A money transfer

A money transfer

John Bjarne Grover

On 10 april 2014 I sent a letter to Nordea Bank in Oslo asking for transfer of some money from my account at theirs to my account in the bank I use in Austria. My pension is paid to my account in Nordea Bank and a part of the monthly payment is transferred every month to the austrian account, while the rest has been accumulating for a few years in the norwegian bank as my savings (without binding or saving appointment with the bank). When I now asked for having a good part of the accumulated money transferred, it was to the same account as the monthly transfers - and verification should therefore not be very necessary.

The bank nevertheless returned a form to be filled in. It reached me on 22 april, the first day after Easter, and I filled it in and returned it the same day. They probably had it on 23 april. When on 5 may the money had not yet arrived, I sent an email. They answered on 6 may that the transfer now was clarified and the money drawn from my account, and they reached my austrian account on 7 may. That was 28 days after I my initial request. The email of 6 may expressed regrets that something had gone wrong on 28 april when they first tried to transfer the money, whatever that meant.

This is preobably called 'over-due'. Over-dove?

On 11 april, the day after my initial request, the day when it probably arrived in Oslo, there was the chlor gas attack in Syria, and on 2 may there was an earthslide claiming more than 2000 lives in Afghanistan, in the village Aab Berak, and on the same day there was arson claiming 38 lives in Odessa, Ukraina. Together these three cases of accidents or terror could be seen to express the form 'worthless crapper', a formula which seems to be in some use in administration with reference to a certain piece of 'recursive matter' which resembles the shape which can be seen in the upper righthand margin when negating colours to thir opposites and inverting 180 degrees the 'Triumph of Flora' painting by Tiepolo. This piece of the painting then looks like a lioness holding up a flower for smelling under her Elvira Madigan hat. The linguistic form 'worthless crapper' is probably related to this piece of recursive matter - and can be evidenced in the norwegian form 'lesket kalk' (calcium-hydroxide, I think it is - calcium soaked in water) which can mean 'lesk[et] rapper'. ('Rapper' = 'thief', and calking can be a form of thieving). 'Leske' is used also about refreshing drinks and is (at least as far as I know) of obscure etymological origin. My guess is that the word can have been constructed for the sake of this expression - in its double reference to recursive matter and the upside-down Tiepolo. In addition, there is the role of the character Chalciope from the greek myths on the argonaut expedition. There is a 'Charles' in that form, pluss a certain 'ioppen' which can be recognized in the 'keys to heaven' ('poion - eis Ioppen' etc). There is also a 'skal si opp' = 'is going to give notice of termination of contract' in this Chalciope.

See the article on the background history - how such an 'application' - of even such a humble character as a request for getting own money out of the bank - can seem to correlate with terror.

This was felt rather strongly by me. I had also telephoned to the bank around 17 april and got the impression (be that a just impression or not) that it was not automatically the case that the money could be transferred. I was happy - but rather exhausted, including rash and red spots on the skin, whatever could have been the reason for that - when the money eventually arrived on 7 may. I had not experienced problems with the bank before this story.

It adds to the story that when I moved into my home in Zinckgasse in Vienna in late 2009, the numbers on the electric metre had been swapped with one of the neighbours. I discovered the swap and it was corrected, so that I would not pay for his electricity use and vice versa. Parallel street to Zinckgasse is Hackengasse and Beingasse, which could apply to Alfons Hackenjos and Irene Schönbein, the latter was married to Josef Mengele before she divorced from him in 1954 and married Hackenjos instead. The divorce was from Mengele who then was in South America - if that meant that the divorce was not valid if the real Mengele was in Norway, I dont know.

I dont know if the transfer was overdue already on 14 april (when there apparently was some hammering in the house in the late evening). 'Overdue' could also mean 'over-dove' and hence the Madonna revelation of Paris 1830 with the two hearts, the M (like inside a palm holding a hammer) curling around the crossbar and the cross on top of it.

The earthslide of Afghanistan was in 'Aab Berak'. The norwegian word 'oppebære' ('up-carry') is used in some contexts of retaining rights to a stipend. I dont know if it also can be used about retaining rights to a pension - unpleasant connotations to me. I am not 'homo' and I am not replaced with a copy. If there have been brothers and sisters to tenants in the house where I live in Vienna, it is not I who look only similar to the original tenant. 'Ein-ander' = russian 'drugdruga'.

I am not involved in the terror. I am not an agent.

'Koppebære' = 'to carry smallpox', 'to carry cups'.

If there is a 'project' in tems of shifting me from the role of 'jewish genetics' into the role of 'nazi' in the sense of 'son of Mengele' and thereby a 'worthless crapper' (instead of 'son of Celan'), it is possible that this means racism (since my genetics cannot be altered by administration or intrigue) and hence is illegal and in conflict with the constitution. See the article on my person relative to the norwegian constitution of 1814. If it should be about racism, it would imply an organized attempt to relegate a certain genetic group into a certain unfortunate role.

I add that there could be four main elements in the 'political' complex:

1. Chalciope of the argonaut expedition, including 'skal si opp' etc
2. Tiepolo's 'Triumph of Flora' painting, also upside-down for the Elvira Madigan lioness. Cp. 'nordnorda', 'floorflora', 'drugdruga' etc?
3. Recursive matter
4. Madonna 1830 = over-dove? The M in the hand holding the hammer

Added on 16 may 2014:

It is likely that recursive matter is the core of the history and the ultimate pretext for the anti-spiritual orientation of an angloamerican Hitler. It is well possible that recursive matter is the essence of modern 'politics' which can offer a world free of diseases and metaphysical troubles at the cost of leading to some spiritual poverty, giving priority to the fitness studios rather than to the libraries and cultural institutions, and that the plan is to reserve the knowledge of these mind-matter mysteries for a small elite of high priests who hold the power in the new global church which 'politics' is constructing nowadays.

I add that it is not certain that looking at such recursive matter is harmless - if you are anxious that it could come to affect the firmness of your perception or bodily condition (skin etc) some time (days) after you have seen it, it is recommended to let it be. Don't look at it, or look only very briefly, if you are anxious about that, otherwise you can click here for a view of the piece of 'recursive matter' which resembles the Flora painting upside-down. It seems to have been assigned the erroneous label of 'worthless crapper' by political tradition - that could have been a major mistake. Could be 'the philosopher' is a better term - a lateralized philosopher of language, for example.

It seems that it was on 15 april 2014 that I wrote the following on my computer - and I think the knocking or hammering sounds (called 'banking' in norwegian) were later in the same day:

"I still don't know what my 'cerebral haemorrhage' in 2002 could have been about (trivially it happened at the time when I understood that I could come to be sleeping in the wet streets), but it is of course possible that it could have been about plans taking shape, like taking a hold on a broom (Aukrust 'Bror min'), of offering Midori the 'crewby' of 'chair of strings' - as if it were about some 'underwear humour'. I see there was mention in italian news of offering Berlusconi the chance to do social work with elderly people instead of sitting in the knast. Could be they have not understood what Midori's art is about. In 2002 there were still some years to go before I reached book 16 in my TEQ. It is likely that Midori's Bach recording is as far ahead of her time as she was when she was 8 - it is about the mysteries of time and not about climbing the scales quickly up and down. But it would be a great pity if this were used for modelling the Tiepolo 'Flora' world of underearth bombs producing disastrous earthquakes in 'meaningful ways' rising like some dream world for a new millenium".

Added on 30 june 2014:

Nordea Bank was the name used for the bank for the first time apparently in 1990, the year when Luigi Nono died after a very strong and clear apparent pre-announcement in Modern Language Review. Odessa arson, a few?

'Minibank' is a word used in norwegian language for a 'cash point' where you can get cash from a machine with credit or bank card. The word is used once in my novel 'The Dreamer', on the date 14.3.95. According to my analysis of the novel in chapter 15 of the third volume of my 3-volume edition of my work in 2013, there is one forwards and one backwards alignment with that hebrew of Talmud Erubin which also is used for 'The Endmorgan Quartet', the fourth part. By a detailed alignment word by word, it seems that this 'minibank' correlates forwards with 'SaBIB' (means 'around') and backwards with 'LN' (pret 3psm of LUN = 'lodge', 'complain'). 'Sa Bibln' ('sa Bibelen') is norwegian for 'said the Bible'. I have seen in both Austria and Germany information campaigns on the theme 'what does the Bible say'.