The war against the intellectuals and the political mythos machine

John Bjarne Grover

In this article I discuss some data related to the great earthquake of Japan in march 2011, including the question whether this is about a nuke or nature - or even a matter of divine or 'poetic' transfiguration.

A part of my role in the international mythos circus seems to be the invisible and unpronounced centre of cultural life by which political intrigue can impose a strategy of divide and conquer for a gradual suppression of intellectual independence. The intellectuals are a problem for political control of the minds, and therefore the political intrigue tries to get them under a mythos scheme which can prevent communication. The aim of this is to dissolve all means of independent and uncontrolled contact between the individuals in the global community for a unilateral loyalty to London or Buckingham only. It is the horror version of british monarchism since 1814.

I take an example which I have computed myself, and which therefore counts as not much more than speculation from my side, but it may be telling of what the strategy could be about. I have computed that I was subjected to an injection of Mengele chemicals in Hammerfest on probably 20 january 1959, age about 18 months, mid way through Eisenhower's period. Gröver/'Mengele' a few times used the expression 'e-schat-o-lo-gic' which partly means that, partly (in Klipra dialect) that he sat there laughing at the victim on the brim of existence. One thinks of the sadistic Mengele who enjoyed the condition. Ivo Pogorelic was born on 20 october 1958, which would have been three months exactly before this date of my own conflagration. His name as 'pogorelic' means sort of the opposite of serbocroatian 'pogorelac' which means 'a person ruined by fire'. There are in fact traces of this in MLR october 1958: Partly there is the concept 'BRANN-STIFTER' = 'arsonist', partly the concept of 'CROTCHET' (from 'Kudrun' via mirror symmetry around the middle of the main titles) which in norwegian is 'fjerde-dels-note', which also could surface as 'fjære-del-snotte' = 'the snot of the feather'. If JFK jr pulked in 1999, one can guess that he changed identity from 'klippet ut i papp' ('scissored out in cardboard') = 'klippe-tut i papp' = 'circumcized dad' = 'jew' to 'som snytt ut av nesen' = 'like blown out of the nose' for the genetics ejaculated from the dad. Or like the soul or future chances blown out of the norse (me) on 20 jan 1959. This would correspond to the CROTCHET, while the scissored = Klipra saying of Gröver/'Mengele' would be the prepulk version. This conversion would likewise be contained in the name of 'Gordon Brown' which could mean 'brann-stifter' - could be for a british connection to the postpulked JFK jr and the concept of putting fire to young jews. It could be for a british responsibility claim on a Black Sea Loop. If, in addition, my own bodily growth were hampered by Gröver/'Mengele's medical arts, there would be a notable difference in who I am and who I am genetically disposed to be both in body and in soul. It would be this gap which is offered for sale for marketing in business, politics and culture. The political idea would be that I should be a talented person by genetics, and a good portion of these talents were blown out of the norse by Gröver/'Mengele's chemicals and offered for sale. However, this cheap idea is of course only a pretext for the more profound program of divide-and-conquer: If, in theory, every person (actor, musician etc) performing on stage after 2000 occupy some virtual aspect of my person, I would be the invisible switchboard through which british administration could control the entire cultural or even intellectual life on the globe. To obtain this, it would be needed to keep me isolated from the same arena and suppressed as an uninteresting and trivial sort of Mr.Everybody, while at the same time make it clear for the participants of the cultural life that they risk losing their talents and opportunities if they get too close to my person or listen to my version of the story. It is likely that there would be a mutual sort of 'butterfly' construction which could make contact with me too risky for personal self-conceptualization - and the obtained distance can be used to keep the dark spots on the maps under administrative control for relegation onto my person, who then can be suppressed as a dirty beast in the revelation, Satan and similar tricks from british administration.

The monarchic aim is to get every single person in the world under immediate british authortity in a unilateral control and loyalty relation, like watching TV from London and taking more faith in what the program on the Big Screen says than what fellow TV watchers in the same sofa say. (I notice the great train robbery of Biggs = 'togröver'). Intellectuals are particularly dangerous for this program since they tend to be unwilling to conform to such unspoken orders and could be inclined to take up communication with a fellow being in the same sofa - to discuss the program, quite simply. Due to this threat, the cultural and academic programs could have been constructed for getting those parts of the official sphere under administrative control.

Where is the artist or intellectual of today who is in a personal and passionate relation to his own art? This is what the administrative power is out to suppress - and can offer the rewrite of norwegian 'fashion designer Per Spook' butterflied into 'passion designer Facebook' instead, a social network system through the Big Screen. It is about a nose and his 'Gewände' blowing in the wind - blowing the nose in the frame of the window.

I tried to send a letter to Ivo Pogorelic but could not find his address anywhere. I therefore sent an email to Deutsche Grammophon Gesellschaft for whom he used to record and asked if they could forward it to him or send me his postal address. Some time later I got an email in return from DGG telling that Pogorelic no longer recorded for them, which seemed to suggest that he had been 'fired' - or had 'fired' them - and so they no longer had his postal address. Could it be because I tried to get in contact with him? Is it that an invisible butterfly construction makes my communication a little unwanted - and if so, for whom? (I could not include so much in the open email).

It is for these reasons that I have to publish this on the Big Screen. I tried to send him some information which could be of help for his and other people's lives, but it may be impossible to talk sideways in the sofa - one has to communicate with the Big TV Screen we all are watching and which is constituted by the new global media. If I want to tell something to a fellow being in the sofa, I can do it via the screen there in front of us.

It is in any case about divide-and-conquer. For preventing that people come to grips with reality - and thereby Gordon Brown can function as british responsibility claim without anybody understanding it. And intellectual and cultural life gradually lose the grip on their own fields - which are invaded and occupied by political power as it has been with poetry throughout the last 200 years.

Pogorelic's wife Aliza Khezeradze died in 1996, after 16 years of marriage, and pop singer Alicia Keys was launched in 1997. She is born Alicia Augello Cook and grew up in Hell's Kitchen in New York. With the size of her success, one cannot escape the 'spook' which arises in the mind relative to the name of Pogorelic's wife. These associations could have been constructed for making any contact of his with me impossible since it could serve to trigger an avalanche of crazy ideas. The background of Keys and her international role after 1996 (she seems to have appeared also in a Cosby TV program in 1985) could have served to launch the idea that Pogorelic had believed that he was married to a secret agent and started to panic and had to get out of the trap. He met another female agent who offered to be his secret lover and who brought some powder and so forth (cp. the 'arson' morph). His wife died and thereafter he simply could not touch the theme - while Keys was launched as artist - not knowing that both of them were agents and the powder was harmless. This would have contained him in a ridiculous aura which he could not have been able to handle. It could have been this story which had been planned well in advance (and which could have been the reason for his wife's death) and which even could have been the origin of my own strange social state in Oslo around 1990 - when through some months I could not occur in public without seeing people start laughing. I never got an explanation to the mystery and I don't think I looked that funny - but it could perhaps have been an effect of administration on my own hampered growth which could have been correlated with a mythological 'arsonist' role assigned to Pogorelic - in a butterfly relation to me which should serve to make any contact with reality impossible. Through some time I preferred to stay indoors. It would have been the administrative relegation of the engineered ridicule lifted from him to me which secured that the project would not surface even to himself but was felt only by me - due to the other part of the construction that Pogorelic could be assigned a social and historic role on basis of the substance which did not develop in my body due to the growth hampered by chemical substances. In administrative logic, he could have been the invisible one on top of my head. His wife's death could also have been in preparation of a pulk of JFK jr. and Diana (if these did pulk) - and I think I found some traces of Pogorelic's name in the Kosovo bombing campaign.

The purpose with Alicia Keys could of course be that although she represents the inevitable idea of this ridiculous story with the arsenic, she nevertheless constitutes a proof that it is only a ghost story which arises in the minds, but without a rooting in reality. Although it could also mean that somebody - not Pogorelic, though - had poisoned his wife.

My guess is that this story - if Pogorelic was administratively recognized as mythologically related to me such as MLR october 1958 could indicate - could have been prepared since they met or married. I notice the theoretic 3 months delay from his birth to my assumed 'conflagration' - which could have been used administratively as '3 Monaten' = 'drei må natten' = 'screw must the night', which could have served to lift administratively my role in the Octogon over onto him. However, this would not have been much interesting for political mythos construction if his wife were only a plain agent - my guess is that she would have been a person who would have constituted an interesting relation in any case and therefore they could even have computed in advance that it could have been much politics made on basis of it. The murders of Inger-Johanne Apenes (mother of MP Georg Apenes) close to my home on 6 may 1978 (even in the night when I was present in the neighbouring house) and Aldo Moro in Rome around the same day (found 3 days, not 3 months, later) could suggest that his wife was not an agent but that 'politics' could have focussed in on the story. (I was in a party in the neighbouring house of 'Hanne Skjefstad', and notice that 'hand er skjeft-sa' could mean a hand gripping around the handle of a knife in the context of some oral utterance - and indeed Apenes was murdered with a knife).

However, I do not know anything more than what is available on the internet, and to come to an understanding of the possible story is by way of guesswork only from my side. This background is, though, the reason why I could guess that Alicia Keys constitutes a proof that Pogorelic did not poison his wife, which could be a part of the reason for her popularity. I have of course no reason to believe that Pogorelic is suspected of anything such.

I have to add the following story after having found the titles of MLR 1937: In 1986 I visited Frank Tveor Nordensten in his home. Nordensten was dressed in leathern pants, and I briefly met his dutch wife in an upstairs corridor. He mentioned Pogorelic as an interesting pianist and suppressed a formal smile. MLR july 1937 title 1 could be relevant to the birth of Vladimir Ashkenazi - and it could be that the author of the article could be associated with 'his wife'. I notice also the vague similarity of 'Fitzroy Pyle' with 'eine Tracht Prügel' (norw. 'en drakt pryl'), which seems to be an overarching concept in many infested fields nowadays. I don't know when in 1937 Khezeradze was born. Title 2 seems anyhow rather acutely relevant to the name of Nordensten, which is the reason why perhaps it should be permitted to mention this story:

1. The Barbarous Metre of Barclay. By Fitzroy Pyle
2. "Deor": A Criticism and an Interpretation. By F. Norman

There was also an article on english.pravda.ru which could seem to be about a 'vladimir ruber ashkenazi'.

I have no reason to suspect Nordensten of anything and I don't know why his name seems to appear in the framework of Ashkenazi's name in MLR, but I think I should tell the story here not only for preventing that I be associated with the death of Khezeradze but also for preventing a continuation of such stories. It could of course have been enough that I had visited Nordensten that plans could have been made for Khezeradze.

I dropped out from university at Christmas 1976 but eventually had to understand that I could not come around studies and eventually had to go for a doctorate degree if I were to have any income at all. I postponed this untill 1995, though, and survived on partwriting and things like that. I can guess that Pogorelic's wife could have been poisoned in 1996 (she got the 'doctorate' in that sense of it) and my dissertation was rejected in 1998 - accompanied with much terror. The myth that could have been engineered would have been a part of this rejection of the doctorate as it was lifted administratively over onto me, accompanied with much terror in Oklahoma, Kenya, Tanzania, Kursk and Cole and so forth. Most recently possibly even the Fukushima nuclear reactor crisis after the giant earthquake which I suppose in theory could have been a hydrogen bomb.

There are traces of similar stories with other musicians of today. I have found traces of Midori Goto in MLR october 1971, although it seems that it is Hugo Chavez who could be the main sensation of that issue. I could guess that a role assigned to Midori in the mythos theatre could be to be my genetic daughter (growing up by postpulked JFK jr and Diana, as is the hypothesis emerging from redundancies), while Pogorelic could be in the role of my friend or brother or some role like that. Who would Helene Grimaud be, if even she is assigned a role in the mythos? Could be my wife, possibly swapping roles with the daughter (if 'pav-love-ian in-pulse' is the story). Midori is playing the violins with her hands gripping around the wood, which should not be misunderstood by way of a sudden impulse. In short, it could be that there is a series of people (performing for audiences around the world) who could constitute aspects of a constructed 'cartoon' ('genetic') myth with the other persons in the same sofa, watching Big Screen TV from London along with me, for the purpose of constructing an invisible wall of blubber around the individual: The political aim could be to isolate the individual against the other individuals and create unilateral loyalty bonds to the head administration in London only. A ghost story with Pogorelic could be sufficient on the pop hit charts to make comments across the sofa more or less impossible. There is a TV sofa in the opening scenes of the Simpsons series (at least those programs who have been on US TV), which perhaps is not coincidental. Does it say 'under all/no circumstances' or something like that? The intro with the boy Bart (seems possibly to mean me) writing on the blackboard and stopping in the middle of a line for running out could mean 7:50 - the line of the Iliad on the Challenger. If that also means the core family of the Bermuda triangle, the construction could serve to create an administrative identity of me with 'Simpson' = JFK jr - could be for taking over my role or at least swapping custody and genetic relations - while Pogorelic then would take my role and be in a mythological relation to Diana.

It could also be that the construction could serve to engineer certain elements of future behaviour. I don't know how they engineered the Octogon with me.

This story with the musicians could of course be the tip of an iceberg with people from other activities of public life for giving shape to other aspects of my life - education, profession etc - serving to isolate me - in the role of the archetypal Mr.Everybody - from all personal relations which could have provided a basis for my life - and replacing these personal relations with unilateral loyalty relations to the central administration in London.

This could also be a part of the reason why it is difficult for me obtain contact with people in a serious way. I sent the following letter to Iceland's national library in january 2011, which now is 2 months ago, which is not much, of course. I sent to them my totally fresh POLAKK English Bloggi which seems to make it possible to determine the date of writing of a document such as their sagas. If ever there could be reasons to expect an answerk, it would be in this case (and of course it may be that they are going to answer as well):

National and University Library of Iceland
Arngrimsgata 3
107 Reykjavik
Iceland

Wien 25 January 2011

Donation to the library

Here is a donation to your library from me as the author. It is a book which in fact seems to be a possible tool for dating texts of any age.

My view (as outlined in my 'ABC of politics' on the internet under johnbjarnegrover.com/abc.htm), it seems that the reason for the economic crisis on Iceland a couple of years ago (in fact while I wrote this book) can find its origin in a european 'swastika' with origo in Paris and with angles constituted by Iceland, Ireland and Israel. A part of the political wish behind a 'crisis of credibility' on Iceland would be to take the bottom out of the confidence in the medieval literary texts from Iceland (first allegedly inhabited by irish monks) - for a longterm plan of reducing or exterminating the confidence in the authenticity of ancient hebrew texts. The present book of mine can perhaps contribute to re-establish the faith in the authenticity of old icelandic texts - in particular the sagas but perhaps even the 'eddic' poetry. See the postscript for details.

The book in its present form is published by myself in a limited number of copies and is delivered to legal deposit in Vienna. The reason why I am still waiting for a publisher to be interested is outlined in the 'ABC of politics'.

With best wishes,

John Bjarne Grover
Pf.15
1152 Vienna
Austria

To tell the truth, I do not expect to get an answer, not even to see the book accepted in the library's collection, even if my book can serve to rescue not only their national history but also their national economy. I tested superficially the 'Ynglingesaga' and found that it was written probably in 1223, which conforms well with the official dating of it to 1225. This means that if a detailed study of it should confirm with certainty that it is authentically from this time, then it is proven beyond doubt that it is original and authentic material and no joke made in England in 1725 or thereabout. This would be what I call serious scholarship, in contrast to the Simpson level of studies which administration seems to be interested in - not the least for getting serious scholarship and intellectual life in general under their control.

If, however, the 'old nose' sagas and the 'eddic' poetry cannot be dated with certainty, then people will certainly be victims of administrative intrigue and start laughing at these old simpsonite cartoons about Skallagrimsson and Bloodaxe and all those hardboned vikings. It is too funny and who would care to take any confidence in such hilarious stories? And from there the leap is probably meant to be short about the old isreali 'sagas' as well, written in strange backwards hebrew script. It could even be that the mythos-construction around the musicians has been designed to take the confidence out of the icelandic cultural life in the middle ages - with stories about Ingolfur Arnarson (cp the british general election 2010 which could have been the first 'in golfur' rigged election for coping with the problems of agents, terror and propaganda) - who married Hallveig or Hallgerdur Frodadottir - and his brother Hjörleifur who was murdered by his slaves (or muddered by his leivs). Could be there comes a reply from the library one day, but to tell the truth I do not except much nowadays (another example at the bottom of this page) - in particular since this is a serious initiative of mine which could threaten the attempts of administration to get intellectual life under control - as if intellectual life were the same as 'agents, terror and propaganda'. Rather I could expect a reply suggesting that I should keep my insults by myself instead of sending such disturbing material around to serious scholars. But that situation could be a direct result of the engineered crisis by the mythological interpersonal relations in the 'music department' and other areas of the public stage.

In general, it seems to be about a war against the intellectuals by way of a divide-and-conquer strategy. That divide and its following conquer could be the contents of the strategy on Iliad 7:50, 7:123 and 17:309. (For 17:309, there is the apparent 'damepress' in the righthand half of the line which perhaps could be recognized in the name of Obama, for which reason e.g. the 'Aswan' dam over Kairo could be contained in recent 'Fukuleaks', cp. also the name of 'Ricky Lee Jones' - and this could perhaps have contributed to the revolution in Egypt). There seems to be a tendency for the largest and most devastating earthquakes since about the 60's that they occur on time points which look like something close to scrambled numerals of 1-2-3... type. Which could support the theory that they are made by hydrogen bombs dug into the earth - for making the political intrigue look like the deepest will of nature itself. For example, the tragic quake on Haiti took place in the evening after I had come to Venice to get some more luggage with me to Vienna whereto I had then moved, and it could have served to index those aspects of the name of the psychiatrist from 1999-2000 which could serve to index the turn of a Black Sea Loop 90 degrees up to a Berlin-Rome axis. It was 04:53:10 PM local time, 21:53:10 UTC. These giant quakes (Haiti, Banda Aceh, Sendai etc), if made by hydrogen bombs, could serve to index Iliad 7:123 and the San Trovaso region in Venice, possibly even for the poem by Kavafis on 'Jason Kleander'. I notice the affinity between 'Haiti' and 'Heute' which in 'Österreich' relates to 'Heuer' - in such a way that it could mean 'the Jar connection' - in obvious opposition to 'Feuer'. There are two 'gratis' newspapers in Austria - 'Heute' and 'Österreich'. (In the film 'The third man' there is also the big wheel at 'Praterstern', cp. the big millenium wheel in London - for a 'gratis-turn'?) Jörg Haider died in the night after I had registered my new address in Venice, and Thomas Klestil after my new address in Vienna was registered.

If, therefore, it has gone so far these days that even the Fukushima nuclear reactor crisis could have been planned in advance (anything about Midori in the role of my daughter - for creating an even deeper divide between me and a daughter or mine, or in general the jewish-genetic connections?), possibly even in concert with a hydrogen bomb dug into the deep bottom of the sea, it could turn out to be impossible for me to reach any understanding of this situation. If I send a letter about it to a newspaper, it may be that they cannot take it seriously - not the least since it would arrive with an administrative mythos-flag attached to it telling them to discard the nonsense immediately. There seems to be a voice of Big Brother speaking in the heads of people when they open such a mail. It could be that my only and last hope could be that the White House in Washington or the head administration in London could provide some help and assistance. But that would be exactly the purpose with the whole construction - to discard fellow sofa beings as a lost game and leave the only chance for help by the top administration.

Do I get post at all - beyond what is 'life-sustaining'? I do not know. Could be people do write to me but it does not reach me.

Is my authorship secretly surveyed and the computer-tapped material distributed to networks without crediting of the authorship? I don't know.

I hope my private life is not available online, on the internet. There was a short video on english.pravda.ru showing orangutangs in a glass cage. I think I recognized a movement of a hand there - but is that enough reason to move somewhere else?

However, I cannot know if my website - such as this page - really is available on the internet or if it is only so where I happen to be. Could be I cannot find out of it. See the below email which I sent to the jewish community house in november 2010.

My homepage was formerly www.geocities.com/johnbjarnegrover, but the 'geocities' page under Yahoo was closed in the autumn 2006 (on Gröver/'Mengele' birthday, by the way) and I had to move over to another address. All pages under 'geocities' would be removed, and I think mine was as well. However, after some time it seems to have returned to the internet and now it is impossible to have that old page with contact details removed, even if it cannot be edited. I cannot have that address changed - it is the address I had when I lived in Venice whereto I came in that evening of the Haiti earthquake. I have repeatedly written to Yahoo and asked them to remove that old website of mine (which I had before the present one) and which no longer can be edited. But it seems so far impossible - and could constitute a public announcement that my authority is not so very valid. I suppose it could be the 'top administration' of some sort who has put the old page back on the internet, possibly for telling of joint interest included in the authority.

Human rights do not exist in a community if there is one single person for whom the society does not respect the human rights. There cannot be human rights for everybody except for one person. Human rights is just that: That the right obtain to every single person.

The aim of the british-monachic political program that has developed since 1814 is probably to replace truth with power and to let the whole global community be organized by lawless power instead of truth. Then there is not much left after some years of the 'old nose' sagas and all that. Those who organize the mythos-machines probably believe that a society governed by pure power without bilateral laws or only forceless versions of them will function better and more efficient than the oldfashioned democracy - like a sort of market economy competing with the oldfashioned state communist systems. It is a very tragic development - to replace truth with pure power - and the divide-and-conquer is probably intended for making it impossible for the individuals to protest against this political development.

The conclusions on the musicians mentioned here is that they probably are totally uninvolved in the intrigues - at least I have no reason to believe anything else - and that their lives probably are rather normal and look like artist lives did earlier as well, but the administrative construction makes it possible to impose onto them mythological roles which serve political purposes. These mythological roles are a burden to their lives and to the life of intellectual achievement in general. Nor is it of any value to present ideas like the ones in this article on the internet.

I add, since Gordon Brown could be a part of this story, a further observation which in theory could have been a background of Keys on Cosby TV in 1985: It was in the winter 1984-85 while I lived in a cottage the forest in the northern outskirts of Oslo that I was visited by Knut Aukrust on skis (and later also the family). He must have gone through the forest. 'Aukrust' could be the interesting name the film on basis of a manuscript by his uncle Kjell Aukrust for the film 'Flåklypa Grand Prix' by Ivo Caprino. I remember his animated doll films from school in the 60's based on norwegian fairy tales - they were very popular among the children. There is a professional graffiti (showing 'klypa' held in a hand which looks like an extension of a chin which is perhaps not as developed as it could have been) in contexts on a wall in Siebensterngasse (not far from the Kirchengasse) in Vienna which seems to be telling of this 'Flåklypa'. Aukrust is my official brother-in-law and hence in a 'close judicial relation' to me. The name could be seen as related to the Augustine reading room and library across the street from Josefsplatz in Vienna where the car accident took place in the film 'The third man' (1948). It is next to the 'Prunksaal' which could be the background of the Punk movement in England - hence 'Aukrust'.

I add that it happened in probably 1979 that Hilde Löveid Varvin, who was then a young girl living in the neighbour flat under me, came up to me crying and walked around a little on my carpet before she went out again. A pop group called T'Pau later had some success with a pop hit called 'China in your hand'. 'Teppa-u' means 'did she carpet?' 'Tepco', the electric company of Fukushima, can perhaps also mean 'to go on carpet'. I don't know what it should mean that China is in the hand. 'Odysseas Elytis' got the Nobel prize for literature in 1979. He is certainly one of the best poets of his day and the right winner of the prize, but when he had got it one could of course recognize in his name a secret-service-semantic similarity with 'Konstantin Kavafis'. There have been other telling entertainment names, such as 'Tokyo Hotel', 'Trouble over Tokyo' etc.

Here is the email I sent to the jewish community house in Seitenstettengasse in Vienna on 18 november 2010. There has been no answer to it, as for most or all other initiatives I have taken in an attempt to improve the conditions of life on earth. Could be an answer has been sent but it has not reached me. See below for the dates and other data:

Rabin and Seitenstettengasse
Thursday, November 18, 2010 9:25 AM
From: "John Grover" johgrov@yahoo.com
To: r.fastenbauer@ikg-wien.at

Message contains attachments 2 Files (108KB)
joreggelt1.jpg joreggelt2.jpg

I was into Seitenstettengasse yesterday to try and give two books to the library but was efficiently stopped by the security in the reception (passport please, questioning about things,as they have done earlier as well). I will try and explain some historic things:

When the jews came to the ramp of Auschwitz where they were met by Mengele, many of them brought with them the family inheritance in a suitcase which was lifted over onto the 'Kanada commandos'. After the war, many people concluded that Adolf Hitler was not the right thing and therefore they voted for the 'Kennedy cemmendies' - the Kennedy family or clan - instead. It seems like the trick of a 'Kennedy strategy' can be conceived as to lift female eggs out through the rectum wall with the victim in drugged condition and take over the authority of the genetics. Eggs could have been lifted from Nelly Sachs in 1935 when Paul Celan had passed puberty and they moved to Masarykstrasse in Czernowitz - and this (if it was not in 1953) could have given rise to me in 1957, with following possibly constant 'monkey business' of Gröver/'Mengele' towards Celan. The 'Kolontár' disaster some time ago could have represented just this sort of 'Kennedy strategy'. It means a profound insult against the deepest human relations in the conflict between genetic and custody authority, and this insult is turned into political power. The political strategy on me seems to have been the 'Octogon seitensteppen' project which could have been designed to leave the stamp of 'insult against the human relations' onto me, and with an indexation in the name of Gro Harlem Brundtland (once chief of Norway and WHO), a name which also can represent the 'Judask Whistling Brutus' which could have been the origin of the name of 'John Fitzgerald Kennedy' working in US administration for british or 'british' interests when he got USA involved in Vietnam. It is an interesting theory that Dreyfus 1899 (the mid point in the process, indexing the birth of Bjarne Eidsvig in july 1899) could have served to index the 'aircrash' of 'johnjohn' JFK jr in july 1999. And when Kennedy was the alternative to Hitler since at least Auschwitz, JFK as an alternative to me could leave the label of 'Hitler' onto me.

This postwar relation of Kennedy to me could even have been the reason for Mengele on the ramp of Auschwitz. My guess is that the names and name-roles of Sachs, Celan, me, Hitler and Kennedy and the political construction thereon could have been planned at least in the 1890's and probably earlier. If Lenin took his name after Leonie Sachs, the role of Alexandra Kollontaj is a little interesting relative to the later Kennedy - which could suggest that this name-role of me as 'jump-jarn-egg-röver' - the one who steals the eggs from the drugged female - could have been planned long ago. It could even have been the purpose with Treblinka - Kennedy, I mean. (I must add that I have reached these ideas of 'egg-röver's by own speculations, but have consulted some books which suggest that such removal of eggs through rectum wall probably is possible by simple methods).

When Yitzhak Rabin was murdered in 1995, it seems possibly to have been interpretable in terms of the three dates of 'intrusion' of my once custody mother Ragna Gröver onto my private addresses in the autumn 1994 and the spring 1995. (These are mentioned in my diary novel 'The Dreamer' which I think is in the library in Seitenstettengasse). In the spring 1995 I lived in Krumgata 4 in Oslo in the house of Franz Franzen: The street resembles Seitenstettengasse (cp. also 'Krumspringsgata') and the location of the house is somewhat isomorphic. My guess is that Rabin could have been murdered for preparing for my eventual arrival in Vienna - it is likely that my arrival here could have been planned since decades ago - which means for the specific purpose of making it difficult for me to get into the jewish community house in Seitenstettengasse. That would mean that it would be correspondingly easy for the 'Kennedy clan', so to speak, to get in, and that could have been for a 'quisling' function of profound insult against human relations relative to plans for a Deutschland/'Steuerland' 90 degree turn of a Black Sea Loop turning around to a Berlin-Roma axis in a future relative to the Londoner-Ankara ('Johnjohn er onkelen') axis.

In short, the murder of Rabin could have been for letting in 'Kennedys' (or people of a comparable political function) in the sense of 'quislings' while locking me out as 'Hitler', for an identification of the jewish-genetic diaspora with Hitler for later use when designing this Berlin-Rome axis.

Ariel Sharon talked of the need for all jews to leave France not so long before he fell into a coma in circumstances resembling a photo (attached) I took of some shadows in mud in Budapest (not far from the 'könyvtár' - the library on the castle hill) and had on my website. In fact the one to the right in that photo could resemble Franz Franzen in Krumgata 4 somewhat.

I have been some times to Seitenstettengasse, but with somewhat logarithmic intervals since the investigations and questionings by the security in the reception could indicate that (according to the reception) I am not really welcome there. Which could mean that the murder of Rabin was a 'success'. Could be, of course, that the reception or rather the security wants to 'tell me something' which I could need to know, but it is also possible that this could be an effect of a comparable wellknown 'greeting' which I could have returned for telling important things (on citizenship) which one could need to know for understanding the historic situation - and with a mixmax swap of roles it could even have been the reason for this reception history.

Of course, if the house is full of agents, it could be only a mistake to go in there anyhow, and that could of course even be what the reception tries to tell me. I have no opinion on that but would like to communicate this possibly important aspect of the death of Rabin anyhow. I do not want to be associated with nazism, and the stress of passing the reception in Seitenstettengasse means that by time I have come to avoid the place.

The story is on www.johnbjarnegrover.com/abc.htm.

Best wishes,

John Bjarne Grover
Pf.15
1152 Vienna

As emerges from my diary novel, Ragna Gröver was three times on my door in the course of the year 1994-95:

1) 7.9.94 - on my door in Nilserudkleiva. I did not let her in but gave her the last chance to confess and regret. She offered me plums from the garden or father's anorak.

2) 11.3.95 - the doorbell rang in Krumgata. I went out and saw through the glass door how she stood facing the doorbell panel with her lefthand side towards me. I turned around and did not open.

3) 17.4.95 - I went out due to some things going on in the house and met her coming up Krumgata. (She had been preceded with some metres by a black female who could have been there for a Condoleezza Rice role - end of her twenties and she gave me a sort of attention in the passing - I would normally have believed that it was a sort of coincidence). She seemed to try and block my advance (a sort of 'dribble' with umbrella) and a swearing ('go to h...', something like that) escaped through the corner of my mouth as I ran past her. Some days later I got a postcard from her sent from Rakkestad ('rakkern' = the devil), and on 5.5.95 a letter from a psychiatrist who offered me a consultation in his office - on an initiative from a colleague doctor of Ragna Gröver (and once Gröver/'Mengele').

On 22.5.95, I wrote in my diary what happened in the night - when I woke up and repeated with a faint whisper over my lips, as if it should be very important: "Two very thin three-blocks". I did not know what it was that was said in my mind in the early morning but important it was. See Chuang/Halliday's Mao biography on his last minutes. Hence the death of Mao. Orderud Paust was murdered 4 years later.

4.11.95 - Yitzhak Rabin murdered.

These temporalities can be used to compute various things. 174 days = 17/4 = male diagonal, with a female MOON to the national day 17/5. Backwards from 7/9 takes it to another 17/3. 222 = 22/5. Hence categorial swaps on gender.

I suppose it could be about 'give shock rabbit', 'give to wastebin' and similar constructions. Is there a female jewish rabbit who has got electric shocks (possibly in rectum while drugged) and eggs removed via the same area? That would be a dirty trick for controlling people's 'free volition'.

I notice also the name of the current UN chief Ban Ki-moon

My title "A waist of time" looks fine relative to this 'give to wastebin'.

I suppose the planned trick of british secret service could be to dump the blame for the death of Mao on me - and that turns the roles around also relative to the jews via Rabin. Hence Sharon?

National Feier-Tag (17 May is national day in Norway), National Trauer-Tag. National Heuer-Tag = the Jar connection.

Was the organist in Molde in the sixties called Höyer-Finn?

There were also 185 days from Orderud Paust 22 may 1999 untill I was presented for a psychiatrist on 23 nov 1999 after driven to the place on JFK assassination day 22 nov. This half year could be contained in the half year lacking for 10 years after 11 sep 2001 in the Tokyo disaster recently. There is also a calendarial telescope over 185 going back to 1814 when the national day was founded on 17 may with the norwegian constitution on Eidsvoll.

If people are inclined to believe in the inner voice which tells them to throw my letter or book contained in it in the wastebin, then it could be because they would tend to believe that the offer from Ragna Gröver on the stairs on 7.9.94 were by a loving mother who would give the difficult son - who tries to isolate himself in spite of all the help he has got - the chance to reject the offer of terrible Mengele chemicals in the blood (although there does exist a photo of Gröver/'Mengele' in anorak very similar to a photo of Celan in same sort of anorak), and therefore people can be invited to believe not only that a rejection of me is right even for myself ('it is to his own best if you throw that book of his away', tells perhaps the inner voice when my parcel arrives in the post), but, perhaps even worse, they could be inclined to believe that all I have written on this website about the Klipra connection is pure nonsense. That would be for the Jar connection - to bottle the story and put a cork on it. If the earthquake of Japan were made by a nuclear hydrogen bomb, it could have been for creating just this effect - supported even by the name of the chief of UN which thereby could serve to tell 'ban John Bjarne Grover'. The result of it could be a british control with the minds of the people - who thereby can be controlled by terror and propaganda. In particular if academics and intellectuals can be controlled in this way, England may hope to rule the world monarchically, not the least by divide-and-conquer on the intellectuals, and it may be that there are plans for a series of terrible quakes which could have been planned even since the one of Prince William Sound in the sixties - which also could serve to design me as a dirty beast in the revelation onto whom the blame for terror and can be dumped. If this is the reason why you could think that it is right to not answer a letter from me, then it is perhaps a good thing to try and understand it better (if you hear a vague threat in this formulation, then it is not from me!). It would be a pity if e.g. the jews mistake the situation on such a basis.

The story of Ragna Gròver 1994-95 constitutes in fact a proof that the super-scandal is a fact. If one enumerates the letters in the name of YITZHAK RABIN (or maybe it should be done in hebrew) from 0-1-2... up to 7-8-9-10-11, the last three are superfluous if 'give to dust-bin' is the construction to be obtained. Then the time data in the two earthquakes of Bam and Banda Aceh seem to be the code for the conversion:

Bam = 26:12:2003 at 01:56:52
Banda Aceh = 26:12:2004 at 00:58:53 = 12:58:53 (Rabin was PM)

This explains why the manuscript I sent from Paris to copyright registration in Washington in mid november 2002 was registered in their reception on boxing day 26 december 2002 - which was rather slow post if it had been a normal sending. (I had invested in an 18 euro hotel room for one night for glueing the photocopies of the handwritten manuscript together in a book format). It suggests that the registration of the parcel had been delayed because the US authorities knew about this scheme in advance.

It seems that the formulas 'yi/gi til [=give to] dustbin', 'gi til diasporan', 'give up the diaspora' and other formulas can be arrived at through the temporalities of the two earthquakes which are named by the constituents in the name of Rabin for the formula 'give up the diaspora' (and hence, for example, throw my book - such as this 'ABC of politics' and other works of mine - in the dustbin):

yi-tzha-ak ra-....bin
yi-tzha-ak dia-sp-bran/barn
yi-tzha-ak dia-sp-BAM
yi-ACEH-ak DA-sp-BAN
yi-HECA

But this is a PROOF that the super-scandal of hydrogen or other nuclear bombs dug down in the earth can be the main constituents of disastrous earthquakes - such as Bam, Banda Aceh, Haiti, Christchurch, Sendai/Fukushima etc etc.

The story of the Octogon is the story of how I had to be in bed with 8 married females and had to do it on my own will, while at the same time it had to be obvious that this had been planned long ago such as apparently evidenced in the Eisenhower doctrine of 1957. But that means the story of the DOG - and hence 'Prince Williams Hound' of 1964? If that quake not far from the Kodiak of Alaska - in the region of the 'ingolfur' - preannounced this series up to e.g. the wedding or at least appearance of prince William, then one can perhaps conclude that the chance that the quake of Sendai in Japan on 11 march 2011 was a hydrogen bomb is in fact quite large.

It would likely have to be termed UK/US state or secret-service terrorism. The purpose could be to spread the gospel under the name of 'divine' sanction and will being expressed through the forces of nature (including Downing Street or the White House?) - and people are supposed to take faith in those quasi-divine forces and accept them, however disastrous they are.

The book I sent and had registered on 26 dec 2002 constitutes perhaps a proof that US authorities knew about the plans in advance. But I did not get the receipt for the registration in 2003 - although I got in early spring 2003 a letter asking me to confirm a detail in the book. I had moved in the mean time and so the receipt could have been sent and not reached me. It was probably as late as 2005 that I ordered a copy of the receipt from the governmental ccopyright office and got it with this date 26 dec. In 2008 I sent another book for registration, from Athens. It took a very long time before it was registered - I think it was as late as 2010. Processing time was very long - seems to have been even more than 2 years. Perhaps just a little more than 2 years?

It must be added that the two emails I got on thursday before the giant quake on friday morning were from two people (in norwegian and swedish administration) whose names were very close to Yitzhak Rabin and Aceh Banda - 'Astrid Sörbom' is the swedish name, her email from the swedish foreign ministry @foreign.ministry.se arrived on 10 March 2011 at 10:19 AM, and 'Arvid Jansen' with email from the tax office Skatt Nord in Tromsö @skatteetaten.no on 10 March 2011 at 12:11 PM - the latter one told that they or he would send the pre-filled-in income declarations in a little more than a week ('Sendai [after] a nuke'?). I would normally not have mentioned the names of these senders, but it must be admitted that the precision in the names is so striking that it deserves mention. A little more than a nuke could mean a hydrogen bomb - fission plus fusion - but fusion is of course also a nuclear bomb. This means that this is very close to a PROOF that the Banda Aceh quake was correlated with the death of Rabin etc. And hence that the Sendai quake was for rescueing the jewish diaspora (like my doctorate work)? It hasn't arrived yet, on tuesday 22 march, but of course the post can take some time and the sending can still be somewhat delayed. However, if it takes more than a week exactly, even if it were preannounced to take a little more than a week, then it means NOT A NUKE - and then the reason for the quake must be something else - such as a Dirty Beast expressing itself - here by the doctorate dissertation I had given to the libraries and which had been so badly rejected. But it could still mean A NUKE administratively.What for? I hope it does not mean a nuke if the local authorities do not agree to opening my skull for dropping things in there, or some similar form of 'celebration'.

'Give up' is an expression which in norwegian also is used about 'declare income'. Hence if the construction also means 'give up the whole shebang', it looks like some speech act. It can of course mean 'give up the whole web page shebang' and I would very much agree with them there, but then why another hook of this kind which I simply have to be concerned with for several days? This superscandal is all too important for the world and for me, and if it is only I who can spot it, then I have to write just another few pages of text about it. Hope this is the end of that webbing story, though. If it be about 'give up the whole income' in the sense of a giant sum of money slamming into Japan and calling for declaration, then it could be about a secret agent's bank account - which I do not have.

If my book submissions are a part of the 'dustbin' complex around Rabin, then it is hard to believe that the Oklahoma bombing was totally unrelated to this. And one must consider it possible that the US government was involved in that. Clearly if I should submit a book to review at a publisher, a rejection is perhaps inevitable on background of the personal relaions of the sender on background of 1994-95 and 2003-2004, and a rejection of the book would be felt as a disaster not only for me but perhaps even more for those who could come to feel the effects of the nazi intrigue. That is why I hope that somebody else could find a decent publisher for my works.

It is likely that seismic data can be used to establish whether it was a natural or a nuclear quake. Official data can probably be used to establish who made the bomb and who pressed the button and it is natural that the terrorists should pay for the damage. A thorough critique of british spiritualism is needed: These things are not about government - it is about irrational bloodthirstiness with a quasi-religious taint. That quasi-religiousness should not be allowed to take on the form of accept of terror among the people of the earth for reasons that they believe that a quake is an expression of the divine. The quasi-religiousness is a human error and should be subjected to critique as such.

There is no doubt that the british election in 2010 was 'rigged' in the sense of the BP blowout in the gulf - that was the mexican and not the alaskan gulf, but 'rigged' it was. The question is whether the 'revolutions' in the mediterranean and arabic regions is an attempt of international or british secret service to extend their 'democratic' control to a global scale. Most recent news tells of lots of bombing of Libya. Gadaffy has explained that some rebels broke into some weapon stores and stole guns and started the revolution. Gadaffy gave the rebels a couple of weeks to put down the weapons before he attacked them - which sounds like decent behaviour. I don't know what was the situation in Libya neither before nor now or if there was a good reason for a change of system in Libya (could be there was, of course), or if the news from the place are based on reports from the rebels themselves only. If so, it is possible that the current attack of the western forces on the country is for the bloodshed only - which would mean for the sake of terror - around the time of the Sendai quake. If there are plans for a third and fourth world war, it would be for the consolidation of the rule of international secret service - which means nazism and everything the opposite of real democracy. The bankruptcy of Iceland in 2008 could have been part of the same scheme.

I add another few observations of more or less relevance:

I hope the plan is not to put me or some other relevant person in preventive detention, for example by arranging some intrigue or crime for which the blame can be dumped on me. My piano teacher in the early seventies was called Trygve Madsen.

One could construct a theory suggesting that the quake even could have implemented contact details of www.helenegrimaud.com, and the reason for this would have been in the short scene in the street of 17 april 1995 which could be interpreted as 'hele negr-i må ud' (there was a reason why I - another 'negr' - had to go out of the house - which could have been related to the date 20 january 1995 when I thought that I re-experienced something which could have been a trauma of 20 january 1959). Tony Blair took over Labour during the Rwanda genocide.

In 2010 I discovered that there had come lice in my citrus plant pot in my living-room window - hopefully not left there by some intruder who had all the keys. But how could the lice otherwise suddenly have arrived there? Could it have been an amail faster than the speed of light? When I watered the pot they came up in swarms crawling all over the pot-earth.

In my high school class 1973-74 there was also my classmate Lore Diab from Skjeberg. She was half egyptian, half danish, quite exotic and interesting. Could be one could even call her 'damish'? ('Den egyptiske dam[m]en'). She knew some bellydancing and her father was running a tivoli. She had a party for the class in her home and while the rest of the class was partying downstairs, we sat on her bed listening to Rimsky-Korsakov's 'Sheherazade'. I believed and could still do that it was not planned in advance. Must have been in 1973 or 1974. Could be such a party could be called 'klass[e]-kav', cp. 'Glasgow'.

It was the ship Glasgow that came to the rescue of the norwegian king and crown prince in 1940. Trygve Bratteli was vice chairman of Norwegian Labour (= DNA) after the war and resigned as PM after the referendum on EU membership in Norway in september 1972. (http://www.jstor.org/stable/i288815). 'Te brygge latterlig' = 'to quay ridiculous'. One notices also the form 'the whole shebang' rewritten into 'the shib-ang-omst' = 'the arrival of the ship'.

I think it was in the seventies that Ragna Gröver referred to the rather cynical use of the word 'mors' in hospitals. Mario Zorzetto lived under me in Venice and died around the time when the contract should be renewed - and so did the neighbour E.Zuin as well.

Added on 28 march 2011:

To consider the hypothesis that the earthquake of Japan could have been a nuclear bomb and even been about the addresses associated with Hélène Grimaud's new record, I bring some further details on this issue and its possible relevance.

My official mother Ragna Gröver (born in 1929) told me in my childhood three things about my uncle Per Devold Eidsvig (born in 1945) in his own childhood - at least these are the three things I remember now and I don't think there could have been much more:

1) Once she found him torturing a cat by pulling out the hairs (whiskers) from its snout

2) He once in a fit of anger used an axe to cut himself through a closed wooden door.

3) He was a passionate reader of Astrid Lindgren's Pippi Longstocking (I think this was about him)

(I think perhaps there could have been a trifle of a story about something from Visthouse, could be something like a 'Tom Sawyer' style, but this is too vague in my memory to deserve mention here).

It is only today that I have to recognize the name of 'Hélène Grimaud' in the first story ('grime' = 'halter' is the gear worn by horses on the snout/mouth - not exactly the same but a related matter) and 'Aix-en-Provence' = the story with the axe in the 'pro-wall' = 'closed door'. Of course it need not have been the original contents of the mention - for example, 'eggs en provence' could just as well refer to the Kennedy factor - but there is a certain affinity today. For the cat in the first mention I could perhaps refer to the association I sometimes have made about Per that he - for whatever reason - reminded me of a cat stuck in a family tree - as for a 'Mao' and 'Mjao'. Hence there appears - at least in the present analysis - to be a connection between PDE and HG. If that should have been taken to mean that Per Devold Eidsvig (cp. 'perd ever/evil date-s-vig') were the 'secret lover' of Hélène Grimaud, then her 'secret rival' would have been Eidsvig's finnish wife 'Seija Anneli' (age more close to mine) whose name is pronounced like 'CIA'. ('Han er leid svig' = 'he is hired treason'). However, Eidsvig was married to Marte Eidsvig from about 1964 or was it even late 1963 - and I have earlier discussed the theory that she could have been Marilyn Monroe. I cannot have any opinion on this matter, except for the general conclusion that of course she could in theory have been an edited version, although many could of course. However, the relevance of the idea for the present analysis would be in the fact that Per and Marte divorced around 1970 or 1971. One could thereby find an interpretation of the third story as follows: All the girls in Klipra considered Per the world's most attractive prince and when even Monroe got a photo of him in the post, she immediately decided to leave all the biz behind and go for Klipra to marry Per (for which reason she pulked off in 1962). They lived happily together for 7 years, but then one day he met Hélène and fell in love with her and Monroe could not battle the charm of the young girl and divorced from him, whether that was due to factual infidelity or only simple jealousy. This 'knock-out' on the world's most attractive woman (Monroe) could have been the third mention of PDE in his childhood - that he liked to read Astrid Lindgren's 'Pippi Longstocking' - the world's strongest girl.

Evidence of this idea can be found in the two massacres on political parliaments: In the parliament of Zug in Switzerland in 2001 and in the local municipal council of Nanterre at Paris in 2002. 'Tanten' = 'the aunt', hence 'Nanterre' with movement of the nasal. (Jacques Chirac was president during the Nanterre massacre and has later been in court for allegations of involvement in terror - which could mean that it is not so funny to allow such CIA 'projects'). 'Friedrich Leibacher' can rewrite to 'CIA Annelie Eidsvig' (and I notice that Henning Lönn once published his own political newspaper in Fredrikstad called 'Fritt mig' = 'free urine'), and I suppose 'richard' could be about a 'reader-art' of a window or photography lens. An infant's oral space is not the same as the later constitutional institution of a 'parla-ment'.

Gröver/'Mengele' had a slanting nose which had been knocked out at some occasion or other. I noticed it one day in the seventies and wondered a little why I had not seen it before. I think he told a little vaguely about having fallen into a barrel ('krut flydenrundt'?) in his childhood or something like that. It could in any case have meant 'nok-ud-i-naf' ('knock out in the nose') as for 'not goodenough'. Could be he meant to say that he was a foreigner and had come to 'Norwegen' = 'nok-wud-anf' = 'nok-ud-i-naf' etc.

1970-71 was also the year when the school dentist Aulie at Trosvik school ('faith-treason school') destroyed my puberty-onset teeth with putting heavy metal into nearly all them - the metal was running like tramlines through the teeth which had been healthy before the 'treatment', as far as I could determine. This phenomenon could then be recognized in the element of Ole Devold's 'tricotage' ('trikk' = 'tram') factory in 'Langevåg' at 'Ålesund' since 1852. It is Ole Devold's name which is the mid name of Per Devold Eidsvig. 'Ta skje' = [ta she] (normal mid level e) = 'take spoon'. When Norway was to decide on membership in EU in september 1972, prime minister Trygve Bratteli put his position into election: He would resign if the people voted against membership. Which they did. 'Tbrygve Latterli' = 'to quay-wood ridiculous'. 'Rygg-ve' also means 'pains in the back'. (Later FM Knut Frydenlund died in the toilet cabinet during an official dinner on 26 february in the late eighties - it could have been for the equation 'taburetten/tabletten' = 'krut fly-den-rundt' = 'gun-powder fly-it-around', hence 'ratteli' = 'latterli' = 'ridiculous'. I recall from Volda we were driving in the T-262 behind T-261 and Gröver/'Mengele' pointed towards the registration number in front with his index finger - and there was the story of Gröver/'Mengele' childhood when the boys decided to build an aircraft but did not have the materials and therefore could not take it further than making the tickets = bil[l]etter for sale). This could reinforce the idea of a 'dirty beast' if 1) Per Eidsvig = me and 2) Hélène Grimaud = me, in which case I would be 'ole devold' with his 'tricotage' = 'tram lines in the teeth of 1970-71 taking the spoon'. One notices the further relevant connotations in 'perd evil'.

Now if the contact details of Grimaud is the 'contents' of the potentially nuclear earthquake, then one can make a surprise discovery of the present complex even in my own current contact details:

Pf.15
1152 Wien
Austria

which could look a little like

Per
Eidsvig
oysteria

= the oyster farm of Bjarne Eidsvig at Vågstranda where I used to meet Per Eidvig in the summers of the sixties.

It was the post office who instructed me to use Pf.15 instead of full form Postfach 15. The difference 'Ostach' is in fact the location of the train crash in Norway at Åsta on 4 january 2000 at 13:13 when I was under forced psychiatric treatment (by a dr with name close to 'Haiti'). Midori is born in 'Osaka', cp. also 'Falchaasen'. The spoon of my Venice neighbour 'Mario Zorzetto's name can perhaps even be read 'sorry, John, must travel on' ('sorry, John, må videre'): It is likely that I had no chance to avoid this postal address Pf.15 when I left Venice in late 2009 and that it has been planned at least since 2000 but probably earlier as well.

After my doctorate dissertation had been rejected in the summer 1998, there was an informative exhibition called THE BRAIN arranged by the university of Bergen. It had the following list of sponsors, here with my interpretation: 1. GlaxoWelcome (= Gröver, John?), 2. Pfizer (= Pf.15?), 3. Lundbeck (= 1152 Wien?), 4. Radisson SAS Hotel (= Österreich), 5. Bergens Tidende, 6. Studia bookshop. I hope the exhibition was not an explanation to why my dissertation had been rejected - and that 'the brain' in question is not equivalent with a 'stink-kasse'. In 2002 I did apply for political asylum in France.

If the identity of Grimaud and me (in terms of the 'tricotage') means that she mythologically is my wife, then the further identity with Per Devold Eidsvig could invoke the political relevance of the story of the first settlers of Iceland: Ingolfur Arnarson, Halgerd Frodadottir and Hjörleifur Arnarson. It seems that the mythology (which even seems to be present in the complex around Schmerlings Platz in Vienna, at the parlimanent between Hansenstrasse and the end of tram line 49) could be about Hjörleifur and Halgerd being in an intimate relation when Hjörleifur's own brother Ingolfur comes around and throws his brother aside and takes over the intimacy, which would be when he was 'in golfur' 'making loves' and the brother 'making loaves'.

This could even have been the background of Gordon ('Kudrun') Brown and the BP oil rig blowout in the mexican 'golfur' if one recognizes 'Tbrygve Latterli' as 'Tbilisi Latterli' = Ivo Pogorelic married to Aliza Khezeradze in Tbilisi with the ridiculous story about the arsenic. The story could have reached media attention after her death - but it could have made an effect on me before, which could lend some support to the idea that Khezeradze was murdered by e.g. international secret service. I have no reason to speculate that Khezeradze could have been Grimaud's mother - except mythologically - which could have enhanced the identity of Pogorelic with my role in the Octogon. And this seems to be a story on a basically mythological level. (My underneath neighbour Mario Zorzetto in Venice used to have two bottles of water standing at his housedoor before he died in the summer 2009 along with the other neighbour E.Zuin, hence a 'mors-1-2' = 'mors-ett-to', but I would suppose that any ideas about Darlen Bakke in the story at most could have a cover function only). One could continue the speculations (I have no reason beyond the present data) that Midori's parents (if she is the mythological daughter) could have been chinese, if she is represented in MLR oct 1971, for the tricotage parametre.

My mid name 'Bjarne' as a counterpoint to Eidsvig's 'Devold' is a very strong argument in favour of this analysis since it contains the form 'barne[t]' = 'the child' but with a J inside it - although not into the end but into the front of it, just between the 'B' and the 'ame': 'Amme' = 'to nurse'. It may be that even I have been 'ammet' ('nursed') by Hitler, although in the other end. This could have been turned around with the school dentistry, which could be seen as a rape / abuse in the other end - at least to the extent that the drilling was unnecessary, which I think it was. Also, the tram lines were too parallel etc. The J in my name could be the J of Italy - with Israel as the counterhook the other way, like Iceland relative to the J of Norway.

It is this complex which makes it permitted to recognize my contact details as politically relevant if the plot is to gain control with the settlement history of Iceland - for a political control with the settlement history of Israel and the status of ancient hebrew texts on the other side of the swastika on Europe which contains Italy which could be the real target of british interests - in which case the 'nuclear' earthquake - if it were an earthquake and not only the globe's desperate response to the rejectedness of my PhD dissertation - could be about imitating this ancient story from Iceland.

"Per/Fair J-ry Hen" which could be about a significational role of photographer 'J Henry Fair' in Grimaud's own biography (I notice also 'Tony Blair' and 'Rimsky-Korsakov'). The jewry of Wien is in Seitenstettengasse. I notice also China's premier Wen.

'Du lyt tåla det, Blessomen' is a saying from the fairy tale of Asbjörnsen and Moe (1850's or thereabout) called 'Jutulen & Blessomen'.

This biographical complex could in fact have a further background (which makes it interesting for political abuse) in the history of modern philosophy where John Rawls gained a prominent position since the seventies. His work is about 'justice as fairness' and his name invokes not only the concept of 'awls-john-R' = 'Ålesunder', like Adolf Hitler / Aron Eidsvig (and Per Eidsvig) but even the grammarian 'Ivar Aasen' who deciphered 'Sunnmörian' around the time when the briton 'Rawlinson' deciphered 'Sumerian'. (One could add even 'John R.Searle' as 'Sörli-sunder', cp. Seutelva with the Gressvik/SIMO mysticism, as for Microsoft in Seattle). LSJ had his shop and stores at 'Rolvsöyveien' = 'Rawls-[s]öy-veien' for a while - and there are other aspects of this place which could have been the background of CIA director Robert Whoolsey = Whopper Rawls-[s]öy. A 'söy' is a female sheep. Darlen Bakke and Simon Walther Hauge lived at Rolvsöy, and my house at Rekustad 1977-78 was next to theirs.

One could therefore recognize an anglo-american interest ('intention') in mixmaxing Mao's 'cause of death' with me - if, for example, one recognizes a link of some sort between my official sister Vibeke Gröver Aukrust and the death of Mao in 1976. She was born in Ålesund in 1955 and is an 'Ålesunder' from that point of view, although the family moved on very soon after her birth and never returned residence to the place.

This means - as could have been the sensational contents of Rawls' philosophy or at least role in philosophy - that Adolf Hitler was a briton - since Ivar Aasen was 'Ålesunder', Rawlinson was briton, and 'John R.Searle' similarly can rewrite to 'german[y]'. Which means that a successful swap of Mao's assassin (if there were any) with me could serve to redirect Hitler's citizenship from England (as the assumed location of his birth and education as secret agent) to Germany. A 'Sölesunder' could be the origins of an offspring of an 'Ålesunder'.

It seems that there could be much LSD in the combination of names of other philosophers of our time, such as for example Jacques Derrida, for the same complex. It is likely that such 'LSD' philosophy in actual fact could be a matter of 'LSJ' philosophy - which in theory could be about Leif Stene Johansen, a hypothetical postpulk version of John F.Kennedy since 1963 and hence the Kennedy factor which means simply Auschwitz, which thereby would be the constitutive factor in postwar philosophy. It can be said that Auschwitz = cynicism = the dog = me with the Octogon. I mention another few philosopher names (from Reclam's 'Gegenwart' overview of the history of philosophy) with potential relevance for this complex:

Hilary Putnam = Hitlery Vietnam? There is also the story of me going to Rome after the neighbours underneath had complained on 'production sounds' from the flat above Kirsten Ribu (Eisenhower doctrine #5?) where I had lived with her for a few weeks or months at the end of 1980, and in Rome I met Hiliry Harvey - a sort of 'put-nam' story - i don't know to what extent it could be relevant even to the name of Hilary Clinton.

Stanley Cavell = Kennedy saviour? The LSJ factor.

Michel Foucault - my 'tricotage'.

Karl-Otto Apel = the double identities in the contact details?

Philippa Foot = feel lip of foot = the 'tricotage' factor.

Elizabeth Anscombe: Tann-skum = tooth-foam.

Richard Rorty = Fitzgerald Förde vs Richard Rörty = the 'Arnarson brothers' from Iceland.

Even John Henry McDowell could be cited as possibly relevant to the Per/Fair ambiguity in my postal address.

This is what makes the story of the contact details a potentially attractive object for a political plot involving a nuclear bomb. It hit Japan - if it were a bomb and not nature itself - but the political target could have been China.

It was when I travelled from Rome to Oslo in the spring 1981 that I came to Copenhagen and bought a couchette ticket for the night train on to Oslo. When I came to the train in the evening, I met Per Eidsvig (and daughter[s]) - he had got the same bed as me. We were double-booked! I took the bed and he had to find another. It is hard to believe that it could have been a coincidence. He had been in Copenhagen for some badminton tournament, as far as I understood. He is a badminton and mountaineering enthusiast, born in 1945, the year of the processes against the nazis. 'Forrædsvik' could mean 'high treason treason' or thereby 'double treason'.

I refer also to the tragic story of my telephone as an alternative contact possibility: In 1986-88 I was so much troubled with telephone terror that I had to give it up. In fact at the end of the series of silent phones I could predict the time point in advance on basis of the hypothesis that it was Ragna Gröver who called - as if she had something to tell me. Contact was established with the ringing tone and when I lifted the receiver ('röre[t]' = 'the tube'), but then it seems that the contact must have been broken very soon thereafter - at least the oral contact - as if it could have been about a 'perd-evil date-svig'. But this slightly farfetched interpretation has occurred to me only now after the japanese quake. Then I tried to reattach a phone in 2000 and was happy about it for a few days or weeks untill the phone rang and I lifted it and it seems that british military attache Stephen Saunders was shot in Athens around the moment when I lifted the receiver. His name could indicate a contact not above but 'unders'. Cp. also 'Stanley Cavell' and 'Michel Foucault'. I contacted the british embassy in Vilnius for informing them about the phone and time point - whether this contact of mine was what allowed for a dumping of the stress on me or if it could have been the situation in general, I don't know, but the experience was so horrible that I had to give up the phone once again. And I am left with the postal channel only. In Greece today, it is in principle not possible to open a bank account without having a telephone.

I can add also the story with the french erotic magazine 'Union' published on 1.2.3, the date of the space shuttle Columbia's disaster, which was the target of my searches around Paris untill I found Hitler's postcard. The magazine, which I also bought since I had seen the front page of it in an inner vision in Vilnius in 2000, contains an illustrated article called 'La douche' with two persons who invoke associations in me as far as similarities with Per Eidsvig and Pernille Lönne Christiansen are concerned. I think the latter (cp. 'Berliner') lived in Frydenlund's street when her mate PAS passed away, and Frydenlund passed away in the cabinet some time later. There could have been a 'ladd URS' = 'loaded URS' in the story of Laura Devold and Quisling murdering Lenin in 1924, whether the story be true or not. Cp. also 'la douche' and 'ladders'.

It is the mythology = philosophy which counts in this politics, not the historic facts, could be the impression. But contact must be factual and not only philosophical if it is supposed to lead to anything. The political interest could be in just this interface - between the jewish-genetic diaspora's international culture, which could threaten an anglo-american international-secret-service total control with thought and behaviour, conceived of as 'telepathy' vs the realm of factual signal communication such as TV transmission. This could be contained in the concept of pavlovian reflex to impulse. I refer to Rawls' last book which was 'Justice of fairness. A restatement' from 2001, published on the Belknap Press of Harvard University Press. © 2001 by the President and the Fellows of Harvard College - suggesting that the metalware in the teeth and the 'fellows' = Ole Devold's 'tricotage' factory has the copyright.

It is this difference between inner and outer contact between people which could be the target of the political intrigue, and that is where I am concerned with not being the victim with an alleged pretext for attack by way of the label of 'Satan' or 'Ole Devil'. As well as further apparently british intrigues on my person such as 'Mao's murderer' and things like that - which even could have been the intention with a nuclear earthquake. There is a mythological level and a factual level, as in the 'telepathy' vs signal level of contact details between people. This means that the complex could have been invoked for a divide-and-conquer strategy on not only the jewish-genetic diaspora, including possible genetic offsprings from myself, but even among intellectuals and artists.

Just to be explicit: I did not murder Mao and I have not been into anybody's private chamber for gasing/drugging and raping with a 'Stephen Saunders'. Nor have I done anything such around 1970. I have no reason to believe that anybody has done anything such, nor can I guess on whom it could have been if it should have happened. But one could believe that this is a mythological complex only.

International secret service seems to be interested in gaining control with thought and behaviour and hence with controlling the intellectuals and the genetic and spiritual contacts between people.

Could be the purpose is to create controlled pavlovian reflexes to impulses which can serve to put one human up against fellow beings, even within family and genetic connections. I refer to the swedish film "I am curious yellow/blue" from the sixties with the attack on the wall-poster of Franco, who could have been in the role of the 'ole devil' in the film. The hand holding a wooden shaft of a knife is even the theme of the Apenes murder of 1978 and could be seen as a transform of the christian mysticism on the nails of the wooden cross. Cp. 'pav-love-ian in-pulse' and reflex ('use a lamp') and the attempt on the pope in 1981. A christian holding a mobile telephone? The sudden downfall from myth to apparent fact supposed to create a sudden recognition of Satan? I know nothing about this, though, and should not speculate. However, I add that I got the book 'Fra panflöyte til elektronisk musikk' for Christmas 1969 (I got it for Christmas in Molde which means this year). It is by Benjamin Britten and Imogen Holst (not Johan Jörgen Holst!), norwegian edition by Kristian Lange, translated by Reidun Berg. Benjamin Britten = 'but the bone/leg is british!' - as if it should have been about the surprise news that Hitler were a briton.

One would believe that an administrative control with thought and behaviour would be tentatively obtained via a control with the fine balance between Hitler as english vs. german. Which also could mean the control with who murdered Mao, if anybody did, on the background of the present complex.

I add the peculiarity that 'Khezeradze' in georgian seems to indicate by various subsegmentations some concepts like (via german) 'Baum wegen der', 'auf der Friedensvertrag', 'auf der Anzeige', hence 'der-wegen' = 'Nor-wegen' from the Baum via Anzeige towards Friedensvertrag. If this is correlated with Rwanda (for human bottom) vs. Veranda (for female breasts), then one could get something like 'Stolzenberg', and hence 'Aliza Khezeradze' could be the reference in Monroe's "The prince and the showgirl" (1957) where there is (as far as I remember) a single mention at 01:41:36 of an 'Elsa Stolzenberg' for whom one should make a passport. Her name in the rest of the film is 'Elsie Marina'. Cp. also current PM in Norway 'Jens Stoltenberg', with natural connotations to 'statsborgeren' - relevant also by the reply letter from the swedish foreign ministry. In 1957, when this film was made, Aliza Khezeradze would have been 20 and probably already discovered as a piano talent in Georgia. The prince of Monroe's dreams was from 'Carpathia', cp. 'Klipra' of Per Eidsvig. Around 1957, Trygve Bratteli was in the government and was for a long time #2 in Labour after Gerhardsen, for which reason Bratteli was a self-evident candidate for a future prime minister. This could have been the reason why they picked a young piano talent from Tblisi as name for the character in the film.

The role of my norwegian citizenship could stem from this 'meaning' of Khezeradze's name.

This story also explains the strange story from Rekustad in the winter 1977-78. I firmly believed that I had made up this idea myself of looking for an old farmhouse to live in, and I think (if I remember right) that I contacted Simon Walther Hauge on own initiative. He recommended the house next door, which had been empty for a long time. I lived in the farmhouse Rekustad from the summer 1977 to the early spring 1978, but was away from the place during the cold winter weeks when I lived at Råbo Larsen. The water froze in the old house and somebody must have been in there and opened the tap, and when I came up there later I found the kitchen floor flooded with frozen water. I threw the ice out through the window, but with a feeling that it could of course have been fluent on the floor there for a while. In short, it was not impossible that 'all is a käse-rat-se'. This form could have occupied my mind at least for a brief while. The water must have run along the floor and down at the corner to the wall and soaked the lower horizontal beam carrying the vertical beams holding the roof and walls: If this lower horizontal beam had to be changed due to the 'käse-rat-se', it could be called 'hele ne-grimå-ud' ('grime' means not only the halter on the snout of a horse but even this low fundamental beam of a timber building). It may be that this story is contained in a 'Whopper Rawlsöy' - cp. Seija Eidsvig etc.

MLR october 1977 - which probably was the last before this happened, if it were not into january 1978 - tells of a form resembling the name of my schoolmate 'Raino Malnes' - and today I could wonder whether there was an attempt to link his name to the story - the first title is this:

A new Reynold - Milnes letter: Were there two meetings between Keats and Coleridge? By Donald Lange

This could suggest that somebody had been into the house and installed some 'kits' on the water pipe (there was only one single tap in the whole house, the cold water in the kitchen, and that could be called the 'Colerinse') and drain, and when I came home for some brief errand I would test the water - and it looked frozen. When I later came back and found the ice on the floor - how could I know that I had remembered to close the tap when I was there last? This was indeed also what happened.

If there were two meeting between kits and Colerinse, it would have been when it was closed, after which I came and opened the tap, and then the pipe kit had to be opened again: Then there had been two meetings.

I add the following observation on the second title in MLR oct 1969:

Donne's "The Dampe", Lines 22-24. By R. Selden

which could be about the 'dampress' (cp. Obama) of Iliad 17:309: "ton bal hypo kleida mesen, dia d'amperes akre" = "Donne's [...] Kheze-da midti" plus righthand side of the comma which perhaps could be interpreted as "RAZ", with support in the role of Keith Vaz in Blair's government. Then the [...] comes out as "val hypo" = "al i va" = "Aliza" if Keith Vaz = Keith Raz. One could guess that this equation was the reason for Vaz in the british government. Including the aspiration of 'hypo', letters 22-24 in this line = DIA, as for the nursing parametre. Lines 22-24 in book 17 tells of an exulted heart with a 'good ashen spear'.

On this background of apparently extensive intrigue, it is not necessary to believe that Per Eidsvig or anybody else mentioned here has been around with drugs and ladders at night-time or been involved in illegal matters of other kind - nor is there any reason I know to believe that Grimaud should have been abused in any way - there is apparently enough propaganda on the matter to make it a political complex anyhow. One adds the propaganda potential in passion designer Facebook vs. Per 'Spuck' (as for norwegian fashion designer Per Spook in Paris).

I sent a letter on 23 march 2011. Since the contact address in Sweden seemed too overloaded with significance now after the apparent bomb-quake in Japan, I sent it via a Wolf Conservation Centre at South Salem in New York. I had written it on my home computer (Erstellt Dienstag, 22 März 2011, 18:50:09, Geändert / Letzter Zugriff Dienstag, 22 März 2011, 21:07:03) and put it in a postbox I think around 13:00 or perhaps a little earlier local Vienna time on 23 March. Already around 15:00 there were the news of a bomb outside the International Convention Centre in Jerusalem. www.haaretz.com reported that it had been in a bag at a telephone pole. One person died and about 12 were wounded. One recognizes the contact details, not only of 'South Salem' but even the 'Jerusalem-explosion' contained in the swedish contact name. I had not written the address on my computer but added it with hand, so the address may (unless there had been hidden camera surveillance of my home) have been unknown if the box was emptied as normal at 16:00. Israeli PM Netanjahu first cancelled - due to the bomb - his scheduled visit to the russian president - but I think he left a little later nevertheless and it was said that one would try and be restrained in the reactions to the bomb.

Clearly time has come for more openness on the story. If Israel cannot bomb back on England or USA or whoever put out the bomb in Jerusalem, they cannot continue to bomb innocent civilians in Gaza either only for telling the world that 'this cannot continue'. It seems that the only solution would be in more openness on the story. 'Bomb' back with publishing a socalled political secret. For example, 'Ålesunder Adolf Hitler' is an interesting bomb to detonate in return.

To sum up: If Rekustad is the 'Whopper Rawlsöy' of CIA, it could mean the complex of Khezeradze married to Pogorelic as well as Grimaud plus me as the one who possibly carried the responsibility of the water on the floor. But only apparently - it would seem that MLR oct 1977 credited 'Raino Malnes' or something like that (I have no reason to believe that he did it) which perhaps could mean 'Rhinoceros' = 'Neshorn/Hornnes' = 'Hamas' etc. If this complex means the icelandic settlers who could be imitated in e.g. the 'rigged' ingolfur british election of 2010, it would be for lifting this over to the other side of the european swastika - onto Israel. This could be the origin of the idea of first-settler irish monks on Iceland - the correlate west of England. But that means that if CIA (cp. Seija) poisoned Khezeradze in 1996, it was for a 'Tblisi Ridiculous' = 'Tbrygve Latterli' ridicule of me in Oslo, while Pogorelic suffered the personal blow from it. This would mean that if international secret service manages to ridicule the icelandic cultural heritage from the middle ages as a british fabrication from the 18th century (Scriblerus Club etc), with Bloodaxe (Apenes?) and Skallagrimson and all those, then the ridicule would correspond to the ridicule on me in Oslo by a 'Tblisi Latterli' plot on Khezeradze. And that would mean that the loss for Pogorelic would correspond to a period of downdrift for Israel. (Could be irrelevant, but one could notice a vague similarity of the name of 'Khezeradze' in georgian script with 'Bog'-o-relic - which then could mean 'Stolzenberg'). I would then be the icelandic who really would have been the diaspora jew - and hence the ridicule on me in Oslo would be a ridicule on the diaspora culture. Bloodaxe and Skallagrimsson and those could be the planned template of jewish diaspora culture or its definitions. It could even be that the Apenes murder - with me in the party in the neighbouring house - could have been for this Bloodaxe relative to me, and if Gröver/'Mengele' edited the form of my skull in my childhood and youth, it could have been for this Skallagrimsson. 'Eirik Raude' could even have been 'Krut Flydenrundt'. Skaalaglams and Tamburskjelve ('en öl på tamburn') etc.

But now I have written the book - 'POLAKK English Bloggi' - which can rescue icelandic culture from this fate, so maybe it won't come about after all for the diaspora. We must hope so.

I add yet another letter which so far is unanswered - or if an answer has been sent it has not reached me. It is to the jewish community in Venice: I gave the letter to the office there - I think probably between Christmas and new year 2009. I could not find again on my own those two persons from the reading room and thought perhaps the office could help me verifying the nature of the 'crafty' woodpiece and the snapping sound of the 'perding' item (cp. 'krut flydenrundt'). I notice the concept of 'stein on the racket'. I have here shortened the name I write about to the initials only. As far as the mention of the news on 'rally on Iran' is concerned, I have seen the same newspiece repeated often since then and don't know when it started. I make some mentions like "Bombings in Russia, China and Manhattan seem related to this book of mine" - I hope to be able to see beyond this level one day, but I am probably not yet fully convinced about the unreality of these ideas. Finally, as far as the question of nuke or nature in Japan is concerned, I notice the role of Sorbonne in the following letter. It could be that the concept of 'transfiguration' is more to the point - also when it comes to the peculiar patterns of 0-1-2-3... in the time points of the quakes - than the idea of nuclear bombs dug into the earth:

Vienna 24 december 2009

It was on 12 August 2002 that I had sat down on the bench under the Flaubert memorial in Jardin de Luxembourg in Paris and just started to read the first lines of the manuscript to my poetry book 'Lead lushions in a bowl' (for the first time for some months) when a woman dressed in black came towards me and sat down next to me on the bench. Her name was H...E... and she was a refugee from Iran, she told me. We talked for about half an hour or maybe more, although she spoke french and my french is poor, so it was mainly she who talked. She invited me for a dinner and we eventually went out the park towards a restaurant but I backed out in the last moment - she had understood my hesitation and I had hoped that she would let me go, but I had to back out myself. She had talked a little about terrorism and her husband was in prison. She had also brought a book by Ayatollah Khomeini which she read a little from. I got a little bottle of some fluid which one could smear in the palms (it looked like nitroglycerin so I could not carry it around and had no place to store it), and her name and telephone and a poem. And a mystery code - a number.

It was much later that I started to understand that it could have been what I called a 'poetic revelation'. It turned out that much of the talk and the walk could be recognized in the book I had just started to read - as if she had stepped right out of the text and the meeting quite simply was my reading. But it certainly did happen.

It was when I gave a (selfpublished) copy of my Endmorgan Quartet (books 1-15, the one I had read in the park is #12 in this series) to the reading room in the ghetto in Venice (in I think the spring 2007, probably) that something strange happened. I had given it to one of those present (there was also a third man standing a little to my lefthand side, a little behind me) and he had it in his hand and looked at the photo on the back page when suddenly there was a dry snapping sound in the air and a little piece from the end of a broom fell down on the floor in front of the one with the book in his hand. It seemed to have fallen out of the photo on the book somehow, as by cherubic symbolism. I said: "It fell out of the air!" He bent down and picked it up. I had not brought the woodpiece and I don't think he had dropped it either - it really seemed to fall out of eternity. Then came a woman in through the door - she was walking very resolutely and quickly and passed us three (outside or perhaps even between us - the one with the book was standing a little aside and we other two closer to the door) and went to the back of the reading room and seemed to ask those 2 or 3 sitting by a table there something. They seemed to look up from their books and respond something but I did not hear what they talked about - not the least since my attention quickly was turned towards the door where a pebble - a little flat and the size a little smaller than a normal palm, oyster size about - came hopping happily over the asphalt and over the threshold and in the door. It landed just in front of my feet - I think it even touched my shoe before it stopped its movement - just like the woodpiece had landed in front of the other one. I thought somebody had thrown it in and therefore I kicked it out again, but there was nobody outside, only a group of children at the well some 50-60 metres away and they seemed occupied with other things and could hardly have thrown it that far anyhow.

I don't know if the woman who had come in was a person known to those she talked with. She was somewhat similar to E... from Paris - only that she was dressed in western clothes, I think she wore trousers. E... in 2002 was sitting next to me for quite a while and when I later first told about the meeting I talked of a woman dressed in all black. This is partly due to my certainty that she was indeed in totally black when we walked past the area near Sorbonne and I looked to the side and saw her in that shiningly black dress or kaftan sort of clothing. But some time after I had first told this story there was an ad campaign in Vienna for some clothes chain with pop singer 'Madonna' who seemed to imitate some aspects of the meeting which I had not reported - and she was dressed in most black and some white above. I thought: Well, maybe they had this from a surveillance camera in Paris and this is a standard iranian costume. Maybe I remember wrong, I said to myself, and could accept the idea that maybe she had some white over the shoulders, at least when she first arrived. She reminded me otherwise somewhat of the poet Jorie Graham - same long hair - whom I later discovered had moved part time from USA to the nearby Odeon district in Paris (right on the lower side of the park, in fact) right about those days, and I fancied that she could have made this 'practical joke' with me and later told about it to e.g. the pop singer. In short, I was not certain that she had been dressed in all black (for example as far as the concept of 'black madonna' is concerned), but I do vividly recall those moments near Sorbonne and I don't think she could have changed.

I had some 3-4 days earlier been to the nearby chapel in Rue de Bac where the Madonna revealed herself for Catherine Laboure in 1830 - at that time in an armchair. Also, on 12 August 2002 I had just read the news on internet that two old acquaintances of mine (Ole-Johan Dahl and Kristen Nygaard - they had made the programming language 'Simula') were dead from heart attack (at least Nygaard) with 43-44 days interval, the first one (Dahl) on my birthday 29 June - and I went from the internet cafe over to the park and sat down on the bench. I was also in a general state of exhaustion due to very low economy.

Now the question is whether the stone that came hopping happily in the door in Venice could have signified 'H...' [first name] in hebrew and the end woodpiece of a broom 'E...' [second name] - that is, whether it was her name that materialized before and after she herself entered. I was rather convinced about the un-normal character of the two occurrences, not the least due to the dry fingersnap or whip sound which seemed to comment on the woodpiece. Could be the sound resembled the dry short echo from a sharp sound in a room of bare concrete walls.

I later tried to return to the reading room to ask if somebody remembered the incidence but was asked to go out again (and I notice the similarity with my own treatment of the stone). Some time ago I was into the centre on the corner and talked with some friendly people - I don't think they had heard the story but I briefly mentioned a few essentials from this event in the reading room. One of them said that there sometimes were some people meeting in the restaurant on saturdays and I could come by there. I was in a fine mood later in the same evening and next morning untill suddenly some time before noon the next day I was attacked by a strange stiffness in my body which seemed to get its explanation when I saw the news that Netanjahu had called for an international 'rally against Iran' - apparently that same day. I don't know if it was his words or if it was the news that had interpreted him that way. To me the words only meant the phenomenon of the namesake of E... - a 'rally doctor' who (according to information on the internet) lives in Paris with that same name 'H... E...'. She seems to be a doctor who takes care of people in the Paris-Dakar rally and things like that. The E... I spoke with was educated in osthepathy. For which reason I concluded that I had better drop the israeli or at least jewish restaurant - which explained the sudden stiffness in my body. If Netanjahu's call for a rally was related to what I said in that room the day before - there could of course be microphones there, and it could of course have been related without his conscious awareness of it - it is difficult to ignore the possibility that the newspiece could have been about the integrity of my report from the meetings or my person in general. If so, it is hard to look apart from the potential background role which could have been assigned to me in the form of a 'zwischenpapier' between the state of Israel and the diaspora. Lebanon was bombed after I had tried to communicate a few things by letter to the jewish community in Vienna (and the four butterflying names which were in the news - 'Eldad Regev' was one of them - before it seemed to contain some reference to circumstances which could apply to me), and Gaza was bombed after my discovery in november 2008 of the hebrew parallel to my novel 'The Dreamer' (from the Eruvin tractate of the Talmud). The terror against the jewish house in Mumbai on 26 November 2008 could have been a part of the 'reponse' to this discovery of mine, if my computer was tapped, not the least since it appears that british state terrorism (as I call it on background of the evidence in the british-state-dependent periodical 'Modern Language Review') has made extensive use of my authorship - in particular this novel - for selecting targets of terror, which could mean that they want my authorship to sway like some evil spirit in the air after the terror as if it were a sign of the presence of Satan - while at the same time I seem to be assigned the role of representing the jewish-genetic diaspora. Bombings in Russia, China and Manhattan seem related to this book of mine in manuscript since 1994-95, and with my new discovery of the hebrew parallel this changed the character of the work and that could have triggered some panic among terror-inclined politicians. I concluded that the bombing of Gaza could have been 'about' this. I personally have not enough reason to exclude the possibility that Israel bombed Gaza on behalf of England and/or USA - perhaps for attaching the label of 'terror' on that hebrew part of the work. The Mumbai terror could have been on the background of the phenomenon that I have used the same hebrew text in parallel with the last four books in 'The Endmorgan Quartet' - hence 'Mumbai' as the target of the terror.

I don't know what was the real status of E... in 2002 - if she were a revelation or a 'real person', whatever the difference. After the terror in the Moscow theatre 'Nord-Ost' later in 2002, including women (or was it widows) dressed in black, I called the russian embassy (e.g., E... was educated in OST-heopathy and she had told me that her husband had some affiliations with some terrorism and was in prison, and she had even been interrogated herself after 11 September 2001) and gave them details from the meeting on telephone - and of course that means that it would have been difficult to find out of the status of her afterwards. For example, the telephone number she had given me would be sort of useless - but I am sure somebody could answer there. I noticed that Sarkozy had some 'rally' symbolism in his presidential election campaign. I don't know when the rally doctor with the same name as E... started to work in Paris.

Could be the event in the reading room in Venice was empirical evidence in favour of the view that she could have been a revelation and not e.g. an agent for a political party.

Best wishes,

John Bjarne Grover
Pf. 15
1152 Vienna



Added on 3 april 2011:

Although every part of me protests against yet another political addition to this website, I feel that I have to round off this story with the following, and hope that it is not understood as a renewed interest of mine in the field of politics. I am not a politician and hope to get off the track.

I refer to this article in People's Daily. It is not impossible that a part of the reason for the need for China's cultural revolution 1966-76 could be seen as indication that the 'tractor' exists. Could be that a central role of the 'KULTUS'-Gemeinde in Seitenstettengasse in Vienna is another example - it remained incomprehensible to me why it could be that my humble letter to the Kultusgemeinde apparently could trigger the israeli war with Lebanon. It could of course mean that the israeli strategy resembles the chinese and hence that it be about a certain 'Traktorgemeinde'. 'Kibbes ut' is a norwegian expression meaning that one is shown the way to the door. It may be that my more or less constant housing problems through many years can be about such a policy of 'kibbes ut' on my person.

As far as concerns the construction based on the meaning of Aliza Khezeradze's name in various shadings of it pointing towards the conversion of 'Rwanda' into 'Veranda' conceived of as the human buttocks turned into female breasts, hence Elsa Stolzenberg in the film and Jens Stoltenberg in Norway, it leads onto the concept of 'statsborgeren' = 'the citizen' - cp. also Orson Welles' film 'Citizen Kane' from 1941. That could raise the alarm on Khezeradze ('Kane-citizen') again. Were even she 'bottled' for the project? There are many reasons for my book title 'The Endmorgan Quartet' - could be this is one of them. 'The citizen' as my role seems to be of importance for the Vietnam-Iraq-Italy construction of global power. Clearly if the name 'Stolzenberg' were pasted into the sound track of the 1957 film years later, it would resemble the phenomenon in the Orson Welles film 'The third man' from 1948 - the dialogue between the LSJ-resembling porter and the 'alcoholic american' which appears very glued-in at a later stage.

The essence of the story is the meaning of the name by socalled 'norwegian semantics'. It seems that the basis for the construction could be in the Oslo Report - which apparently is a british responsibility claim on the holocaust - and which is based on the syllables GRIM, GRAM, GRIS and GRAF for the sum JOHN GROVER. There are three norwegian meanings of GRIME:

1) The halter as a flexible leatherware attachment to the snout of a horse. It must be attached to the snout but not be a part of the horse's body itself. In the variant of the whiskers of the cat, it has a correlate not as long as the hairs are attached to the body of the cat, nor when they are detached by pullout, but only in the very moment itself when the hair is about to be pulled out of the little bag inside the surface skin of the snout of the cat. But that is the moment of great pain for the animal. It could be what is contained in 'contact detail'. One could continue the parallelism with my Octogon and say that GRIME is not normally used about cats - but if the cats are 'whores' = 'horse', then it could apply nevertheless. Furthermore, it could serve to support the idea that the only question which remains of any interest is whether the penis has been inside the vagina or not: The reason why it was there is not interesting, tells this view. Hence it does not matter if the octogonists were agents. This could be the contents of the Apenes murder: It is not interesting for Apenes or her son what was the reason - what counts is that the knife was inside her heart.

2) GRIME is also the horizontal foundational woodbar at the bottom of a timber building: This is the one which must have been soaked during the leak at Rekustad, causing a condition of 'all is a käse-rat-se', and hence the 'citizenship' construction.

3) GRIME can also mean stripes in the face of a person, typically due to much stress. Hence it applies to the construction 'stars and stripes' in the face - for the idea of pedophile 'nursing' of the child in the 'tricotage' structure. 'Stå' is 'stand'. 'US citizenship' would thereby represent at least two of the meanings of GRIME in norwegian, if not three.

Hence it is of course likely that any 'political' attention to the name of Grimaud in actual fact is an attention to this GRIM of the Oslo Report which seems to have been a british responsibility claim on the holocaust and therefore of utmost importance for the pumping of the 'resources' gained - the cynical profit of the war. But it must be added that it is well possible that pianists are vulnerable to political abuse due to their relevance for my name as a 'Grand Piano Klaver'. I notice also e.g. Leif Ove Andsnes, the norwegian pianist born on Karmöy on 7 april 1970 - even his name seems to be in the onset of title 1 of MLR april 1970, and his name could enter into a similar complex of 'british spiritualism'. Hence it is likely that not only philosophy but even piano music is subject to a similar strange phenomenon of redundancies in names. And probably most other fields of cultural life. It is a new phenomenon: In older days it was only rich people who had the chance to buy and practice on a piano - now there are other factors which determine the cultural roles.

If Orson Welles' 'Citizen Kane' from 1941 really applied to pianist Khezeradze already then, one could speculate that even Trygve Bratteli was made for this construction. His early biography could indicate something like that. He even worked 1926-27 on a guano factory on an island called 'South Georgia', He worked with timber (construction and lumbering) and was editor of 'People's Freedom'. It seems to constitute the whole transform of the name 'Khezeradze' onto ''Stolzenberg'.

Could be Iliad 7:123 and 17:309 are used for moving parts of the biz from one person to another. Then administation can hope to gain total control with thought and performance of intellectuals and artists. I notice that the strange numbness of my lefthand side attacked me on 23 february 2002, birthday of my official (albeit probably not genetic) sister. I met the iranian refugee on 12 august 2002, birthday of my niece. But this day has other references which could be equally interesting, such as in the motto from A.Strindberg to my novel (cp. also 'Astrid Sörbom'), from his Hell, Inferno, 12 August.

One can fancy a crazy 'technology' - a grotesque parody - along the following scheme: 1) A person is drugged, possibly 2) abducted in drugged condition to some 'basement room', and in the narcotic condition is 3) subjected to sexual stimuli which serves to send the soul out on a local 'flight' ('krut flydenrundt'). 4) The body is replaced in the same bed before the break of dawn and wakes up and knows nothing about it. The ejected soul matter is represented administratively by indexes, such as it could have been the case in e.g. in the name and person of Betancourt, and hence the victim will not be able to detect the problem as long as it is kept off in this way. Another person could have been subjected to the registered medical diagnosis of 'paranoid schizophrenia', a condition which also seems to be installed in foreign policies of the kind which 1) divides the soul between a good and a part bad, 2) projects the bad part onto the others, 3) perceives persecution from the bad part and therefore considers it 'just', in some sense of it, to 4) attack the others onto whom the bad part has been projected. This could be the basic principle of 'justified imperialism'. If this principle is installed into a person by way of medical authority, one could think of a bizarre 'technology of telepathy' in the combination of the two persons - and the soul matter which has been ejected from the one person could be administered onto the one suffering medical diagnosis - for an administrative control with the 'love'.

This could be the contents of the 'pav-love-ian reflexes', whereby the soul matter has been transferred from Iliad 17:309 to 7:123 and then at 7:50 a third relevant person can experience the transferred soul matter from an absent person (Hector/Nestor) via person 7:123. One could then think of a grandiose plan which could allow for a total global control with thought and behaviour, including socalled 'administrative love' ejected from souls and directed around in the social machine, from London via e.g. the stimuli from computer screens with reflexes in the windows. It is 'masturbated knowledge' which circulates in the networks. The nazis could be planning to send such love out in the universe in an attempt to lure the extra-tellurians into taking faith in the earthens - and get them in the trap there.

This is of course a tragic joke if it is seriously meant as an alternative to the poetic revolution which could have made a poetic technology for sending information through the poetic-eternal reality. Global masturbation psychosis is not a healthy basis for the tele-techonology of the third millenium.

Although it is very possible that this is the reason for the name-functions on the Iliad as well as Columbia and Challenger space shuttle disasters. I add that I met Henning Lönn (salary in the hand) in Oslo with redhair in hand, and then I met Stig Johanson three successive times (1-2-3) on the same spot, about 10 years later. Lönn had photographed me in 1973 when I came out (out of the house) from the shower (la douche?) after gym in high school and the photo was printed in the local newspaper. Lönn was known also for his enthusiasm for the karate sport called 'Budokan'.

There are the following four variants which could be about the hop-rewrite of 'Hector' into 'Nestor', constituting the peak of global power of today:

Knorr - tractor
Knørr - knørva = my cortical convolutions (for ESP?)
Snorr - Snorri = Ingolfur, Halgerdur and Hjörleifur, first settlers on Iceland
Snørr = 'snot' - could be JFK jr after a hypothetical pulk ('som snytt ut av nesen')

I add that the Oklahoma bombing as a rejection of my book "Submorphemic signification" in 1995 could, in light of these observations, be seen as related to the fact that a chapter of my book discusses the data presented by Josef Greenberg in his 'Language in the Americas' - hence GRIM-berg could have been the reason. For a rejection of me as Hjörleifur.

The current (april 2011) editor of 'Language' (organ of the Linguistic Society of America) is Greg Carlson, University of Rochester. Natsuko Tsujimura is editor of reviews.

One can also speculate on Knorr = GRAF, Knörr = GRIS and Snörr = GRAM from Oslo Report.

Which means that while GRAF, GRIS, GRAM, GRIM = JOHN GROVER was the british responsibility claim on the holocaust 1933-45 via the Oslo Report, and these morphs probably are active even today, the plans could be to construct a new matrix for HECTOR/NESTOR on the form KNORR, KNØRR, SNORR and SNØRR. What does that make? 'Norways nervous secret service' - or something like that? For example, is NATO's attack on Libya really an ultimatum or at least 'hint' to Norway, if only they could understand it - tap their own intestines - the right way? 'Nektor hestor' = denying horses - cp. the last Monroe film 'They shoot horses, don't they' - but do they shoot nervous norses? ('Norwegians' could even come to be a word for 'trousers'). 'Knarke snorke ronke røver' - is perhaps supposed to be funny - but puerilities should not be allowed to conduct the future of the world.

Clearly the idea of sexual stimuli under abducted narcosis matched against medical diagnoses (Gro Harlem Brundtland was chief of WHO) must be considered a theoretic expression of administrative handling of personal indexes in databases and the concepts and medical and other authorities applied to them - I am not suggesting that the plan is to replace general military service with obligatory periods in 'training camps' of such a kind. It cannot be that hilarious, or can it? But secret surveillance is something very close to sexual abuse - and telepathy by insult is an old and wellknown and primitive sort of 'spiritualism' which probably can be compared with the british problem since Henry VIII. It is certainly not the way forwards.

If this is the plan of international politics, then it is for getting every individual who is registered in a database under central control as far as thought and behaviour - including free democratic elections - is concerned - and it could be the essence of the war against the intellectuals. Clearly it would mean a horror vision of a 'big brother' society.

Is what I have written here complete nonsense? I refer to the world's biggest quake in 1960 only a few hours from the announcement from Mossad to Knesset on the abduction and arrest of Adolf Eichmann (cp. factors 1-4) would mean 'Temuco' and the meeting of Sachs and Celan would mean 'Concepcion' relative to me - the quake was inbetween these in a temporal interval of 3 days. On her return to Stockholm, Sachs collapsed and spent most of the next three years in psychiatric hospital - one could guess that she had been drugged for the other factors 1-4. She never really recovered from this. Celan likewise had periods of unstability and if even he were poisoned, then one can safely say that it ruined his family life. One guesses that the Eichmann case was for the other factors 1-4 - and even that Eichmann himself was not present, only an 'actor' for installing the theatre of the 'tractor' for the factors. There was the 8.8 quake at Maule after I had met Maude on my arrival to Vienna some months earlier and now recently the 9.0 japanese quake vibrating with data from my personal life. Bam and Banda Aceh were likewise suspiciously relevant to my person and the registration of my copyright. This means that there are every good reason to consider it seriously that the 'tractor' exists and could be a major factor in international politics - and even have a major role in the war against the intellectuals.

I add that 'Concepcion' could be in allusion to the political object conceived when Eichmann was abducted. It has a parallel in the death and burial of Sachs and Celan on 12 may 1970 - and one can think of this as timed with pedophile abuse of an infant (and with later reflexes in F-inger-johanne-apenes and F-ingrid-betancourt). Could be the reception of Israelitische Kultusgemeinde in Vienna also wants to tell me something like 'vladimir ask a nazi' - who certainly is a better pianist than I am. I refer to Iliad 17:22-24. As far as I know, I could not have been Grimaud's genetic father but I don't know if sperm could have been lifted from the body earlier - in drugged condition either by biopsy or by manipulation. I would have been 11 and a half when she was conceived (and Sachs was a little old). It is probably not an interesting question - but it could have served to lend importance to the role of the 'tractor', such as in 1960. If the parents or microphone are in contact with the national secret services, then of course any progress of the child on a piano could lead to immediate terror on telling indexes in the world, such as my social progress when the telephone rang - and I lifted the receiver - in Vilnius, but then Stephen Saunders was shot in Athens ('ath-up-say'?) which reduced the social progress to disaster, and a child's enthusiasm will quickly reduce to zero under such conditions. It is of course fully possible that I am a born piano talent from that point of view, however much norwegian or british national secret services could have invested into ridiculing the very idea, but it may be that the question is not so relevant. I do believe that Sachs and Celan are my parents and I don't know of any particular musical talents in either of them. In short, it is perhaps not probable that Grimaud is my daughter - but maybe somebody else is.

It should be noticed that the shoulder is perhaps not the right way of seeing it. When I found the three points in the Iliad, two of them with shoulders, it was, as far as I remember, not exactly where it should have been. I think the joining point was a few lines above and then I caught sight of the shoulder a little further down and saw the possible connection. But it may well be that this is not the real solution but rather is telling of some 'shoulders' which really are another story.

I add yet another relevant letter which is unanswered - perhaps it is not the kind of letter to which one sends an answer:

Kopierecht-Probleme können lösbar sein
Thursday, February 17, 2011 4:51 PM
From: "John Grover"
To: info@literaturhaus.at

Auf johnbjarnegrover.com/bibliography.htm (von "The Iliad seems to be of a somewhat different type "...) weise ich zu einer Zeile im Iliade Buch 17:309 hin - diese Zeile kann alle Kopierecht-Fragen einschliessen. Man studiert diese Zeile und findet dass fast alles in englisch-relatierter Politik seit dem Krieg darin gehalten ist. Auch der Name von Wolfgang Schüssel ist sehr interessant - als eine 'Wofgang Schlüssel' als 'Schlüsselbein'.

Die Zeile 17:309 ist in zwei Teilen:

Gr.: ton bal' hupo kleide mesen: dia d'amperes akre
Ge: traf/warf mitten am Schlüsselbein ganz durch die Spitze

Z.B. der Name von PM 'David Cameron' ist wahrscheinlich bei dieser Zeile motiviert. Und die jetztige 'Revolutionen' im Mittelmeer-Raum können diese 'mitten am Schlüsselbein' sein. Usw. Wenn es also über Schüssel und Schlüssel usw handelt, gerade da auf der Teilung der Zeile, dann kan man das alles im Begriff von Kopierecht zusammenfassen.

Wahrscheinlich oder vielleicht der Grund weil Politik diese Sache zu einer Schierigkeit machen will. Die eine Hälfte der Zeile wird von der andere ('Linke Wienzeile'?) losgerissen und über grosse Mengen von Text transportiert. Dies könnte der ganze Grund von die 'Kennedy-Strategie' sein - es SCHEINT richtig zu sein (weil solche Piraterie natürlich nicht richtig sein kann) wenn es von der allgemeinen Autorenschaft motiviert ist - so wie ich es beschrieben habe in meinem Buch. Aber wahrscheinlich ist die Allgemeinheit nicht früher beschrieben.

Mit freundlichen Grüssen,

John Grover
Pf.15
1152 Wien

Added on 2 May:

The letter I sent on 22 march was to Helene Grimaud, and it was before I had understood anything of the possible political complex. Her private life is of course nothing of my business, but I notice that the photographer for her records on Deutsche Grammophon Gesellschaft (Hamburg!) changed from J Henry Fair to Mat Hennek. I hereby tell that new students to my high school class in 1974 were Mette Krøtøe and Jan Henrik Ihlebæk ('kihleback' is probably not so 'fair', but some would perhaps say so, cp. the 'Kyoto ageement') - the latter had a deformed right hand with only one small rudimentary finger. When in late 1980 Grøver/'Mengele' was hospitalized due to 'dehydration', it was after excess use of alcohol through several months (and Ragna Grøver had spoken about the phenomenon of 'tenning' = 'ignition' = problems wih controlling the drinking after consumption of a minor amount of alcohol). In 1981, her own face was somewhat changed after a frontal collision around the time of the attempt on the 'papa' (which was after Grøver/'Mengele' was out of hospital!) - according to the official version it was a shot towards his heart but one could speculate if this is a euphemism for his genitals, cp. the rudimentary finger, although I do not have any knowledge of this - I have no evidence that she could have been replaced with a copy agent except for that strangely clean cut across her forehead which hardly could have come from the car). She also got a slightly reduced working capacity and started working part time. When I was hospitalized in 1975 and 1982, there are some data in MLR (at least for one of these) which could suggest that I had been subjected to a 'third eye' with laser tool, but I have no data which could suggest so beyond some vague redundancy in MLR. These matters could happen to be of vital importance for the international community if the person I passed on Zattere in September 2009 should have been Helene Grimaud and not e.g. Kristiane Qvale (I do not know who stood there). Winfrey Oprah, Dan Quayle and John Negroponte are strong names from US reality. 'Harlem Gro' could in principle have been about 'Helene Migraud' or 'hello migrain'. 'Kate Middleton' recently married a british prince. There had been a photographer (I have no idea who) on the stairs to the same 'ponte' some days or weeks earlier who photographed me as I came walking - after which he lowered his camera and lifted his hand and twisted his nose around while looking at me. If this should have been a formal sign for 'VRIALEN', it could have been Grøver/'Mengele's slanting nose and phenomena such as e.g. 'Woody Allen'. (I now tend to believe that the 'George Bush sr' I thought I met on Zattere was perhaps another person, but I was not in doubt about it in 2009, for some reason or other). In short, these are matters of potentially large importance for the international community - if e.g. 26 november 2016 should be of some interest. My own reasons for not being able to reject participation in the 'Octogon' project were probably, as I can understand it now but not then, reasons hidden in the darkness of my infancy, and if it were Grimaud standing on the stairs to the ponte of Zattere, I suppose US administration would have had an easy game in making her stand there. 'Mette Kjøter' means 'to feed the bastard dog', and if one can spot Ihlebæk's name in the last line of the Eisenhower doctrine #5, and if the doctrine counts as a 'pushdown automaton', his deformed hand could have elicited ideas of the 'dirty beast in the revelation' being so tame (not Tim) that it could 'eat from his hand'. In probably 1980, I met Henning Lønn with redhair in hand in the intersection Stortingsgata/Klingenberggata after I had come out from Nationaltheatret underground station, and some 10 years later it happened three times in succession that I met Stig Johanson with fur hat coming up Stortingsgata and meeting me on precisely the same spot when I came out from the same underground station. Henning Lønn had also in 1973 photographed me when I came out 'wethair' after a gym lesson in high school and the photo was printed in the local newspaper. In 1973 or 1974, I had acquired a bottle of red wine (could be it was my first acquisition of such) and came bicycling up Risløkka when Ragna Grøver came driving down (I think it was down, a surprise direction, and not up - but I doubt that she had transubstantiated over from Labraaten - the issue has been apparently defining for the anglican church since it was founded by Henry VIII - whose name seems to be the background of the name of 'John Grover' in this british history) and stopped me and inspected the contents of the plastic bag. Observing the obvious relevance of Grimaud's name for the names of the Octogon, in particular the upper 5-6 (which means that her name perhaps even could be recognized as an 'er i keidsvig'), including her home town for #8, I could perhaps allow myself to wonder if it could have been she who - for good reasons - stood on the bridge of Zattere in 2009.

The case against Alfred Dreyfus could in theory have been arranged for reasons of the handwritten interpretation of the name as not only 'Adriatersee' (of 'Mueritzsee' of the Oslo Report #6) but perhaps just as well 'd fribarkene' ('it is the freebarkers'), 'd frimerkene' ('it is the postal stamps'), 'd frimurerne' ('it is the freemasons'), for the mid interpretation of this as applying to the stamps on Hitler's postcard. For the one about the 'freebarkers', I read the news of the abduction of 'Ingrid Betancourt' ('inngrep i tanker'?) on or soon after 23 feb 2002 and was very soon thereafter attacked by a strange numbness in my lefthand side. When I found Hitler's postcard in february 2003, I discovered that the 4 stamps were attached to it only on the lefthand side (I think it was). The Karlsons Glue factory was, I think, established in 1923 - which means around the time when president Harding died and Laura Eidsvig was in Paris along with Quisling.

I recently got my inquiry (about the possibilities for me for french citizenship due to Celan's citizenship) to the french office for nationalization of people living abroad in return - it was written in english and it would have had to be written in french if they should have answered it. The return was via the french embassy in Vienna and addressed to John Grover GROVER (which is not the same as Jam Bourree Bourree - as could have been relevant to the drive-out of me from the studette in Rue de Vertus - and from France in general - around the time when I found Hitler's postcard in 2003). Some rightwing extremists attacked 'romas' in Gyöngyöspata in Hungary a day or two later (for the concept of 'eine Tracht Prügel'?). 'Stockholm' and 'Paris' ('parres') could have targets of the 'norrbagg' strategy since many decades.

Pyongyang is known for its stores of nuclear arsenals. Jimmy Carter recently visited the place after having been to Cuba.

I have scanned some wellknown pianist names from the 20th century for birthdays and looked up the corresponding issue of MLR - and it could well be that a majority of the main postwar pianists are found there. For example, not the least on the background of an article on english.pravda.ru, I concluded that a Vladimir 'Ruber' Ashkenazi could be spotted in MLR july 1937 in title 1 - and in title 2 I found to my surprise remnants of the name of Frank Tveor Nordensten, schoolmate from the years when Krøtøe and Ihlebæk arrived in my class. I therefore add that Nordensten invited me for a visit to his home in 1986. He mentioned Pogorelic as an interesting pianist and briefly suppressed a formal smile, and, although such observations are normally not permitted from such private environments, I add that he was dressed in leathern pants ('lær-bukser'). I briefly met (handshaked with?) his dutch wife in an upstairs corridor. If we handshaked in the corridor, it would have been soon after this that (as far as I remember) Nordensten mentioned that he had just made a 'sequencer', I think it was - and it is a question how farfetched it would be to wonder if there could be a link from this situation to the attack on the Nord-Ost theatre performance in Moscow in 2002 (if the handshake were 'theatre' which he managed to stage there before she 'must-go' on). (Even the leathern pants could probably have been recorded by a hidden microphone, but the formal smile could perhaps not - and I notice the strange laugh of the people of Oslo some years later). These three elements could find their rationale via my linguistics teacher Gram Simonsen at that time - for a 'dutsche gram-o-fun'. Aliza Kezeradze died 10 years later. It would have been in 1970 or 1971 that I met Gard Nykvist's dutch wife I think on the stairs to their home in Kongensgate (close to where we lived in #8). As far as I remember, they had a small dog, probably a dachs (which in swedish means 'time to leave', 'time to end it' and hence could be in allusion of a 'fun-e-real'). The crux of this story is that Nykvist (or is it Nyquist) somewhat resembles Ashkenazi. He was Grøver/'Mengele's assistant chief doctor and later became chief doctor at the psychiatric hospital at 'Veum' (not to be confused with 'Atrium'). It is not so easy to tells such stories as this one, and I add that a romantic version ('für Volksbibliotheken', as Dürrenmatt adds as alternative ending in one of his works - by the way, where have all my Dürrenmatt books gone? I had at least a dozen of them and now there are only 3-4 left of them in my bookshelf) could be that Kezeradze found it so beautiful to die 10 years later (cp. Sachs/Celan meeting 1960 and dying in 1970) because that - due to this MLR of 1937 - nearly meant the same as dying in the arms of Ashkenazi as the secret flame of her youth. The people of course wants the world to be like this rather than that other possible variant, and the two variants could be the competing realities for the problem of democracy. Tony Blair was elected PM in 1997.

I am not a re-done thicket/ticket.

The first time I saw a photo of Hans Werner Henze I thought: 'Gee, this must be the father of Jan Henrik Ihlebæk'. Could be that was not entirely to the point, or could be it was, but it may be that the name of Erik Eidsvig's sister Kari Eidsvig could have been a part of the explanation. Erik Eidsvig does, for some reason or other, remind of the person in the corner up to the left in San Pantalon, and if he constitutes one diagonal across the church, his sister could perhaps constitute the other.

I don't know if this complex could have been contained in the giant earthquake of 1964. I add that the medical conditions of royals is not interesting for this story and it cannot be taken as an insult against the majesty to discuss the political complex. One could observe a 'diagonal' element in the two jokes as well as a drifting N or at least nasal in some of the above phonologies of names. It could perhaps mean 'The End', cp. the death of Kezeradze.

Further addition of 4 may 2011:

Photographer for Grimaud's 2005 record with Chopin/Rachmaninov was J Henry Fair. The photos in the information leaflet from 2005 seems - at least to my subjective interpretation - to be potentially related to a fragment from the manuscript to my novel 'The Dreamer', from the entry 7.10.94:

As I left the shop and went to the kiosk near the 'haunted spot' in this place where I had seen the grand expectation become fulfilled the day before, a young woman with a bike stands in front of it, talking with the girl inside the kiosk. As I come closer, she lifts a paper and pronounces loudly and clearly into the evening air: 'B A Y' (with Norwegian naming of the letters). I ask what is at stake, and she is looking for Nils Bay's street, and has asked the girl in the kiosk for help. I tell her where it is.

This fragment from my novel can be pasted over the revelation photo from Vilnius, for a reasonably interesting correlation - click here for the photo with the text over it.

I had not seen the record or information leaflet when in february 2006 I reached the following analysis of the same photo with the poem of Celan (see this file, search for "Poetic proof of the genetic parenthood of Sachs and Celan"). For the photo with the poem of Celan over it, click here.

The novel 'The Dreamer' starts and ends with scenes from a suburban railway (a station in the beginning), called 'train' and 'tram', which is what could call for some comparison with this information leaflet for the 2005 record. It is the photos between the railway station photos which could be recognized - if one is so disposed - in the above fragment from the novel. Furthermore, the photo of mine from Vilnius contains some more (such as the 'water-knee') which can be spotted in the front page of the records from 2008 and 2010. The photos in the 2005 leaflet do of course also find natural interpretations in the contents of the record, and therefore one should perhaps not make too strong claims as far as alternative connections are concerned.

A graffiti came up in Beingasse (no it was in the parallel Hackengasse) some time ago (but after I wrote the present analysis of the photo and this information leaflet on my computer), telling "BELAJ BOYS '01". Could it be about a 'Bay-Neary' code? (I had also made an oral exclamation in my own home: "But I cannot let in a klepto!")

When I made my analysis in february 2006, it is of course possible that I had felt that this analysis of mine was necessary after the record with information leaflet had been issued in 2005, even if I was not aware of this record. I wrote my novel in 1994-95 and it was meant to rest unnoticed and strictly unpublished untill my Endmorgan Quartet was finished, which it was in the summer/autumn 2008 after which I could take up the novel for release to the public in 2009, equipped with the parallelism from Talmud Erubin. However, it is possible that international anglo-american 'politics' had found the manuscript in my home and used it as a template for terror, perhaps even without knowing that they thereby ran the risk of getting ridiculous by the aspirations therein of 'making history'. I made the parallel analysis with the Talmud in the first half of november 2008, and it is possible that it was the empire which struck back with the terror in Mumbai on 26 november 2008, including terror against a jewish centre.

I think there exists a business company called BAI or BAY or something like that. An office of theirs came up close to my home in 2006 not so long after I had made this disovery. Or if they had been there before, I had not noticed it before. They seem to have spread more or less over Europe.

It could have been similar interests which made the february 2006 analysis of the Vilnius photo relative to the poems of Sachs, Celan and me necessary - in case the 2005 record leaflet should have made use of an inherent potentiality which was presented as 'own discovery' without knowledge of the purpose of this prose to serve as a basis for the development of TEQ on the form of time. These phenomena are an integral part of the text. I hope norwegian or international secret service has not stolen a copy from my home and spread it for international abuse based on the naive idea that it should be worthless scribble as a private diary and therefore no harm would be done with unlimited abuse of it.

This question could be of acute importance and of potentially total alarm from my side - since I have had the feeling that the problem could have continued. The school shooting in Rio de Janeiro and the earthquake in Veracruz in Mexico a couple of hours later were on the day 3 years after I gave back the keys to Ehamgasse 23 to ÖVW - and hence the day when I lost the chance to get the Finanzierungsbeitrag back by a decision in court. The revolutions in Kyrgystan ('kirkestan' = 'Venezia') and Tunesia etc could have been timed with this day. At least the earthquake in Veracruz near Choapas - as well as the slight drama on the US airport a day or two later - could have been in reference to the handwritten drafts to what I work with now. These drafts were made many months ago. If it is not possible to make even handwritten manuscripts without seeing copies stolen and implemented in administrative terror and intrigues, then it is no longer possible to make much progress in authorship. Could be this is due to a norwegian Gröver/'Mengele'-inspired attitude (was the norwegian secret surveillance police POT established as a secretariat for the postwar Hitler and his Klipra gang - of four or however many they were? When the Lund - means 'Grove' - commission in 1992 decided to close down POT, it was after the official death of Gröver/'Mengele' in 1990) that 'it is only cheap fertilizers anyhow, so just go on use it for whatever you like'. It is therefore not impossible that material has been stolen from my workspace on such a basis of my role as an 'obshij tualet', cp. also the launch of the Challenger space shuttle, for explicit abuse purposes, for spreading it on the landscape for fertilizing other activities. I don't know anything about this, though. I have believed that I have found traces of this novel of mine in some cases of terror, such as the apartment building bombings of Moscow in september 1999, but t is difficult to have any opinion on this matter.

I sent a letter and some days later there was an earthquake (around the time of the attacks on the 'romas' in Gyöngyöspata) 50 km from Cilacap and Sidareja on Java. It could of course have been a 'tractor-knorr' for turning roles on basis of the name of Jan-Henrik Ihlebæk. The british project seems to be an attempt to replace or re-interpret the traditional jewish-genetic diaspora's spiritual connections globally with administrative control by way of e.g. terror. 'Tractor-knorr' quakes are probably thought of as signalling quasi-divine authority - here it could be for lending an element of 'quasi-holy wrath' to the 'kilekjepp' attacks in Hungary on basis of my authorship - here another fragment from my novel (entry 14.11.94 for the 'Sidareja' element).

However, my analysis of the photo relative to the poem of Celan lands the word WEIN on the revelation face - which means that a CYCLA-VIN could be a relevant concept (also for repeated use of it). It is therefore possible that these are other semiotic phenomena and not really a case of abuse by the photographers.

But the DGG phenomenon - on the possible background of a 'dutche gram-o-fun' - could still be about the concept of GESELLSCHAFT, which even could have been contained in the element of christmas party of the Orderuds. Some guns had been hidden on the barn - not under the pillow, though. Per Orderud was credited with the murders - I don't know if that means that a peer or even a 'Per Devold' could be planned to be credited with my authorship, but maybe he acted only on 'order' from some administrative unit.

The reason why it is important to mention this potential abuse of my intellectual property in the 2005 leaflet - with potential reflexes in later leaflets - is that it could happen to conspire on e.g. a concept of 'redone t[h]icket' as a label on me. Which would be unfortunate - in particular if it is meant as a pretext for butchering me as the 'agent copy' who has taken my place, according to myth.

It would of course be a pity for Grimaud if this is the strategy on her records. It could even have been a project planned since 1969 many decades ago - with or without her knowledge. I notice the potential 1-2-3 effect of the shoulder (7:123?) on the 2010 record front page - cp. the 'evening air' in the above photo.

I add that these aspects of the records are in terms of the included information leaflets. In 1980, I wrote out a new score for Edvard Fliflet Bræin's opera 'Anne Pedersdotter'. With onset-truncation, one could come close to an idea of combination of the 'leaflet' and the name of Ashkenazi's wife Thorunn Sofie Johannisdottir - or even 'Tveor/Deor Leaflet Rain-' peer of 'Nedersdotter'. I wrote these orchestral parts in 1980 - that was also when Gröver/'Mengele' was in hospital - and I went to Rome after I had completed the job. We must hope that the 'Orderud Paust' case is not about 'Orchester' in this or related sense of it. I was told that the composer had been too worn down on alcohol and that was the explanation to the strangely parkisonistic handwriting of his. But when I think of it today, one could even imagine that it had been photographed through a 'riflet' window glass (the staff lines were straight, though) since the shaky lines were perhaps a little too regularly wavy. Anne Pedersdotter = Anne Orderud Paust?

As far as the 'girl in the kiosk' is concerned, I think I met Nordensten in a Narvesen kiosk in Nygaardsgata when he invited me to his home in 1986. This 'kiosk' could also be part of a possible responsibility claim assigned to me in the context of the july issue of MLR 1976 for the death of Mao: My 1972 classmate Viggo (I think Nygren) had a Farfisa organ in his home and he or his parents worked in a kiosk, and another classmate Elisabeth gave me a box on the ear after I had used her name with a superfluous F inserted inbetween first and second position. I later met her working in a kiosk (her own?) at the same end of Nygaardsgata, but across the street. These are aspects of the MLR for Mao's death which could link it significationally to me - as seems to be a recurring theme.

In the last months in Venice I still took the walk around Dogana now and then, although I had developed a problem with gases accumulating in the intestines in the last half or so of the walk, and I would be in a hurry to get home. I am not saying that this was about a 'third secret of Fatima', but if it should have called forth associations to the event at Torshov (with Wenche Stray) where a person came running across the street and hit me on the mouth, after which I started emitting gases backwards (the 'jasmine revolutions' probably cannot be for such reasons?), and a taxi came by and we disappeared in it. The letter with the information about the new withhold tax came in november 2009, before I moved to Vienna in late december. The hit in the 80's could be called 'dro til John Bjarne', while 'dro til Pyongyang' could mean 'went for a trip to Pyongyang'. Abercrombie lived in Lariano, which means not an Ostia-father but somewhat of the opposite, close to the pope's summer residence. If Adolf Eichmann were Bjarne Eidsvig after the war, he could have been called Per Devold Eidsvig's 'Austria-father'.

The mention of this complex seems necessary after the bombing of Libya, not the least since the concept of 'norrbagg' could be related to my historic person via e.g. Edward Kennedy in the late sixties, and other aspects of the story. It is therefore possible that the complex from the 2005 record could be used or abused for international politics.

Added on 5 may:

Prince William married Kate Middleton on friday 29 april 2011 and on sunday 1 may evening US special troops entered Osama bin Laden's building in Abbottabad in Pakistan and forced him to open the door. He appeared (according to news) with a gun and it is likely that he had fired only one single drop of gunpowder when the americans fired back and hit him in his head with two bullets. His body was thrown to the sharks, tell the news, probably over some parapet.

I have to recall some details from the Zattere meeting. I had first met the photographer who stood on the stairs to the ponte and photographed me before he twisted his nose (as for a 'handshake'?). Then it was probably some weeks later, the female stood apparently waiting on the same spot a little down in the stairs when I came walking along the water and as soon as I had become aware of her she turned and went up the steps to the top of the bridge where she seemed to stand waiting for me by the parapet over the water, with a movement to her hair. An inner awareness of the relevance of the name of 'Mette Krötöe' when passing the first point in the stairs could perhaps have been a part of the reason why I found it best to pass her without taking up contact - unless she made signs of wanting to talk with me - in spite of some expectancy in the air.

There is, therefore, a short time and space lag between the place of the photographer and the place where I passed her. This time lag could be contained in the hungarian interpretation of the name of Kate Middleton on the form of 'két meg[g]y-él-t-en': 'Két' = '2', while 'megy' (pronounced 'medj') is the 3rd singular of 'to go'. 'Él' = 'to live', with 3rd singular past tense marker 't', while the 'en' could constitute an imperative for the third person. Here it would have been an imperative in past tense, which could mean a sort of conditional thing. I think this was close to Magazzini di Sale and Dogana. 'Meggy' = 'cherry', with the difference being a little longer consonant (written double). 'Elment a bankba' = 'he has gone to the bank'.

This time lag between the call for a go and the past tense of it could in principle - and that would be in case e.g. 'John Negroponte' is a name of relevance for this story - be seen as contained in the little walk from the lower position on the stairs up to the top of the bridge on Zattere.

It means, if this connection is essential, that the meeting on Zattere could be seen as temporally and spatially connected with the photographer - as if he had been the shared link introducing her to me. But then, if I had spoken to her and she had felt the obligation to answer, it could have been the RULES OF GOOD CONDUCT which could require of her to answer politely and friendly.

Some people know how to take this art very far. A male opens contact with a female who stands there in inviting posture, and they make friends and marry and live happily together, although he could not guess that the rest of her life was filled with her struggle with getting him out of her life - had not the RULES OF GOOD CONDUCT required of her to respond politely and friendly to his advances. She tries desperately to signal it to him her urgent need for being understood - she uses poison in his food and he gets into all sorts of trouble - untill she is his only real friend remaining, trying to make him understand this by his own imagination and fantasy - untill one day her human nature cannot take more of the insult against her own life and it snaps and some gunshot ends the story. That would mean a secret agent strategy based on the pretext of respect for rules of good conduct.

The typical situation is that a third part has introduced the one to the other - and then it is the obligations to the common acquaintance which makes the politeness and friendliness necessary, in good and bad times.

RULE OF GOOD CONDUCT is the conductor's pin which he waves in the air before the orchestra like Jacob wriggled his patterned rod in the vagina of the sheep - and there the offspring of the sheep had patterns on their fur similar to the pattern on Jacob's wooden rod. This could be the theme if 'Orderud Paust' = 'Orchester'. The editor of 'Language' is at University of Rochester.

This could be the background of the attack on the world's #1 terrorist - as soon as he had appeared in the door, although with a certain time lag relative to the royal wedding.

It was in Märzstrasse that I passed a man who reminded me of my official uncle Björn Eidsvig (it could not have been him, though). He threw some keys up in the air and caught them in his palm. Some days later there was the right-wing extremist action in Gyöngyöspata ('wonder-tit'?) in Hungary, as if for driving the 'romas' out. In theory, it could have been about invoking the need for awareness of the 'rules of good conduct'.

Jimmy Carter went first to Cuba and then to North Korea, if I got it right. If this should mean 't[w]o-show', it may be futile for me to speculate on who was there on Zattere.

There is the mythology of the SNORRi (vs. KNORR, KNÖRR, SNÖRR) in the sense of Halgerdur, which could be about a polite and friendly relation to Hjörleifur as far as the rule of good conduct ('étiquette', cp. 'Middleton Kate') requires but being formally engaged to Ingolfur - I notice the oil rig blowout in the mexican gulf at the time of the new british government.

This role could of course have been assigned to Grimaud without her knowledge, and if she had responded to a letter of mine, that is, if my letter had reached her, which is perhaps not likely, it is not probable that her letter would reach me. And my telephone contacts with the outer world seem unrealistic after Stephen Saunders 2000, or really since the telephone terror in 1986-88. My only chance of having it verified whether Grimaud has got my letter or not could be to go to a concert of hers and stop her for questioning on her way down from the stage (which I am not going to do): In 1983 I was to a concert with Leonard Bernstein - a man of good conduct - in Budapest and we were a little late but were let a back door by a guard and could stand on the back part of the stage behind the curtain for the last parts of the concert: At the first salvo of applause Bernstein ran behind the curtain where a person stood waiting with a glass of apparently whisky and a lit cigarette - he inhaled some puffs of smoke and swallowed the whisky there a handful metres of so in front of me and then he ran out again. Could be this was his normal way of doing it - being dry-in-mouth after nearly an hour without drink or smoke - or it could mean that my appearance backstage could lead to immediate fire at first sight - like this man in Abbottabad recently who had a vague similarity with Osama bin Laden. If he really were bin Laden, he would likely have been an EDITED version of him.

'No ord te en sten' = 'some words to a stone'.

The alternative interpretation of the attack in Abottabad could be that I had since many days completed my article 'Natural language and poetic reality' which I planned to find printed on paper somewhere. I concluded, after having scanned some recent US periodicals, that it was futile to send it over the Atlantic, and I was already tired of the game (even I know some piano tunes), so I decided to put it out on the internet anyhow. This was about the time of the wedding and I decided to let a few days pass for avoiding associations of various kinds. This is an article which cannot be avoided and cannot be ignored as irrelevant - and hence it could constitute a threat to the US administration if they have a secret project on my person as a hidden factor in politics whom they do not want to surface in public attention. Therefore the bin Laden similar person could have been shot as soon as he had come out the door - like the norwegian editor William Nygaard (Aschehoug) who allegedly was shot by an islamist on his doorstep (but survived) because he had tried to publish Rushdie's 'Satanic verses'. This was in the eighties, I think.

However, if this were the reason for the US action, an attempt to stop the publication of my article in the sense of public accept of it, they could have been a little unfortunate with the timing since it could appear to the public that it was in fact the world's #1 terrorist they had come to shoot - what a mistake that could have been! There has been talk about the attack being a mistake - it was perhaps not bin Laden after all and the US government refuses to release the photos of the body which was thrown to the sharks.

I think the news - or at least the death of bin Laden - was in the late evening sunday 1 may - and I put my article out on the internet in the morning 2 may.

It is of course possible that the plan is to carry out a total national US identification with me (and later planned detachment of my role and perhaps even person from my real person - could be the plan is to claim that I never existed at all) and that this is the reason also for the bizarre periodicals and the cultural state of US generally. The president could even happen to be a negro due to my name with that morph in it. If this national identification with me is the case, it could be for continuing the work of Adolf Hitler and Adolf Eichmann and Josef Mengele and of course that would be such a big shame that it is top secret all of it. For which reason they could want to prevent the publication of my work. And then the essential importance of this article could have been what prompted the attack on bin Laden, allegedly a former agent for CIA.

Is this likely? It is not impossible, of course.

If this really be the case, then the USA is in a psychotic condition and somebody should do something for having these aspects of the story published.

It would be because the Klipra connection is still a secret. If Adolf Hitler worked for England and USA, then the people of the world has an obvious right to be informed about it and that would bring an end to a development which could be utterly tragic not only for USA but also for the rest of the world.

Clearly if the USA is in such a serious condition, then I probably cannot hope to get ordinary post, for example, since the country I live in could face war if they let a normal private letter (from anybody but Ragna Gröver) through. The official reason for the US bombing of Afghanistan was that they would not hand over Osama bin Laden to US administration.

I saw a teenager with T-shirt: "Abercrombie & Fitch 1892". Nelly Sachs was born in december 1891 and if she were mutilated early in her infancy, it could have been that the first investigations in the Dreyfus case started soon thereafter.

Did Obama attack Osama because of my article for the internet - or was it because of the wedding in London - or was it for totally other reasons?

'Lind sa den' = 'Lind said it' = 'Grove[r] said it' (which sounds positive for me)
'Lins a den' = 'a lens became of it', 'make a lens out of it' (which could be less positive)

'Obama sin laden' - via the expression 'gjören og laden' - could mean 'Obama's business'.

My article proves that it is possible to make an information technology out of poetic logic for sending information through a quasi-eternity, which means faster than the speed of light.

This means either to remote parts of the universe who get the mail immediately and can answer immediately, or if it is sent to local recepients they will get it long ago - and when they answer it will come from a far time point into the future. But that means that the local recepients will be 1) in the past and 2) equally into the future.

Hence they constitute a logical category of platonic type - which means - by my article - that the category can be analyzed in its poetic-logical constituents.

"The essential contents of this beef is the key to the understanding of the mystery" is a likely joke on the nature of this sort of propositions. A fly in the soup. Like the offspring of the sheep of Jacob.

This is likely to be what US administration could think of as a 'lens' - a convex sort of thing composed from past and future.

For the photographer?

If so, this could have been for the female waiting on Zattere - for the intervals in time and space contained also in the female name in the wedding in London - representing the intervals in time or space for the universal 'lens'.

It would be a grandiose mistake to start old-biblical myth machines on Jacob's lentils and so forth. The nazi plan is probably to take one piece of data in the remote past and collapse it with a piece of data in the remote future - which they make themselves, and then people had better stick to the plans for the future - for gaining political POWER in the corresponding remote space. And hence gain control with the development of the cosmos.

This could also be the reason why much importance could have been assigned to the female on Zattere - for example for the timing of some major historic event which thereby could serve to magnify the importance or the 'responsibility claim' of 2009.

Which would be for gaining power over the entire universe!! Which then could be the purpose with a major disaster on e.g. 26 november 2016.

It would be a very big mistake. US in psychotic condition, that would be. It would really be only a desperate 'enough - we have had enough progress now'.

I do not believe that Grimaud is involved in such projects - frankly, I think she is a serious pianist who has music as her interest and field of activity and only marginally interfaces with this world of 'politics', and if she were on Zattere in September 2009 it could of course have been for other reasons, which could have been good enough.

The attempt on the pope could have constituted a controlling threat only via my personal experiences and the 'telepathic information transfer' of the assumed jewish-genetic diaspora's cultural architecture. That would have been efficient only as long as I were unable to communicate these experiences - and that could have been the reason why I have been held so totally uninformed about all aspects of the story. As soon as the details of the experiences are out, there is not much left of the controlling threat in them beyond a normal trivial threat about crimes. And if e.g. Bernstein did US administration a favour in Budapest in 1983, it could have been about installing just the concept that I would not be able to communicate the details of my experiences. I hope this has come to an end - and e.g. that I get the post if anybody should send me a letter. Neither do I know whether this website looks the same for readers as it does to me.

If the US plan is to lift my person and authorship and life and everything over from me to themselves (what a bad behaviour that would be!), for a gradual takeover of the cultural identity and traditions of the jewish-genetic diaspora, it could be that a certain involvement of my person and work is necessary in the initial stage - for an intrigue-recognition of these as being of another person, for the intended national hijacking of my part. We must hope that the development will take another turn and return to reality. Could be there are chances for that?

Could be, of course, that the reasons for Obama's attack on Osama were not of this kind at all. 'Lind sa den' - sounds nice to me. And maybe a good and poetic lens can be made to the best for all of us.

Grimaud is of jewish origin. If the whole story is balanced on the little walk from the lower position in the stairs of the ponte up to the top of the bridge, then it is just as well what is found in the last three lines of my 'POLAKK English Bloggi' #91: "She goes before me, meets / a queue, lines up and leans /the other way of streets". This poem means in my book the beginning of the Pentateuch if Moses wrote it around 1240 BC. I wrote the lines after the Zattere event but well after I had drafted this poem. The difference between the steps of the stairway and the queue of my poem can be seen as contained in Jimmy Carter's trip to 'queue-ba' and thereafter to North Korea.

13 may 2011:

I also make the following observations:

'Fikk a te GOP ponte' (= 'made her walk up the bridge/ponte') = 'pontefikatet', the pontificate (cp. also 'Pontefi-Kate')

'Fika te portnli' = 'gave him a real box on the ear' - which could be about the box on the ear of my classmate Elisabeth - as for the role of the kiosk and the death of Mao in MLR - hopefully not about the queen of England giving the jews a box on the ear

'Fikk a te GOP planken' = 'made her go the plank'

My conclusion on the role of Grimaud is the following: The primary political role is certainly not Helene Grimaud but the 'Oslo Report' (cp. 'hel-eng ri-maud') and its relation to the 'Eisenhower doctrine' (cp. 'jump-jarnegg röver'). One notices that the names of 'XU' (cp. also VE-um vs A3-um) in the undertext of the Oslo Report conspire on the morphs GRIM GRIN GRAN GRAM GRIS GRAF GRAM GRAN GRIN GRIM = 'John Grover', while, in the case of my history, the names in the undertext of the Eisenhower doctrine can be seen to conspire on the name and background of Grimaud. However, the political role is primarily in the Oslo Report and Eisenhower doctrine and only secondarily in the personal names and characters. I refer to the two main names of norwegian politics after 1970-1980 - 'Gro Harlem' (married 'Brundtland', which could be the involvement of the Octogon story) and 'Kåre Willoch': Although 'Harlem Gro' = 'Helene Migraud' and 'Willoch Kåre' = 'Helene Grimaud' via ('hel-enp ri-gaud' etc - it could suggest that the conservatives had found a leader with a suitable name for counterbalancing Brundtland), often called the 'Gro & Kåre phenomenon', the role of the personal name is at most to index the politically hot theme of norwegian dependency (under anglo-american NATO dominance, possibly for the Vietnam-Iraq-Italy construction) - with the role of mine to represent the quasi reason for this unfortunate later dependency in terms of 'viking-style' life: The state had been out drinking and whoring and roaming the NATO district in its youth (the viking times - if this is not only british fiction from about 1725) and that is why they still lick their wounds in Oslo. Could be the norses dislike me for these stories. If the politics indexes the name of Grimaud, it serves to emphasize that the reason for these stories does not matter: The state is dependent in any case, whether it likes it or not. But clearly these matters are about international politics and the humble roles of the lives of historic persons such as Grimaud and me cannot change anything politically in these matters. I am sure that if society has prepared a role for Grimaud in these ways, they have certainly also made a good husband for her - and the lives of the private persons cannot change the politics. That is another part of the reason why it is important to understand the elements of this history - in order to make it possible to detach the persons from the historic pressure which is exerted onto the people on the national level. It may be important also for norwegians to understand that a possible dependency of theirs on a national level is not really related to the lives of neither Grimaud nor me. It must also be emphasized that if Grimaud is assigned a role in the political mythos by name and birthplace, she could of course have been discovered as a political factor rather late (and as a piano talent rather early), since, after all, it clearly is the Oslo Report (possibly as a responsibility claim on the holocaust) which is the main political theme.

Added later 19 may:

'Thrown to the sharks' of Osama bin Laden could be recognized in a 'handshake' - cp. the possible handshake in Nordensten's corridor as a possible background of the attack on the Nord-Ost theatre in 2002 - considered as a 'sequencer' ('nord-osten' of nord-ost-sud-west, or 1-2-3). But how difficult it is to find a relaxed reason to publish such a private and non-public detail about an introducing to his wife - unless the concept of 'dutche' is contained in the DGG, in which case one could spot a possible link even to the situation on the bridge. I add that my piano teacher in 1971-72 was Trygve Madsen and his wife was Brigitte Madsen.

Fikk a te GI [OPP] lanken = made her give [up] the hand.

Erik Eidsvig told also a joke about a priest who was so drunk during his sunday sermon that he got a reprimand. First, told the correction, Jesus was not shot, he was crucified. Secondly, one does not end the ritual with a cheers ('skål') but with an amen. Thirdly, one should not slide down the handrails from the pulpit after the sermon. (I am not certain about the cheers but think that was it).

There was the story with the drama in the iranian firm Cerag after I had been close to the surveillance cameras of the french consulate (an hour or two later). One person (a former professor) was shot dead, another wounded and the third, the shooter, turned himself in to the police in the Rudolfsheim district. These could in theory have been the three elements - or reprimands - of the joke. 'Se lag' = 'see the law' in swedish.

The joke was told in the darkness of the night before the children had fallen asleep - the children were to sleep in an outhouse, I think it was, on Vågstranda, in beds in several layers. I was in a mid level bed and EE on the top, I think it was, from where he told the joke in the darkness.

It may have been in one of those beds in the outhouse that I was in bed with Marilyn Monroe, if she were my aunt. Could be she was sitting on the wooden material of the bedside. (She could of course also have been present at the dinner where he told other jokes). Hence the film about Lawrence of Arabia who could be the origin of Osama bin Laden. Who would she have said it to - that she had been in bed with me? If Erik Eidsvig 'hjalp far på Vågstranda', telling jokes etc, it could have been that 'Monroe' told it (cp. the 1954 film) to uncle Björn, the Father - coming back from the outhouse, having put the children to bed and mentioning something about being in bed with me. (Or was it in more discrete environments, only she and I?) In which case Björn Eidsvig could be the secret of 'Osama bin Laden', and hence the very purpose of his role - with much media attention and big bombs - could have been the short walk up the ponte on Zattere in september 2009.

Peter O'Toole played the main role in the 1962 film about Lawrence of Arabia (the year when Monroe pulked or 'just died'). Monroe's last film 'Misfits' seems to apply also to the role of Lawrence.

The film was shown the first time in London on 10 december 1962, which was the birthday of Nelly Sachs and hence the death-day of MM. Next in New York and Los Angeles on 16 and 21 dec before public premiere in Canada on 30 january 1963. One notices a certain similarity with the three alleged 'pre-publication' injections of AIDSHIV into the 'misfits' of volunteering vaccine test subjects in 1978 and 1980 - in New York, Los Angeles and San Francisco. There are 178 days from the death of MM to this public premiere in Canada, and 296 days from it to the death of Kennedy - the relation between these intervals being 0.6: 296 x 0.6 = 178 days.

Which means that the magic number of Osama bin Laden = 0,6 = 'ser ho pontes X' = 'she sees the X of the ponte'.

The filming of 'Lawrence of Arabia' was going on from 15 may 1961 to 20 october 1962 - which could mean that there must have been some 're-takes'. Which could mean that the photographer re-took his nose at least a second time - after having taken a photo of me - which could have been the handshake of introducing on the ponte.

I recall Gröver/'Mengele' talking - the seventies, probably, if not even the sixties - about the whistling theme in the melody to the film 'The bridge over Kwai'. Could have been about 'qua I'? The theme of whistling also presented itself to my mind frequently in late 2009.

The idea presents itself that if this ponte in Venice is of such large importance, it could be about a responsibility claim on a larger historic event.

I suppose it is the handwritten notice in the book in the 'wedding office' in the municipal house which counts as valid proof of marriage, even if they should have forgotten to enter these data into the computer. I can add that Ribu did, if I got it right, later educate in computer science - and the 'TREVERK hours/arse' of 'ri på kisten' could refer to 'Trevor Howard' - typically a name of the football LIGA in England - who plays the representative of the 'legal' (the 'liga'?) in the film 'The third man' and hence possibly to the ØREFIK (cp. 'TREVERK') of 'fika te porntli' = 'pontefikatet' of the 'papa'.

I can mention that Ragna Gröver told me (could be in the mid seventies), after the building of the house in Labraaten in 1970-71, that she had looked at the construction of the house along with some inspector who repeatedly had used the expression: "Her trengs det noe gröver materiale" ('here some rougher/ruder = Gröver material is needed'), and pretended that he did not hear the obvious allusion to the owner's name. Did he even insinuate about the need for some 'gröver MENGELE'? Wooden material = TREVERK was used on the walls of both floors.

Conclusion: It may be the plan to use the norwegian nationality 'lens' for telescoping from anglo-american authority to the individuals in the rest of the world for a later sudden anagnorisis and peripeteia which calls forth a sudden insight - triggered by a 'pavlovian reflex' - that it is the jews who have cheated them all the time and led to various difficult circumstances, for which reason it is better to bring an end to the jewish-genetic diaspora. I am not so sure if I have understood this right, but I think this could be a possible interpretation. This also means that the persons I have referred to here need not be involved in any further sense than as pieces in a mythological theatre which is supposed to have an effect in the global community.

20 may:

I add yet another story in brief: At the university of Oslo in the late 80's or maybe early 90's, I once waited for an appointment (I should teach norwegian propositions to a foreigner in the canteen), when she was delayed and a couple sat down in front of me. They were holding hands like young lovers, perhaps asking for the hand, preposed there in front of me. I thought I had seen him before, and it was only later that it struck me that he resembled a person about my age from Molde in the sixties. I am not sure about the name of the one in Molde, although I think it was not Rattolini, but when I thought that I met him a third time (must have been only a similar person, though) in Italy, I had to think of the same pattern in meetings with my friend Jan-Egil Nygård, whom I met in Hammerfest 1958 or 1959, in Molde 1963 (same kindergarden) and in Fredrikstad 1973 (same schoolclass). The phenomenon could apply to the series of children's books on the "Red Hand's Liga" written by Per Kvist, pseudonym for Wexel Wexelsen. It is only in Italy that I have met the limit of max 250 euros transferred by VISA per day, which perhaps many tourists could have been surprised by when the cashpoint suddenly refuses to give out more money.

Last summer, late summer or thereabout, there was a strange smell as of basement in the flat. It smelt so badly basement even from some new furniture textile I had bought, and which had never been used, that I took it to a cleaner and asked what could be done with it. She put her nose to it and complained - "ai, this is hard to get out. Has it been for a long time in the basement? We can of course try and clean it and it may help a little, but that sort of smell is very difficult". I let it be as it was, but now nearly a year later there is hardly anything left of the smell, and I never got an explanation to the mystery. I don't think it can have been due to an ordinary 'sobreiro'.

It may be that the 'project' is 'contact details' - the idea being that the reason for the octogon - for example that I did not want another round of Mengele chemicals or that the participants could have been agents - does not matter: It is the contact in the vagina which counts, whatever the reason, and the simple question whether it married or not, could be the idea. This could perhaps be even as old as 'The Beatles' (for 'concact betails', that could be), in which case the role of the 'rawl-söy' of Jacob (activating his 'rod' in the behind) could have been assigned to e.g. me, in which case the nazis could have looked forward to tracing their own ideas - in the 'big dildos' of their power, cp. my name, possibly also a story from Kampen 1957 and the idea of the 'dirty beast in the revelation' - transferred to my poetry, like the imprint of Jacob's rod onto the offspring of the sheep. My article "Natural language and poetic reality' proves that such imprint cannot be the case for my poetry (and my PEB is not a 'big dildo'). I sent emails about this article to the institute of world literary at Peking University and the Linguistic Society of India on wednesday and thursday, for making them aware of it, but both emails were returned - 'impossible to find the recipients'. I have to speculate that it could be CIA who wants to control the 'contact details' in my communications. That is very deplorable when considering the contents of my communication, which thereby is ignored for the sake of such 'security logic'. I do hope that this sort of deplorable logic - which should not be found in a civilized society - does not apply to ordinary postal communications to (or even from!) me.

The website of Beijing Language and Culture University was even hacked and off the web those days.

Failure Notice
Wednesday, May 18, 2011 2:02 PM
From: "MAILER-DAEMON@nm21.bullet.mail.ac4.yahoo.com"
To: johgrov@yahoo.com
Sorry, we were unable to deliver your message to the following address: worldlit@pku.edu.cn
Remote host said: 554 5.7.1 Service unavailable; Client host [98.139.52.218] blocked using cblless.anti-spam.org.cn; Mail from 98.139.52.218 refused, see http://anti-spam.org.cn/Rbl/Query/Result?IP=98.139.52.218 [RCPT_TO]

Thursday, May 19, 2011 3:19 PM
From: "MAILER-DAEMON@nm20.bullet.mail.ac4.yahoo.com"
To: johgrov@yahoo.com
Sorry, we were unable to deliver your message to the following address: secretary@lsi.org.in
No MX or A records for lsi.org.in


Added on 30 may 2011:

There exist interesting interpretations of the name of Grimaud in Ibsen's title "When we dead awaken" and in e.g. the titles of T.S.Eliot's "The waste land". These could certainly have been invoked by political intrigue. I notice also as possibly relevant to Ibsen's title the righthand front side of Fumiani's painting in San Pantalon, which could have been for 'Winston Churchill'. It is the one of Eliot which could find an interesting interpretation in the phenomenon of the natural logarithm ln 9112001 (11 september 2001!) = 16.02510289... This suggests that Eliot's 'Four quartets' could be contained in 11 september 2001 - followed by the date 28 october which is the day after Gröver/'Mengele's birthday 27 october 1916. Which means that the date 26 november 2016, the day after Vibeke Aukrust's and JFK jr's birthdays, could be of some importance. Some peculiarities:

5/13-1981 = the pope's 'finger'
9/11-2001 = natural logarithms on Manhattan

Does this mean that the plan of US administration is to replace me with a 'peer devil' on 26 november 2016?

I notice that Claire Goll's 'Mitwelt' of 1918 (in e.g. the university library of Graz) could find a rewrite in 'T.M.Eliwt', which suggests that 'T.S.Eliot' could refer to a 'Schitwelt' ('the waste lands' etc) which could be for the US 'Schattenwelt' - cp. also 'Zattere' in Venice - if the principle is that the US government is a shadow cabinet to the british: The two George Bushes ('G-orgy Bus-he's') could be an attempt to gain control with the shadows and the fluttering sloughs. If so, ideas about a replacement of me could be about a certain 'resurrection of the shadows'. Which would be a bad idea. I do, though. not really believe that public US administration has planned to replace me with a copy, but think it may be wise to publish my work as long as I am myself - and not e.g. only a shadow of myself - in any case.

There exists also an 007 in the natural logarithm 'ln 750'. Which does not mean that anybody are secret agents.

'T.S.Eliot' could also be about a rückwärts 'Toilets' = Shitwelt, Shatwelt etc. He emigrated to UK and took a british citizenship there.

'Lavatris' backwards is 'sir taval' cp. 'Per Devold' (who perhaps could have been called 'der erste Mann' in the sense of being married to Marilyn Monroe, if that were the story). It may be that more extensive parts of Eliot's work is devoted to or could have been put in relation to the 'political' project, such as his first book 'Prufrock' of 1917 about 'J Alfred Prufrock', including a poem called 'Hysteria' which could be seen as related to sexual abuse of a drugged victim.

Mitwelt = My Tveitt, der tveitte Mann - the barn of Tveitt, containing all his work, burnt in the night one month exactly after the death and burial of Sachs/Celan in 1970, in the temporal context of the escape of Andreas Baader ('a real bandit'?) from prison.

Is there also a certain affinity between 'Schattenwelt' and the name of 'Cohn-Bendit'? Cp. the animated film 'Shrek 2'.

I notice that the official reason for the US bombing of Afghanistan was that they would not hand over Osama bin Laden. The assassination of bin Laden was a military action in Pakistan without permission from the country, ignoring the local authorities. Which means that if the US administration plans to get hold of me for replacing me with a copy (a 'peer devil') while sinking me into a chemical bath of some devilish kind, there should not be any country which should be able to prevent it? Pakistan is a nuclear power on a scale with England.

Why should they? For defending a shattenwelt?

Or maybe it is quite the other way round - that US administration would try and prevent such a disastrous development. But then for example the film 'Shrek' could perhaps be seen to be about something else?

It could be this phenomenon which could be behind the US response to my book submission rejected by the Oklahoma bombing and a similar article in Language in 1995-96 - if the plan is to split me off like a shadow for taking over my historic role and person etc. "And he had nothing left...", as could have been a line in the 'project description' for this idea. If this is the reason why it seems difficult for me to have my books published (except, perhaps, after a 'Peer Devil' has taken over), then I think there are even better reasons to have them published as soon as possible.

I do not believe that Eliot was an agent for US or rather british administration, at least I have no good reason to believe that he was rather than that his works could have been used for such administrative purposes, but it is probably the same story over and over again: There exists a semantic substrate in phonological units which means that a certain poetic complex will tend to conspire on certain phonological forms - and then secret service thinking makes the short circuitry of claiming that other concept which can be derived by 'norwegian semantics' from the same phonological pattern are the real reason for the poet's choice of words. This misunderstanding - and source of the bad rumours that serious poets and artists are agents for CIA - could be a part of the reason why there have been apparently tough rejections of my book on 'Submorphemic signification'.

All this of course could also mean that USA are my good friends. And then there are only a few details left (identities etc).

I have speculated that JFK jr (1960-1999) could have been in possession of a peculiar characteristic trait of behaviour which could have been the background of e.g. Per Lönning as bishop and nudist in Norway since 1969, cp. 'Lönning for haven'. He quit in protest against free abortion rules and became professor of theology in Strasbourg (not 'Strassenbahn' or 'strassen-barn'). There was also an oral story about a neighbour to Hauge/Rekustad farms who was found hung on the barn. Whatever could have been the background of such a speculative trait, being for example about the same name but not title as his father, it could have been about 'pope-ing up in other people's attention' where one should perhaps not. This could in theory even have been a background of the attempt on the pope on St.Peters Square in 1981, cp. John Paul II's later parkinsonism, if the purpose with the whole story would have been to construct the US government as a shadow cabinet to the Buckingham-based power of England.

But if so, that could have alarming connotations for my situation.

Grimaud is having a concert in Vienna on 7 and 8 June. I would of course much have liked to attend one of her concerts, but it may be that I could not afford the revenge from the institutions of society. Yesterday afternoon there was some 'klamping' in the stairway outside my flat, and this morning a note had come up that there will be a reading of the water metre (apparently only in the short stairway where I live) in the morning 8 june (wasn't it just read, some weeks ago?). It could of course be about 'trampeklapp' vs 'klampetrapp' and 't lampe krapp' etc. - hopefully not the same theme as for the film 'Shrek'. I could not afford new taxes or other added expenses or difficulties. I had hoped that my economy would improve after my more than 20 books waiting for being published, but it may be that the institutions of society are brimming over with too much holy indignation to make that possible. There was public 'Prügel' in Barcelona and Georgia a few days ago. Could be it is the same project as 11 september 2001. I have speculated that a reason why my economy has been held low and close to zero through many years could have been the simple interest of making it impossible for me to live on any other address in Europe than where I currently live - if that was the destination for all those years. In 2010 I spent two days at a cheap pension for writing out some chapters of my 'ABC of politics', since this material is a real pestilence of my life which I did not want to litter my home environments with (and I still, in the end of May 2011, have to pollute my poetic environments with all this stuff which I am so profoundly disgusted by, such as the present page) - the pension was apparently empty except for me, while the room next to mine was let out to two probably professional snorers - apparently one night each - who snored so terribly that it was not possible to sleep there. In the summer 2010, Lubomir Harman went for a shooting spree in Bratislava. 'Lub o mir har man jo', which is something, and it may be that if I move to another location it will not be easy to live there. Which would be due to my low economy.

This page costs me very much in terms of lost self-confidence. I do what I do not want to do - and maybe the world believes that this page is my real devotion. Will I ever be able to leave all this 'internet-shitwelt' behind? It can take at least a week to get back in shape after yet another addition to it, and then a new 'good reason' appears which makes it impossible to avoid yet another addition.

To tell the truth, I am very uncertain as to the question whether the post really functions. It is the phenomenon of the US shattenwelt or 'shadow cabinet' phenomenon with dumping of the shadow-role onto me which makes it impossible for me to launch an application - or e.g. a book submission - without risking a total catastrophe, a complete split-off from the world like a KLINTEN of the cliffs of Dover crashing into the sea. And then of course it looks a little tragic to go around waiting for the publisher to contact me by mail if the post does not even function. I hope the secret services do not answer in my place (with 'no thanks' and so forth from the 'shadow') - on behalf of this giant 'political' project.

And it is me who has to do all this mud-digging! Why isn't there some journalistic group who could do the job instead of sitting there waiting for the holocaust to start while pretending that they do not understand why the 'Prügel' goes on in Barcelona and Georgia? Journalism today seems unfortunately unable to call the intrigue by its real name. It should be possible to tell right out why there was 'Prügel' in Barcelona. If not, then there is no good excuse if a new holocaust or black sea loop breaks out. Somebody could e.g. publish my 'ABC' and do a critical study of the Klipra and Jar connections. It does already exist here on the internet. The purpose with a journalistic study of that kind must be to get me out of the soup of the intrigue and not make more of it.

It looked like a real mystery when the great earthquake of Turkey - which claimed some 20.000 lives - struck nearly exactly on the minute one month after the aircrash of JFK jr. It looked like a real comment from the divine! After I have understood the possible mechanisms of the TRACTOR ('knorrs') which digs itself into the rock, it seems less of a mystery, and much less divine. (One month is the same as the interval from Sachs/Celan to Tveitt, and it is also somewhat of a 'fluttering slough'). There was also an outburst of the Grimsvötn ('Grimsvotn' = 'Grims-mitten') volcano on Iceland on 21 may. There exists a report that the outburst was preannounced already on 17 may (norwegian national day) but it seems that it did not really come to anything before three small earthquakes probably right under the volcano preceded the outburst on 21 may. I suppose such a 'tractor' can be made almost as small as one wants if it is based on conventional explosives of the new hyper-explosive kind.

© John Bjarne Grover
On the web 17 March 2011
Last updated 30 May 2011