Why I could have worn a button 'I prefer female staff' when I go into a shop

John Bjarne Grover

The reason is this: In the years 1997-2008 I wrote "The Endmorgan Quartet" = TEQ - 1719 poems over 16 books constituted by inner poetic articulations (the poet writing down what the inner poetic inspiration tells) which I personally consider a form of 'revelation' - poetic or divine or whatever - and which the local 'intelligences' may have planned to label imitative parroting from their own activities and hence they would consider it their own intellectual property. Which it is not: The global 'function 14' (book 14), as I call it, is enough for proving that it has nothing to do with their ideas or activities.

This comment - about the relation between the work of the italian artist called 'Parmigianino' and my own TEQ - tells why it could be relevant to consider it a form of 'revelation' from knowledges far beyond the local intelligence intrigues.

I believe my TEQ changes the world to the better.

After it was completed, a year or two passed and then I started writing 'Der Dornenstrauch' = DDS (2009-2015) in Vienna. I was often sitting at coffeepoints around downtown Vienna watching the immediate cultural events - and intuitively I would search for imprints in the observable culture of changes that could have been traced to my TEQ - that is, the immediate imprint from my TEQ onto the local culture such as I as the poet would recognize them - and I considered these local events as outer poetic articulations and as such a basis for my DDS.

This comment tells how my DDS relates to the phenomenon of chinese radicals - as an abstract cognitive phenomenon which probably enters into the process of culture change and development. This radical basis is primarily associated with DDS part 1 which is called 'Kinderhilfe' - a sort of 'Aufziehung' 1,2,3...214 for the 214 radicals in the Kangxi system.

It is in the interval between the inner and outer poetic articulations that interesting knowledge can be developed.

It seems that the local austrian administrations (intelligence? Wirtschaftskammer?) disliked these activities of mine - could be they considered it a form of 'power' changing their culture - and there started to appear males selling the loaves and the coffees where I had formerly been for writing my DDS poems after having bought a coffee from a female. It seemed that they tried to 'get me off the place' by such 'homo' strategies. This came out so wrong that the last two parts (out of four) had to be written in buses and trains and in coffee points in Bratislava and Györ outside Austria.

It seems that this constituted a challenge against the poetic work I was doing - probably for redirecting the credits for the work to Adolf Hitler or similar political interesters. It is likely that some organizers have spread this challenge around Europe in an attempt to extend their harvesting of my credits - and on the worst it was almost impossible to have a bread or a coffee in european countries without having to buy it from a male. I suppose quasi reasons a la 'gender equality' or something like that have been used for justifying this strategy.

The real problem is likely to be even worse: It it possible that Austria has abused surveillance data from my life and work in advertisements on huge posters all over the country - and there have also been some reasons to believe that cognitive surveillance data ('thought reading') have been forwarded to Ukraine for use in strategies for provoking war and for war strategies. Clearly this, if it be the case, would have called for rather massive economic compensation money which should have been paid to me in order to bring the cultural situation in balance again. But in the absence of anything such, the personal interface - the person I buy a coffee from in a bakers shop or a bread at a breadseller - would make the culture in total feel this misbalance due to such potential abuse and that could invoke a certain 'homo' feeling among those who should have paid.

It is possible that the simple explanation to the males in the shops and coffee points where there formerly were females are put up there because the society has not paid what they should have paid.

I fancy that there has been much plagiarisms of my work in art, literature, film, TV, newspapers, business, politics etc. Is it as bad as this - that 'Breakfast TV' has peeped on my private life or what I wrote on my computer yesterday and uses this as basis and theme of their talkshow? I have never given any permission to anything such and have never been asked or informed with a single word.

This leads to terror-and-monkey-business (would the 'Bucha' massacre have been about my TEQ or DDS?) and a gradual takeover of the control in the society by the international secret intelligence mafia under the figurehead of Adolf Hitler. These may have been trying to hijack my authorship for using my TEQ and DDS for terror and business - and if this continues it can lead to a third world war whereby the unconstitutional power elements of the society - who probably organize these things - could hope to come out as the victors on a global scale.

It is possible that the sum which should have been paid to me for bringing relations in balance again runs into hundreds of millions of euros, could be more. I have fancied that the TV series 'The Dynasty' produced by ABC TV in USA - and sold to many if not all countries in the world - was based on my DDS. I started getting sick when this production could have started and spent 7 weeks in hospital in 2018-2019, nearly out of life. I have also guessed that Microsoft could have used elements of my TEQ for its Windows. I have some reasons for these ideas but probably not enough for a 'proof'.

This is why I could have used a button "I prefer female staff" when I go into a shop. A male instead of a female in such a shop can be quite a burden to me simply because the society has not paid to me what they probably should have paid.

Those who want to continue the abuse and exploitation of the poet (not the least for making a new Hitler) would perhaps say that "Mr.Grover is a homophobic". That is nonsense - this has nothing to do with that sort of thing. It is for preventing a new world war that I turn in the doorway if there is no other option. At least untill the society has paid.

It is also very true that a male selling food was no problem to me before this complex started - and I have no problems with such if it is in a society which does not owe me a lot of money.

My life is very marginalized and I cannot partake in anything in a society which owes me a lot of money - but I have to go into a shop now and then.

I lived for more than 40 years in Norway and nearly 20 years in Austria and it may have come into some misbalance simply because such strategies can have led to an unfortunate national identification of my authority as theirs without crediting me. I see people walk around with a norwegian flag label on their knitwear and other clothes - and they seem not like people who would endorse Adolf Hitler. Do they understand that longterm cultural abuse can lead to misidentification - such that it could sound like my authority speaking while in actual fact it would serve to credit Hitler?

Does the state of Austria (government, intelligence?) have it as their political program to try and turn me homo? I am not homo and would certainly dislike such a program.

The idea of a third world war need not be sheer fancy. Would the attack on Israel 7 october 2023 have shared interests with those who could have plagiarized my DDS?



The abuse of my authorship is probably made easy by what could have been extensive child abuse of me. This magnet tomographic scan of my brain shows that the skull is intact while a part of the brain is scissored off - and hence it must have happened in the course of the first few months of my life before the bones attached firmly. These data tell that the 'international intelligence mafia' probably plan to swap with me for hijacking the role of 'jewish genetics'. It may be just these who could have tried to launch the idea that I suffer from 'homophobia'. These data I discovered in the end of 2019 - around the time when COVID broke out.






PS on 5/1-24: It may have been a tacit (or even explicit) agreement that the circus around my person (after my head would have been opened in 1957) could continue up to the turn of the millenium but not a day more. Clinton went to Norway a few weeks before this turn of the millenium - and ended in dire straits thereafter, with humiliating impeachment process. But it seemed that - in spite of these 'perspectives' - the circus continued as before - and instead of stopping it, some countries started introducing homo marriage laws 'instead'. The first country to legalize homo marriage was the Netherlands on 1 april 2001. But even if more countries followed this example, it seems that this did not help, and COVID broke out at the end of 2019. Even this did not suffice for stopping it and the war broke out in Ukraine. When not even this sufficed, the war recently spread to the Middle East. Clearly it is better to stop it now than to let the story end in global bloodbath. If 'The Dynasty' 2017 were based on my book, why not start there? But it should not be left to little me to rescue the world from the third world war. All this circus around me is probably only somebody who got this idea in some secret intelligence or something like that - probably based on Tutankhamon 1922 followed by the Beer Hall Putsch 1923 (or 'beer-hold pouring' of 'tut-and-comin'? - cp. Ruper Brooke's 'Dining-Room Tea' and the famous opiums-beauty of the 'bank-note' mystery of the Wall Street crash of 1929 - it may be that Brooke's line 'And you, august, immortal, white' tells my official mother's birthname 'Ragna Auguta Devold Eidsvig' at the start of the Wall Street crash) and the death of Lenin 1924 which could have been Hitler's attempt to hijack the russian revolution - some nonsense about 'Spjelkavik' and 'Pharao/Faeroe Islands' - and there is no goodenough reason anywhere to continue this circus. It could be a matter for the UN Security Council to bring e.g. 'The Dynasty' to justice if this is the story - instead of waiting for the first nuclear bomb to go off. What should the outcome of such justice be? That I am credited for my work, of course - instead of a world war. Are the politicians totally crazy? Why is it so difficult to find a tablet which is not Android? Is it because Microsoft doesn't want to swallow the Tablet? I am not an agent.


(6/1-24:) News about the teapot-banknote mystery: Newspiece 1, newspiece 2 (terror goes wrong way), newspiece 3.

A banknote is a letter which tells that you are entitled to go to the state's gold reserves and have a certain amount of gold in exchange for the letter. But since there is no name on the letter, you can also use it in the shop for exchanging with some commodity and the shopowner can go to the gold reserves instead. This is a mystery which is shared with the teapot - it has a value which is anonymous. It is possible that 'crazy politics' hope to keep me anonymous in order to reach a world war by which they hope to grab global control. This catastrophe can be avoided by telling my name in the context of my intellectual property - that is, by crediting me for my work.


(7/1-24:) See also this file (in extension of this article) for the idea that the 'dirt' removed from the 1521 artwork qua potential 1531 divine revelation (Guadalupe - see the line drawings on the dress) could have been continued with an escalation of the Middle East crisis since october 2023. It must be understood that it is better to stop the abuse of my work than to install such 'secret intelligence' understandings of the spiritual world (feces, urine, flatulence as the constituting components - for those tragic ideas of the millenium shift turning everything around - such as spirit turning around with matter etc). It must be understood that my work has nothing to do with Adolf Hitler and the 'world of secret intelligence' - however much the national 'secret intelligences' could have wanted to try and claim that my work is an offsprings from theirs. It is better to stop the abusive understanding of my work than to drive the world into a conflagration. This could be a quite urgent matter. There is no reason whatsoever to let Adolf Hitler swap around with me - or a mythologically even possibly conflagrational 'nazi madonna' swap around with the catholic madonna - however much Hitler or his comrades in the relevant 'services' may have wanted that - for example for escaping the burden of their war crimes. If my authority or 'khora' has been occupied by abusive interests since early in my life, these interests could be relating diplomatically and otherwise to the rest of the world under the identity of my authority - and if 'dirt' has to be removed from 'art', it is extremely important to understand that the occupying interests must be removed from the authority-territory before one starts removing it from the art - not to speak of the political turmoil that could arise from all this confusion. Will these observations of mine which you are reading in this very moment come up in authentic and relevant attention? Probably not - but an 'abused' version of it is likely to surface in media and administration in a twisted shape of murky copies of ideas not crediting the source. That is the abusive function which keeps Hitler's swipswap circus going.






© John Bjarne Grover
On the web 2 january 2024
Last updated 7 january 2024