6 december 2024

6 december 2024

John Bjarne Grover

It is possible that 'Schein-Heilig' could have been the codeword for Hitlers zweite-dritte Reich - which could have been planned to culminate in Hitler as the new Moses.

For this they could have been in need of a person to be the 'heilig' one and by extensive mobbing of this person they could have been able to appear as quasi 'heilig' in the collective consciousness - 'scheinheilig' that could be called.

I could have been in the role of that 'heilig' = 'holy' person e.g. by a PTRSIM PIK construction (a Stammbaum which imitates a function from the old to the new testament in the Bible).

What is interesting is to see how these ideas relate to Yeats' poem 'To an isle in the water' - see my article about Yeats' 'Crossways' - not the least by the phonology of

shy one shy one
shy nigh lich/like

'Skinn' = 'fleece' → 'fleece-holy' - cp. the potential scene of the Guadalupe eye - with that question of 'holy fleece'? See this comment:

shy-nigh-lich/like
to an isle in the water
to a Nile in the water

The rotation photos for this poem (see the article) are the front page to my SNEEFT COEIL - cp. the earthquakes of Turkey-Syria in 2023?

Norwegian Labour Party acquired 'Utøya' in 1933 - the year when Hitler came to power in Germany. The name of the island ('the out[er] island') can also mean 'the protruding eyes' (or 'vermin' etc).

Hence whether Hitler was originally a briton or not, he or those who organized it may have nourished an admiration for the irishman Yeats which could have come down in the form of a 'Schein-Heilig' project of type 'erste-zweite-dritte Reich'.

One of the peaks of beauty in Yeats' 'Crossways' is 'The Ballad of Moll Magee' - the day when Moll had slept on her baby who died and she was driven away from her husband who told her to go back to the place she came from - and "the little straws were turnin' round / across the bare boreen":

Nelly Sachs' counterpoint poem to this stanza is from her 'Chöre nach der Mitternacht' (in her 'In den Wohnungen des Todes') - the poem 'Chor der Sterne' - here the last lines of it:

My own counterpoint to these two - by this article - is Stillheten 64a.

(I notice also the puzzling relevance of the name of Daniel Moses Barenboim who was married to Jacqueline du Pré. Did the britons suddenly understand the story in a flash - and started hating her? Were this even the terror in Oslo and Utøya 2011?)

Sources:

Grover, J.: Stillhetens åndedrag. Vienna 2017

Sachs, N.: In den Wohnungen des Todes, Berlin 1947

Yeats, W.B: Crossways. 1889.