12 december 2024

12 december 2024

John Bjarne Grover

A puzzling observation concerning Yuja Wang's record 'The Vienna recital': The recording of the concert contains 14 tracks of probably pre-published program plus 4 encores. About 12 seconds into track #7 (Kapustin 'Prelude No.10') I fancy that I can hear a word pronounced out through the vibrations - it sounds like a mumble telling 'crocodile!'. Is it only me who believes that I hear this?

The impression is probably reinforced if one hears the whole record through a few times: Computing the position of this in the program proper, that is the 14 first tracks, takes it to second #1675 (by using the data in the enclosed information leaflet) - while there are 3710 seconds in the first 14 tracks. The mid point would then be 3710 / 2 = second #1855 which is about 01:23 into track #8 (Albéniz 'Lavapiés'). The distance between 1855 and 1675 is 180 seconds - the aural impression comes 180 seconds before the mid point. The reason for the auditive phenomenon could perhaps, I reason, be tracked to the role of the word 'sobreiro' which is the mid word in the text of the 3rd secret of Fatima (search for "J.M.J.") - the portuguese original of the third secret of Fatima authored in 1944 by Sister Lucia - the third visionary of Fatima 1917. However, as my analysis of the name of 'Julius Friedrich Raab' (in this study of the 1223 phenomenon - see also the comment of 5 december this year) shows, it seems probable that the exact text to this third secret of Fatima could have been known to international secret intelligence already in 1941 - which is three years before it claims to have been written. How come?

My understanding is that Sister Lucia probably had written the secret down long before 1944 since she was anxious that she could come to forget a detail or two from the 1917 vision - and kept this note hidden somewhere but it was discovered by spies who copied it.

'Sobreiro' means 'cork-oak' and could be the origin of this aural impression of 'crocodile'. Rewriting the word 'sobreiro' in the same manner would take it to something resembling 'sporco' which is italian for 'dirty'. Hence 'dirty beast' - in the revelation?

Portuguese for 'dirty' is 'sujo' - feminine form 'suja'.

But that is when one could hear track #7 once again - maybe the aural phenomenon is found in track #7 around second 12,23 - and the mid point in track #8 is rather around 1:22,3?

But of course there is no 'crocodile' there in track #7 - it is just an aural impression which probably has nothing to do with the music itself. But this could mean that the aural impression (in this recorded 'Vienna recital') could arise from what I discussed at the end of 'brief comments 12 december 2024' - the phenomenon whereby important esthetic logic seems to have been couped over from esthetics (or here the mystic visionary) to politics. It could be this phenomenon which creates the strange idea. Could be, of course, that Wang claims that this is an esthetic-logical phenomenon which is not really political.

Is it so bad that this aural impression even were a logic behind the terror attack on Crocus City Hall in Moscow? (The record would probably have been in the planning for some time before its release). Iranian president Ebrahim Raisi's helicopter fell down on 19 may 2024 after the first 'Götter-Frucht' label had appeared on 18 may 2024 - a day or two after I first heard the recording.

See also this photo from Breasted, J.H.: Geschichte Ægyptens (Wien 1964) referred to in this file - Ramses bringing 'Götter-Fruchts' to Isis, according to the book.

Then what would those newspieces be about? As a part of the same 'liga' interests as now could have been behind the coup in Syria? Then this role of 'Sister Lucia' could perhaps even be seen in relation to the spam mail I got claiming to be from a 'Sister Tone' on 9 april 2024 - to which I had to respond via a lawyer that further communications were unwanted. The spam mail had produced a strangely 'pronged' feeling - could be in combination with the other spam mail of 6 april 2024. On 30 october 2024, the day before Halloween, I fell on my back and hurt the sinews in the lower spine (not the tailbone, though).

Sister Lucia had dated her scripture in 1944 - but it seens to have been known to international secret intelligence already in 1941. I dont know what sort of intrigues could have been planned relative to my authorship - but I could be inclined to see the recent coup in Syria as possibly unfortunate under these perspectives. Is it the plan to claim that what is factually my authorship had really been written by somebody else (say, a 'Sister Tone' or something like that) years earlier but kept secret and hidden like Sister Lucia's text had? That of course would be a matter of fraud - could be tentatively supported by heavy terror such as the one in Moscow. Even the current coup in Syria? But these are speculations - I have little factual knowledge beyond the news.