8 april 2025

8 april 2025

John Bjarne Grover

In my youth I had the recordings of Keith Jarrett's solo concerts in Bremen part 1 and part 2 and Lausanne which I listened to quite a lot. I believed he improvised from the minds and moods among the public in the concert halls.

After having observed the phenomenon with the 'bare boreen' of Yeats' 'Ballad of Moll Magee' in Yeats' 'Crossways', I discover also that there seems to be a 'bare boreen' at the end of Psalm 72 verse 5:

יִֽירָא֥וּךָ עִם־שָׁ֑מֶשׁ וְלִפְנֵ֥י יָ֝רֵ֗חַ דֹּ֣ור דֹּורִֽים׃

yî·rā·’ū·ḵā ‘im-šā·meš; wə·lip̄·nê yā·rê·aḥ, dō·wr dō·w·rîm.

There is a 'dore doreem' at the end of the verse, but if this turns into 'bare boreen' the 'lip̄·nê yā·rê·aḥ' before it turns into a phonetic form somewhat like 'Keith Jarrett'.

There is also some mention of Psalm 2 in this file.

There is a boreen leading up to Visthouse in Vistdal.

Sources:

https://biblehub.com/text/psalms/72-5.htm

Provided to YouTube by Universal Music Group:
Keith Jarrett Solo-Concerts 1973 -
Bremen part 1
Bremen part 2
Lausanne