26 december 2022
John Bjarne Grover
Some speculations on a rather meagre basis:
There is a rewrite of the name of 'Lars Roar Langslet' (english article, norwegian article) into 'Leif Stene Linnstokke' and hence also 'Leif Stene Sovedokke' which could suggest that John Grøver = Adolf Hitler.
There was a 'lang-slett' ('long-delete') on a computer disk of mine some months ago: I bought a new SSD encasement for USB - and it wiped out all data fresher than 3 years old. Some of it was not backuped. I think 3 years is the lower age for the theoretic possibility of a young boy to become a father - and hence females born in 1961 could in principle have been daughters of mine.
Willoch's government suggests 'Lars Roar Langslet' = 'its breath of cool respects' (norwegian really 'ande sval og mjuk' = 'breath cool and soft') and it tells of 'MENE MENE TEKEL PARSIN'.
It may be that probably Doré's 'Marmorveien' is the construction which reveals the identities of Hitler and Himmler (cp. the Orderud case).
Laura Devold → Dora Level → Doré Farvel → Doré goodbye
Why could Holm's poem have been used for the Lenin assassination of 1924? Because the Madonna of Fatima 1917 was situated on top of a holm-oak, according to reports, and it is said that it was the Madonna's mention to Lucia that "Russia will have to turn around, otherwise she will spread her errors around the world" that started Lenin's russian revolution a few days later. Holm could have been known as a poetic talent in Oslo, although he had not published anything, and they found some suitable poem of his - I dont know if this 'Helferd' = 'In the hour of death' were written that early but it is probably not impossible. The divine revelation on top of the Holm-oak could then have meant me qua PTRSIM PIK on top of a Stammbaum for enhancing the quasi-divine authority of probably the british monarchy.
Hence the death of Lenin could have been a british-norwegian project for making as much as possible out of my role as PIK.
It must be understood very clearly that I do not support all that monarchistic nonsense and I have absolutely nothing to do with all that silly humbug. I could not have anything sensible done as long as I were in any form of contact with my background family - it was in 1993 or 1994 that I had the last contact with any of them and it was only in 1997 that I could start writing serious poetry.
There was a controllo of my flat in Zinckgasse in Vienna in probably late 1991 - I was told that a woman would come and inspect the flat but a man came instead. It is possible that this could have meant the same "Det er lov på do" for the name "Kujtim Fejzulai" of the shooter in the Vienna terror on 2 november 2020 (see 25 december 2022) as seems to have been reinvoked in the Paris terror (Rue d'Enghien') recently. It is not impossible that it was the 'controllo' of the flat in 2021 that brought me completely down for some weeks and made it almost impossible for me to walk - it felt as if some invisible and painful barrier in the hip region prevented my progress when walking outdoors and I had to walk with a stick for several weeks. I do not want a repeat of that now - by the terror in Paris. It is likely that the problem was that the society allowed for an inspection of 'Frau Grøver' - to allow for her to intrude into my private premises. I could not prevent that control. It could be about the first inception of the 'octogon' story - it was when I had got an hour-paid temp job in the summer 1977 that Jette Råboe Larsen (fresh chief of the music department where I worked) started the flirt (it is probably a matter of dispute who started it) and I would have to give in to that - that one morning, just before the library department opened, Ragna Grøver knocked on the door which I had to open and she had some message for me. The 'society' would probably have said that "your mother sensed that you were about to move into unfortunate waters of your life and she came there in an attempt to prevent it" - while it could rather have been that when she came in that way in that moment, it could have served to reinvoke possible subconscious memories from 1970 and turn the whole 'octogon' into a rape of me from that point of view. The 'music department' would then be that toilet of 'Det er lov på do' - and then I would be the 'holy' listener to that music.
John Jensen changed his name to John Grøver in 1946, according to his CV. I once (in the 1970's) asked if he had ever considered another name and he said (while taking the first steps up the stairs to the floor above) that yes he had - for a while he was thinking of 'John Erving' but chose 'Grøver' instead.
A quote from this article on Erwin Rommel (who was commander of the 7th Panzer Division) (notice also the 7th division of this 'Panzer' animal):
Rommel opted to commit suicide, and explained his decision to his wife and son. Wearing his Afrika Korps jacket and carrying his field marshal's baton, he got into Burgdorf's car, driven by SS-Stabsscharführer Heinrich Doose, and was driven out of the village. After stopping, Doose and Maisel walked away from the car leaving Rommel with Burgdorf. Five minutes later Burgdorf gestured to the two men to return to the car, and Doose noticed that Rommel was slumped over, having taken the cyanide. He died before being taken to the Wagner-Schule field hospital. Ten minutes later, the group telephoned Rommel's wife to inform her of his death.
The telephone terror of 1986-88 lasted untill christmas 1988, some days before Gandhi's assassin was executed in early 1989. It had started in 1986 when I stood on approximately the place in the room when I asked about alternative name options of 1946 and he lifted the silent telephone standing at the foot of the same stairs.
It was probably in 1986 (if not years earlier) that I was in the 'hobby room' in Labråten and Grøver came in and rattled something in his pocket. It was clear that I should understand that there was something rattled in his pocket.
When I was born in 1957, Rommel was in his 66th year if he did not suicide in 1944 but only hid the cyanide capsule in his pocket. Would the 4 cartoons of the relevant april 1945 issue of The New Yorker tell of the name of Rommel rather than the name of John Fitzgerald Kennedy - or even both? That is, by some logic like this: Cartoon 1 = Johannes, cartoon 2 = Erwin[g], cartoon 3 = Eugen, cartoon 4 = Rommel?
But if this means anything, like a role of Rommel in this story, I dont know. I am speculating only - some observations which could be of some value, or maybe not.
There was in Norway a children's TV entertainment (puppet theatre) on the two 'repair workers' called Pompel & Pilt:
Pompel & Pilt with Gorgon Wachtmeister and his 'Fremdwörter'
Pompel & Pilt with Mrs. Gorgon and her boxes
© John Bjarne Grover
On the web 25 december 2022