The Dynasty and COVID-19
- Der Dornenstrauch 2015, The Dynasty 2017, COVID 2019, Ukraine 2022, Israel 2023 -
John Bjarne Grover
I have shown that 'The Dynasty' (2017) - the US TV soap series produced by ABC - probably can be seen as a plagiarism of my book 'Der Dornenstrauch' (2009-2015).
It was on background of this that I could show also that the recent flare-up of the Middle East crisis could be seen as directly related to what I have believed could have been extensive plagiarisms also of this book of mine.
On this background it is possible to suggest in the following that even the COVID-19 pandemic could be seen as instigated by plagiarisms of my book - including 'The Dynasty'.
'The Dynasty II' (2017) is in extension from 'The Dynasty I' (1981). I have earlier speculated that this first version of 1981 could have been based on surveillance data from my private life of 1971 - more notably a case of 'autofellatio' ('self-sucking') which could be seen as motivated by an intrigue since at least 1969 supported by involvement also from the school 1970-71.
The background would have been the replacement of the father with a not-so-similar copy on Vikebukt ferry station in the summer 1969. This article suggests that the date could have been 8 august 1969. I had not got reasons to know about the replacement in advance - neither from the first father nor from others - and I therefore had to suspect that it could have been about a dirty plot involving the mother who pretended that she didnt notice the difference. The story goes that at least two later parliament members had names which could explain how she could have made him step out of the car for urinating behind a shed while we were waiting for the arrival of the (possibly delayed) ferry - this 'going behind a shed' had been foreshadowed with a similar event a year or two earlier but that was, as far as I could know, even then not on basis of choices of the first father. It was therefore very possible that the replacement was a criminal plot - which then could be called 'auto-fella-ti-o': 'Fella' = 'the trap' while 'ti-o' would be 'of that woman' - hence 'the trap in the car conducted by that woman' (the mother). Although this scene would not have been enough for orchestrating an autofellatio for a boy of age 13-14, it could have counted as a responsibility claim on background of other circumstances. One of them was the story from the school in probably the spring 1971 (if not the autumn 1970) - the class had been to see a film in one lesson and when in the next the teacher was sick there was a standin teacher who had no prepared program but took us to the film room for filling in an hour there. As he was fumbling with the keys to open the door, he ordered the pupils to go into another room to fetch chairs. Since we had just been there I said that there were lots of chairs in the room already but he repeated the instruction and students crowded around with chairs in their hands and overhead and I repeated the fact. This happened just visavis the school dentist's office where I had been for drilling several times. When the door finally opened the room was full of chairs and he lost his temper like a bad loser, grabbed my neck (probably because I 'had been right'), bowed my head down to hip level and pulled me in this posture down a long corridor and threw me out the school door which slammed shut behind me. (See also this file for another study of the same posture). I peed in my pants on the way down the corridor due to this unexpected use of force and I had to bicycle home to change trousers while I waited for the lesson to finish. The name of the teacher was 'Zimmermann', same name as birthname of Bob Dylan. (I am not sure if I remember the first name of the teacher but have fancied that it could have been 'Robert' or 'Steinar'). Of course at hindsight it is easy to see how this could have been prepared and intended - which then could have been for instructing me how to throw the self out the door - with the head down into the lap.
There is also the theory that Kennedy got USA involved in the Vietnam war in order to imitate the fine scriptural details in the chinese poem Shijing #37 (it may be a little difficult to decipher this from the chinese text - the 'Yabla' dictionary can give a few of the glosses but not enough for understanding these aspects - for example the 'wiktionary' can add further details) - which in its undertext seems to tell: Do you have a leftsided gynaecomasty and believe that it is because you tried auto-fellatio (without other tools than your hands)? That is not the reason - the real reason is that a Great Warrior opened your head when you were newborn and cut away a little part of your one cerebral hemisphere and masturbated on the other half. On background of the theory that Kennedy himself had been present at an opening of my head some days after my birth, the further theory that the US involvement in the Vietnam war was for making him appear as a 'Great Warrior' - which is a somewhat radical theory. Kennedy was (officially) shot like a soldier not long after he had orchestrated this involvement. It is likely that if this were the story, the purpose would really have been to make a demarcation of the number '37', for whatever reason. I have noticed the name of 'Herdis Eggen' in my story, with some potential relevance for the name of Saul Bellow. ('Golve[t]' is norwegian for 'the floor').
[4/5-24: In 1970-71 I had a neighbour about my age called 'Bo Breigan' - later a wellknown 800-metre runner - whose name perhaps could be taken to mean or indicate something like 'Golve[t] Bo'. One notices also the name-connection to 'Ronald Reagan'].
'Shijing' could associate with 'ski going'. There is the western movement called 'Qi Gong' and there is the story of Kennedy's brother Ted Kennedy with his 'auto accident' at 'Chappaquiddick' which associates with norwegian 'ski på taket' = 'skis on the [car] roof' - with possible associations also to ideas about opening of the head in early childhood.
However that be, there could be such major events encircling the concept of 'autofellatio' as related to me - could be for making me choose this possibility on own (but maybe not so free) will - with responsibility claims installed in major news. The idea could have been that agreeing to the exercise could rescue other of the members of the family from being replaced.
What should have been the purpose with this? My view is that it would have been for a proof that 'the poet is dancing to the pipe of the organizers of the intrigue' - suggesting that the poet's choice of words and themes would have been directly inspired by ideas in his head which have arisen from elements of intrigue installed into his life - and thereby preparing for a claim that the authorship really were under the control of the organizers of the intrigue and hence they could claim copyright in some form - say, in the sense of being in a position to allow themselves to plagiarize the poet.
It is on this background that it is possible to speculate that the first series of 'The Dynasty' (1981) could have been based on surveillance data from a scene of autofellatio in the autumn 1971. (I did this a few times untill I would have believed that it sufficed). I had before this took place also performed a nighttime climbout with erection and no clothes on - out through the window for a brief night-time walk im t darkness in the garden along the house and back again. The purpose of this could have been to tell that 'it will not work out so well if you are surveying my private life'. It is possible that this surveillance could not keep their hands off these surveillance data.
The possibly surveyed autofellatio was on a plastic linoleum floor and I have fancied that the introductory logo to 'The Dynasty' 1981 included such shades and lights as resembled the pattern on this floor. It is a speculation only that surveillance of this scene (and maybe other events from e.g. the same room or from the house?) could have been a basis for this 1981 TV series, but I have no proof or reasons for this assumption other than the introductory logo and general ideas about how the characters were going up and down stairs and throwing intense looks at each other etc - that sort of reasons which of course is not much worth as a proof. Hence the speculation that the first series was based on surveillance data from my private life must count as a not well based hypothesis only.
It was around 1983 that I pulled out of social life in Norway and that is how it largely remained for the rest of the years I spent in the country (up to 2000). The series was sent through the years 1981-1989.
The Dynasty II seems to have been sent through the 5 years 2017-2022.
If my acquisition of the adobe house in Szolnok - soon after I had completed 'Der Dornenstrauch' in 2015 - were a political project on my person, it could have contributed to my incontinence problems that started some time thereafter. There seem to be water pipes inside the adobe walls - and if these could have been opened for water-flow inside the adobe with taps controlled by others in probably the neighbourhood somewhere, it could have resembled the same principle of 'the poet dancing to the pipe(s) of the administration'.
It is likely that I have been constructed (by biological origin) for the role of poet - as shown by this evidence and this story and these data.
See also the book I got from probably the first father in the 1960's - it included photos such as this first one suggesting 'water pipes' as well as this next photo suggesting a 'gamme' as it is called - a hut made of earth, here the adobe house. It seems to be the same theme - of the poet being the target of intrigue from administration and taking this as his inspiration while the administration with this project on my life could have wanted to show that the inspiration were not so divine - unless, that is, the administration is divine. My function 14 (in The Endmorgan Quartet) suffices, though, to prove that the inspiration could not have been from any administration - so it could be said that the entire program would have been a waste of time from that point of view.
However that be, it is possible that the story be about 'dancing to pipe', which is the point here. If it could be proven that the poet were dancing to the pipe of the administration, then the administration could perhaps have granted itself some justification for the idea of using the poet's work for some plagiarisms - if they felt that they could make some claims about partial copyright. Clearly such rights could not be claimed officially - but plagiarisms could be seen to concern the theme in these apparent intrigues.
However that be, it is a fact that I started developing problems with incontinence following my acquisition of the house in the summer 2015, rather soon after 'Der Dornenstauch' was completed. The question is now whether these problems had arisen because I could not control the flow of water inside the adobe wall - even if I knew not at that time that there were water pipes there (I discovered this with certainty only in 2019, as far as I remember - when water was running down from a place near the chimney - over the roof to an entrance room - and it could not have come from outside) - or if the incontinence resulted from my problems with holding the publication of the 'information' (in my poetry) within the scope of my copyright - in light of a potential plagiarism that could have been under elaboration for The Dynasty as could have been relating in 1981 to surveillance data from my private life in 1971. The problem grew worse and worse through 2015-2018 untill I started writing out volume 4 on 18 october 2018 - from that moment when I sat down to complete the volume (with much of it already in finished form) I could not get another drop of water out. I believed that nature had its own way of solving the problem and therefore did not find a means (called 'Urostemol') for opening the retention lock before it was too late. I worked rather day and night untill the volume was completed (including in fact some fresh research such as the one on cuneiform on pages 1261-1277) around 25 november 2018, the last weeks working in wet diapers and sleeping little. After this I needed some rest in a hotel in Venice but the forces escaped the body due to all the urine that had been pumped from the burst kidneys out into the abdomen and that had to be filtered back to the kidneys again - and I developed an eventually acute anemia which made me collapse around mid december and I had to spend 7 weeks in hospital before the spirit of life started turning upwards again.
The question would be: Would this crisis have been because of a hypothetical plagiarism by The Dynasty or would it have been because of my acquisition of the house with the water pipes in the adobe walls - or even both? Probably both, is my intuition.
Throughout 2019 I was slowly recovering even if I had to produce the 30 volumes of volume 4 by home printer and binding it by hand - untill COVID-19 broke out in december.
My theory is that my book was intended for the progress of the human society in its spirituality - but plagiarisms pull it down for running off with profits and credits for themselves instead of cultural progress for everybody - and it continued the illegitimate borrowing of my person, my khora - for turning roles around and for telling that the truth is the other way round. (Ukraine could be an example of what comes out of it). When this failed, I fell ill first (december 2018) and then the global community fell ill thereafter. COVID-19 broke out in december 2019 with its (as it was later shown) first attested case ('case zero') registered soon after 15 november 2019.
On the theory that the TV series 'The Dynasty' could be a plagiarism of my book 'Der Dornenstrauch', it is interesting to observe the correlation of the first outbreak of it by way of these data. It was episode 50 that had been just shown on US TVs (on 15 november 2019) when the first case occurred. Interestingly, this episode 50 correlates with my DDS I:130-137 - among which one finds #134:
|
DDS I:134
Ich atme tief. Ein Pfeifen
Ein alter Auto steht (written 14.04.2011) |
From summary of episode 50
A possessive Evan
so he can leave the manor
|
These interpretations to the right are not my way of reading my poem but seem to be a summary of what constitutes the story in (a part of) episode 50. An unfortunate effect of it could be that it could lend a biased reading to my poem.
My story could then tell that the poet had been in a difficult relation to the society ever since the days of the 'auto'-fellatio of 1971 (which could have been the theme of The Dynasty 1981) and has already reached his autumn days. How long is this going to last, tells the disease to the poor patients.
The Dynasty 1981 was perhaps on the theme that 'the poet is dancing to the pipe (Pfeifen) of the intrigue' - and therefore the intrigue-makers felt justified in claiming interests in the authorship - such as The Dynasty 2017 could be an example of.
For 'a possessive Even' - see the mention of the name of 'Even Hovdhaugen' who told that I could not get a research stipend because I had not also applied for a faculty stipend.
The pandemic lasted approximately untill the TV series was completed (source) - the 108th and last episode was shown on 16 september 2022, after which the pandemic alarm could be declared for ended.
'The Dynasty' and other plagiarisms could have drained my forces so much that I landed in hospital for seven weeks and was in a critical condition - and one year later the COVID brought the whole world in a similar condition, probably not only in the countries that had shown the TV series. Many people do not understand this role of the poet. It is probably because 'Der Dornenstrauch' is a good and important book that it was not so smart to plagiarize it. My Dornenstrauch does not try to cheat you with smart and clever tricks.
The COVID pandemic seems in the early phases to have followed in its spread a logic relative to my prose text in volume 1 called 'And hang under the Justcan keys' on basis of the outline shape of the borders to the geographic areas - like the earthquakes of Turkey and Syria on 6 february 2023 seem to have followed the synchronic logic in my 'SNEEFT COEIL'. A theory could suggest that this would have been because Dynasty II (2017) followed Dynasty I (1981) which could have been a mock on my person (on basis of some 'gro harlem' surveillance data from 1971) - which then could have been sanctioned by e.g. Gro Harlem Brundtland or by an authority for the sake of her name - via Gro Harlem 13-Border = Gro Harlem 13-13-Order - and hence the later myth that I should have been an agent working on ORDER from some intelligence service. If I had been such an agent writing my poetry on 'order' from some administration, clearly my copyright claims would not have been much worth and the administration would have been more justified in making such claims. But I never was an agent and have never written poetry or other things 'on order'.
As discussed in this file, if The Dynasty were shown on israeli TV while the national library felt that they had to reject my book, it could have led to a 'foldover' which even could have contributed to the Hamas attack. There is also the possibility that the following analysis of the Ukraine situation is possible: Ukraine has existed as independent state only since 1991 and they got their country from Stalin - it was formerly a part of Russia who also (as is my guess) owned a large part of the buildings in Ukraine. With the 1991 declaration of independence, Ukraine quickly ran into the problem of not having paid for the russian properties and therefore they soon started persecuting russian nationals - in particular in the east (where most of the russians live - 12% of the ukrainian population) the persecutions were so bad that Russia eventually had to intervene - and the referenda showed that appr 95% of the population there wanted to be russian. Since then the borders have been status quo and the war has been the ukrainian attempts to get these regions back. It is therefore very possible that the factual situation is that Russia are the heros for freedom and human rights against a warmongering terrorist Ukraine state. However, in the west the picture looks very different and it is possible that the purpose with this is to create an identity of Ukraine with me - on basis of the theory that my own childhood could have been burdened with child abuse and my attempts to escape from their authority was made difficult via the networks of intelligence services defending their interests against me. This naturally lends to me the popular support among average people as the abused child who attempts to escape the role-swapping interests of abusive caretakers - while the strategic identity of me with Ukraine thereby serves to lend this role to Ukraine on the historic background of their attempts to liberate from Russia. In Ukraine this probably means the attempt to liberate from a suppressive Russia - and in the west the summa summarum of this means that this identity of me with Ukraine means a justified right to claim authority to my authorship enough to defend the plagiarisms such as The Dynasty 2017 could be about. There could be business and historic interests involved in this. In addition, if a role is assigned to me in Hitler's construction of a 'dritte Reich' via child abuse of me for creating a dumpingplace for the blames of his warcrimes, the liberation of Ukraine could have been partwise orchestrated with a view to such western interests.
If, in addition, there should be a grain of truth in my ideas that abusive authority on my life and work could have been associated with Hitler and Himmler, the big fishes of german nazism, the identity of me with Ukraine would mean that Russia would be credited with the reputation of Hitler and Himmler. It is not so certain that this would be fair - and it would probably be a false pretext for reopening the east-west gap: Rather there are some reasons to believe that Russia dismantled the Soviet Union in a hope of reaching a peaceful global equilibrium - but this could not be done without an eventual dishwashing after the nazis. It may be this which has come to nothing so far and it may be the lack of this which now leads to an apparent reopening of the gap between east and west.
It is this landscape which could make it difficult to understand the present situation in the Middle East - and it must be noticed that it is very probable that a good portion of those students who partake in campus demonstrations and activism in support of Palestine have read books and seen films and TV series that in actual fact could be plagiarizing me - with a political effect of turning things rather 180 degrees around in the political landscape. If one adds to this the theory that The Dynasty could have been shown on israeli TV (I dont know if it was) - not the least the effect of COVID-19 and what it tells of an irrational threat against human sense of rationality - it may be difficult to understand the present situation in the Middle East right. Most importantly, it is possible that the attack from Hamas could have been fuelled by a feeling of holy wrath for the claim that Israel has no right to be there, like my claim that the plagiarists have no right to be in my authorship, and when this is mixed up with a possible despair in Israel by the feeling of being in a situation which is very difficult to understand, then it is likely that many problems could arise that otherwise could have been solved.
My view is that Israel should not have used violence but should have appealed to UN about the need for getting more distance to such difficult neighbours (sending 5000 missiles in over the fence) and claimed release of the hostages immediately unless territories would have been transferred from Palestine to Israel - in particular they could have used the attack of 7 october 2023 to claim the entire Jerusalem to be israeli, and if the hostages had still not been released immediately more territories could have been relegated to Israel and so forth untill the hostages were released. Why didnt they do this but took to armed action instead? Probably because Israel did not believe that such a strategy would lead to anything in UN. And why not? That could well be because most of the world had shown 'The Dynasty' on TV and had got their economies on shaky grounds by COVID.
Add to this the continued fog which the nazi empire still could be shrouded in - and it is easy to understand why Israel did not take confidence in a solution via UN.
This story tells how plagiarisms could be endorsed by badness-driven economies who hope to for quick success, money and power, not the least by way of warfare and terror. That is of course for the downdrift of culture, health and economy. For reaching a goodness-driven economy, the end of plagiarisms could be of utmost importance.
Zelensky won the 2019 election on a TV series which was not The Dynasty but I have speculated that it may have been based on archive material on my person - and if that should be the case, of course The Dynasty of 2017 could have been an ingredient in the story even there - if The Dynasty should be a plagiarism of my work.
Added on 4 may 2024: It should perhaps be added that not long after the pandemic broke out, I made an epidemiological theory with a suggestion to how such an epidemic could be stopped. This seemed to attract some attention from experts in the field but without explicit mention of me as the source of the theory, as far as I know. Pfizer on 21 december 2021 (a year and a half later, that is) launched a pill called 'Paxlovid' against COVID - about which I speculated (on little basis except perhaps a film, I think it was, launched on the same day, was it?) that it could have been related to my theory, and I had also worked with a theory on how to stop cancer - I think I made some speculations also on the question whether this cancer-theoretic work of mine (which had not been presented outside my home workdesk) could have been tapped by surveillance and whether such data could have been involved in the later patent of GeoVax - search this file for 'Paxlovid' or 'GeoVax'. The cancer theory I had been working with basically recognized cancer as a medical condition caused by defects in the pairing of right- and left-parentheses in a bodily-cultural 'phrase structure grammar of reality' - and these ideas included work with the map of Panama with its semi-circular form with such left and right 'parentheses'. Cp. also the quasi isomorphy of Panama-USA relative to Ukraine-Russia. I believed that I saw traces of these ideas in the GeoVax patent description which was accepted on 2 march 2022 - only 8 days after the 'special military operation' of Russia against Ukraine had started - but of course the format of this description could be on basis of general ideas in the farmaceutic business - I cannot evaluate that. However that be, the global curve of COVID infections (source for the data is the 'Worldometer') showed remarkable upswing on these two dates - 21 december 2021 for the launch of 'Paxlovid' and 2 march 2022 for the accept of the GeoVax patent - and it is indeed natural to speculate whether such virus epidemics generally are caused by nothing but plagiarisms of intellectual property - with accompanying mixmax of left- and right-hand parentheses in the grammar on the interface between subjective and collective consciousness - which, as my theory would then suggest, could cause cancer to develop as well - as a subjective variant of the collective epidemics. Of course medications based on plagiarisms can often easily attract attention and admiration - and thereby also a temporary placebo effect - which does not mean that they have any lasting value - rather the opposite: Such plagiarisms will probably tend to have a negative effect in the long as well as in the short run. The medical problems could have a counterpart in the economic problems - in terms of mixmax of crediting in the collective and subjective consciousnesses. I notice also the recent problems with the socalled 'Houthis' of Yemen - in an area which could be seen as a counterpart to the Panama canal - here also with what could resemble left- and right-hand parentheses. Would the situation even be about a reflex of plagiarisms on my cancer theory - if that has leaked out by surveillance?
All these problems are, though, in principle easily solvable by crediting the source - in the present case, and to the extent that the analysis makes sense, that is me.
© John Bjarne Grover
On the web 3 may 2024
Last updated 4 may 2024
