Stop dove chasing!

Stop dove chasing!

John Bjarne Grover

Doves are a mighty spiritual resource for the poor humans. They work incessantly with finding the optimal solution which can bring humankind at least one small step forwards towards the full understanding, beyond the riddles and mirrors. Every little step counts and humans should be very happy for having them around.

Some people let the children run around after doves and scare them up. Those are the children who as grown-ups cannot see a child's bottom without planting a boot there, or a new piece of intellectual property without raping it. I published this file on 23 april 2019 - five weeks later I returned to my little house in Szolnok and found it burglared and doors left wide open, could be they had been open for weeks. Was it the article that told of a 'mystic' garden and a burglar with a past as dove chaser in childhood could not let it be? These problems constitute a very serious danger to the future of humankind on earth.

Teachers and parents should tell the children to stop dove chasing. The doves are near relatives of the angels and a child who run after birds for scaring them up will develop into a blunted target of the same later in life. It is probable that very much can be gained by respecting the peace of the birds. Animal abuse is probably forbidden by the law and is perhaps considered criminal. But do you think the birds like it when the children run into the bird flocks for scaring them off the ground? Pederasts are probably convinced that the children they abuse love it - they see it everywhere in the world thereafter - but it may be a costly affair for the society in the long run, not to speak of the children.

I wrote this on my computer in the afternoon on 25 august 2020 (but did not let it come near to the internet) and already the next day I found this article which seemed to be concerned with similar ideas. Had somebody felt the presence of the peacedove (in some surveillance material) and could not let it be scare it up? I guess (without any knowledge of it) that the internet could be full of this today - and it makes me very tired. This seems to be the only response to my 'general application' for some assistance to find a stable home ('hier kannst du ja wohnen!') outside Austria. Could be the article on sputniknews.com was meant as a help for me - but there could be many friends around. (This is a general problem - if I start reading a newspaper on the internet, this sort of problem starts after only a few days and normally increases untill I have to find something else to read. Is it the 'intelligence' who has been inbetween?)

"In our society we respect the human rights - except for one person because he is an [...]" (a PTRSIM PIK, for example). But then they have not understood what human rights means - if these rights are not respected for absolutely everybody, then they are not respected at all. That is just what human rights are.

Should it be up to me to find a lawyer and accuse the world etc? That is what those dove-chasers want - so they can enjoy the bullfighting and admire the elegant toreadoro who doesnt understand what you're talking about. The world must tidy up in this mighty mess themselves. There cannot be only nazis around.

Added on 28-29 august 2020: Today 28 august I looked over the new italian poetry in a bookshop and bought a 10 euro plastic-packed poetry book by Elisa Biagini "Filamenti", published on Einaudi in 2020. It seems to be quite close to the story of the black bulby animal from cosmos I met in Szolnok and have told about on my website, in the above-mentioned file. It could have been about a sort of near parallel from that point of view - the story seems to be told by the cosmic animal. Elisa Biagini (Einaudi) - cp. Biagio Marin (Neiaudi)?

By the way, if the animal were a 'mørkepære', a darkness bulb/pear that was lit in the moment when I lit the lightbulb, and that ran ('curred') in under the bed to the curls of electric cords that went up the wall to the current lamp I had lit, it is interesting to observe that the pear tree (to the right of the place where I threw the animal forwards into the night) probably the year after developed black curls at the end of (some of) its green leaves - 'svarte rulleblad' = 'stains on the record', it could be called. That tells of a 'mørkepære', a dunkelbirne.

David Cameron published some memoirs 'For the record' some time ago.

I started working on a more general theory of 'virus and cancer multiplication' (a theory of 'cancan') before I left Zinckgasse and Austria on 27 july. In the article I worked with I discussed also my poem TEQ #1479, signed 'Johann Nepomuk Dunkel'. The threeline poem contains also the line 'leave the theory of the day'. I wrote the first draft to this article (or book chapter) with mention of this 'Dunkel' on 29 may 2020, according to the date of the file.

The internet tells that the book of Biagini was published on 25 august 2020, which means that it would be only a few days ago that it was published.

WHO chief Tedros Adhanom Ghebreyesus is on the front page of China Daily (chinadaily.com.cn) today, telling that "Covid-19 already affected people's mental health". I hope WHO is not planning a frontal attack on me for suppressing me as the origin of the theories they can have used for the vaccines against the corona virus. There was apparently some 'efficacy' in some press releases some time ago.

On 25 august 2020 I wrote also some observations on my home computer about the obvious similarity between my Function-14 and principles of immunity - how cells in the blood 'wrap around' alien microbes for quarantining them - and how the distribution will constitute a memory which parallels immunity memory. Indeed if the alien microbes are paralleled with the poems of TEQ book 14 ("If you're going to København"), the distributional semantics of Function-14 will be the immunity which packs around it - in such a way that if a new poem has an echo in the distribution of words in the full corpus, immunity obtains, otherwise not - and the epidemic will go untill a new distribution is reached which can match the new 'info from eternity'. That is when the humans in earthen history has got the point - received the message from heaven (metaphysics) contained in the epidemic. It is likely that the last books of TEQ can be used for a new epidemiological theory.

When I was 'dans la rue' in Paris in 2002, I rented for a period a small and cheap compartment in a storage house, and a 'colleague' had rented a similar one near to it. She had filled her compartment with things and now and then I heard a strange 'knitring' (crackle, german 'knittern') which turned out to be from cyan-blue plastic sheets which she lowered over a doll in a small doll's bed. A sort of 'hair-raising' sound.

If the hushing sounds of 'G-breie-sus' ('breie' is the norwegian word for putting the bedcover over typically a child) finds a parallel in 'G-røver', the jumping jack that can be spotted in a 'hair-raising' sound from the cyan-blue plastic sheets lowered over the doll does not mean that I am an agent. I notice that if 'Covid-19' is a hint about 'Function-14' in addition to the 'co-white' peaks on the artwork in the mid of the cartoon in The New Yorker 8 february 1999, if the pandemic is set in circulation for political reasons, it could be for the purpose of making an identity of my work/authorship with the political reference in the cartoon - on the alleged basis that I should be an agent or write like a 'jumping jack' doll controlled by the secret intelligences. That is not true: On the contrary, function 14 is a proof that my poetic work is not written under the control from anybody - except perhaps from the control by the creator of humankind. Could be the pandemic is set in circulation for just that reason.

The black 'dunkelbirne' ran or 'curred' in under the bed to the 'curls' of electric 'cords' that went up the wall to the electric 'current' in the lamp I had lit: This makes for a certain 'kur-kur-kur' - the sound of doves. (See also the 'kar-kar-kar' relating possibly to the car-starters in Vienna before I left). In my Vol.4, I discuss also the validity of the received interpretation of cuneiform on basis of the phenomenon that some notable cuneiform signs can be recognized in my 'Stillhetens åndedrag' (2016) - most notably the sign MASh - the intersection of one vertical and one horizontal wedge - which in sumerian has a range of meanings which is easily recognized in 'Stillhetens åndedrag' poem #16. Could be there is also some basis for seeing a 'KUR' (1+2 slanting wedges) in poem #35 'Savonarolas tanke'. A closer study of this poem reveals that it could be seen as an articulation of the inner 'stream of consciousness' of the 'dunkelbirne' animal in its meeting with me. Notably, as such, it could perhaps also be recognized in the book 'Filamenti' of 'Biagini'. Homework: Can you find which cuneiform sign matches poem #1 #solens pike best? (I have not tried to find this cluster of sumerian meanings under a certain cuneiform sign, but I would guess that it exists).

The list of meanings to KUR given by Hübner/Reizammer is the following - for poem #35 - annotated with corresponding line number: Title line: Berg, Gebirge, Bergland, (Berg)Land, Land, 1 Fremdland, 2 Geborgenheit, Geheimnis, 3 Aufenthalt, Quartier, Sitz, Wohnung, Wohnsitz, 4 Palast, 5 ergreifen, erobern, 6 erreichen, nehmen, 7 aufbrechen, sich aufmachen, aufstehen, sich erheben, 8 anblasen, 9 Aufleuchten (von Räucherwerk), Entbrennen (von Räucherwerk), entzünden, 10 aufgehen (Sonne), das Aufgehen, 11 zum Vorschein kommen, aufleuchten, glänzen, 12 lichtstark sein, groß, abnormal groß sein, 13 gut, schön, 14 Einnahme, 15 Handelsamt, Kai, Königin, 16 Pferd, 17 ein Stück von Stamm (Holz od. Rohr?), 18 Unterwelt, 19 Wall, erfolgreich, 20 sterben.

Is sumerian 'KUR' a relevant cuneiform sign for poem #35? Vol.4 tells that if it is, then one can find something interesting from observing this relative to the position '35' on the 'zifferblatt'.

This is not 'commonplace' - it is original pioneering work of mine. It was a friendly dove who told me about this relation between cuneiform and the 'zifferblatt'. It is not impossible that Covid-19 is set in circulation by the 'bermudas' in an attempt to coup this. Is there a deep secret of e.g. british-fabricated cuneiform tablets or Behistun bilingual? That cannot change much if the internal consistency is found independently.

Sources:

Biagini, E.: Filamenti. Einaudi august 2020.

Hübner, B. & Reizammer, A.: Inim Kiengi. Sumerisch-Deutsches Glossar. Selbstverlag Dipl.-Ing.Univ. Albert Reizammer, Wichernstr. 3, 8590 Marktredwitz 1985.

PS (The article on sputniknews.com could of course have been intended as a hint to the more general things I had written on my computer that day).