The 'black snowflakes' - and western history

The 'black snowflakes' - and western history

John Bjarne Grover

I should tell that on 25 december 2014 I tried to find a correlate in art to my poem TEQ #397 "Past hoizons" (which is here on my web page) and found Rafael Urbinus' "La Fornarina" - apparently his baker's daughter, whose lover seems possibly to have been just this 'Afae Lubinus' - signed 'F.I.'. The defining aspect of the relation between poem and artwork can be seen to be in the curled-around or 're-corded' head-scarf of La Fornarina which corresponds to my 'rept'. 'Sit down, press' - tells the tip of the artist's brush, the colours it leaves on the canvas. After I had completed the analysis, I took a closer look at the headphones I use - type SONY - when listening to music and found that the outworn plastic cover of the bridge across the head tended to give off small pieces of plastic which indeed much resembled some of the 'black snowflakes' I had found in my home environments. I concluded that many or most of them could have been from this source - which then looks somewhat less mystic than earlier. However, it is a fact that many of those old snowflakes which I put under microscope glass about a year ago now have started to erode and give off a strange dust which surrounds them like a halo - or like a 're-cording' of material dust - and it is a little difficult to understand how that could come about if it were about totally synthetic plastic. If these headphones rest untouched in a drawer for ten years - will the plastic have eroded - turned into fine dust? I would guess that the story is in the Easter Island piece which I found on 2 january 2014 and described in the file 'The border to reality - first I found one kiteformed 'black snowflake' on the ceramic bathroom sink - I lifted it up and by real mystery another black piece took shape on the same place as where it had been before I lifted it. Here is that first piece I found - here as it is today and here as it was then (to the left). Clearly the first piece could have been 'SONY plastic' but the second is likely to have been more magic. But not all old flakes have developed it - see here for a piece of 17 march 2014 as it is today and here as it was then. Also, the formation of such a black piece on the back of my hand on the spot where a stigma is in the moment when I considered looking up Padre Pio on the internet was convincing to me.

A closer study of the relation between poem and artwork could be telling of why the 're-corded' headscarf of 'La Fornarina' could be of fundamental importance for understanding the history of the western world and the formation of protestant churches rejecting catholic transubstantiation. This history could even have been leading up to the formation of the recent 'scandal' or 'mystery' film about or related to SONY called 'The interview' (= 'between the views'?), with a film poster of two intellectuals which could invoke associations to Ibsen and Strindberg in the same file of mine ('The border to reality). The question is whether this film is about this phenomenon of 'black snowflakes' reported on my website - but tentatively rejected as 'nonsense' if knowledge of this SONY headset were available - and, if so, whether my home had to be 'hacked' by the film-makers for verifying whether this headset could have been the source of the 'sensational' ex nihilo phenomenon. If so, the film - potentially made by burglars into my home! - could be an attempt to compromise my integrity. I dont think my integrity is much compromised by the new data on possible source of the 'black snowflakes', though - rather the contrary, I would say, there could be quite interesting conclusions to be drawn (not the least as far as the film business is concerned?) from a study of the role of just this 're-corded' head-scarf of Rafael's 'La Fornarina' for the formation of the western culture since italian renaissance. If matter 'ex nihilo' can take shape, then matter is not flat matter - it is a semiotic phenomenon that involves our beliefs in what matter is. If you believe that an Easter Island piece can take shape under a plastic SONY snowflake, then it probably can, but if you dont believe so, it is probably hard to make it. This is what the history of the western world has been about for quite some centuries by now. Clearly it is (could be for the same reasons) rare to find circumstances wherein it can be proven that the matter is formed out of nothing - and of course it could have been intrigue-makers who broke into my home for leaving a plastic 'lapis philosophorum' in my kitchen sink. The only proof I got was that pill in the mouth. But it is of course wise to always take it for granted that there could be 'natural' explanations to the mystery matter - and to consider it primarily a semiotic phenomenon.

Political interests in compromising my integrity as far as such 'ex nihilo' matter is concerned could be about the role of e.g. the wigwam or wickerwork gate or lapis philosophorum (see also the 'foam' on the scoll) in modern politics.

'Fornærma' is norwegian for 'offended'.

I hope the film is not really about the integrity of the master tape to Midori's Bach and Bartok recordings for SONY - those which apply with its milliseconds to my book 16 of The Endmorgan Quartet.

Clearly if the stategy of international secret intelligence services is to elicit harsh criticism from 'intellectuals' against the superstitious world of 'Grammatica Speculativa' and to make them claim that the modist works are fraud and to reject the existence of 'ex nihilo' matter totally, it could be for reserving this phenomenon for the harvesting of public appeal for the 'services', the film (which I have not seen and therefore I cannot have any opinion about it - I have only seen the pre-mention of it in the news) could perhaps be about such interests.

It is time to get out of the marshy bogs of a world where my person and work could be the tacit undertext for such a film without any mention at all. It is time that my books be published - that they be brought to the surface of potential public attention.

I know little about the 'international secret intelligence services' but have understood that many national services have 'black departments' - with 'black budgets'. If these are the ones which send secret James Bonds around, one naturally wonders whether these services - who do perhaps not feel so bound by the law - with certain 'carte blanche' licences, that is - are even sponsored by private interests. That could be quite a scandal which would need to be brought to the surface. If these 'black services' are the ones which aspire to take over the control with the world power, it could be wise to simply close down such 'services'. It could perhaps be an estimate that the annual costs of the NSA white + black services could run to the annual costs of payment for the US foreign debts or at least the interest payments - that is, that the interests of the foreign debts are the same as the interests of the 'services' who take part in the 'international' attempts to take over the global power. It is probably these services who are out for harvesting public appeal via the role of matter 'ex nihilo'. It could be the same 'services' who made Hitler and who could be planning to make a new one.

But maybe this is to throw unjust doubt on their integrity - or at least such 'black services'. I know too little about the phenomenon.