Dorothea Zimmermann and the names of norwegian PMs

John Bjarne Grover

From the article on the stalking complex:

Dorothea Zimmermann from Kaiserswerth wrote 127 letters and postcards to Nelly Sachs (and Charles de Gaulle was subjected to 31 attempts) in the period before Sachs' death in 1970. She started in 1962, a postcard from "Düss.Kais.10.05.62" ('Düsseldorf, Kaiserswerth'), to Frau Nelly Sachs, Bromma 4, Fack 29. The motive is "Bruckmanns Bildkarte nr.325. Franz Marc: Tränke am Rubinberge", a painting with two horses, one blue and one red, for Else Lasker-Schüler. The 'bromma' could be recognized in the broom bush outside the housedoor in Labraaten 58.

The question which naturally sails up is whether Dorothea Zimmermann could have been the same person as the one who lived in the house across the river in Odda - I could see the house from the windows in the children's room and recall seeing (from the window) her going in there at least once. I and my elder official sister visited her once - and I recall the situation in the entrance room where she helped me pull off the wellingtons and I had one red and one blue or green sock. How embarassing! I was leaning onto her shoulder while she pulled off the wellington and this was a moment of some confidence. I then ran into her living room and she made some slices of bread - but there was perhaps a little too much butter on them. A thick layer it was. That was certainly well intended - I recall that she gave a friendly impression - but could this nevertheless have been the 'Raisersmör' - the key word for 1) Kaiserswerth and 2) Lemmesmör? Or simply the reason why Zimmermann lived in and wrote from Kaiserswerth? One red and one blue 'sock' there was on the front page of the first postcard. And the structure behind the horses could be seen as somewhat leaning onto her shoulder.

It would have been the situation in the entrance room which was both 1) Door-o-thea and 2) Zimmermann - if, that is, it was the same person.

If it were the same person, it would have meant that she had news to bring from me who lived in the neighbouring house in the age 3 to 5 (no.325), and that I had held my hand B-rück-mann. It would have been this moment of some confidence which she sent to Sachs - as if we were best friends and she knew me well and could add a greeting if needed - to her series of threats up to 1970.

Franz Marc = fra en smörk-niv. Tenk om du blir Berge? Mrs. Berge was my main teacher in grades 2-5 in school - with many lasker schülers in the class.

These data from Odda could suggest that the woman who lived in the house on the other side of the river was the same person as Dorothea Zimmermann in Kaiserswerth - who started sending the communications around the time when we moved on to Stuevollen in Molde. However, after (in 2006, I think that was) having read in Kungliga Biblioteket in Stockholm some of the letters she sent to Sachs, the impression from the letters is difficult to harmonize with the impression from the situation in the entrance room: While the letters give an impression of having been written by a somewhat rough person, who did perhaps not wait for answer before she sent a new opinion, the situation in the entrance room was more akin to a Care-ful person with a hand resting in a 'lock' on her back - a more gentle person. On background of the name of Per Borten norwegian PM 1965-71, one naturally associates to the difference in name between the two later PM's Kåre Willoch (from Odda) and a 'grob rundtland' = 'Gro Brundtland' writing from Kaiserswerth. But these were not the same person! They embody the difference in impression which I naturally would have got.

(Could be also the two could resemble the two Ragna Eidsvigs that existed in Ålesund: The one in Fredrikstad would have been of a more rough body stature compared with the one who travelled to Bern and who stood in an autumnal frock in front of me at the living room table in a slightly resting posture. 'Börn' is danish for 'children', while 'knepp' is danish for 'sexual intercourse').

This question could thereby be the 'bottleneck' from Villach = Willoch to Treviso = 'Grob Rundtland' - where the trains are replaced with buses where people have to sit on the prebooked seats, next to another person. Reiser-smör? Flass-ga-hals? Isnt ordinary train better?

In short, Gro Brundtland and Kåre Willoch are the two variants of 'Zimmermann' with her 127 letters up to 12.5.70 = 125 with a '7' crossing over for the final 128 = the death of Sachs, while the role of another PM Jan P. Syse could have been the 31 attempts on Charles de Gaulle before his death by schedule of Hitler' postcard.

Jens 'Toltenberg' could then be the amount of butter she smeared on the breadslice - a little too much, a little significative of Lemmesmöret, thereby providing a new and linguistic link to Kaiserswerth.

While Jens Stoltenberg could be about 'Jens Evensen', Genes Toltenberg in italian is more akin to Arne Treholt as a spy - folded over onto Italy.

Thorbjörn Jagland - the binary power function: 128 = 2 in the power of 7, while 32 = 2 in the power of 5.

Kjell Magne Bondevik = hjelm av knebåndet-vik - the woman was probably resting with one knee on the floor and another up in a squatting posture while she helped me off with the wellingtons. Could be she had to go to the toilet - and returned with 'helmet' - she could not help it. This could have been the origin of the role of Arne Treholt in norwegian politics. Frau Berge as my later main teacher had been a christian missionary to Madagascar. If there were a bodily posture of mine close to her body in the process of getting the wellingtons off, it could be that a political concept of 'kan hyle' could find its origins there.

Lars Korvald = lar skor vald = lets shoes vald = helps me off with the wellingtons - or, rather, lets Vibeke Gröver take her shoes off on her own?

Per Borten = the death of the two parents which is the entire story

Odvar Nordli could of course be a name which could apply to the situation of one red and one blue or green sock, but I do not remember if there were explicit mention ('ordli') of it.

Trygve Bratteli = the bodily posture of the woman bending down while my hand rests on her upper back


This means that the entire period of norwegian prime ministers since at least 1965 has been dominated by this single thing - which could have been about punishing me for the visit of Celan in Odda, probably outside the house, could be on the lower side (if he were there at all), close to where this woman was living. There is fact that Per Borten's period lasted from 1965 to 1971, and that Celan and Sachs died in 1970 - Celan probably on Hitler's and Gro Brundtland's birthday 20 april, prescheduled by the 31 attempts on and and eventual death of de Gaulle, Sachs on Ragna Eidvig's (Gröver's) birthday 12 may prescheduled by the communications from Zimmermann. Borten started when Gerhardsen resigned due to the spy accusations against Ingeborg Lygren at the embassy in Moscow in 1965 - and one notices the relevance of Ingeborg Bachmann relative to Celan ('Lyg[e]ren' means 'the liar'), and when Borten resigned in 1971 it was after having leaked some information to a journalist in an airplane, something which he called a 'glipp' ('klipp' can be done with a 'saks'). 'Glipp' rather means a slippery movement - could be this is why I recall it so well, since it could have been a movement of the woman's finger against my wellington - hence Borten's start and end of government could be in relation to the woman's fantasies or onanism. It seems that the story of postwar norwegian PM's in this sense of it could be related to the brief bodily contact between the woman and me, and when Borten's period had my 11th birthday in the exact mid point, one could conclude that it could be about 'having been together with me', as if it were about a sexual intercourse ('sal porkald' could have been the concept, and when the Octogon seems to have been planned since the times of the Eisenhower doctrine, one can guess that much of the story could), or at least a fantasized one, as the basis for the threats against Sachs. This would mean that the spy accusations against Arne Treholt could be traced to my role in this brief Odda story - and that this again was the basis for the power series on the base ('Al Qaida'!) of 2 of communications and attempts which led to the deaths of Celan and Sachs. One could see this as a principle of governments being based on threats against the jewish poets - with role-switch which leaves the blame for it on me because of this brief contact in the entrance room of the woman - or even on my fantasy friend Gori - cp. 'Al Gore' - after what could have been Celan's visit to Odda. But I am not the Liar - rather, the Liar is the famous logical paradox, which thereby means the Eidsvig family (and hence the two Ragnas) relative to the norwegian constitution. The political role of 'Kursk & Cole' from 2000 could then have been about recognizing me as that paradox of antisemitism - as if I were the threat against the state of Israel or judaism generally. It could have been a political (angloamerican) strategy also in Italy to claim that I should be a sort of 'Mengele' threat against the state.

My official sister Vibeke Gröver was also present in the house of the woman across the river, but was perhaps old enough to get the wellingtons off by own force. After highschool, I think in 1975, she went for a year to be a socalled 'camphiller' near Aberdeen in Scotland and I got a bottle of Glenfiddich whisky from her when she returned in 1976. She later married Knut Aukrust, nephew of Kjell Aukrust. I recall the book 'Relsa Fus' by Aukrust I got as christmas of birthday present in the late sixties - about Hallstein Bronskimlet, Reodor Felgen (constructor of the car in Flåklypa Grand Prix), and other stories. This does not mean that Vibeke Gröver went to China and murdered Mao, but it means that she was present at that situation in Odda.

The political strategy could be a divide-and-conquer on the relation between genetic parent and child, which would be a pity.

Could the woman in the house on the other side of the river, unless simply Zimmermann herself, have been one of the octogonists? Although I have no opinion on this, I would believe perhaps not, but I notice a certain name-similarity with #2.

Could it have been the plan that the minimal story in the entrance room - supported by the effect of the Octogon, should have been the driving force in my poetic work? It could have been so in my 'magnum opus' of 'articles' on the internet, such as the present one, but I would doubt that it had much to say for my poetry, even if it of course would have affected my life.

I think the administrations should come out with the story. It is not probable that it will lead to anything interesting in terms of 'lemmesmör' as a variant of 'Christ'. It would also be a good idea to delete that confusing part of the swear-in oath of the norwegian king, or at least find a more up-to-date word for it which leaves it less paradoxical.



There is an obvious relevance of the name of the italian PM to this complex.





© John Bjarne Grover
On the web 16 may 2013