raino Malnes' = 'Rhein of mal-nose'. This again could explain my strange behaviour with the footwork in Oslo after the publication of Helene Grimaud's record with Schumann in the late 80's - and Bill Clinton arrived in Norway shortly before I was brought to the 'nerve sanatorium' where I was diagnozed in 1999 - as if a Bill Clinton were after me. This also means - if these observations are of any relevance - that the name of 'Astrid Johansen' could be associated with 'Clara Schumann'. The Bill of Clint-on could then mean the burden which made him plunge like a CLIFF = CLINT onto the water surface where he could have been hurt.

However, this version of a secret liaison between Clara Schumann and Brahms is not so very advanced and probably not interesting - even if the emotions could have been positive. A more interesting historic answer to the riddle could be that when Schumann plunged himself into the Rhein from a bridge on 27 feb 1854, it was nearly 10 years since Grassmann made his first edition of the 'Ausdehnungslehre':

Hermann = mid way on the bridge
Günther = plunging into the water = go-under
Grassmann = the wassermann

It could have been the pressure and depression from a loveless british intrigue on the 'hermaphroditic orgasm' and things like that which could have triggered this attack of 'Wahnsinn' - since the british intrigue in fact threatened the entire spiritual life on the european continent. What a response to Grassmann's work and what it meant! A spiritual achievement of great value and much importance for the continued development of the spiritual life in Europe - and nobody seems to have stopped the british ridicule and harassment campaign which later developed into the new post-1945 information technology! There could have been an atmosphere of despair in those days. It would have been the formula

Hermann = Johannes
Günther = Clara
Grassmann = Brahms

which made Schumann feel that there was nothing more important in the world than to rescue the Johannes-Brahms-Clara unity (he had also written very positively about Brahms) and therefore he plunged himself into the water by the tragic indexical misunderstanding which the possibly divide-and-conquer-style mathematical intrigue could have created. If it were the indexes - could be, as usual, the indexes are only some unimportant foam on the surface of something much more important under it.

Grassmann sent his work to a colleague who never answered and later to another for suggesting that the first had plagiarized him, but there was no answer anywhere and he never got a chair at the university.

Grassmann's work probably opens for higher orders of poetic time. Like walking across a bridge in one direction and continuing underneath in 90 degrees angle in another element and poetic substance - and with 'Clara' as the mystic go-under link between them. This is something which the new binary paperflat logic (the 'bordereau paper' of the Dreyfus case) apparently could not understand beyond an intrigue level - an intrigue solution which leaves human spirituality ridiculous and makes people despair into tragic solutions.

This explanation to the sudden tragedy of Schumann is probably better than the idea that Brahms had masturbated and that this constituted a spiritual attack on the matrimonial unity of the Schumanns for which reason Robert plunged himself into the water. This could, though, in theory have been the background of the story of Gröver/'Mengele' that he had learnt greek one summer when it was raining very much = 'greek onanism' (cp. the name of 'Astrid Johansen') and the 'rain in the summer', cp. 'Rain oM alnes'.

Jo-Hannes Brahms
An-Thony Blair

What is important is that the same fate does not befall my work as did Grassmann's.

After the news from CERN and Gran Sasso on the overlight neutrino speed, I sent a report on my work and its relevance for neutrino theory to the two places. I don't know if anything happened in CERN but from Gran Sasso there came the 'response' in the news a few days later that the news on overlight speed had been due to a misconnected cable, as if there had been a logical error somewhere. More response than this I have not got, and it probably could mean that the news of overlight speed are either fabricated for or is intended to be abused for a political pretext for a war against Italy - engineered by the international secret services. This would be a war probably led or organized by England or in any case it would be in their interest - an anglican war against the catholic Italy and the Vatican. It is very deplorable if science lets itself be abused in that way. Switches seem to have been standing wrong way in Italy after Brigate Rosse and their historic teaching, and my person seems to have been assigned the mythos function (not my person, though) of the Great Beast of Terrorism as far as switches are concerned - for which reason I can perhaps not expect any serious answer beyond a joke in the media.

The pretext of overlight speed for a war against Italy tells that if only everybody join the war against Italy, and perhaps in particular the Vatican, the world can reach the construction of a technology which will let us enter into communication with the stars and the CEOs with the sparkling eyes can soon start sending their money to Andromeda Bank and things like that. This pretext is constructed on a british scheme and is based on the assumption that such overlight speed data have to be swindle just like the Alexander POPE was - and therefore the war is not only against the swindlers in science but also against the catholics. The cable mismatch is in the idea that Alexander POPE means the pope in the catholic church - and there may be a tacit british assumption that Alexander Pope - and not e.g. Jon Swift - authored Heimskringla and similar sagas. This is contained in the pretext for Norway in the european swastika and in the idea that I am the Great Beast of Terrorism in the sense of e.g. the chief of Treblinka whereby I am a 'jump jarnegg grover' just like Alexander Pope was a catholic 'Pope'. ('Buon Giorno' could have been a reason for the name 'John Bjarne' - and if this even is in Campo San Barnaba, there could be a shared reason there with e.g. 'Baruck Obama' - and James Bond and similar phenomena). This is the shared anglican mythology which provides a unity to european reality, for which reason I will perhaps not get an answer from Gran Sasso since that would be to spread doubts about this shared mythological reality. It may be that this was the 'message' of 'Brigate Rosse' - cp. 'Irmgard Eberl', chief of Treblinka - who could have represented international secret service (I don't know about that) and who did not close down their activities before Italy had got the switches their way. 'Gribate Rosse' could be a jocular (!) form of 'The red hands liga', the norwegian books for boys written by 'Wexel Wexelsen' under pseudonym 'Per Kvist'. The name of the director Lucia Votano of Gran Sasso laboratories associates perhaps somewhat with the concept of valuta 'Wechselstube' - which, however, has a sensible meaning in the title sonnet in my PEB. In Italy the max transference of cash on VISA in a cash point is 250 euros per day, which for tourists could mean 'Wechselstube' - hence the upper limit of 250 per day means 'Anders Munthe-Kaas'? One quarter of a mille is perhaps not a reason for amusement, but there is the joke about laughing at italian men's shoes as a way of humiliating the person. I was not even born when Treblinka was in function - so of course I was not chief of the lager - but the switches could tell of the Great Beast anyhow - child of Gran Sachso and Paul CERaN. An answer to my person could be in conflict with those interests of international secret service. It is likely that this was the situation of Grassmann as well.

In short, if one part of the political 'project' mixmaxes the switches one way via Treblinka, the italian solution can be to do it the other way and so it looks right with a war against Italy.

Hopefully, not every single research institution which could be within the reach of the field of semiotic studies which could see the value of the PEB is a pure nazi mill of propaganda. But since international secret service probable has invested much into getting academic studies under the control, it is well possible that it could be very difficult to find anybody who could understand anything of it. Or at least, say, could answer a letter from me. It is absolutely serious that much or all of academic studies in the field could have this future war against Italy as its main program by way of upholding the mythos level of science needed for the political machine to run smoothly - it has been constructed long ago and is probably oiled on a regular academic basis. It would come as no surprise if the services tried to organize a largescaled fraud program. When the turkish secret services are called MIT and its chief was arrested some time ago, followed by an arrest of the prosecutor and a release of the service chief, it could perhaps have been about such things, as is my tentative guess.

Elisabeth Grannemann was a norwegian entertainer with some body weight. Elinabet Grassemann = Hermann Günther Grassmann could have been the theme, and when she seems to have been launched very soon after a piece of great poetry had been discovered in Finland which could have triggered the alarm of the international services, it tells of the constant surveillance which Grassmann seems to be under and the apparent attempts to link his potential function for poetic logic with terrorism. It is not impossible that this poem by Haavikko could have led to some 'service' attention to the finnish composer Einojuhani Rautavaara and that this could have been the reason for the choice of the Sauter piano as my the first instrument I played - in 1964 in Volda. 'Raute' is norwegian for the cow's mooing and is sometimes used about the dialect they speak in Klipra ('rauter') and thereabout. There is the idea around that this is the reason for the central role of Reuter news agency. 'Röyter' is loss of hair from the fur of a cat or dog.

Surveillance?

There are signs that there could be tapping of even my handwriting on my home desk. This could be part of the quasi-political idea of a 'split-brain' in that sense of it. It would be very destructive for my work if this goes on and I hope somebody could inform me about it if it be the case. If the information leaks out, be it even only to the secret services, the work is already badly damaged - and there is the danger that it be hijacked by others who hurry up to be the 'first'.

Yulia Tymoshenko - the former PM of her country - has been in prison for more than half a year on conditions which look strange. She was accused of having wasted 200 million dollars of the country's money - that is the typical value of a satellite ÜBER. Her lawyer is Serhey Vlasenko. I don't know what her case really is about but it is probably political of some sort. If she had been an agent it would probably have been discovered in prison.

Norwegian history

It happened in the early 19th century that british administrators had completed their coup plans against the Vatican - the very OTHERS relative to the british isles - and felt the need for constructing a Norway as carriers of the viking history. They sent an expedition to talk with the leaders of the local societies and showed them with trembling hands copies of Heimskringla which they had written before they left and explained to them how important and far-reaching the mideaval kingdom had been (from Vinland = America to Constantinopel, from Normandie to Russia the world lay before the feet of the vikings with the strange helmets) and could promise an independent country if only they accepted the name Nowhere and an antisemitic constitution. The reason for reopening it was its tremendously glorious past, the fjord and the fjells. Smelltu here, they could have said, you cannot let such a chance go - and the norses so did.

The glorious past contained e.g. the founding of the kingdom with the first norwegian king, called Harald Harfager, in his final battle on The Stiklestad against Tore Hund = Sure Sokker = Sour Socks (Tore Hund really means 'the tear of the dog' and so he could have battled the socks before). Even today this battle for the Freedom is celebrated every year in Norway, in the feast called Olsok, for commemorating the founding of the kingdom. So tragic. The official history lists this battle and the Harfager king as their foundation. Tradition tells that Harald got his epithet from his vow when he decided to collect the kingdom that he would never cut his hair before the kingdow was united and his. At the time of The Stiklestad and the battle against Tore Hund, the hair was so long that it reached him all the way down to his hips.

When the socks are wet and sour and dogs, it means that they are their own aspectual transform, inside-outside turned around. This is England and its traumatic relation to the continent. Which means that Nowhere is Somewhere (England) and the anti-semitism in Nowhere looks like semitism or outright judaism in Somewhere. Which should not be mistaken for Sweden.

Today the norwegian culture seems out of touch with reality and could prefer scissored-out cardboard (harfager) signs and symbols of the reality. They could function as the shadow or throw-up-able slough of the british problem relative to the continent. The text throws up into the view of the reader. This function of the sock which is so full of the wetness that it stands by itself like an erection and the text throwing up like sloughs into the face of the reader could be called a Dong Röver, which was installed into british culture with John Grover 1843 after (!) Grassmann's 1844 work, hence John Grover 1845, a version of the stategy of the 'hermaphroditic orgasm'. The german culture seems to have answered to this ugliness with a concept called 'Häßlichkeit', a strange linguistic phenomenon in the form of e.g. 'sie war eine häßliche junge Frau'. I have often wondered what it means since I have personally so far in my life never met an ugly young woman, and it may be that it simply means 'Ore Und' = the UN-WORD, the very word which does not exist, the Onr Over of the british strategy. This again could relate to the attempts to create a mythology of 'non-existent' about my person - as if I were the mythological WORD that did not exist. The german word could be about a german reply to the feelings of what the british strategy invokes as the british texts throw up into the face of the german reader. The british problem is perhaps to feel fine by observing the disadvantages which they feel that others could have. (Which seems to have been the object of study of british national bard George Crabbe).

There is the tradition of pancake races in british-language countries. It goes on 'Shrove Tuesday' - which could be about Grove Fuse-you since 1845. 'Pancake' was the first word I learnt to read - on the instruction from Gröver/'Mengele'.

'Hore Tune' could be the mnemotechnics on the palm root bones and relate to 'Harald Harfager'.

Robert Schumann jumping into the Rhein could be this phenomenon - the very opposite of a british word throwing up into the face of a german reader - the difficulties which were accumulating like dark clouds in the horizon of the spiritual reality of the european continent. Such a pity for the beauty of Schumann's music - if it should have had to surf for its survival on the upperhand idea that it was so much better and beautiful than other composers' music. This could also have been part of the background of Schumann's enthusiastic article wherein he called Brahms the new 'Meister der Musik'. It means that the crisis which was rising from the british intrigue on Grassmann's work made it difficult or impossible to continue the development of german music - and today this intrigue - which seems to include the construction of the state of Norway - has come to be defining for the reality of the new information technology.

'Häßlichkeit' means that there is a cultural basis for hatred, which could be the unfortunate result of the british strategy - with their distancing from the continent. The story of the end of Schumann is from about the time of the european revolutions and the development of marxism which tried to prevent the outbreak of cultural class divisions after Grassmann before it was too late.

The german phenomenon probably tells that the british stategy is, to tell the truth, unbeautiful and creates unnecessary hatred and class conflicts. It has also led to the absolutely tragic phenomenon of replacement of persons with copies from the secret services - which could be for this phenomenon of Tore Hund and the british sloughs.

Isabel Allende said that her first texts were so full of correction fluid that the paper stood by itself.

But now, when the cat is out of the sack, NATO cannot sit there letting themselves be ridiculed with such a humid foundation of their power, and something has to happen with this conception of history. It is probable that the history of Norway (!) starts with the liberation and independence in 1814 when Norway went right into union with Sweden and got a swedish king, but the second attempt was more successful and one can say that Norway was opened with its first king (a danish king that was in fact) in 1905.

I think Norway should do a complete dishwash of their national history.

By a closer study, leafing a little in a lexicon, it turned out that it was not Harald Harfager who battled Tore Hund but rather Olav the Holy, the alleged saint king who christened the country by the battle of The Stiklestad in 1030. That makes more sense, of course, and it is this event which is commemorated annually as Olsok. But the phenomenon of the german 'Häßlichkeit' seems to be based on this confusion of the two kings, Harald and Olav, since Harfager means 'Hairfair' or 'Fairhair' and the two kings probably had swapped helmets somehow. In short, if the old norse sagas were written in England in the 17th-18th century, it would be no surprise to find that Harald (850-933, cp. 1850-1933) could have exchanged helmet with Saint Olav (995-1030). He fell in the battle of The Stiklestad, on Olsok, and thereby could be seen to have 'swapped helmet' or outright identity with Tore Dog who thereby is the name of the helmet of Harald who founded the kingdom by the battle of Hafrsfjord = has a sword = hasseswert = häßlich. Dorothea Zimmermann lived in Kaiserswerth.

This suggests that Tore Hund = Tore Dog could be the secret of the anglican power, in opposition to the Cat-hole-ic saint king. 'IKke' = 'not'.

Some concluding comments

This means that there is a certain sense in the idea that if I am in the role of Joktan in the political mythology, then the program of getting my 'genetic knowledge-space' in relation to children under control could be about attempts of the administration to lift the acoustic reality over into a visual-based control.

This again could have a further political rationale in the attempts to swap the beginning of Norway and the beginning of its christianity, which could mean the same old anglican interests. Strange how 'religious' these britons seem?

Gori was my fantasy friend around 1960 probably after Sachs and Celan met in Zürich - the memories I have of Gori seem to be affiliated with the letter from Celan in Stockholm to his wife of 5 september 1960. I don't remember the origin of the name - if e.g. it could have been administration who made it for the idea of 'cate-Gori-zation' by 'keys to heaven' or whatever it was. Could be Midori Goto as my daughter is something which people would think of as a fantasy more than a possible reality (Gori was a fantasy figure untill Ragna Gröver knitted a yellow-green doll version - this is as far as I remember the colours which were over and under the waistline). I don't know if a genetic relation could have been practically possible at all - for example as a grandfather or something - but if the Zimmermann throwout story was in the beginning of 1971, then there would not have been time for generations between - even if the genetic material could have been already 10 years old. Could be it 'meant something' - such as 'my gori/gorgeous daughter'.

Clearly the political elements in this story are nothing which the public has any interest in - such as the Kosovo bombing campaign if it were all and only about 'Mannsåker' with the shoeing of the horse at the time when the genetic material could have been forced out of me. Plus of course the 'sock-ova' of Harald-Olav and Tore Hund.

I don't know if the format I have recorded somewhat arbitrarily here - with units of triads of examples presented to me - is the format really used, but it could of course be that it is the 'keys to heaven' that are used and these seem to have a certain triadic form, as the composition of Apuleius' 'Golden asse' could be suggestive of.

It seems that the media project is composed by mainly anglo-american interests and could perhaps be summed up in the formula of the years 1844-54: The role of Grassmann's 'Ausdehnungslehre' and the british hijack of it. If very much importance should have been assigned to the photo of the headhunter and his hand, it could be that this really is about THE STRETCH = 'Ausdehnung' of the muscles in his palm and the movement of them. Likewise, it is not impossible that Palme could have been murdered because of a meeting in the subwalk at 'Töyen' = THE STRETCH. The reason for all this would be in the anglo-american interests in continueing the hijack of Grassmann, pretending that his theory is the main interest of the 'young and angry' rebels of the european continent, pretending to be 'anti nazi' while in actual fact those rebels could be working for british or american security interests for rebelling with terror on behalf of Grassmann who then would be appear in the light of terrorism.

If the formula "it's a split-brain" is supposed to be the eventual conclusion, it is likely to have been planned for the case where somebody says that my poetry is written by somebody else, and the proof (for this 'Blandschaft') was supposed to be the formula that I am a split-brain. A real split-brain I am probably not, but an administrative one I could be.

The general impression is that the mythological complex can have been composed from administrative interests - with people being born, getting a name and being brought up to a certain profession. This is something which the society accepts, and even if the parents could have some affilitions with certain biased interests, it is hard to blame the children for choosing a profession they have been brought up to. This is also why it is natural to believe that the participants on the side of the administrative interests expectedly would not be agents but just ordinary people with names and professions, since that would increase the chances for the project to be accepted by the society. It is possible that agency would be 'more efficient' in a short perspective but probably at the cost of not being of lasting value for those who arrange it.

I must emphasize that the speculations I have presented here are based on redundancies in media and things like that, names and so forth, and I do not have any knowledge of any involvements neither among people nor their parents, nor do I have anything to blame any of these for. Neither have I any reason to claim that parents have stolen biological material from me. The above must therefore be considered as not much more than that - some observations on redundancies in indexes which could have a potential power-generating function by the sheer effect of the names - without any involvement of the people who carry the names. But that also means, of course, that the mythos even could be generated and adjusted in the course of the emergence of new performers in the public space.

I am sorry for having fumbled with people's indexes once again, but in case Treblinka should have been made for the purpose of making it possible to continue with a later war against Italy, and the construction could even contain a british responsibility claim in terms of a turn from acoustics to visuals on the background of Grassmann and the british binary symbolic logic, it should be worth the mention. I do hope the plan is not to handle my work in a similar manner as was the case with Grassmann's.

Added on 6 march - more on the issue of commissures and surveillance:

The corpus callosum, the big commissure, was intact, showed the Magnet-Resonanz-scan. In addition to this big one, there are some smaller ones among which I think the anterior and the posterior commissures are the most important. As usual, I have only 'quasi' data since nobody says anything - here I refer to the presence of a hard rock group called AC-DC which could mean the presence of an odd posterior commissure = PC in addition to the Anterior Commissure. See this article on the web for the posterior commissure - with the following two detailed illustrations: Illustration 1 and Illustration 2. The corresponding part of my own brain scan looks like this (MRT) seen from the side. This scan is called 'RL - 4 right' which seems to mean 4 units (mm or something like that?) to the right, while the scan called 'RL - 0 right' expectedly could be more to the mid line - although the gray matter is more prominent and easily seen. I don't know how to interpret this but here is the RL - 0 right scan. When the brain is seen from above in this region, the details are as in this MR-scan photo from the web with the PC clearly visible. The corresponding part of my own brain (seen from above) is shown in this part of the MR-scan - with my own text annotated. I cannot determine if this means that my posterior commissure is cut or not. The 'straddle various' admittedly looks a little weak. Is it the pineal gland which is in the middle there - an object of esoteric philosophies through centuries? Was it since the time of Descartes - on the 'dirty beast'? That is probably outdated ideas today.

I was - on my home work-desk - reading a book of poetry with approximately one poem a day throughout some weeks. On 5 january 2012 there were some 5-6 gunshots outside the flat - I guessed that it could have been in the neighbouring garage but don't know the circumstances - around 15:45 or rather 15:46 it was. I wrote in an email to police that it was around 15:46 and could perhaps have been firecrackers, I don't know much about such things, but they were a little 'compact' in the sound. Later in the day or was it the next day I came to the next poem in the book and there was the time point "¾ 4 am Morgen". It goes to the story that I had been suffering from an apparent 'Nebenhöhlenentzündung' = 'sinusitis' for quite a while, which, though, I have ascribed to my work with the semiotics of the troublesome nasals. It could be that this sinusitis is the same phenomenon as the 'sinusoidal' movements of the head associated with a defect posterior commissure in the brain: If a defect posterior commissure is the reason for my right eye often looking up rightwards while my left eye look into the camera when I am photographed, while I myself firmly believe that I have both eyes on the lens, there is the additional element of associations about 'agency' which could be attached to it. For example, the photo of Gröver/'Mengele' in the directory 'Norges Leger' used to show him with a look up into the corner of the room. If this is the case, one could perhaps guess that the phenomenon could be an indication that my skull had been opened and the posterior commissure cut in early infancy. The tool for cutting would expectedly have been a 'neglesaks' cp. 'Nelly Sachs'.

If the posterior commissure is cut, then I would be a 'split-brain' in that local and technical sense of it, although my intellectual capabilities would probably not be reduced in any serious sense of it.

For the time point in the book, if the shots were at 15:46, one could speculate on me looking at the text with a slanting eye, hence 15:46 instead of 15:45, while the british heros could be reading it before me, at 15:45. They were first, that could mean.

"You are sick", said psychiatrist 'JFK' (Johan Fredrik Krohn) when they came on my door in 1999.

If the police checked the sounds on a tape, I hope the gunshots did not go backwards in the magneto field. 'Mysil Bergspreken' that could perhaps mean ('Mysil Bergsprekken' is the clairvoyante 'cartoon' character of Kjell Aukrust). I am, though, not suggesting that William Hague - current 'third man' in England - has aspirations to be a high priest.

Which means, if this be the case, that what I write on my desk, even if it is handwriting, could leak out in England or Norway or something like that, to agents who produced material for publishing on basis of my manuscripts.

Such surveillance is forbidden by the law. One must keep to the law, otherwise the state does not stand well. I should be informed about it if such surveillance goes on.

Having written and published such articles as this one without finding any response at all, I should be entitled to wonder if the post functions. Clearly if I am surveyed and the material distributed around while postal ('post-erior') connections to me are broken, it would mean that I do not exist, so speak. Any such 'politics' is criminal and must be brought to an end, of course. I do not know if this be the case - but it could in principle have been the case more or less, perhaps since the time of my PhD dissertation or thereabout.

Added on 7 march:

I met Ragin again once after the meeting at Søderlind - it was on the platform at Majorstua suburban line station and she gave me a presentation leaflet and wrote her address on it. (Quote from Nathan Milstein on the front page: "Young and extremely talented violinist who possesses wonderful temperament and an unfailing musical sense" - had it been 'extremely young and talented' it could have been my daughter, but with his wording he could have meant what he said). It am not certain when this could have been - I think it was after she had moved to New York and that she was back only briefly but it could not have been so very long after. My guess is that it could have been some time after the Palme murder. The leaflet with its front and back photos can perhaps be recognized in the front and back of (the current CD edition of) the film 'The unbearable lightness of being' from 1988, screenplay by Jean-Claude Carriere and Paul Kaufman. Palme was shot in Stockholm in the end of february 1986 and Milstein ended his career in Stockholm in july 1986 - he said he had hurt his hand. The front page of the film could be an imitation of the front page photo of the leaflet in such a way that one could talk of the Stradivarius and its 'fele-tone' (the bearable basis of her being, that could mean) as a mirror image or butterfly. I found a later address and telephone number to Ragin on the internet which looked like a butterfly around the telephone to the one I had got on the platform in Oslo (hint: Per Eidsvig, norwegian parliament etc). I never told anybody about this leaflet or where I got it and one could suspect that there could have been spies around. Anne Orderud Paust reportedly started as secretary for the defense ministers in 1985. I am not involved in any 'klådd' aspects of Ragin's career. The 'kaufleute' could have been an aspect of the bombings of Dar-es-Salaam and Nairobi and Omagh for the concept of 'on a political basis' (cp. the white shoe on the back page photo of the CD) in the summer 1998 when I was writing the appeal to the rejection of my PhD dissertation and could have stated that the rejection 'was on a political basis'. It was not I who obstacled her 'carriere', and I do not believe that she told me anything like this in advance in Oslo - I mean, I do not believe that she is an agent. The film could perhaps be seen to contain the elements 'fyll og hor' - as if the purpose could have been to make Ragin believe that I was the source of the information for the film or other intrigues. Divide-and-conquer is a political strategy. It is a pity - or rather it is a political thing from about 1850 - if expression like film cannot be made without carrying such propaganda purposes.

The F-liflet (Bræin) could have been a background even of the similarity of name of my Molde (pre-1970) classmate Finn Grydeland and Ingrid Betancourt. Grydeland had an elder brother who was a policeman who drowned while diving for a missing person - such a diver could be called 'sokneren'. I think it was Ragna Grøver who told about the death of the brother, and I think this was while we lived in Moldeliveien around 1966 - and it may be that Karl-Axel Mentzoni (or Menzoni) came in the class after this, after we had moved to Bjørnstjerne Bjørnsons vei 7. Mentzoni was son of a pentecostal preacher and they came from the north, if I remember right. I think his father drove a Vauxhall Viva. Perhaps one could recognize aspects of a 'J.Lax' (Innere Hofburgtor 'helmet') and a 'cold shoulder' in the name.

Do I get post? Or can I just forget about getting an answer by b-rev (beyond news, advertising and other things in the air) if I send a letter to somebody? Is this supposed to mean Gro Brundtland? Western-hemispheric propaganda - etc etc. The sister of Erik Eidsvig is called Kari.

Added on 8 march(!):

Since it can be about the Orderud Paust case, I should add also that I once (probably 1985) saw and heard on my home TV (the travel black-and-white I borrowed from Ragna Groever) Ragin play in some summer concert in 'Holmenkollen' with an orchestra - I think it was a direct transmission - but she lost the track and gave it up for some bars in the middle of the movement (or even the rest of the short movement?). In norwegian this can be called 'hun kom ut av det' ('she came out of it') which sounds like 'she commuted it'. I did not feel that she lost the concentration because I watched it on TV in the same moment, but clearly theories could be made on that (cp. Brahms etc). I also met her once on the Stortinget station when she sort of halted her pace. 'Intelligence' could perhaps have microphone-tapped (spied on) my home and put two and two together for a 'commutation theory'.

Added on 16 march 2012:

Since there could be much political interests attached to the condition of my brain, I add a notice about the MRT scan which is necessary but which perhaps or hopefully is not so very important: The name of the doctor turned out to be a relevant comment to 1) the apparent gunshots in the garage or thereabout of early january, 2) the hebrew of Genesis 10:16. I have also noticed the possible relevance of this verse for the earthquake or underearth bomb of Sendai. It was not so long after Ragna Gröver's alleged car accident of 1981 that she told me (I think she was in the sofa in the living-room, on the other side relative to the grammophone) that they had made a computer tomography of her head (it existed in 1981) and found that it was like the brain of a confirmee = 'konfirmant'. I could not forget this word, for some reason or other. The conclusion to the MRT scan of my brain was that it looked fine except for some small lesions in the righthand ventricle (according to the doctor' written comment it is on the righthand side), as shown in this part of the scan. The [un]interesting observation could be that 'barm it's, hva?' (jewish 'confirmation' is 'bar mitsva') means 'bosom it's, eh?'. The detail (with the 'blurry lesions') looks like female breasts or even a sort of 'monkey face'. I had to fill in a questionnaire in advance about the medical condition and ticked 'no' on all boxes (meaning that I was fine) except for the last which asked if I had experienced 'Kribbeln in den Fingerspitzen bzw. Gefühlslosigkeit' where I ticked the 'yes' box with comment 'links'.

I can add that I sometimes experience overpressure in the colon but not really so much that it constitutes a serious danger to my neural condition. The octogon is what I consider a probably political story and is not related to my medical condition. Tight pants (such as a 'confirmation suit') cannot really solve a problem of flatulence.

However, having scanned the telephone book for MRT doctors I find that most of the names seem to constitute more or less strange comments on the situation, most of them perhaps even more, so it is probably a normal situation. In fact the name of the relevant doctor could look rather innocent compared with some of the others in the MRT field.

There were also some 'absurd' stories with a ticketbox, a local police car crash (which could not have been terror) and a Busunfall in Switzerland (probably the same) - most of which perhaps could be associated with a registration story and cultural 'monkey business' thereby.