11 november 2021

John Bjarne Grover

My poem relative DDS I:98 = DDS absolute #130 = Kangxi radical #130 I have quoted in this file 23 october 2021.

What is this modern radical 130?

The meaning of the sign is normally the food which is called 'meat' and which probably normally means food from muscles.

In my poem it probably means an inhibitory impulse in the forwards-driving capacity of the muscle: For something to be able to move, tells this philosophy, it must also be able to stop the movement - there is an excitatory impulse in muscle but also an inhibitory. Could be these lie prior to the movement itself.

Islamic prohibition against the meat of pork could be about this inherent inhibitory impulse recognized in the mind of the believer. Humans are sinners.

In german there is the word 'nachhalten' which can mean 1) to stop, such as a body, and 2) to continue, such as a sound. 'Nachhallen' means 'to echo', 'to reverberate'.

Could be these are the double form inside the 'space' of the radical 130.

Are these ideas invoked in the environment of the appearance of the woman on the ground at the corner to Wiener Stadthalle (not Wiener Stadthalte)? People cross the zebras when the lights turn green. Is it the impulse towards checking her reality by touching the body that is subjected to 'nachhaltigkeit' - an inhibitory impulse preventing the downwards bend and touch? But 'nachhaltig' means 'lasting for a long time'.

The Kangxi radical 130 is also in its earlier forms (bronze age etc) similar to the prow of a ship or white stripes across a nail - which is a symptom of arsenic poisoning - a phenomenon, if I have understood it right, also could be recognized in an awareness of a shaft leading down into the earth. If 'Pippi Longstocking' is a name derived from PTRSIM PIK in the sense of Pi-Pi + trsimik = 'Pipi + arsenic' = 'Pippi Longstocking', it could mean that 'arsenic' is associated with such a long shaft down into the earth.

Could be these symptoms are collected in the idea of the surroundings of the corner to Wiener Stadthalle - in Hütteldorferstasse. It seems that it is this event which could have given rise to the names of Adolf Hitler, the 'samaritan' who kneels by the body of the woman and pushes with strange movements on her biceps or triceps - as if to see if she is alive, and Heinrich Himmler, the other 'samaritan' who stands upright on the other side of her body - waving a hand high up in the air to somebody far away, as if to call for assistance from somebody. These two goodhearted samaritans clearly could have harvested much votes in the election in Germany - by the names that associate with this possible archetype. It is possible that this event in Hütteldorferstrasse could have been brought to new life or at least attention in current politics.

But this is not the meaning of my poem - and I should not be associated with Adolf Hitler thereby.

It is true, though, that I pay 'withhold tax' of my pension/benefit to Norway: That is a 15% tax that is drawn 'inhibitorily' from the amount.

And Adolf Hitler and his 'samaritanism' is not permitted in Austria - after the 1955 Staatsvertrag.

A pity it is therefore if my poem is taken as a go-ahead sign for an austrian beerhallputsching of the forbidden Hitler (advertising etc). It wasn't for this single purpose that I was engineered into the role of a scapegoat - with 7th-grade school class names, withhold tax and other things - for an elegant switch of the forbidden role of nazi Adolf Hitler from their history to me by the crossing of Hütteldorfer Strasse on the way to the post office?

A slice of meat is not as lies or slice of meet.

Frequent 'prefix' for chinese signs of 'arsenic' is radical 112 SHI which means stone, rock, mineral, barren - but it can also mean a dry measure for grain or rice - could be like that rice that had been ejected into the ceiling and walls of the refridgerator on my return from Venice in early march 2021.


Before I left for Venice in july 2020, I had disconnected all fuses, including the main fuse, and when I came home 7 months later, the main fuse had gone kaputt in the mean time and I had to call for an electrician who repaired it on 4 march. When I later got the el-bill it showed that for the days 4-21 march I had used 203 kWh - which could not be right compared with the period 21.03.2019-16.03.2020 = almost one full year when I was at home nearly all the time and the metre showed 364 kWh. Therefore the prepayment to Wien Energie for the electricity was turned up 55 euros per month - while the houserent was lowered about a corresponding sum, allegedly because the support which was provided by the municipality of Wien (for 'geförderte Wohnungen') had been increased. This could mean that it balances anyhow - but I would probably get the overpayment of el back again unless the price for the electricity has gone up in the mean time. This phenomenon (the electricity bill) is in norwegian called 'strømprisen', cp. the 'strømp' of Pippi Longstocking. In the fridge, on my return, there was the mass of brown substance on the bottom glass plate, what perhaps could be called 'pure ontology', surrounded by the 'ejaculated' rice grains in the ceiling and walls (corresponding 'epistemology'?): Could be the 'ontology' could be associated with 'at rump' and then the contents of the fridge could be associated with 'S-trump-ricen', as if the ontology had shot the epistemological grains up in the air. A volcano followed on Iceland, in Geldingadalur (!), wherein rock (SHI) was pushed up in the air.

(My initial protests against lowered rent were not accepted and I understood that it had to be an attempt to contribute to get the corona under control - therefore I agreed to lower payment for a while - but it must be admitted that the results so far from this experiment look not so promising).

I have not solved the cuneiform equations for this complex yet but it is possible that it could be about a rewrite of 'a penis' = 'mu-u-mu' relative to 'appendix' = 'igi-mu-du8-sha' whereby the transform of the big wedge 'U' into the horizontal wedge in 'du8' vs 'mu' corresponds to the difference of 'A PENIS' and 'APPENDIX' - that is, the D and G. (I could not find 'appendix' but composed it from 'blind' + 'intestine'). Sumerian 'DIGIM' = 'moist land/clay/breath', like the adobe walls in Szolnok could be, while 'GIDIM' = 'Totengeist', 'Gespenst' - like the woman on the ground in Hütteldorferstrasse could be thought to be.

Could be, therefore, that these are the parametres. (The change from big to horizontal cuneiform wedge could perhaps turn decimals 19-25 of the Catalan constant into decimals 7-12 - in my conceptualization). I do not know the forensic details in what happened in the knife murder of Inger-Johanne Apenes in the night when Aldo Moro probably was shot in Rome, but it is of course possible that 'Apenes' could have been subjected to a mistreatment a la what I saw in a photo in a book on forensice medicine in Molde - a throat that resembled a sliced-up salmon. A lies of smitt - the vaccines do not funtion - etc.

My own penis could theoretically have got the contents of its 'strømp' replaced with new contents around 1970 when I was in that school class with the names. I dont know who could have been the original owner of the new contents - unless much of this is pure speculation with little rooting in reality - could be things are just as nature made them.


(Ad campaigns seem somewhat intensified. A short walk to the shop brought these probably new ads: I recently pronounced outdoors to myself 'Fadensonnen' = Celan's book title, but here about the slices of ex nihilos, this coffee ad seems to comment on the microscope camera, 1 kos-berg, 2 käse-berg qua slice of cliff, Totengeist at adobe house?, a BIPA ad).




Sources:

Ellermeier, F.: Sumerisches Glossar, Band 1, Teil 1. Sumerische Lautwerte, Lieferung 2. Theologische und orientalische Arbeiten aus Göttingen 4. Selbstverlag Dr.Friedrich Ellermeier. Nörten-Hardenberg bei Göttingen 1980.

Hübner, B. & Reizammer, A.: Inim Kiengi. Sumerisch-Deutsches Glossar. Selbstverlag Dipl.-Ing.Univ. Albert Reizammer, Wichernstr. 3, 8590 Marktredwitz 1985.





© John Bjarne Grover
On the web 11 november 2021