'Lemmesmör' and Manhattan 2001

'Lemmesmör' and Manhattan 2001

John Bjarne Grover

Assuming that lemmesmör, medborgarskap and KUSH-året are important concepts for the political construction, I make the following observations. Could be they would be difficult to see as relevant if the yellow colour of 'lemmesmör' is not of any interest.

'Roots of nazism'

Arne Treholt was considered a promising talent of norwegian politics and was quite early in his career appointed special secretary/collaborator of Jens Evensen who was minister of territorial rights in the sea - particularly the division line of the Barents Sea - untill Treholt was arrested for espionage and Evensen expressed his surprise and disappointment and there came to a total break. The two names arguably relate to my name: Johnbj = Jens Evensen while Arne Gröver = Arne Treholt. The investigations in the espionage case started on national day 17 may 1983 - in a few days time that is exactly 30 years ago, when the secret police POT ransacked his flat and found the socalled 'money proof' - a lot of money hidden in an envelope - and it was an argument in the case in court that so much money could not even with the biggest banknotes go into a normal envelope. In the same morning to 17 may, somebody had graffitied with yellow spray the word SVIN on the asphalt outside my bedsit home in Nordengveien (parallel to Sörkedalsveien) and two phalluses with the same yellow spray ('lemmesmör' coloured? or broom bush flower coloured?) a little further up Nordengveien in the intersection to probably Trettebakken. Could have been about Manhattan 2001 - and the train accident on Tretten in Norway in the late 60's or early 70's. On 4 january 2000, while I was in the mental hospital, there was a train crash at Åsta at 13:13. I recall a dinner at the Eidsvigs in Fjellgata - there was talk of Björn and Åse leaving the train on Otta or Vinstra - and their son Erik Eidsvig commented: 'Strange, one would have believed they stepped off at Tretten' (the word meaning also '13' and 'quarrel'). Was even aunt Åsta (the norwegian name meaning 'the site of a serious crime' - typically with outline of man in yellow spray on the floor etc) sitting there at the table - along with uncle Aron?

Yellow spray = the colour of the broom in bloom. Is Adolf Hitler or rather Aron Eidsvig buried under that broom bush in Labråten? Or is that only a redundancy emerging from patternings of thought? I certainly have never been told that Hitler should have been buried in the garden there, but the idea has emerged somehow - could be the following complex could be the reason for the idea.

There was the famous photo presented in court of Treholt crossing Stephansplatz in Vienna along with the russian liaison Gennadij Titov - his name invoking associations to 'get your hands off my tits' and hence a possible interpretation of the role of 'Jens Evensen', the very 'Johnbj'.

'Det är inte så noga på ku-såret' = 'it doesnt matter so much with the cow-wound' -

'skära bara av et par ku-klängder' = 'cut just off a couple of cow-clingings'.

could then be about Evensen-Treholt in this double interpretation of 1) lemmesmöret, 2) medborgarskapet, 3) KUSH-året. For 'medborgarskapet', it is swedish for 'citizenship' but it also strongly invokes ideas about 'the man hiding in the cupboard' (or even in a freezer?), a sort of 'man of treason' = 'man of Eidsvig' and hence the norwegian constitutional paradox. It all depends on where you draw the division line.

Does this mean 'medborgarskapet' - swedish for 'citizenship', including the idea of 'the man in the cupboard'?

If it is the man who made the cupboard, it could explain the role of Dorothea Zimmermann and my teacher Zimmermann 1970-71. And if this again be contained in the lemmesmör-coloured yellow broom bush in Labråten 58, and if it is Adolf Hitler who lies buried under the broom - which would mean that this broom with its yellow colours is the roots of nazism - the political trick could tell that battling Mao and his communism is to battle Hitler and his nazism.

It seems that the whole complex around the hebrew-alphabetic formula is summed up in the question of a dead body and its rights to a burial site for the formula 'medborgarskapet'. But that is precisely the theme of the Talmud Erubin - chap16.htm - those fragments of it which were contained in the Beer Hall Putsch and its interpretation in the dedication of Adolf Hitler in the beginning of his 'Mein Kampf': These dedicational references to Talmud Erubin lead up to the fragment which I have enumerated #172 where there starts the double reading of the story of the 'doll fitler' with her 'kampf' - which was the essential attack on the traditional mystic archetypes in an attempt to replace them with modern mock versions. But this is precisely the complex of 'roots of nazism': Hitler buried underneath, 'lemmesmör' colour surrounding it overhead like 'surveillance', the manhattan of overnatural light, petals falling once a year to the ground. Hence Manhattan 11 september 2001 could be recognized as 'senke spray' ('to lower spray') - as on the asphalt outside my home of norwegian national day 17 may 1983, the day when the investigations in the Treholt case started.

The paradox

The norwegian constitutional paragraph of 17 may 1814 could be called 'Eidsvig' (= 'oaths-treason') - and hence also the power of AIDSHIV. It is likely that the Eidsvig name - as a political phenomenon - could be just that paragraph. It must be understood that the norwegian 'paradoxical' paragraph - which seems to be the essence of this story - contains the idea of systematic swindle, fraud, treason. For example, it could be in the form of crime being compensated for economically with salary to the criminal instead of money to the victim. If Hitler changed name to Eidsvig after the war, that is a relevant observation, and if e.g. the Vietnam war was a way of installing 180 degrees around Norway as the location of Eidsvig as part of a strategy on Italy, it could be important to understand the mysterious and apparently double-tongue paragraph.

Even the splitting forces in italian society could be seen to have a rooting in this complex.

In principle, one could think of this as the possibility for administration to be in conflict with the interests of the people, and then a mechanism for dumping of blame for that conflict onto me ('Evensen-Treholt') could be a reason for surveillance and abuse of my work.

'Lower's bray' = 'rauters skryt' is perhaps a little too corny to be taken seriously as a representation of the constitutional paradox, but if Manhattan 2001 is thought of as that 'senke spray' = 'lower spray', could be it is not. There was a norwegian TV programmer called Odd Grythe who presented programs of nostalgic character for older people.

Kan hyle

The word 'hyle' really means (greek) 'wood' often in the sense of its 'matter', but so far no matter has existed without at least some form, and this seems to be the trick of the word, in particular as far as 'can hyle' is concerned. A tree branches out and eventually looks like a grammatical structure of pure form. This quickly takes it into the field of 'Arne Treholt', the origin ('Osaka') of the 'hand-held wood' or 'grove'. The word competes with xylon, dendron and dory. (If the 'Gloria' of Zelenka's Missa Votiva is the primordial pop song, the affinity to 'dory' could be observed - cp. also the 'clanned run' of a 'senke spray'). The 'dory' is also applied to the wooden material of a ship - about which the form ZYGON = cross-planks of a ship can also be used. This word ZYGON or ZUG-on seems to be of much importance for politics - cp. the massacre on the parliament in ZUG in Switzerland. It is the perennial ZUG- of the yoke keeping two oxen together at collars.

(Of more peripheral association is assyrian ZIKKURATU (Delitzsch) which means a high 'Spitze' or a ziggurat - could be even a KAN HYLE when held up to measure the exact amount. It compares somewhat with ZUKAKIPU = scorpion and ZUG-astron (greek) = wooden chest or box, such as a coffin - for the citizen's rights to a burial site. If the scorpion is characterized by its elbows and knees, the phenomenon of the walking nose-trunk could be of relevance, in particular as it relates to matters of greek terms for wood or tree. That makes even for the PLOUGH which is drawn by the 'zygotic' oxen).

A parallel to ZUG was NANTERRE - which could mean my few words of a hypothetical 1962 telephone talk - "i dag er det". I do not remember these words but have derived them from a 1962 poem of Celan - 'Es ist alles anders' in his 'Die Niemandsrose' - the line "Heute - es gilt". This could of course also be the background of the two gratis newspapers in Austria - 'Heute' and 'Österreich'. I don't know who pays for the publication of these. I think 'Heute' is issued in some 7-800.000 copies every day. That must cost some money?

The official reason why USA invaded Afghanistan - and destroyed their famous cave ('hule') formations - was that they would not hand over Osama bin Laden after Manhattan 2001. Rudolph Giuliani was mayor. As far as I remember, Osama bin Laden seems to have surfaced in media not so long after I in late 1998 wrote my TEQ book 5, which in my recent 'Poetic semiosis' chapter 19 is compared in parallel with Rilke's sonnets which were dedicated to Wera Ouckama Knoop, a dedication which certainly was not due to him unbuttoning = 'knapper opp' his mother's shirt or anorak = Gennadij Titov? - his mother's many letters to him seem to have disappeared not so long before his death. If this relates to me, does administration think of my poetry as being based on some 'kan hyle'?

Then of course one can speculate that it could be difficult to get a letter through to reach my postbox, I mean, if the alternative is war such as in Afghanistan. That would have meant that administration would conceive of itself as my enemies - and perhaps one can argue that if they had not, there would have been a letter from a university press in my postbox since long. My book 'POLAKK English Bloggi' (which can be used for a safe dating of the Odyssey) should have been in every library of classic philology - it could have been sold in paperback for 15 euros in a good number of copies, which would mean that it should be easy to find a publisher for it. I hope - as is nothing new in my life - that Administration is not conceiving itself as my enemies and that they are not planning to come around with the chemical can hyle and leaving my place to some affe. If administration is first destroying as much as they can of my possibilities, they should not thereafter leave it to me to find a samaritan publisher - unless they are my enemies?

The transubstantiation of the gooseflesh

'Kan hyle' and 'Arne Treholt' would be about the role of the wood as an intermediate between form and matter. Could be this is the background of the bombing of the Air India flight 185 km off Cork. There is the idea of a 'gooseflesh' murder of Mao - as if somebody had put a cork into an anus wherefrom it was shot out when Mao passed by and this shot from a 'cork pistol' downed the revolutionary hero. Rosa Luxembourg was found in the Landwehrkanal in Berlin. It would have been an idea inspired by the Fatima revelation with the third secret on the cork-oak cross ('cruz de sobreiro') at which the pope was shot (as in 1978) coupled with the element of british mysticism on the idea of transubstantiation of the gooseflesh - that it turns into such a cork which turns into a projectile. The Fatima revelation was portoguese, cp. 'korken fiser' = 'the cork is farting'. There have been some 'bottlenecks' around recently, such as that bus with seat reservations instead of train between Villach and Venice - and indeed the relation between the names of Wera Ockama Knoop and Osama bin Laden could be thought of as contained in such a formula. But this would convert the agens-patiens roles - suggesting that it is not the man in the cupboard but rather the cupboard in the man - or even the man who made the cupboard = the 'Zimmermann' rather than the one inside it? Man-in-coffin, man-in-freezer etc. That could be 'the citizenship' = 'med-borgar-skapet' = a cupboard with a citizen inside. The right to a burial site - such as in the parts of the Talmud Erubin used to engineer the beginning of nazism in the 1920's. It would be equivalent to a function of the paradoxical 'Eidsvig' paragraph in the norwegian constitution.

If it is not the cork but rather the bottle = FLASKEN which is farting, that could mean 'Grover' if Osama bin Laden related to my authorship of late 1998. That would furthermore suggest that FLASKEN = VERGER. The word in english could mean A GRAZING SHOT, in norwegian it means a GUARDIAN who holds a part or all of a person's authority. Furthermore, 'there are [or 'it is'] guardians' would be 'd'e verger' = 'dverger' = 'dwarfs'. Hence there could be a systematic albeit a little farfetched association of dwarfs with bottle corks.

If somebody should send me a letter e.g. in order to relieve me of the role of 'Stalker', and if this letter is forwarded to somebody else without my permission, and if one applies the principles of the paradoxical paragraph of the norwegian constitution (e.g. with recourse to 'the security of the state'), it could be compared with this idea of 'VERGER'. A couple of stories: 1) There has through several years been the illegal presence of my former website on the web: I have repeatedly tried to get it off the web since the page cannot be edited and hence I cannot have the old address in Venice changed or deleted - and I do indeed risk that if somebody looks for my now Vienna address on the web they could find this and send the letter to an old address which cannot be used to reach me - although the letter could perhaps end up at somebody else. The continued presence on the web of this former website of mine - and for a while they even drew money from my credit card for keeping the page on the web - could be telling of this concept of VERGER feeling that they are in charge of my authority. I do hope that something similar is not the case with the ordinary post to my PO Box address. 2) It was just before the conclave in the Vatican, around the time when I completed my 3-volume work, that I found that some parquet planks had gone wobbly at the glass door, like some sort of bottleneck cork. Strange - I thought that there had been no humidity there for a long time. Then why? An adhesive tape with some yellow paint was also left on the door, and I could not remember to have put it there myself. But I have not given my keys to anybody, nor have I given anybody permission to enter.

A Zimmermann shapes the wood

As far as the role of Dorothea Zimmermann (who sent 127 letters and postcards to Nelly Sachs from 10.5.62 to her death on 12.5.1970 - perhaps even without waiting for answers, which would be to install the concept of 'stalker') is concerned, I refer to the titles of books published by Kjell Aukrust (the uncle of my former official brother-in-law Knut Aukrust, cp. 'rauters skryt') in Norway since his debut in 1958 - here equipped with my own speculative interpretations to the right, based on the rewrite which compares GROVER with VERGER or FLASKER:

Simen (1958) = Zimmermann
Folk og fe (1960) = Dorothea
Bror min (1960) = broomin', the broom bush, Bromma 4
Muskedunder og sirupsnipper (1961) = 'du skal muntre opp sirupsniger' (could it mean the death of Martin Luther King in 1968 - at which letter number was that? half way?)
Flåklypa (1962) = fly på klo (= run frequently to the toilet) = 127 communications without waiting for an answer?
Bonden (1964) = the mock archetypes? or archetype mock? - could of course also rewrite to 'Tempo', such as in Aukrust's 'Il tempo gigante' - or could it mean the 'baby grand'? There is the possibility that Celan could have called me on telephone in 1962.
Je og 'n Solan (1966) = 'je on solan' = J on nosetrunk = PURKE?
RelsaFus (1968) = frelsa US = Billy Graham, cp. 'grill i ba ham' - Graham was a highbrow 'svovelpredikant', cp. 'provel-s[v]ed-i-kant' = professional grazing shot, cp. the VERGER
Flåklypa Tidende (1970) = death of Sachs, 127th communication
Hilsen Solan og Nystumoen (1973)
Flåklypa Tidende 5.årg (1975) = ?
Flåklypa grand prix (1976) = death of Mao? the film was made together with 'Ivo Caprino', cp. 'var på K[r]ino' = 'was in Kino/Kina' etc
Muntre streker (1979) = de treg razier? The cork must out?
Ludvig (1977) = du er flink, dealfug etc
Slipp ham inn (1979) = pleasing men = geisha kote?
Humor og poesi i strek (1980) = Norsk Musikk Informasjon?
Tre små venner (1980) = the 'morphine' in Norsk Musikk Informasjon?
etc
I lys av månen (1990) = 'silikonen'? or 'glissandi' on kote?
etc
Hallstein Bronskimlet d.a.y (1997) = Hauge/Stalheim privatskule? (but Bronskimlet was a character of Aukrust since the 60's)

The titles run from before the time of my fantasy friend 'Gori', at the time of 1960 when Sachs and Celan met in Zürich, Paris and possibly Stockholm, and Celan could have been to Odda to meet me. I do not have any reasons to assume that the first titles could have been antedated. If the titles do relate to my person, there could be reasons to recognize NMI of the state (Norwegian Music Information) in the 1980 titles, but I not have much reason to launch the idea that it was created by the state of Norway around 1980 in order to be a wedge between Midori and me.

The complex around the story of the young prostitute with the thermometer and the good and the bad reading from Talmud Erubin can perhaps be recognized in Aukrust's character 'Rudolf Blodstrupmoen' (cp. Rudolph Giuliani) in the sense of 'rude old blåste ru opp moren' = 'rude old, did you pump up the mother' - the idea of a false pregnancy in terms of a balloon inflated into the uterus, with a safety valve onto which one can screw a hose from a bicycle pump = sykkelpumpe = Zyklon B, the cyanide gas used in Auschwitz. This valve will then be the correlate to the 'thermometer' of the prostitute - the safety gear which can be installed into the vagina for preventing rape - it contains, in the middle of a protecting cup, a pointed syringe tip ('kanyle') which ejects poison into the head of an intruding penis. If, instead, this is conceived of as the safety valve for the 'Zyklon B', so to speak, it goes the other way. I don't if this idea could have been involved in the circumstances of the murder of John Lennon at the time of his comeback after many withdrawn years. In principle, if (as is my theory) Celan called me by telephone in 1962 and I said the words "i dag er det" = "to day it is" to him, these could have been interpreted by the tapping 'services' to 'da hakker det i' = 'then it hacks into' - for just this syringe-gear installed as safety. Nanterre and Zug etc.

Some minor observations

The photo of the geisha shows her with lefthand index finger on the string of the kote - potentially for making glissandi (cp. 'silicon'). I have wondered if this photo was the background of my numbness in the lefthand side of the body - starting in the lefthand index finger and spreading to the rest of the left half which was virtually paralyzed for some time - it felt as if a layer of white substance was inbetween the skin and the body underneath.

When I lived in Voldgata 1 at the time of the Apenes murder, my neighbour two houses up the street was ballet dancer Kotty. I bought her baby grand piano.

There are traces of a role for the Bam earthquake to take part in a matrix on the concept of 'back stage room' - and I notice that RUG is norwegian for the rye which a miller mills. Chapman who shot Lennon sat - as tells an internet page - on the place of the murder reading 'The catcher in the rye' untill the police arrived. Cp. also the death of Thatcher recently.

If 'senke spray' is of importance for the political construction, I notice also 'Wencke Mühleisen', the norwegian performance artist who had been in the austrian Friedrichshof community of Otto Muehl. Cp. 'Ed Miliband'.

My first girlfriend's name could be seen as something similar to Cre[asian]mona.

One notices a more recent reflex of 'Jens Evensen' in 'Jens Stoltenberg'.

There was the childhood saying of 'smelta smör & smelta smult & smelta smalt'.