Brief comments
John Bjarne Grover
Brief comments for earlier months are given at the end of the page.
3 august 2023:
Some data added to the historic documents page today.
6 august 2023:
Why did I interrupt the university studies in 1976? Some considerations.
9 august 2023:
A trip downtown yesterday. The trams were lined up 'at full stop' at the parliament and I walked to Schottentor. This presentation ad was outside the university entrance there. Should it remind me of the Tchibo ad with ideas of 'Kirchlich Utes Wentdecken'?
10 august 2023:
There was roadwork (in the sewerage, I think) under the road in a nearby road intersection ('Ecke') some 2-3 days ago, and around the same time a person knocked on the door but I did not open in time. There were these news today.
13 august 2023:
Today I published this interesting article: Ablikhos, Yeats and thresholding
14 august 2023:
Added to yesterday's article Ablikhos, Yeats and thresholding as concerns the story of the official mother with 'anorak and plums from the garden': My friend Knut Stene Johansen had mentioned Husserl when he studied philosophy and - as far as I remember - wrote about Merleau-Ponty's phenomenology. It can perhaps be said that the official mother's occurrence, when it was on the stairs to my door in Oslo, can be said to have been on top of the little 'bridge' which those stairs constituted - hence 'mer lå pont-y' or even 'mer lå på onty'. It must be admitted that it looks a little tragic with such formulations as in this article on Merleau-Ponty: "Merleau-Ponty wurde hauptsächlich von seiner Mutter, der er zeit seines Lebens eng verbunden blieb, katholisch erzogen". 'Eng verbunden' - should that mean anal coitus? Dritte Reich? It can be observed that Norway 5 years later - after this visit on the stairs to my door in october 1994 - focussed its media attention on the socalled 'Orderud case' - which could be seen to be in associative extension from the bombing of the chinese embassy in Belgrade the day after the death of Per Paust (his wife Anne Orderud Paust was personal secretary to the norwegian defence minister and there was, as far as I understood the news, a norwegian military commander 'Per Bøthun' in charge of NATO's bombing campaign on Belgrade the following day, and Anne Orderud Paust and her parents were murdered a couple of weeks later) - which is analyzed somewhat in this article as far as the name of Knut Stene Johansen is concerned. The event on the stairs to my home in 1994 could then - in light of these data - be seen to function as a trumpet for Adolf Hitler.
If so, I would be inclined to nourish some suspecion that the event could have been organized by e.g. state intelligence or other potentially involved interests having observed my studies of 666 and 777 car numbers - and those norwegian intelligences could have wanted to turn it into mor or less quasi Hitler propaganda, for letting the society join them in a chorus: "Mr.Grover, you must understand that you have got all your poetry from your mother". Of course my struggle with 666 and 777 in car numbers was rather a struggle with getting those influences off in order to make it possible to write poetry - that can otherwise be quite difficult in Norway. The country may perhaps have a problem with the reason for its state formation in 1814 and it is a great pity indeed if they feel that they cannot solve those problems without turning towards nazism. (Hitler was a nazi - there is no doubt about that).
The reason for my need for a political asylum in 2002 could have been not the least this need for getting out of such a potential clamphold. If my chance to concentrate on my work would go below zero after having received another stalking letter from the official mother in the 'postbox', and my work then would have looked like rather 'worthless krep', a norwegian understanding could have been "that is because you have rejected your own mother". Ah ja, I have this brain scan which seems to show that my skull was opened not long after birth and a part of the brain scissored off.
When I was in Italy in the spring this year, I got an email which told that there was a big hole in the roof of my house in Szolnok. (After I have later had it confirmed that there was such a hole, I understand that the email was not a joke but friendly help, for which I thank). If I had not taken it that it could have been a hacking 'joke' only (say, about the Sziget rock festival in Hungary), resembling another probably hacking 'joke' I received some years ago, I would have had to travel off ('må reise') to repair it. "Må reise, meer lå på taket" - 'Mau rice, Meer-leau Ponty'. It may be that such 'projects' have cost me time and money. Not to speak of what it costs to have to write another page like the present one. It is not so certain that people can guess this possible background of the Orderud case and the bombing of the chinese embassy in Belgrade. Even the Kosovo bombing campaign?
The family was to an animal park in Sweden in probably the late 60's (or, less likely, the early 70's). I talked with a horned goat (curved horns like the photo of Holm) who put its head out through the fence and I put my cheek (norw. 'kinn') appr. at its cheek - and it gave me a jolt which made me feel a little taken aback. The place was probably under surveillance.
An international court could assess the abuse of data on my life in political programs and pronounce it illegal.
I thank the birds that tipped me about this story.
16 august 2023:
The theory (arising from the comments of 14 august 2023) that the Orderud case really installed the construction of Husserl-Ablikhos via Panini qua Ragna Grøver against me - with a historical rooting in Hans-Henrik Holm abused for power on basis of (possibly) Hitler's hijacking of Lenin's revolution - the Madonna of Fatima had said while standing on a Holm-oak that Russia must turn around, and the russian revolution broke out a few days later - finds some empirical support in the complex around Ablikhos via the 'nynorsk etymological dictionary' of Alf Torp which can be used for reading Holm:
Aulie-Kos = the school dentistry 1970 after the replacement of my official father in 1969
Alf Torp's 'Nynorsk etymological dictionary' (1919) can be used for reading Holm
Avl-i-khos → Alf Torp, Avl Trop
Some photos in Krarups Nielsen's book, the four pages of photos between page 104 and 105:
Gavl Stropp = 'Gavl' is the end wall of a house where the two slanting roof-parts meet in a pointed angle, 'stropp' is a 'strap'. Could be the photo also tells of my elder sister's name 'Vibeke Grøver' = 'V-backe G-roofer'.
Avl Tropp: Avl = crop, breeding. Norwegian 'kropp' = 'body'. Ahja, could be the 'breeding' is associated with the female bodies whose genital openings can be 'trang' = 'narrow'.
Alf Tr-op: 'A timberlogical' = 'etymological'?
'Ordbok' = 'horbuk' (by 'geisha')? 'Buk' = 'belly' - used for whoring? Could be the profession of the geisha was more advanced than that - here she gives consolation to the soul by music.
Ribben-trop could have been just this construction of Holm-Torp-Avlikhos. Ribbentrop was Hitler's foreign minister.
'Alf Prøysen' could perhaps serve as a proof of the installation of this in the postwar norwegian reality. His first publication was a collection of folk songs in 1948 - it was called 'Drengstu'viser' which could mean 'boy-hut-songs' which could mean 'Alf Torp viser'. Prøysen was notable by his very oblique look and his entertainment was perhaps somewhat 'cosy'. He wrote in 'Hedmark' dialect. He was often on norwegian TV and radio. In 1963 he published a children's book called 'Sirkus Mikkelikski' which perhaps could have indicated a 'Mikelis' link to the 'oblique face'-ade.
Prøysen was born Olafsen and Prøysen was his artist name. 'ALF o LAF sen' could tell of this ALF / AVL and TORP / TROP. Preussen/Prussia was perhaps a part of the Ribbentrop-Stalin pact.
Conclusion: If this serves as a proof that Mikelis Ablikhos was installed in disguised form as a concept in the norwegian postwar reality, the Orderud case could have been based on just the story with Ragna Grøver reported in my 1994-95 diary novel 'The Dreamer'. Then what should 'Husserl' be? It could have been the name for the 'hus' = 'house' in Szolnok (with the waterleaks = 'søl', cp. also the philosopher John Searle), next to the final hebrew 'F' form that could have been the basis for the name of 'Heinrich Luitpold Himmler'. If so, my birth in Sandveien 4 in Molde in 1957 could have had its reason in the 'sanskrit' grammar of Panini used for this construction from Husserl to Ablikhos or vice versa.
Kjerringa med staven is a norwegian 'folk' song, could be of a type that could be associated with Prøysen. I notice the lines "Åtte potter rømme, fire merker smør / Såleis kinna Kari". 'Kinna' is a word which is not much in use nowadays - it means making butter from milk by hand activities. (Could be it is used about modern dairy production methods as well). Normal 'bokmål' calls it 'kjerne' - same word as used for e.g. 'kjernevåpen' = 'nuclear weapons'.
The electricity prices have gone up in Europe and the austrian government has in recent years launched campaigns for giving away to the austrian people an annual sum of some 200 to 500 euros per person per year (for those who want it) for making it more easy for the people to pay the expensive electricity.
A farm used to have a main building and a kår-hus for the older people who had left the duties to the younger generation, plus a dreng-stue where temporary workers for spring and autumn work stayed. In the Orderud case, Anne Orderud Paust and her two parents, who once had been running the farm, were murdered in the 'kår-bolig' - and their son and brother of Anne Orderud Paust - Per Kristian Orderud - was living in the main house and running the farm along with his wife. These were sentenced along with another two - a 'quartet' of people. After he was released from prison after 15 years, he could return to the main farmhouse but was not allowed to inherit it but had to buy it, and he is not running the farm - that is done by somebody else - could be he now is a pensioner. (Quote from the internet: "Han ble selv fradømt arveretten etter sine foreldre, og måtte derfor betale 2,9 millioner kroner for å få eierskap til gården. Etter 15 års soning flyttet han hjem igjen og bor i hovedhuset i dag, men gårdsdriften er fortsatt bortforpaktet"). This could mean that the main house attains a factual role a la a 'drengstue' in Prøysen's first publication - and hence that the 'vise' = 'song' could have been recognized as the bullets. The question is then whether the story could have been engineered (by some sort of 'intelligence services', for example) for getting my authorship under control - such as the ownership or authorship to my 'The Endmorgan Quartet'. The idea could then be that it had been written with 'bullets'. (It is probable that there are cows on the Orderud farm, but are there bulls?) The farm was originally called 'Olerud', tells the internet. The four who were sentenced say they are innocent. After I noticed the possible role of the 'Papillon' success story from the early 1970's, I speculated if it could have been linked to a first prose piece (cp. 'an orderud paust') of mine from the late 1960's - a short story about a farmer who had been involved in some ado about a murder due to inheritance things. I dont remember the story well but think it was about motives by inheritance rights. Did I write this before or after the new father had taken over the role from the former - but never told his name and pretended he had the same name as the former? I dont remember if it were before or after. Since he never told his name, he could of course in principle have been Adolf Hitler - and there would have been reasons why he would not tell his name. 'På rømmen' could be the word for it - hiding under a false identity. I recall from Volda 1964 or 1965 the official mother claiming that my elder sister was poetic - she had made a poem (of modernist type - 'a bird flew up in a tree - and hid the air away' were the two lines I remember) which the mother had to write down on a paper. Some years later the US expedition with Armstrong and his crew reached the moon and the famous first words pronounced there had been, they said on TV or thereabout, written by a US poet: "This is a small step for a man, but a giant leap for mankind" - not 'small steep' and 'giant lip', though. Since it was in the summer 1969 it could have been around the time when the father was replaced with a copy.
17 august 2023:
More to the question of the status of the two visits of Ragna Grøver on my door in 1994-95: The british comedy group Monty Python made a sketch probably around 1969-1971 called 'Hell's Grannies' which could have been about such plans. 'Telephone box' = the telephone terror 1986-88, 'baby snatching' could have been about turning roles with the 'baby' of the puberty boy. Etc. If so, the question would be whether the name of 'Maurice Merleau-Ponty' is present: Could be that is the very opening scene - the chimneys 'must rise' because 'fear lå på by', an ocean of smog lay over the city etc. Not so very clear but maybe something.
Likewise in another variant of the same sketch, which perhaps is the oldest of the two, it could be argued from the first seconds that 'må spise' = 'must eat' and hence 'must rise' the food up, and the food is a sort of 'foam' or 'meer' that 'lå på by' - 'by' can mean 'city' but also 'what you offer', such as food for eating. Could be this sketch could be seen as relevant for this matter.
The comedy group has also an interesting comment on Hitler, Himmler, Ribbentrop. (Is there a notable sigh somewhere in the first seconds?) The one who was in the role of my official father after 1969 was in fact a representative for Labour in the local municipal council in the 1980's.
Even this sketch could call forth associations to the story around my life - here possibly about my house in Szolnok. (There has in fact been some vintage airplane enthusiast flying a doubledecker or so low over the house a few times). The scene from about 00:15 onwards could invoke associations to Johan Jørgen Holst (for the intersection 'Szanto Utca' and Vas Gereben'?) to the left and Knut Frydenlund (for 'Ifjusag Utca'?) to the right - these were FM's in Gro Harlem Brundtland's governments, both of them died while they were FM's - here with 'tin' = 'sighet toucha' (?) = 'Sziget Utca' inbetween. At least the 'Holst' character even resembles Holst a little. Is the sketch assumed to be 'so british' = 'soap writish'?
The sketch on norwegian blue parrot starts with Botticelli's Venus on a shell - could be the very first image - at 00:00 - tells of 'mi-shell' = 'mikelis' and 'avl-i-kos' ('cosy breeding'):
18/8-23: The comedian to the left in the 'hus-serl' sketch resembles Holst but the other does not really resemble Frydenlund - but he could perhaps be seen to be in some imitation of an aspect of Knut Stene Johansen which I could recognize in the possible 'Facebook' phenomenon. 'Frydenlund' means 'a grove of joy' - while 'stene johansen' rather means something like 'stone good-handsen'. Whether that should mean that Holst is sort of 'Twitter' I dont know. 'Sziget Utca' of Szolnok would, if that should have been the case, have been situated inbetween this 'Twitter' and 'Facebook'. By the logic in this file, 'Twitter' could then have been associated with 'Tveterås' and 'Facebook' with Stene Johansen - for the duo Himmler/Hitler. Isnt it soon time that administration learns that such 'smart solutions' are not in conformity with the people's wishes - and hence have little to do with socalled 'democracy'? Of course such things must be made available to the public.
The socalled 'Hells Grannies' sketch could have some reflex in my diary novel under 11.3.95 when there was another visit of my official mother - she stood with her side towards the glass door: If that were her left or her right side I cannot now recall but it could of course have been her lefthand side, as told of in the sketch (the 'keep left' signs). There was a third occurrence of my mother (in this 1994-95 story - the first occurrence was under 10.9.94) told in my diary novel under 17.4.95 (at "I took a garbage bag") which likewise could resemble aspects of this sketch - I think she had a brolly in hand and the scene could perhaps in principle have been associated with the scene with the attack on the young men at 00:06-00:20. The purpose with the role-turning in the sketch could perhaps have been related to the idea of Hitler's 'dritte Reich'?
18 august 2023:
Published another 6 examples from Mikelis Ablikhos' poetry today - with quite interesting parallels in my 23 thresholded black-and-white photos.
(The publication seems to have been mobbed by some 'joke' - it comes out in half chinese, like it happened with the publication of this file earlier this year. I hope it will be in order soon. Ten minutes later: Now it went through and hopefully is in order).
Evening: It may be that the file does not go through in FTP. Would such a blockage tell 'I am power' ('je er omp') in Prøysen dialect? ('Og så sykler vi på Mjøsa' - for 'Mi kell is: Å bli 'k hos meg'?) I am not a 'beast of terror'.
19 august 2023:
There has been a complete crisis in my poetry writing in Austria for many years since it has seemed to me that my writing with hand has been surveyed and the material sometimes abused more or less instantly in e.g. advertisement - as is observable to me. I have therefore been forced to go abroad for continue the writing.
Some time ago I nevertheless wrote one single line of poetry in my notebook but clearly should not have done so. Already the next day there was a team of streetworkers from a firm called Kanal-Technik who seemed to do work in the street, going up and down a hole to the sewerage on a street intersection (corner, 'Ecke'). I noticed a pallet with apparent stones (or was it concrete cement bags) that seemed to be wrapped in plastic like one can see during repair works in Venice. After my return later in the same day a man came to the door and knocked (but I was not quick enough to open), he knocked on all the doors in the stairway before he went out again - I observed he was dressed in black and red. (I also associated this door-knocking with a story from Venice - then a female). The day after there were the news of the assassination of Fernando Villavicencio - cp. 'Villaveien' - a candidate for the presidential election in Ecuador - and it was hard to avoid the idea that there was a connection between this and the 'Ecke-door' story from my surroundings. When the street or sewerage repair seemed possibly to be based on or relating to surveillance of my writing of that single line of poetry, I had to speculate if the entire thing were organized as an intense hatred campaign against my work - for turning it into the work of a 'Beast of Terror'. If so, it could have been deliberately made - intentionally constructed.
I should add that on 3 august 2023 I had ordered "Alf Torp's Nynorsk etymologisk ordbok" from an antiquariat and the parcel arrived on 10 august 2023 - however, since it could not be delivered to my PO Box I could get it at a terminal on 11 august.
The simple principle could have been that my writing of the poetic line would have been an act of Kant-philosophical 'Einheit' which is split in two with a challenge by 'Ecke' + 'door' - and then the criminal act of assassinating the presidential candidate (for the top unifying position) in Ecuador would have been an attempt to regain 'unity of faith' which was lost with the apparent challenge. The unity of faith by the unbroken cliff was split in two in 'Beachy Head' - which could be called 'Klipra' = 'cliffs-off' - and then the Klipra connection could have been what glued it back to unity - cp. the story of the gong told on 11 july 2023. If this 'Klipra connection' is conceived as the same as a hypothetical injection of chemicals I could have got in Hammerfest in 1959, for the idea of 'modern crucifixion', the terror in Ecuador could have served to jolt my poetic line into the interpretation that chemical terror is what regains our unity of faith in e.g. christendom - cp. the idea of a 'nazi madonna'. Thereby the label of 'Beast of Terror' could have been tentatively associated with my poetic line - and I falsely with an 'international criminal liga' with representatives in Ecuador and all over the world. The poetic achievements there could have been in my poetic line would then have been roleswapped with those who really organized the crime - and that could have been the story of the faith of e.g. Holm. Of course the world should not allow this sort of 'smart tricks' to continue - if that is what it were.
Odysseus had been at Calypso's Cave (assumed to have been in Libya) for quite a while and wanted to find the way home to Penelope and he did not give in to Calypso's advances but sat every day down at the beach and wept. His tears may have drifted by Poseidon's logic across the Mediterranean and could have found their way to Nausikaa's mother bicycling in the sea and it could have been Odysseus who was the real father of Nausikaa. Therefore when Odysseus himself later was tossed around on his raft, Poseidon can have followed the same logic and he would have been thrown ashore on the same place. Therefore he would have recognized Nausikaa through the salt mediterranean tears of his eyes - if it were not a cliff of some sort he observed through his ageing genetic predisposition. It would have been his own genetic endowment which constrained his world into a state wherein the mythological inner pre-disposition and the socalled outer reality (be it cliff or human he had seen) coincided and allowed for the myths to guide him around in a safe manner. Can we take faith in the mythological world of the Odyssey? Is it historically true? The world is constrained by the human semiotic constitution and therefore regularities therein allow us to take faith in anticipated expectations (probabilities) - but whether the rigidity which this imposes on the metaphysics is anything but an ageing genetic predisposition is far from certain.
If Odysseus - through his genetic predisposition - must be understood as the father of Nausikaa, the fact that she was daughter of a local king means that Odysseus is a sort of king of the kingkings, or maybe 'king of the underworld'. It could mean the world of crime.
Hence if I recognize my own poetic line as mine in some local events that could have been organized on basis of surveillance of my writing of it, it could mean that I could have been recognized as the one who was 'organizing' a symbolic coup d'etat in Ecuador.
It is not impossible that it is this sort of logic which is followed in a 'Beast of Terror' program. But can we take faith in this mythological reality? Is it historically true?
I dont know if the 'Ecke' works in the sewerage of Zinckgasse were organized on basis of surveillance of my writing of a poetic line (a day or two before) or, as some would say, if it even could have been the other way round - that I had anticipated these works by a sixth sense and therefore punished myself by writing a thereto suitable line in advance. A 'sado-mascho' illusion could in principle have been tentatively cast on my person by upbringing for precisely such reasons. I think I got a manually rotary 'grater' = norw. 'riv-jern' of the official mother for a christmas in the early 1980's if not late 1970's, probably before the story with the ironing tool = 'stryke-jern'. Would the story from Budapest probably 1984 (possibly for preinstalling a 'Vas Gereben' factor) have been preplanned and preinstalled thereby - or would it have been my interpretation of it that could have been related to that 'riv-jern' background? (A 'riv-jern' is also used about a wife whose mind controls the marriage - it is her will that rules anyhow - cp. also the idea of 'justismor[d]' - 'justismord' = 'miscarriage of justice' - in the Orderud case and in the idea of 'Gestapo'). It is of course not nice to take advantage of such an assumption and arrange, say, ads or events that could appear as if they had prompted my writing in advance (or otherwise abuse such material). Copyright to handwritten manuscripts means that the administration/surveillance is not allowed even to read it - much less to organize activities on basis of it. That is what the copyright law is for - to prevent this kind of abuse. See TEQ #448 and its mirror poem TEQ #1272 (including 1273 and 447 - could be the 'harpet' is but Odysseus's raft that looks like the waves of the sea). Stubborn intrigueing could claim "but, John, you must understand that these poems of yours are but rooted in what the services have organized in your life - see that 'riv-jern apparatus' for the 'Vas Gereben' in your 'Appariv & Keibunty' for example" - to which the natural answer is that "of course they are not - they are about the universals of human existence and that is also the reason why the intrigues try to cling on through these elements". The world of intrigue tries to involve in the free understanding of the own mind and thereby hamper and control the movements of the four characters in the garden of the 'queen'. TEQ #1272-1273 are in book 14 - and that cannot have been controlled by the intrigues of the 'services'.
I am of course sorry for the damage to the 'Pelz' that the ironing tool which I used in Budapest in probably late 1984 (see 'Vas Gereben' in a 1984 story) could have imposed on the surface of the sofa, but it could be understood how unfortunate it would be if the 'responsibilities' came to be adjusted wrong way - in particular if the 'stryke-jern' qua 'riv-jern' had been planned in advance and the 'J' left on the surface of the sofa could have counted as a triumph of intrigue if it meant that my 'writings' in that sense of it could have been outright preprogrammed. It can be noticed that this 'J' left on the surface of the sofa - an easy-meltable synthetic material that covered it - of course I did not intend to leave a mark on the surface - thereby also came to encode the name of 'Jens Stoltenberg' by 'J-en[d]s Toll-Temp-er-G'. ('Toll' is 'border customs' in norwegian - which is in swedish is 'tull' which is 'nonsense' in norwegian - but associated with 'feather' and 'pen' in many languages). Cp. also the relevance of this for the story from july 1957 - and more recently the name of the boat 'Fremantle Highway' that took on hot fire on the day when I travelled to Szolnok and passed through the road intersection of Szántó Körut and Vas Gereben. (Orderud = Olerud). If the story from 1984 were an intrigue for that 'Vas Gereben', it could have been precisely for making the parametres sit that way - so that it could look as if I had my poetic lines from the intrigue and not vice versa - whereby the plan could have been a 'sapsaram', a word which I heard for the first time in Budapest in 1983, the man who had had a wineyard but the communists came and took it all - in a 'sapsaram'. Such an intrigue would also be inclined to assign to me the responsibility for 'pressing the iron' by body muscle into the sofa surface while those who constructed the intrigue would go free of the responsibility - that would be the logic which could tell that it should (which it should not!) be permitted to construct and order the assassination of the presidential candidate of Ecuador and it is only the one who pressed the trigger of the gun who would be responsible by the law. But that clearly is an over-simplified view. The 'J' could have come from the heat in an 'Ecke' (the 'lefthand' side? where it 'ends'?) of the surface of the ironing tool.
Would the sewerage maintainance streetwork + doorknock have been organized for taking the brunt of 'burden of responsibility' for the assassination (a 'brunt-land'?) in Ecuador off my person? But I think it was before the assassination - not after.
Why not tell the whole story instead? Were such an 1984 intrigue constructed? This could have been the reason why I did not mention the mark I had left on the sofa when I left the flat in Budapest. It was also of great importance for me that such hostile 'western' intrigues - which I could then have suspected it to be - were not the character of the Soviet Union society east of the iron curtain - and I certainly did not want to have to conclude that it was a deliberately constructed hostile intrigue against my person.
There was a car from a firm called 'Kanal-Technik' that seems to have started works in the sewerage on the corner of the street - and another car apparently called STRA (by lettering on its side) took over later in the same day or the day after. This seems later to have been doing some apparent maintainence work also in Pelzgasse.
Savoldo - San Girolamo penitente (in the bush).
Defence against intrigue is permitted in administration and private life, construction of it is not - even if it cannot be 'discovered'.
Isnt it strange that it is I who have to tell these things in explicit wording - while of course it should have been public administration who should have done so?
If the 'Ecke'+'door' possibly followed even by the assassination in Ecuador were instigated by data from surveillance illegally reading my manuscript line, it could be called a 'glove-in-face' - say, on a glittering ball. That could have been the nature of the crisis in my poetry writing.
Would it be that the 'secret intelligence' should not have had 'extended authorities' to interact with the society? But I cannot launch too much criticism on basis of my very meagre knowledge of facts. And the 'intelligence services' are perhaps feeding the politicians and administration with 'facts' - such as 1) Mr.Grover bought the house they had prepared for him through decades, 2) Mr.Grover wrote the line which was the basis for the assassination in Ecuador, 3)...4)...?
Would my economy have been held deliberately on a low enough level to make it impossible for me to acquire any another solution than the house in Szolnok - possibly preannounced in the 'Monty Python' sketch (mentioned on 17 august 2023) from around 1970 and later in the 'Twitter / Facebook' phenomena? If so, the purpose with it could have been to make it appear as if I had deliberately and on own free will chosen to buy that house in a faraway district - and that would have made it easier to make claims that I would be the very 'Beast of Terror'. That is not true - it is not I who am a 'Beast of Terror' and I could not have guessed the nature of that location in advance (if, that is, there is such an intrigue on that house - I have never been told a word about anything such).
Time goes. The years are passing.
I have fancied that once upon a time, could be some centuries ago, there lived a poet in Norway, perhaps of the type of Ablikhos in Greece. When he died, unrecognized like some Emily Dickinson, his poetry manuscripts could have been found and thrown in the garbage by some cleaning folks, and since that day the 'shiver down the spine' (and the air had such a glittering illumination that day) has been the nature of the 'project' of apparent 'wrong-way' developments. In the worst case it could have been the nature of the entire european swastika since 1814 - as an attempt to understand what was this mystery really about. There exists the norwegian poet Petter Dass who could have been the carrier of this myth.
Evening: The election in Ecuador is tomorrow. I now see that there were yesterday and the day before that a series of 4 rather strong earthquakes near the town of Villavicencio in Colombia, the same name as the presidential candidate who was assassinated some days ago (source is this):
2023-08-17 17:04:51 4.386 -73.512 10 6.2 COLOMBIA
2023-08-17 17:17:18 4.242 -73.553 10 5.7 COLOMBIA
2023-08-17 17:40:17 4.266 -73.760 10 4.8 COLOMBIA
2023-08-18 01:15:28 4.373 -73.488 14 5.0 COLOMBIA
If one compares Savoldo - San Girolamo penitente 'in the bush' with the references to Pelz-gasse, there is the simple pair PELZ / BUSH:
P vs. B = 'voicing', as in the election in Ecuador tomorrow
E vs. U = EU vs UE = Germany / France border, or E-c-U-a-DOOR
L vs. S = LS, as in the file 'Melissa' about the female knocking repeatedly on all doors
Z vs. H = Z/H or H/Z
The earthquakes near Villavicencio were on a ridge called Cordillera Oriental - which could 'symbolize' the border between France and Germany in this example. This ridge goes down to Ecuador / Peru, like the France/Germany border goes down to Switzerland / Austria. Here are two exerpts from this source:
The local area around Villavicencio - with Guayabetal, Cano del diablo, Alto la Cruz etc
The area from Villavicencio up to Medellin
Medellin could here symbolize the 'medicine' of Melissa, which on the european map would associate with Paris. It is likely that the earthquakes could have been in reference to certain aspects of this article of mine wherein I discuss the poetry of the greek poet Ablikhos who lived in Lixouri, cp. Luxembourg on the map and the 90 degrees turning of photo #9. Here it could be about an imitation of Ablikhos' poem 'My queen' for photo #15 - with roles turning around in the 'gyre' of Yeats' 'The second coming' - mixed up with ideas of 'avlikos' relative to the book by 'Alf Torp' which I had received the day after the death of Villavicencio in Ecuador. I wrote the article in the course of a week or so - these earthquakes look like a pitiful answer to my studies of the relation of Ablikhos to my photos - or maybe these things could even have been discovered by the computers in the services and installed as intrigue - without crediting the source in these photos, though, if the quakes were artificial and not natural, for example in an attempt to control the election by undemocratic methods. 'Alf Torp' could be a small 'elf' which could be conceived as part of a human leg. I dont know if certain use of this book by Torp could be a high-classified secret in political intrigue.
I have speculated if there could be a more or less small group of people, or a group of more or less small people, cp. Rilke's book title 'Larenopfer', for example in the business of intelligence, who are having 'fun' with controlling elections around the world by way of my role. If that should be the case, it would be up to the relevant country to stop them - and if the country does not, then of course the country must be stopped. (Would Ukraine have a sort of special role in such a spread of e.g. election control?)
20 august 2023:
As to the theory that the entire history can be explained by the assumption of a norwegian poet - maybe some centuries ago - of perhaps Ablikhos' kind could have left a heap of unpublished poems when he died, there is this phenomenon of Petter Dass and his 'Nordland's trumpet' which could be taken to symbolize this lost poetic treasure. The house in Szolnok has, I have suspected, one or more water pipes inside the adobe, which could be the PETTER, and an oldfashioned outdoor loo and no water inside the house which would be the DASS, the word for such an outdoor LOO. The PTRSIM PIK poet living there would then be the Nordthland's trumpet or even the Joseftrumpet.
Scanning Panini spelt backwards for something resembling the name of 'Petter Dass' takes it to #2673 which is sutra 6-2-11 (backwards):
eysrdas hoyapuritarpasrdas
Petr Das high purita Petr Das
Petr Das high purita Dit Bras
Petter Dass Nordlands Trumpet
It was shown that Cantor and Grassmann, as well as Husserl and Ablikhos, could relate by name via the factors 0,777 and 0,666. I here list the relevant forms relating to #2673:
2673 * 0,111 = 296,703 =
#296 = 1-4-55 = ac suteh okajoyarptat
#297 = 1-4-56 = hatapin naravsirgarp
2673 * 0,222 = 593,406 =
#593 = 2-4-59 = ac sayhbidaliap
#594 = 2-4-60 = macarp hani
2673 * 0,333 = 890,109 =
#890 = 3-2-122 = emsa ac nul irup
#891 = 3-2-123 = tal enamatrav
2673 * 0,444 = 1186,812 =
#1186 = 3-4-54 = evurhd' egnavs
#1187 = 3-4-55 = ac enamaysilkirap
2673 * 0,555 = 1483,515 =
#1483 = 4-2-56 = hayhbrhddoyanajoyarp emargnas
#1484 = 4-2-57 = han mayadirk iti manaraharp maysa dat
2673 * 0,666 = 1780,218 =
#1780 = 4-4-40 = ac mamalalahtrahtnakitarp
#1781 = 4-4-41 = itarac mamrahd
2673 * 0,777 = 2076,921 =
#2076 = 5-2-56 = maysaratayna damat sayhbidaytasmiv
#2077 = 5-2-57 = ac carastavmasasamahdrasamidatas maytin
2673 * 0,888 = 2373,624 =
#2373 = 5-4-94 = mayanjmasitaj masarashayams'ona
#2374 = 5-4-95 = hanskat ac mayhbatuakamarg
2673 * 0,999 = 2670,372 =
#2670 = 6-2-8 = enartatav etavin
#2671 = 6-2-9 = evatran' edaras
One clearly sees traces of modern mythmaking. Some comments:
#1484
= han mayadirk iti manaraharp maysa dat
= han maya-dirk i tid: man har da harp - Mai sa dat / 'maya-stat'
= the idea of a lost poetic treasure - a 'maya-pick in time' = the PTRSIM PIK?
#1780 = ac mamalalahtrahtnakitarp
= ac mama lalah trakten a guitar-p
= das dritte Reich?
#2077
= ac carastavmasasamahdrasamidatas maytin
= ach, kar av stav-massasje-madrass av midda tas me tin
= the J in the sofa (= the mattress after dinner)
I notice that my TEQ #787 seems to show traces of #1186-1187, and the reference to the reading therapist dialogue in
#612 = 2-4-78 = hasahcastehdarhg asahbiv = has a wastepaper bin (= the lost poetic treasure?)
#609 = 2-4-75 = huls hayhbidaytohuj = Frank Sinatra's 'hubidubidoo'?
likewise could tell of a visionary clairvoyance of my poetic intuition? I had never seen this Panini backwards when I wrote this poem.
#1484 = han maya-dirk i tid: man har da harp - Mai sa dat / 'maya-stat'
- could be a word-play on Norway as a 'maya-state' from 1814 - as if the state were but a temporary and fragile illusion. The assassination of 'Anwar Sadat' = 'he was sadat' in 1981 could have been in reference to this.
But all this is rooted in the vague name-similarity of 'Petter Dass' and his poetic work title with a fragment of Panini's sanskrit read backwards.
The answer to this mystery is likely to be that Petter Dass is not likely to be the answer to the whole story.
Notable is the phenomenon that if this scheme is the background of PTRSIM PIK, the 'dirty beast' which also seems to associate has its origin in the 666 factor. Not so interesting, that means.
A person cleaning up after the dead poet found the manuscripts but took it for granted that the scribble was worthless and threw it in the garbage. The world could have spent a couple of centuries on making this poet and he had done what he should but then it was just thrown away. Since then the norwegians have tried to understand the incomprehensible, they freeze on their backs and do things wrong way 'because there must, after all, have been a deep meaning with that mistake, dont you think so?' Many aspects of the story find their meaning in such an idea - and it may have arisen with convincing force. How is it solved? That is still the problem. Could be I should be the PTRSIM PIK who was designed to solve it by writing something equivalent. Hence ideas of 'sapsaram' and threats from intrigue and all that - which, though, must not come about once again. (In particular human understanding must be able to transcend this innate idea of sucking all on the same udder as if that were self-evident and needed not to be credited. Of course you have to pay for it!!! - otherwise my presence will arouse strange feelings if you have not paid for all the abuse and plagiarisms). All the story elements seem to make sense in that framework of the idea of such a lost poetic authorship.
Luke 21:23 ταις εν γαστρι εχουσαις και ταις θηλαζουσαις εν εκειναις ταις ημεραις• εσται
Bird
Now things are round.
How are people?
There came a soldier for me this evening:
"I must have some quietness when I move in..."
Do I find real core?
Marguerite Skrift,
a common breast for all of us.
Hanseel & Logio
(The source of greek fragment is Novum Testamentum Graece, by Hahn - post Lachmannum et Tischendorfium - Lipsiae 1861)
The theory
The theory goes that in what is now norwegian territory, in the 18th century there must have existed a poet - who had been cast by History throughout a couple of centuries or so - but the work he had written and which was left after his death on crumpled Dickinson paper, and which should have been of extreme importance for the continued development, by the folks who were cleaning out the home of the dead poet - was thrown in the garbage and the afternoon light got such a glittering luminosity - this was the luminosity which should have emerged from the work but which now was seen hanging over the landscape in an expression of unbelievable and sentimental surprise. The norwegian society developed the sentimentality that there must have been a historic reason for this mistake, otherwise they would not have done it? Such a mistake it was.
Austria then developed its ballroom farce - on a glittering-luminosity ball - like in that Stimmung after the historic throwout of the Work - and holy wrath slammed a glove in a face - like throwing a lifetime's work in the garbage for very helpless reasons - and this justified response was what allowed them to expand to an impressive empire. However, now this original reason for such habits looks a little outdated - in particular if they use those gloves against me.
The austrian holy glove-wrath would have been even more justified if the 'glittering luminosity' were of the kind which later could have been extended into the phenomenon of horror chemicals - which could have a likewise totally damaging effect.
To try and repair the scandalous damage of the 18th century, the PTRSIM PIK program was launched - one used the Bible and smart tricks on basis of Panini and what was available of freemasonry in an attempt to reconstruct the basis for the story and do it over again up to the fatal moment - when it should not come out wrong.
As a part of the same program, Norway was established in 1814 in an attempt to make a new state which would not do the same mistake over again. Therefore the rescue for this new state would be to not do the same mistake with the PTRSIM PIK - and that should repair the history and that is why the PIK was to grow up in Norway.
England started chasing glittering luminosity up in the far north - and started the Propertius program of 'freezing on the back' (with shivers down the spine) as part of the same.
In all normal societies this mistake would not have happened: There would have been an incorporated mechanism in a society which ensured that when this poet died, after having done his work on background of those 2-3 centuries of global historic preparation, there would have been one of those who tidied up and cleaned the room after the deceased who looked in the wooden box and saw the heap of crumpled papers: In normal societies, this person would have carried them over to the priest who could look at them, and the papers could eventually have landed in the national archives for a longer time - but in this society they ended in the garbage and were lost. A total scandal.
If the state of Norway were established in 1814 for the sake of avoiding doing the same mistake over again, or for trying to repair the damage that had been done, the 1814 constitution could have clumsily introduced antisemitism 'for avoiding the same problem to take shape again'.
In Norway there could, alas, later have developed the (same) childish temptation that 'if we do the same mistake over again, that would mean that we were right the first time and the mistake was not a mistake'. Clearly this idea is a mistake worse than ever and it is of course the other way round: If they do the same mistake over again, then there were no reason for this new state of 1814.
If the mistake were made under the authority of Denmark (in my childhood there was a 'drops' called 'Kongen av Danmark'), the theory could be launched that this was the reason also for the french revolution, and this 'Dansk/Fransk' theory could be the essence of the secret of the 'Alf ToRP' dictionary - could be also the idea that accusations of 'FRauD' could be launched as an anti-french alternative to doing the fatal mistake over again.
The theory of this lost poetic treasure from probably the 18th century seems to have a quite impressive explanatory potential. But why is the world so helpless? Why dont they tell the facts right out - but balance on trembling legs towards this moment when Norway 'shall not do the same mistake over again' - and everybody wait for what is now going to happen when that decisive moment comes up? Will they make it this time - or will they do the same mistake again? Ah what a farce. It is not Norway this is about. It is about the world that should not be doing the same mistake once again. There must be somebody who is able to come out with it?
21 august 2023:
There was an earthquake in Ojai (pronounced 'ohai') in California at the time of the election in Ecuador yesterday - here data from these pages:
M 5.1 - 7 km SE of Ojai, CA
2023-08-20 21:41:00 (UTC) 34.409°N 119.188°W 4.8 km depth
|
Magnitude Region Date time Location Depth Distance |
5.1 SOUTHERN CALIFORNIA 2023-08-20 21:41:02.3 UTC 34.439 ; -119.192 10 km 27 km NNW of Oxnard, United States / pop: 207,000 / local time: 14:41:02.3 2023-08-20 5 km E of Ojai, United States / pop: 7,600 / local time: 14:41:02.3 2023-08-20 |
I wrote the title to TEQ book 10 'A deep ratch' just a few minutes into the new millenium - while I was in a psychiatric hospital in Bergen.
The earthquake of Ojai was in a mountainous area - here is an excerpt of the map found on this page.
The map shows an area with furrowed mountains which could expose 'deep ratches' - and the landscape with its shadows at least in the moment when that map was photographed for the web reminds me of a photo I pondered whether I should take or not some days ago. It was in my mind only - I stood there and thought for a few seconds about it but decided to drop the photo. Now I decided to take it nevertheless - it is a dry cloth which I have used for wiping the computer monitor screen - it was left on the corner ('Ecke') to the opening ('door') or 'passage' in to my workdesk: The cloth looks maybe like a secret agent, oh, a high agent maybe and resembles the landscape photo from Ojai. In more or less dubious environments, maybe.
It could invoke associations to the front page of my volume 4.
While I was fumbling with photographing the cloth and looking up pages on the web, another quake magnitude 5.5 went off in Ecuador at 'Machala', according to this page - but I should not be so quick to take confidence in these data - some time ago I tried to show that some quakes in Turkey resembled by placenames the meaning of some lines of my poetry - and while I was doing this the number of recorded relevant quakes on that page suddenly were doubled or tripled - these fresh recorded quakes did not, though, appear to have been recorded on other pages.
The new quake of this potential type is
|
Magnitude Region Date time Location Depth Distance |
5.5 NEAR COAST OF ECUADOR 2023-08-21 05:24:12.9 UTC -3.251 ; -79.899 60 km 107 km WSW of Cuenca, Ecuador / pop: 276,000 / local time: 00:24:12.9 2023-08-21 7 km ENE of Machala, Ecuador / pop: 198,000 / local time: 00:24:12.9 2023-08-21 |
However, the data now come up on other pages as well and therefore seem reliable, on this page, for example - here a screenshot of it of today around 08:45 morning Vienna time .
Here is a newspiece from it as well. This newspiece - including this photo - was on the web only half an hour after the quake struck the town of Machala. So maybe it was not only a joke.
I took this photo either yesterday or maybe the day before - the clock on my camera is out of order but it was in one of the most recent days that I took it.
Could be an attempt to model me as a 'Beast of Terror' - here striking 'a deep ratch' in the streets of Machala?
The world should not wait for me to tidy up in this problem of 'Beast-of-Terror' mobbing and apparent abuse of surveillance data - somebody else must do that. Of course I have never agreed to any such role.
21 august 2023: The theory can even be used to explain the paradoxical growth in the authorities of the intelligence services - since these are perhaps the only one who could succeed in reconstructing the data from the poet's life.
The theory can also explain the apparently excessive secret surveillance of my life - combined with the phenomenon that I am kept totally ignorant about all this - as an attempt to reconstruct the poet in a PIK and thereby find out of this. But clearly this farcical and misunderstood theatre should not be continued.
It would have been the scaring misinterpretation of 'arbitrarity in signification' that is the story: If arbitrarity is allowed to put historic concerns aside like that, we would perhaps better be without it. 'Arbitrarity' in that sense of it is a misunderstanding, though.
22 august 2023:
Today the article 'Two theories'.
23 august 2023:
Today the article 'Emily Dickinson and my TEQ'.
27 august 2023:
Today two articles:
1. 'Cuneiform exemplified in Ablikhos and Dickinson' and
2. 'Matters of potential abuse', as it is called
28 august 2023:
Today the article 'Ablikhos' poem 'On prayer''
30 august 2023:
Today I added some cuneiform observations to the article 'Ablikhos' poem 'On prayer'' - search for '30 august 2023'.
There have been problems with the internet connection and Firefox browser - hopefully the files are on the web as I have published them.
It seems that the collected poems of Mikelis Ablikhos (or 'Avlichos' or whatever transcription) which were on the web for some time (under http://vivl-lixour.kef.sch.gr/'page_id=553&lang=el) now are out again - hopefully they return to the web. I think it was the library of his home town Lixouri who had published them.
An addition also to this file.
Brief comments july 2023
Brief comments june 2023
Brief comments may 2023
Brief comments april 2023
Brief comments march 2023
Brief comments february 2023
Brief comments january 2023
Brief comments december 2022
Brief comments november 2022
Brief comments october 2022
Brief comments september 2022
Brief comments august 2022
Brief comments july 2022
Brief comments june 2022
© John Bjarne Grover
On the web 3 august 2023
Last updated 30 august 2023
