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The coordinate system
John Bjarne Grover
In this article I discuss the theory that the death or murder of Mao in 1976 could have found a certain 'responsibility claim' in the composition of the schoolclass I attended in the year 1970-71. China called it 'the gang of four'. I explain what this could be from my viewpoint.
1. Introduction
On background of the theory of the bedroom-toilet axis across the kitchen-bathroom axis in Labråten, a theory of a 'trans' Madonna in the role of Frau Grøver can be constructed. In this article I do not make any claims on the reality of this. Could be the theory of a PTRSIM PIK is the background of this idea of a 'trans' Madonna. The theory of a responsibility claim on the 1976 death of Mao in the schoolclass 1970-71 assumes that such a 'trans' could have raped me in that year - but, as I show, this theory can probably be reduced to a function of theories on e.g the school dentistry in that same year.
The political problem of the world through centuries has been the loss of Madonna cult in the protestant churches - and the Klipra connection could be an attempt to solve this without returning to the catholic church. That is the 'stubborn' = 'STA' of the schimmel. The construction would have been to create the Madonna-Jesus connection by way of perversions - that is, a world of 'secret intelligence'.
Whether or not such perverse abuse really did take place in my life under the custody authority of Ragna Grøver, I cannot find out of. I stood in the kitchen opening (on the threshold to the kitchen) and watched her go in only underpants on the underbody from the threhold of the bedroom into the toilet - that was a metre only and the view lasted for a second or so. Normally this should suffice for the conclusion that it was not a trans, but if there were a tightfitting bathing costume under the pants, it could have hid a male organ. 'Badbyxa' is swedish for 'bathing pant', in norwegian the same word would mean 'to leap into the bath[room]' - hence from my position in the kitchen opening to complete the kitchen-bathroom axis while she stepped from bedroom into toilet. But that is in swedish - which could mean the sweat of fever heat. Hence the corona virus in the form of the thresholded schimmel 'graffiti'? (The norwegian artist group 'Gruppe Elg' - then friends of mine - once had an exhibition in Stockholm under the title 'Badbyxor och älgfickor').
2. The schoolyear 1970-71
However, a theory that can be constructed is easily seen from the names of my classmates at primary Trosvik school of 7th grade in 1970-71 - the same basic class continuing into the 8th-9th grades 1971-73. I had been to Sellanrå primary school for 5 years in Molde up to the summer 1970 - around the time when Nelly Sachs and Paul Celan died - after which we moved southeast to Fredrikstad for my 7th grade. The town, the class, all environments were new to me. The name of 'Tros-vik' with short deep 'o' means 'tross' = 'stubbornness' = 'STA-het' + 'vik' = 'bay', 'opening', but 'tros-vik' with long high 'o' or 'u' means 'oaths/faiths-treason' and can be interpreted also in the name of 'Eidsvig': B[j]arne Eidsvig would then mean 'treason against the child', child abuse. Or a child breaching loyalties. The classmate names seem to be in this line. Roy Andersen was my best friend in that class, the other classmates were a little more mature compared to me (could be some of them were older than me - some appeared a little adult, in fact). The name of Roy Andersen (then quite short of body stature) could then mean a 'trans-planted' penis on a 'trans' Madonna - and if I were sexually abused a la the rowboat story with the truck that fell over up in the hillside, that is, anal rape from the 'trans' in drugged condition, on the assumption of this being a political project for possibly state services, detailed reports could in principle have been made and distributed to those who interfaced with me - with the task of turning these report details into something positive in my life. (If this be a political program on sufficient scale, names and locations and participants could have been planned since decades). This would then lend 'justification' to the perversion. The sufferings of the young 'Jesus' were re-emphasized by the school dentistry (dentist 'Aulie') in the year 1970-71 which drilled up all my healthy teeth and filled them with 'tram lines' (dark metal beams or rails that ran through the teeth with a little white framing them) in a treatment which went over many weeks. I dared not tell about it at home, could be because I guessed things. Rolf-Erik Johansen in the class was called Doffen - which could have been for 'd-Offen', the 'off' = ejaculation (here of the 'trans' Madonna) and the 'offen' = 'open' body orifice of mine - probably assumed to count as 'the same'. It is easy to see a perversion just there - in the 'spiritual' identification of such an 'off' in definite form 'offen' being 'the same' as my opening behind being 'offen'. Both could be equally 'pressed' ('prest' = 'priest') by the abuser - and if pressed deep enough the location of the press could be about the same. Roy Viken was another Roy in the class - that could be for my role as 'the same' roy - 'viken' = the opening, like a bay in water which is the normal sense of this word. Another classmate was Rita who sat next to me in the 7th grade - could be Elvira of the Schimmel could have been her role in the story. Shoulder bag with T-Rex and Credence Clearwater Revival. 'D-rita' means one who is exceedingly drunk (like excrements). Did she borrow Doffen's 'd'? Or should I be credited with it? Anne-Grethe suffered a broken leg - hit by the pedal of a passing motorcycle or mo-ped - the symbolism of seeing the white bone is sometimes associated with Norway - hence it could mean a national level of the 'in-trigue'. Bente Sparre-Enger (Anne-Grethe's friend in the schoolyard) was a delicate being of rather short stature - if 'parre-senger' = 'copulate-beds' were the theme, it could also be about 'ente spare penger' = 'not/[dont] save money' - and hence it could be about the 'pressure' or 'sexual drive' if the ejaculated material be recognized as 'money' - which of course it is not except in the rude sense of the professional 'income' of a prostitute. 'Bjørn' was another student: It means 'bear' while 'p[å]-[h]jørn[e]' = 'on the corner', while 'p[å]-[h]jern[e]' = 'on the brain' like the assumed july 1957 story involving at least John F.Kennedy's name - cp. also 'Bjarne'. 'Bjørn' was sometimes called 'Snork' = 'snore', but a 'snorkel' could perhaps be fantasized ('Lezajsk'?) in the other end 'on the corner' between rectum and colon - I dont know much about such things but would fancy that if the two 'offen'-s were to be recognized as the same by the 'pressure' (sexual drive) excerted, it could be a relevant concept. It would then be about the 'sparrings-partner' - the boxer or wrestling trainer. 'Raymond' could have been about the 'hieros gamos' of St.Catherine of Siena - her biographer. 'Rudi' and 'Lars' (cp. the 'snork'-el) I remember only by personal name, Leif called 'Leffe' likewise. 'Viggo Nygren' - cp. 'assen' = 'assistent chief doctor' Gard Nykvist of Grøver/'Mengele' in his social medicine department - later chief doctor at Veum psychiatric hospital. I was with Viggo to his home after school and looked at the electronic organ type 'Farfisa' he had got from his parents. William Moltzau lived in Pettersand - the name 'Moltzau' could mean 'measured sheep/himself'. 'Smalahove' = 'narrow head' is a western dish of sheep's head - cp. also the 'sheep' of the lapis philosophorum including the naked female relating to the schimmel. 'Roar Nielsen' is a name suggesting the roaring 'Leonie' genetics - he had (like William's name) a sort of 'narrow head' (like me) - a steep occipital region - and thick spectacles, cp. my condition. He could thereby be associated with the lapis philosophorum such as this interfaces with the 'man-on-wagon' - whose spectacles resemble those which Yves St.Laurent used to wear. 'Bente Olavesen' = the bottom curve of the O-lovesen? I think darkhaired Elisabeth was in the class also in the 7th grade - she later worked in a kiosk, like Viggo or his parents, and gave me a box on the ear when I used the form 'Eflisabeth'. (There were ideas of apologies to the queen around the time when Boris - not Ben! - Johnson took over in England before christmas).
The names can be seen to conspire on the idea of an assumed rape (in drugged condition) by a trans - but it may be that such assumptions can have been planned to be counterbalanced by the fact of the school dentistry which filled my teeth with amalgam ('gamal dam' = 'old woman', 'oldie') - that is not the same as an extra penis transplanted onto a woman but it is extra matter implanted into the body in the other end. If an elaborate algorithm by name shifts the responsibility from the rapist to the victim via an 'offen', it can be argued also that the same could happen with the amalgam in the event of self-sucking - which thereby could have been an option I could not escape.
Evidence for a theory of sexual abuse of me in the year 1970-71 could be spotted also in a comment made by my official father in the kitchen 1970 or spring 1971 - that I should not be intercoursing with Roy Andersen - as if the official father were a husband jealous with me as his 'rival'. But clearly such a comment could also have been made for creating the idea of such abuse.
Rolf-Erik had a brother called Ivar Johansen - he was later famed in Norway by his books about the secret services - such as his criticism of the 'Loran C' system. Rolf-Erik himself was a devout amateur radio listener and constructor - with his shortwave system he could converse with people all over the world, if I understood it right. (Wasnt that called 'jambourree' in those days?)
3. Modern Language Review july 1976
The symbolism of Thomas Michalek of the Madonna in Lezajsk, Rzeszow, Poland in 1578 could have been the theme - a la Scheinrich Schimmler. If the construction of the school class were part of a political western strategy against Mao's life, one could look up Modern Language Review just before the death of Mao to see if there were any traces of it (see my ABC on the potential relevance of MLR - there seem to be enough cases of apparent preheralding of significant events in the construction of the political mythos to allow for a scrutiny of its titles even here). Indeed there are traces of this school class in The Modern Language Review Vol. 71, No. 3, Jul., 1976:
1. "Tom May's Death" and Ben Jonson's Ghost: A Study of Marvell's Satiric Method. By Christine Rees
= Mao Tse-Tung. Mao Tym Death, 'Tommy's death'. Ben Johnson's ghost - would that have been about me relative to a 'trans' qua 'offen'? A study of Farwell/Marvell's satiric method - by 'resurrection' - invokes the concept of 'Doffen', Rita, the Roy's etc - for 'jewish genetics'? (Cp. 'Roar Nielsen') Trygve Madsen told me in probably the early 70's about Goethe's colour theory ('farvelære', not 'farvel, ære'
2. Trollope: An Interior View. By W. J. Overton
= inside the coffin, with 'resurrection' as 'troll-up' = 'troll av eske' (a surprise pop-up) = 'Fitzgerald'? Hence the resurrection of Kennedy? He may have seen inside my head confinement in 1957 - when he could have presented a 'troll av eske'. The 'coffin' container suggests also the concept of 'Kalde Sol går' [ned] = 'the cold sun goes' [down]. 'Kal[d]e Skolgår[d]' = 'the cold schoolyard', that is, with pupils of names - but also of the complex around Doffen, Rita, Roy's etc. Karl-Erik 'Kalle' Solgård was a later acquaintance of mine from Gressvik (see below).
3. The Latin Primacy of St Edmund's "Mirror of Holy Church". By Alan Wilshere
= the 'stedmund' = 'place-/step-mouth' for the roles rapist/raped being the 'same' by sexual drive = the 'pressed' - hence later priest Morten Sørlie. Latin primacy could perhaps be suggestive of a priest - by 'Vulgata'/Wilshere. Hence the 'pressed' of sexual drive - also of me who arrived late into this primary school class.
4. Ambiguity, Detachment, and Joy in "Gargantua". By Ian R. Morrison
= ideas associated with necro activation = 'freddy', cp. also 'Jim Morrison'. Andersen, Viken and Roy in 'Gay Rimbaud'.
5. Rene Char's "Fureur et Mystere": Posie Engagee? By Mechthild Cranston
= mirror & fustere = title 3 Mirror of holy church. Crechthild Manston = russian orthodox? 'Oesie Penga-gee' could be the 'aspersoriums' at the end of the third secret of Fatima = engelsk-russisk = 'engels krusisk'
Geni R[o]ar = Roar Nielsen, or the spirit of the two 'Roi'
6. Bradamante and Marfisa: An Analysis of the "Guerriere" of the "Orlando Furioso". By Margaret Tomalin
= Viggo Nygren with 'Farfisa' organ. The M/F is established in the preceding titles
I recall reading in probably 'Det Beste' = 'Readers Digest' in probably the sixties about the swedish fighter jet (which 'ging' in the 'sky') called 'Viggen' (Saab 37 Viggen was the name) - cp.'Arlanda' airport. The M/F of titles 1 and 5 then suggests the 'Farfisa' organ of Viggo Nygren. I have fancied that the mythos is constructed that Mao died from the injection of poison in a metallic gear installed at the bottom of a vagina - or even at the end 'corner' of a rectum if such is possible - one would believe that it is difficult but modern technology could perhaps have constructed things like that - in addition, it could of course be mainly about a constructed mythos and then things are easier. It would expectedly have been about that 'corner' where a certain 'pressure' is excerted by a pederast, I would guess. The theory goes that this mythos on Mao's death is associated with my official sister Vibeke Grøver who had been abroad in the year 1975-76 (but I would believe that she were back in july 1976 - but of course a 'Farfisa' organ could have been involved).
7. Some Observations upon the Episode of the Cid's Lion. By David Hook
= the two 'Roi's - and hence the lion-roar of Roar Nielsen. I cannot recall having observed any abnormal sexual organ in my childhood - but I have had a vivid recall of a special mood at a 'str�le-ovn'
= 'electric heater with exposed heating elements'.
8. Metre and Rhythm in the "Hildebrandslied". By D. R. McLintock
= Bilderandslied = the Schimmel. Brille-hans-Lied
9. E. T. A. Hoffmann's "Der Goldne Topf" and Its "Durchgehaltene Ironie". By John Reddick
= the penis-head of the thresholded Schimmel = Rita?
10. Historical References in Chekhov's Later Stories. By D. W. Martin
= 'rist-orical hefe-rences' = the Schimmel. 'Check of state her låries' = Gard Nykvist checking my condition at the end of the mononucleosis in early 1975 and declaring my thighs to be atrophied = 'lår-atrofi'. Nykvist = Nygren, cp. the 'Farfisa' and here 'Dr.Fartin'. Laura Trophy = Lenin? 'Man må jo ha teknikern for å få opp denne' = the techical invention for rectum-colon-corner installation for man-Mao? BJØRN = SNORK-el
The tentative conclusion could be made that references encircle at least four levels: 1) The names of students from Trosvik 1970-71, 2) the names of the three later acquaintances of mine from Gressvik - Morten Sørlie (priest), Freddy Fjellheim and Karl-Erik 'Kalle' Solgård, 3) the Scheinrich Schimmel and 4) trans Madonna.
When Mao in 1972 was visited by Richard Nixon and Henry Kissinger, it could have been for telling that he knew the plans in advance. 'Henry Kissinger' = 'snakk te ho female'. Of course Mao could not have gone in the trap with a female rebuilt to look like his wife, but it would have been symbolic of other 'far' methods. Kissinger became security advisor to Nixon in 1969.
If 'Roar Nielsen' in a sense of roaring 'jewish genetics' is a name associated with the entire list, it could have been the idea of me by 'jewish genetics' as a 'scapegoat' for the death of Mao. This could have been contained in the name 'Vi-begge G-røver' of my elder official sister 'Vibeke Grøver'. For the role of 'Viggo Nygren' cp. the 'nygresk' (new greek) transform of 'Vi-begge G-røver' - via 'Gresvik'. 'Gresk-lipperen' = 'the greek lipper' while 'gress-klipperen' = 'the lawn mower' - hence the 'Mao låner' = 'Mao borrower'. Mao's widow along with the 'gang of four' were blamed of conspiracies.
'Gressvik' at Fredrikstad is likely to associate with the name of Henry Creswicke Rawlinson who deciphered babylonian cuneiform.
In addition, there are some reasons to see the name of 'Roar Nielsen' = 'jewish genetics' in all the titles. Roy Andersen once told that Roar on the way home from school repeatedly had knocked his forehead (over the thick spectacles) towards a telephone pole = 'Brillehandslied'? Were he misunderstood by the norwegian society? Was that why he sometimes stumbled in the reading aloud? He otherwise gave a somewhat 'refined' and culturally appropriate impression which did not match the story of an unfortunate start.
For title 9 of MLR july 1976 - E. T. A. Hoffmann's "Der Goldne Topf" and Its "Durchgehaltene Ironie". By John Reddick - I refer to the 'reddick' of the penis-head of the Schimmel image when it is thresholded black-white - hence the title 9 could refer to Rita in the school class of 7th grade. 'Beke' could be the word for a totally black-colored area. 'F-reddy F-jellheim' of Gressvik could be seen to be a name commenting with two F's on the combination of this 'reddick' and the head of 'Elvira' moved from the left to the right of the Schimmel - such as seen clearly in Antonio Balestra's artwork in Padova. '[G]jel[d]e' can also mean 'to castrate'. If one compares with the Balestra artwork, the 'J-Leim' would have landed appr on the Beiß-Korb of the Dodo bird (notice that the 'skorp' of the 'khlebs' is a little professional - it is not easy to make those at home) - or the Pit Pony who thereby could turn into Fit Foney. (I was subjected to silent phones from 1986 untill the Gandhi assassin was hanged in 1989). Or Mit Money. This big penis-head could even be the 'Ted Hughes' as the potentially innermost secret of the 'octogon'.
For Reddick and Freddy Fjellheim and 'Ben Johnson' I notice a character 'Sheik Ben Reddik Fy Fazan' I recall from some humour book (probably 'Relsa Fus') of Kjell Aukrust from probably the 1960's.
It seems like 'The Viper's Egg' is a concept of some potential importance - as in Bergmann's film title. The Viper Shegg = the viper beard = shaving. It could apply to the phenomenon of the schimmel graffiti which I first wiped away and then it returned - if that is the normal order of the event when it occurs on a wall as 'beard' of schimmel.
Norway made a county revision in january 2020 when the brexit ('union jack') was announced - then the county of Viken was collapsed from Buskerud, Akershus and Østfold. If this Viken be recognized as being about Roy Viken, one could see the perversion in that recognition of the two 'offen' as one and the same.
People seem to suffer from ideas of spirituality that humankind has to pass through a bottleneck (or many bottlenecks) on the way to heaven and there is only one solution possible - it is those who suffer from such angstridden ideas that think that we have to sacrifice certain members etc. for getting through the narrow opening.
But true mysticism tells the opposite.
4. What is mysticism?
My fundamental theorem of linguistics proposes the simple principle of metaphysics that the human spirit is something in a spiritual world wherein many different spiritual realities meet - like clouds on the heaven's canvas or rather gases in a gas chamber - or like the gases of the atmosphere: What is special about the human spirit is that it has the capacity to recognize one item in one spiritual reality as 'the same' as another item in another spiritual reality even if these two items are quite different in their independent existences. When doing this recognition of identity, the two freely independent realities become tied together in this knot which thereby by its locking of free movement attains the nature of material substance with a 'meaning' attached. This resembles two different people 'tying the knot' of marriage and thereby begetting a child with a soul. The soul attaches to the body like meaning to a referent. But clearly in order to be able to recognize a spiritual stone in one reality as 'the same' as a spiritual umbrella in another, the human spirit or general psyche must be of a very special biased kind, in need of spectacles perhaps. When God created the human psyche, it was with such limitations and redundancies that made this recognition of identity possible, and it is these redundancies that give shape to the world we live in - including the human body etc. Because of the strong redundancies that must be imposed on the spiritual realm in order to reach this special condition, strong internal interrelations between phenomena are also inevitable - and these are recognized as causal relations between phenomena recognized as regular by natural laws. This makes science and technologies possible. These sciences and technologies are but yet stronger spectacles which make new diversities and hence natural laws possible.
The natural languages are telling of the redundancies in the creation arising by the spiritual conjunction of different realities. They are the logical correlate of 'causal relations' in meaning to the 'causal relations' in matter. Therefore the fundamental theorem is at the beginning of a construction of the linguistic competence.
But clearly these redundancies that make for a world of being as seen from the human viewpoint (what other animals' or spirits' worlds look like we cannot really know) are not the original truth - and religious matters are concerned with the state of the world before the human spirit reduced the realities to material existence.
Mysticism is to untie the knots that hold the conjoined spiritual realities together - in order to reach motion or movement in the spirit and regain spiritual freedom. It is likely that the establishment of the material world was the same as the fallout from paradise - and mysticism tries to untie the knots for regaining understanding of the original paradise. That is the mystic quest.
Heaven or Nirvana is beyond all such human-psyche knots - the knots make things exist and 'be something' but it hinders the spiritual motion towards heaven.
Good art can be a guide on the spiritual quest. You try a way up or down the hillside but are stuck and must return - but a good composer have guessed in advance (by some mystic intuition) how to find the way which always leads on and does not force you to return. (This idea was out a 2-3 years ago).
Heaven is something else than we normally think conceptually. Humans are quite lonely in their entanglement - called History. Birds sometimes fly by.
A Madonna revelation is when the Madonna steps down through all these network knots to speak to humans - but this is of course a human thought or conceptualization. One guesses that she speaks through such human conceptualizations - or maybe not: If God created humans in his image, it is of course possible that the Madonna is in heaven like she looks on earth.
The mystic quest is to dissolve the knots. Some knots are hard to get up - in particular those which are strongly conceptualized for making natural laws function. It is assumed that levitation is possible for contemplatives - an idea which tells just this. Likewise, a science based on sensible mystic inquiry could probably reach a 'levitation technology'. Aircrafts are something like that.
The 'Sobibor' mystery which I experienced for some days in Szolnok in 2015 tells perhaps of how a knot is tied: The high drill went up and down continually in time and vision (it lasted for at least 3-4 days) while the strong sobs from a neighbourhood in the hotel were on and off - a couple of hours on, then some hours off etc - in the acoustics. If this experience tells of how a knot is tied and hence how it can be dissolved, Hitler could have called his death camp for Sobibor in order to tighten the knot by way of terror. No mystic would ever use terror for getting the knot up.
It is the knots which give shape to the world. Fear of doom at the end of time can lead to terror in order to scare the world into a solid condition of existence that is not threatened by 'dissolution'.
TEQ book 1 is called 'Hammerfest' - which could be about the hardest form of being tied ('knotted') to the 'structure' or 'network' of reality. Christian mysticism probably tells that the Madonna visits humans through revelation but for the son of God to live in the human reality it came to look like that. The christian creed believes that Jesus showed how to dissolve the toughest knots of the historic reality of humans and that is why the scriptures about Jesus are studied - but clearly for this to be a religion and not just a roadmap there is the needed faith beyond the scriptures - beyond the conceptualizations.
Protestantism insists on the scriptures as the source of the revelation. That is to insist on the creation explaining the creation.
The mystic quest often involves the appearance of magical phenomena such as the ex nihilo occurrence of the lapis philosophorum or the schimmel on the bathroom wall: These are telling of 'new' natural laws that can come to apply when the mystic has dissolved some but not yet enough knots - then a strange quasi causality can seem to appear in a 'sub-network' that crisscrosses among more ethereal knots behind the ordinary 'maya'. However, a true mystic will never assign any essential significance to these but consider them at best stations along the road - they can be interesting phenomena but no goal in itself. And of course to give in to the temptation of using them for manipulating people's understanding of reality is to go seriously astray. The Schimmel on the bathroom wall seems to be interpreted by my TEQ poem #64, book 2 ('The slades with the only turn') - called 'Julius Huilsen and Julius Huilsen', could be the two saints on Balestra's artwork. This Schimmel occurred in july after I had seen the front cover to a record by Deutsche Grammophon - a work by John Adams with movement 'gritty, funky'. My poem contains the line 'Grificti similes of gratitude' (a la 'graffiti similes of grittitude') - continueing "ten to twenty-eight / Xven Sen Norway / 'absent-minded'" - telling of the 10 to 28 knockings of 20 january 2020 that were 'absent-minded' on the magnetic tape (they could be recorded for some days but later they were as audible as before but would not stick to the recording technology) - even the graffiti occurred in the 'broom room' over the bathtub where the knockings could be heard. It seems to be an 'ex nihilo' Schimmel (sort of 'fresco') of somewhat universal kind - that is, it is telling of the human redundancies - a sort of 'magic'. No mystic stops up by magic or takes such redundancies as the goal of the mystic quest - rather the opposite, these are the pitfalls that are to be avoided. But of course they are interesting in the sense of telling of the human constitution with its redundancies. That is rather what they are for - to enhance the understanding such that new ditching can be avoided. To take such a Schimmel 'graffiti' as an instruction of how to act is of course a serious error. It is what power could be out for if the power wants to control and limit the human spirituality.
It can be argued that the despair which protestantism (including anglicanism) suffers from is that it can try and construct the understanding of the primordial metaphysical reality by combining units of scriptural knowledge - but that is to put historic redundancy (language) to historic redundancy like building a tower of Babel by bricks in order to try and reach heaven, and it can never be the same as a revelation stepping down from higher realities or heaven. (An epidemic can perhaps be thought of as an impact of metaphysical reality on the historic reality?). Catholicism is less scripture-based and rooted (somewhat quasi 'irrationally', tells perhaps protestantism) in the spiritual world. Therefore protestantism suffers lack of the marian cult which was thrown out with Luther - and it is possible to construct a view of history since Luther and Henry VIII that tells that this problem is the core of all conflict since then. It means that everybody agrees that if a marian cult had been reconstituted within protestantism, peace and harmony could be regained on earth.
It is possible that the 'norwegian' project (Trosvik, 1970-71) is an attempt to construct such a protestant Madonna like building a Babel tower from bricks. To use 'abnormal' or outright perverse principles in order to reach an 'extraordinary' status of the Madonna would be telling of this despair. Ultra-desperate it becomes if these principles be transferred onto a new Hitler (the 'Führer') for leading the german grex that so badly needs transcendence beyond the scriptures. Therefore 'turning of the gender' could be a political program for a new Hitler.
5. My own work
See the bibliography of my works.
My poem 'The movement' from TEQ probably tells of movement philosophically - what it is. If the 'movement' is the movement of the head of 'Elvira' from left to right column of the KUA sign, or the turning of the striding man, it changes (as a problem) the house (bathroom wall) and creates affection in so doing - probably essential for the love securing the rights of the child in upbringing - and this must be understood as philosophical principles of the human reality. Could be both characters have 'only turns' - or it is the 'sine wave' of the (narcissistic?) mermaid that is the 'only turn'. Hammer and sickle are both 'only turns', tells communism in its emblem of 'resurrection'.
To claim that this poem has got its inspiration from or is the same as the movement from the falling truck of Vågstranda or Gerdsvei downhill for a 90 degrees turn in the upper left quadrant of a cross or coordinate system created by the constructors of the intrigue is precisely to make such a knot of historic reality: The purpose with the intrigue could be to control the tightness of the knot (some could think of this as political power) - while the mystic quest is to understand it as what it is - that is when it dissolves - when the curtain of the temple is torn in two.
My 3 volumes constitute an 'angel of Abraham' - with the mid vol.2 as its body and 1 and 3 as wings. Nelly Sachs' poem 'Abraham der Engel' tells in fact of the front page photo of vol.2. 'Deine Fußsohle ist immer an den Rand gestellt' - the Rand of the Tauchbad. Could be the back page photo is contained in the lines 'Und das Licht wie eine ausgerissene Palme / zerknüllt in der Hand' - a philosophical view on what light is. This poem is in the part called 'Flügel der Prophetie' in 'Und niemand weiss weiter'. But that is just this mystic quest - it resembles the same theme in Shijing which seems to be a 'Prophetie' of the cover to my book.
My TEQ may reach a peak of mystic inquiry that has not been done before, a sort of first climb of the Mount Everest of mysticism - that is very possible and there are strong arguments in favour of the probability of this. It starts at the foot of the mountain with 'Hammerfest' - where the poet is ditched with the logic that 'hah, you have got all this from the perverts who shared mind with you through the abuse' - and how can the poet defend himself against the logic that The movement is not inspired by the intrigue on the bedroom-toilet / kitchen-bathroom axes? The poet says, though, that he has written a poem of higher generality and universality and that is when he detaches from the nails or rather ditch of the services and can start the climb of the mount of mystic enlightenment. That is the art of seeing the redundancies but avoiding the temptations. Having reached book 14, it can be shown by scientific rigor that this work cannot have been written on inspiration from drugged rapes of the 'services' but necessarily is an independent work written in interaction with the universals of human semiotics and redundancies of human natural language. This means that there is a large integrity depth in the work - and that is why it can be postulated that it can have contributed much to the healthy development of the world's financial, cultural, political state through the last two decades - say, since the third secret of Fatima was published.
What is the conclusion on my TEQ? Is it all inspired by the 'mysteries' of the intrigue? I once again point to function 14 as a groundsolid proof that the work cannot have been written on such an inspiration but necessarily has found its constraints in the form of the human psyche and its principles of semiotics - inside of which the mystic inspiration necessarily far transcends the authorities of the intrigue.
Assuming that extensive sexual abuse of me was taking place in the schoolyear 1970-71, and it is true that in the spring that year I probably looked rather pale and outworn after all the school dentistry, what was it for? On the assumption of such extensive abuse, most people would assume that I would have appeared like an outworn floorcloth, which perhaps partly were true, but I had only myself and my genetics to blame, of course. Assuming also that Sachs and Celan were my genetic origins, one could have guessed that I would try and take refuge in writing poetry - but that the little jumping jack had not much else to contribute with than what was preprogrammed from the abusers. The solution was the mystic poet - writing not by heaping up a Babel tower by way of bricks I had collected in the upbringing but by the inner poetic articulation of mystic origin. The abuser would then probably say "Hah, mystic origin? Not so mystic: It must be only the preprogrammed ideas and propaganda from the services which have filled his life". The question would then be the 'integrity depth' in the mystic poet's conception or reception of inspiration down through the networks of metaphysical knots. The proof that my poetry is not based on influences from abusers or nazis or anything the like is in function 14 - reached after a climb through the books 1-14. On top of this I also wrote books 15-16. Function 14 shows that the distribution and choice of words in the books 1-16 - books which each of them fill various semiotic functions of rather exact character and therefore, each of them, must fill other criteria of distribution of words, constitute a principled account of distributional semantics and (I would say) even phonology for diachronic language of more than 2 occurrences of words. This rather extensive and super-tight system which probably is an essential part of distributional semantics in human language could not have been achieved if the guiding lights were not from universals in language and cognition: If 'pressures' of various kinds from abusers and nazis were the 'inspiration' and influence, it would not have reached such universal forms - in distribution of words in my books written over 11 years. Consider the example with the word 'guitar' in this file - it is not possible to reach such distributions of words over 11 years for this function 14 while maintaining the functionality in the other books as well without having universals as guiding light. In addition, a computer could not have chosen themes and words for the 28 ex nihilo knocks and graphics on the bathroom wall. After the work is completed and described in detail, it is of course possible to make a computer program for imitating these descriptions - but that cannot make anything poetically interesting.
The conclusion is that the potentially abusive background could not have had any interesting role to play in the constitution of my work. But those who made this political background will perhaps not accept this independence of mine and claim that the manipulations were so extensive that they would consider it their intellectual property. Of course it is not their work or property.
It is the same function 14 that is the basis for my suggestion for a means to battle viruses and possibly even cancer. Were this theory suppressed by a veto from some participant in the Bermuda triangle?
Since at least 10 may 2020 I have worked now and then on a general theory of virus and cancer multiplication including a concept of strong and weak versions of distributional semantics by function 14 - relative to definitions of DNA and RNA - wherefrom the following excerpt in principle could have been tapped:
"It is noticed that DNA (controlling cell division as for cancer) exhibits periodically repetitive structures which could call for recognition in the 'strong version' of function 14 while RNA probably would resemble the weak version when controlling virus multiplication. DNA would expectedly be comparable to parentheses of tagged syntax ('logical order') against the paradigms of RNA of 'semantic assignment'. It is interesting to notice that the numbers 3 and 5 seem to be defining for the end points of such data structures".
Clearly if such ideas be stolen by surveillance by people who cannot resist a temptation, then there are little chances left for serious intellectual work. There is no power in the world who can claim that I shall not be credited for the work I have done - however much they point to the phenomenon of PTRSIM PIK. Clearly a politics which steers towards a convergence towards nazism/fascism could be interested in crediting not me for my work but the 'pri-ya-dar-geni' of the 'trans' Madonna - that is, those who organized such a possible intrigue. It must also be observed that if my theory can lead to a vaccine against any virus, like anti-biotics against bacteria generally, then there would not be much left of the power in the terrorist threats from the biological weapons in breakable flasks - and that can of course invoke political interests. The filename '21april2020.htm' could tell of '21' on his trousers (see below).
6. The four identities
The above exposition in terms of 1) classmate names, 2) Modern Language Review, 3) the character of mysticism, and 4) the sources of my own work can be seen to contain the cues to a certain spiritual problemshift or matrix of current times. For the relation between 'spiritual' and 'problemshift' matrices, see the 'evidence' on my biological background.
There are some reasons to recognize Mao Tse-Tung in the first two and Indira Priyadarshsini Gandhi in the 3rd and 4th - and the assumed murder of these as an attempt to hijack this spiritual matrix by way of a problemshift matrix. When the two politicians are [k]not any longer, the program of the terrorists looks like the mystic inquiry of the poet who strives for the divine origin. Gandhi (chief of Congress Party) + Mao could make for the 'Congressman Beasley' with Venice in the background.
From the above discussion: "The tentative conclusion could be made that references encircle at least four levels: 1) The names of students from Trosvik 1970-71, 2) the names of the three later acquaintances of mine from Gressvik - Morten Sørlie (priest), Freddy Fjellheim and Karl-Erik 'Kalle' Solgård, 3) the Scheinrich Schimmel and 4) trans Madonna". The political construction had perhaps hoped to identify my work as the 'trans Madonna' ('Priyadarshini Gandhi') - for the purpose of recognizing 'mystic inquiry' as the same as 'sh-Heinrich sh-Himmler' - 'Heinrich Himmler' being the name of Hitler's death camp program, 'shine-rich shimmler' being the name of the 'graffiti' (the basis for the role of the Kennedy names?) on the bathroom wall.
It was shown that Gressvik seems to be a name of significance - probably for Henry Creswicke Rawlinson who deciphered cuneiform on basis of the bilingual of the Behistun wall: It took him a long time to take copies of the wall - if he did not outright chisel the cuneis into the rock himself. Reading 'Creswicke' upside down seems to tell of 'osprey sarg/saig' - for the osprey in the lower part of the graffiti - as it creates a horizontal identity-dimension with the fish tail of the mermaids. The vertical axis seems to find a correlate in the Pit Pony or Dodo bird as the location of the transposed head of the 'Elvira' character. These four (indentity) elements together make for a cross which could be recognized as the bedroom-toilet and kitchen-bathroom axes of Labråten. 'Rawlinson' upside-down looks more like 'norway mod', while 'Henry' upside-down could resemble 'kinaff', for example such as 'keys to heaven', a biblical theory of revelation that likewise conspires on four dimensions or categories. Cp. also 'Kina' + the two F's with 'Reddick' above. If the european swastika includes a Norway-Italy dimension around Paris, for Hitler-Mussolini in the past century, a 'Black Sea Loop' along the eastern arm (from Batman in Turkey) in towards Paris could mean that even the britons after Henry VIII could have a chance to reach Par-ad-ise, even if the northern Ireland twist of the swastika arm goes wrong way, as if some bobby had taken the thief and bent his arm onto his back (for the kleps). 'Calais' is perhaps the real reason for the name of 'Kennedy'?
Could be these 4+4+4... is 'the gang of four'. The four identities.
7. The 'metaphysics' of the PIK of PTRSIM PIK
My poem TEQ #57 in book 1 'Hammerfest' is in parallel with a part of Luke 23:55 το σωμα αυτου
When did it started?
On Friday the fifteenth,
is a functional flower
in addition to many
and paranoid.
I am out to finding harrocks,
a high metaphysics
over the fly.
It has a pre-syntactic craft,
or if you leave it, you must
work a litt abstract
such that there were '21'
on his trousers.
Who ate a little befast,
and if spaces are allowed
to go a little (a)round,
works and bokstaver in the Christian.
That's where I'm living
and that's why I've 'A'.
My gale spass
the first line after the green
through many years,
and I have been to
you develop time-honour-him
by the table -
...and the four-five cats
often sitting in here.
What does it mean: "...out to finding harrocks, / a high metaphysics / over the fly"? There are two cycles in my study of Caravaggio (see the end of this file) - one HI and one LO. The HI tells of something just above the head of one of the central characters in the artworks. A head is a flying thing - as Balestra tells as well when the 'Elvira' head is moved up right. This Caravaggio cycle is high metaphysics - which is recognized in the yellow flower that occurred ex nihilo under my shoe:
There are 5 * 2 petals on the flower. The 5 is in the LO cycle and the 2 in HI. (The 'cycle' is in the mid of the flower - which is yellow for the name of the metre of Caravaggio). But isnt it 1 only? See e.g. #4 'David with the head of Goliath (1609-10)' which is the same in both cycles - the next HI is 4+1 = #5 'St.Francis receives the stigmata' which is LO 4+5= #9 - and so forth. For each step in the HI cycle there are 5 steps in the LO. How is that solved in the flower? Is it that the 5 pairs of LO each contain a step of HI from the first part of the pair to the next? Could be - and could be that is how the intertwined cycles are manifested in matter. However, this problem is arguably a little difficult - in the poem TEQ #57 it is called "Friday the fifteenth, / is a functional flower / in addition to many / and paranoid". Pair of some id? When did it start id? Clearly this Caravaggio mysticism is high metaphysics over the fly. But what is harrocks? When the shoe steps down on the hard rock, it can be called harrocks? Could be - but it probably is not entirely correct - the yellow flower of Caravaggio is perhaps the harrocks - a higher metaphysical state which could be pre-syntactical. That is substantial progress in knowledge, I would say.
This poem is from 'Hammerfest' and is a remarkable example of just that. The intrigue-makers will say: "Hah, but this poem is just about that bedroom-toilet axis across the kitchen-bathroom axis in Labråten, that from which a theory of a 'trans' Madonna in the role of Frau Grøver can be constructed. Look at that 'befast' - is it 'breakfast' in the kitchen walking around a little, seeing the '21' on 'his' trousers etc. Isnt it simply the 'badbyxa' in the flying and the 'spass' of gales in the toilet?" This looks perhaps like a heavy attack from the intrigue making claims on my authorship, and it looks as if the poet is hammerfested well there. But how does the poet get off the nails? For once, the functional flower is a 'gang of 5*2 = 10' in the Caravaggio cycles, secondly if you read the poem as a metaphysical study there are little traces of the Labråten complex - but 'Hammerfest' means that the Labråten complex can cling onto the poetic account and try and topple it into the ditch for having it stuck there. "Who ate a little befast, / and if spaces are allowed / to go a little (a)round, / works and bokstaver in the Christian": This is about the mystery which the holy communion in church tries to solve - to make it possible to eat (and hence survive) without turning hostile towards other people - then the movement becomes possible when the mystic detaches from the nailed condition. The works and alphabetic letters can be seen in the schimmel graffiti (an artwork) and the STA lettering under it - if it is understood in the mystic way, then it is christian liberation, otherwise it can be crammed and ditched into intrigue claims and then it can be recognized as the work of Satan.
My view is that the parallel text is the mystery that is seen in the innermost parts of the poem:
το σωμα αυτου
that means 'his body' that was laid in the tomb, in the grave. In greek this σωμα = SOMA = body, material thing has a near parallel and probably shared etymological origin with σημα = SEMA which means (Liddell & Scott) 1) sign, token, also of omens from heaven or marks on a tomb, 2) battle-signal, 3) a constellation of stars - the heavenly bodies, 4) written characters (letters), patterns of a seal (e.g. on a shield). (Isnt this just another 4-gang?) This morph is the basis for SEMA-ntics - the meaning that clings to or is 'smeared onto' the material body that forms when two metaphysical items reduce to one material (physical) being - for the mystic quest later to dissolve again.
It happened once in my bathroom that I suddenly found on the floor a strip of brown colour that looked as if it had been squeezed out of a tube of brown artist's colour or even shoeshine paste. It was a few (2-3-4 perhaps) centimetre long and it looked as if a shoe had stepped on its end. I think there was such colour also on my shoe and I had to wash it off, if I remember right. The colour had no smell and it was a little 'foamy', for which reason I concluded that it was ex nihilo - and I associated this with 'sko-m-bæsj-klinten' ('shoe with excrements he smeared [out]') which was the background of the article Skundberg and Clinton. If this were shoeshine paste, it could have been smeared 'like semantics' onto the shoe with the yellow flower. But that shoe was in the entrance room while the bathroom is next to it - separated with a door. Hence the opposite on the other side of the door: Shoeshine paste on tube smeared on the shoe in the entrance room vs shoe stepping on a (virtual) shoeshine paste tube in the bathroom for squeezing it out - the inside/outside are turned around by the door. This could be seen as contained in the greek opposition σημα/σωμα.
Hence a colour theory for art? Clearly the shimmel graffiti on the bathroom wall could have been painted with such 'transcendent colour'. It occurred rather suddenly - then I wiped it away too quickly to have it photographed - but then it returned again in the course of 3 days and has remained stable since then, except for gathering a little extra shadow. (Now 14 days later it is still the same artwork but it has attained yet some more shadow). It is likely that the parquet sprang up under a rug in the main room around the time of the wipe-out.
It could have been drawn with such 'artist's transcendent colour'.
This phenomenon is likely to be known and one could guess that it is the basis for racism on basis of skin colour - if the colour of negros are associated with the colour of excrements (inside the intestines etc). But of course this colour is used for not only excrements. Racism is probably the same as 'homo' - with these ideas of 'what is inside the intestines and their walls' being 'the same' as what is outside - with the mystic link of the Klipra connection at the root of the penis. Skundberg's Clinton could be telling of Clinton in the Kennedy party (with the graffiti of Wittgenstein's Wörterbuch as the basis for the Kennedys and the Kennedy assassination) - for this 'mystic link' between a lapis ('la pis'?) philosophorum and the graffiti on the wall - and Obama's FBI let some negros be shot apparently for flexing muscles against the republicans. It was the US democrats that wanted to continue the negro slavery in USA (it paid off?) - against Lincoln's republican politics of dissolving the slavery.
The christian explanation is that this is to go in the grave - that is 'substance'. It is when the metaphysics converges and crashes in a semantic ditch that substance arises with such telling forms. As this example tells, it is even possible that the form of the semantics (the words) can be prior to the form of the substance. But the religious solution is to avoid the 'pitfalls' (like a 'grave') of converging metaphysics. It is when the thought presents itself in your head with convincing power that there is a convergence in the metaphysics - that does not mean that it is right but some demagogy is based on the principle that 'it must be right' because the inner voice tells it with convincing force. Cp. 'corruption'. Nazism with racism is a typical example - and it can be easy to understand how that can spread like an epidemic. The 'Bermuda triangle' from Austria to the US Kennedy party to England seems to be based on that sort of 'convergence'.
Witchcaft believes in Bloksberg technology of 'abracadabra' that the semantics is prior to the matter: Then magic hocuspocus formulas can 'change the world'.
That was the grave of Jesus - from which he rose. That is christianity - to get out of that network of 'doom' in the maelstrom of converging semantics in the human psyche. Monkey business accompanied with impressive terror is a helpless attempt to get out of it - that lacks the grace of the christian solution.
The inner poetic articulation is not the same as the converging thought that can be produced by corruption - rather it is precisely the inner poetic articulation of revelational character that liberates your thought.
Why are these things kept secret? They should not be secret. Is Christ so called because of the 'salve in' the tube? Rather the opposite.
There are reasons to see a morphemic level in the cultural development of christianity - with a submorphemic stage before Christ. Christian prayer like the rosary is based on words and that is the problem which could have given rise to protestantism and its insistence on the scriptures. But christian prayer is only superficially words - it is the good intention which is rehearsed. Therefore christian prayer can be seen as a way to solve the problem and to get out of the 'semantic doom' of convergence which was the trap of the nazis - who seemed to be convinced that they were 'right'.
Therefore to read my poem as a prescription for smart solutions or even technologies is not really right - it can perhaps be said that such a reading is the problem which the poem is about. Hence the parallel text. It is true that the several poems to Luke 23:55 (TEQ #51-57 are all to this verse from Luke) do not apply in a one-to-one fashion to the greek - there are various solutions to the logical order of the subsentential elements and their SEMAntic assignment. Hence the theme could be just the fundamental theorem of linguistics. The poem suggests that the craft is 'pre-syntactic'.
It is likely that a new technology will develop on such things - although technology never was a way to heaven. These poems #51-57 are at the end of 'Hammerfest' - TEQ book 1. I guess that the new millenium could come to see computations on the collective consciousness (my blue meter) involving such elements. But that is precisely why it must not be used for power purposes but must be open and explicit theories and data without superstition, fear and manipulation. The exposition I have given here should be easy to understand.
The graffiti developed quite soon after I had removed all shimmel from the bathroom and the rest of the flat - and it developed on a white field where there had been nothing like that before. It can be seen as a case of convergence onto a small region of the 'potentiality' that brought the general shimmel all-over the bathroom before I cleaned it. In its most extreme form, after the first wipe-out of the 'graffiti' (and the parquet sprang up under the rug), it even looked like alphabetic script on the form 'STA'. This could be telling of the idea that the script is a form of 'metaphysical convergence' - as if the script is thought going in the ditch, in the trap of temptation. If this should have been the case, it could mean that the lutheran protestants insisting on the priority of the scriptures could be suffering from a loss of the revelational Madonna - since the scriptures qua convergence could be a hazardous guide towards heaven compared with a revelation that has stepped down inbetween all the redundancies and convergences. The marian cult cannot prove anything, of course, but they could have their faith firmly rooted beyond the script. (In a 'pre-syntactic craft'? Hm). This is also what my 'Stillhetens åndedrag' (2016) is about in its way of composition by faith in interaction with the impetus of/to history.
It is likely that a new linguistic science will be built from the fundamental theorem - and then PTRSIM PIK is not likely to be a lasting phenomenon.
The graffiti on the bathroom wall is likely to be the graffiti of the Kennedy names such as these apparently were derived from Wittgenstein's Wörterbuch - and the Kennedy assassination with the shot fired from the school library window - could be next to the toilet.
The black-and-white thresholded version is likely to be the same as PTRSIM PIK - and I could guess that this is contained in the name of my elder sister ('Vi-beke') as well:
Of course all such puerilities are not a goodenough reason to continue the PTRSIM PIK madness. The world must turn to a serious study of the conditions for the fundamental theorem of linguistics and leave these puerilities in the past.
Mussolini's 'pane-ic' was 'fascism' in the sense of collecting the 'sheaths' or 'fascies' of corn stalks in the fields - also with the 'sickle'. Perhaps such a 'pane-ic' of 'sheath' (in the 'fascies') could also be recognized in the 'peni-shead' of this thresholded graffiti.
Ragna Grøver told me in the hospital bed (summer 1981, I think it was) after the car accident that she had had an 'extra-marital' (I think was the word or concept) relation to Anders Munthe-Kaas, a doctor colleague of Grøver/'Mengele' since I think Molde 1963. She asked me to call him and tell what had happened when she was on a trip with the black beetle in to Oslo (where he lived). I so did. He had been with her as 'medical competence' when they visited me in Kirsten Ribu's flat in late 1980 when they told me that Grøver/'Mengele' suffered from an alcoholic fit and had to be hospitalized. I visited him in the hospital. 'Kjendis' is a word for a famous person (who is 'kjent' or 'kjend' = 'known'). A jocular parallel term 'penis' had been formed on basis of 'pen' = 'good-looking'. An alternative quasi-jocular term to this could be 'smukkis' or 'smukken'. Would Anders Munthe-Kaas be called a 'penis'? Could be in a general sense of it (giving a good impression etc), but more interesting is the variant 'P-en' which means 'the P': If that is preposed to his name one gets 'P-Anders-Munthe-Kaas' which could be for 'pandemie-the-cause', the cause of the pandemic - which thereby could signify this 'penis-head' or 'pane-sheath' of italian 'fascism'. It would be by way of thresholding the 'graffiti' which could be the basis for the Kennedy names.
'Smutthull' (means a small hole for an escape) is a hiding place or a loophole in the law. (Cp. also the Beate 'Uhse' chain). 'Extra-marital relation' could mean 'a relation without sex', like 'ESP' = 'extra-sensoric perception' - see this photo as #13 in this file for the suggestive similarity with the 'STA' of the wiped-out graffiti.
This pandemic 'penis' construction could then apply to the construction with Mao and the classmate names 1970-71 and the theoretic or potential rapes of me by the possible 'trans' penis - the 'pri-ya-dar-geni' of Gandhi.
It can be observed that the current 'second government of Kurz' has cabinet members whose names seem to conform somewhat to the 'schimmel graffiti' while his own name arguably resembles the pinyin of the KUA sign superimposed on it.
8. Some further stories
The 'conception light' (warm yellow-ochre opium, not really like the white 'Lezajsk-Madonna' light in the KUA sign - but comparable perhaps nevertheless) from the teapot was probably in 1985. It is not impossible that it was 9 months after the death of Indira Gandhi, could be 9 years after the death of Mao. It was not me who shot even if some could try and swap me pervertly with Frau Grøver's 'offen' - such as could be contained in the new county name 'Viken'. I saw the same sort of 'conception light' in a banknote in my hand in Midland Bank at Stamford Hill in London in the spring 1998 - that could in principle have been 12 years and 2 months etc later. These intervals are probably not exact here relative to the light I saw twice but can probably be seen in an underlying matrix.
Were Frau Grøver really a trans? I cannot answer that. In 1970-71 she was to have an operation in neighbouring town Sarpsborg (pronounced SARS-borg) for a disease which was a little unclear. She stayed for some days in the hospital and we visited her there - I was not informed about what it was but have later guessed that it could have been an abortion (a scandal, hence the neighbouring town). But today it seems clear that it could have meant a transplantation of a male gender organ. If so, where did it come from? One guesses that it could have come from a Peterson or a Peter. Her next hospitalization was after the car accident in Oslo in 1981, probably the early summer or late spring. It would have been around the time when the pope was shot in Rome (where I stayed at that time) on Fatima day 13 may. Where was he shot? If he were hit in the male gender organ, it could be that it had to be replaced with a new - and then the old one could in principle have landed on Frau Grøver. But this is pure speculation and naturally it is the idea which could be interesting more than the organ itself. This principle could of course have obtained throughout the story - that it was mere ideas in the mind more than substantial organs. But the teeth were destroyed.
Could be the contruction serves to identify the 'trans' or even the pope's organ as 'Christ's body' - and then conclude protestantily: "So you believed that the gender 'body' existed? That the 'pope' is God's representative on earth? But that is not very probable?"
One conclusion could be that the whole story is contained in this 'spirituality' vs 'prob-lem-shift'. The logic of 'prob-lem' as a cork in the sinkhole (and the 'amalgam' stuffed into holes in my teeth by 'Aulie' = 'oldie') is the logic that always was the world of criminals, outcasts, perverts. In former days a verse from the Bible could be the explanation to a whole story. It is possible that the construction with the Kennedys (the socalled 'Bermuda triangle') qua 'international secret intelligence services' is an attempt to incorporate the world of criminals, outcasts, perverts into the 'accepted' and defining parts of the society - including the 'other' religions. Although such inclusive attitides could have a general value, it is obvious that the logic in itself probably not can form the basis for a new millenium.
'Divine Kennedys' could be the program - when the poet has no other way out of the networks of intrigue - and the story from july 1957 seems be what everything is hinged on. 'Divine secret intelligences' that could mean, in particular if the Kennedys as a 'Kennedy clan' were constructions from the 'services'.
There are all good reasons to avoid a new religion based on false imitations of God in the form of Kennedy or others, basically constructed by 'criminals' who want to be in charge of the Fatima prophecies telling of the need for somebody to "punish the world for its crimes, by means of war, famine, and persecutions of the Church and of the Holy Father". The mafia, who thereby can control the punishment, has probably planned to whip up wars, famines, destructions in the Vatican etc in order to be in charge of this 'holy wrath'. Is it the old Brexit of Henry VIII up and going again? The covid-19 pandemic broke out around the time of the more recent brexit.
The overall conclusion is therefore likely, all-in-all, to be that the entire historic construction is but an attempt from criminals to escape doom by gaining control with the divine punishment - with Kennedy as God etc.
9. The current situation - covid-19
Finally: A lot of work it was to reach these data and conclusions. It wasnt me who should have come with them but a state level such as e.g. Norway should of course have done it decades ago - but Frau Grøver is not only still on the loose, for all I know she could still be working for them. I inspected my teeth after the first round at the school dentist in 1970 and they were white and fine and not a shadow anywhere - which means that they were destroyed probably for this project. I wrote to the responsible office in Norway a couple of decades ago but they wrote back that it was 'outdated' (more than 20 years - that let them escape the law). Or some other politicians should have published this - instead of leaving it to little me (the victim) to tidy up in the problems and rescue the world from a new holocaust. The political system seems quite disabled when it comes to solving these problems. It is particularly unfortunate for me that I have to go through all these stories myself.
In 2002 I applied for political asylum in France but it was rejected. In 2018 (after I had completed vol.4) I applied for having a place to live in Italy but there was no positive answer - but I got 47 days in hospital and a long recovery period. An application costs me enormously much under these circumstances. Normally a person who gets the first book submission to a publisher rejected will say: "Well, if the world does not want my books, then I wont write them" - and then this person will be able to launch an application for a new place to live without being totally devastated. But I could not do that because of the international embargo on PTRSIM PIK - and so after my first book submission was rejected, I said: "Well, then I will have to write book #2 instead of waiting for decades for an accept of the first". But then I would be very vulnerable in the case of applications - and now when I have written some 30 books or so without getting any of them accepted by a publisher, I am extremely vulnerable - and my application of late october 2018 for a place to live in Italy could have been a part of my 47 days in hospital. My 30 books or thereabout are something which the world very badly needs - the 16 books of TEQ are 23000 'differential equations' which (as I see it) computers cannot solve - and the blue, red, yellow and white metres written on the way down again are only pale reductionistic shadows of these. It seems that the world is in extreme need of these works of mine - but could not wait for a chance to plant the fist in my face by my first application because I had not waited with the accept of the first book before I wrote the second. This could not continue any longer - that could be the pandemic.
Norway should probably have sacrificed some million KRONER to me in reparation for this story - now these are in rolling as sacrifices of CORONAS instead - cp. the abuse structure of ÖVP/New-Yorker relative to me on the form of Auschwitz when I live in Austria. That is why it could be urgent to get out of the country - and it is well possible that the epidemic would not have started to spread if I had lived in another country. But then why does not the world help me find another residence? It is even possible that the entire housing market and politics in Europe is constructed in such a way that it should be difficult for me to find any other home than in Austria.
An article on sputniknews.com could suggest that a new round is in the planning instead. Isnt that a seal? New rounds of coronas that could mean.
USA seems to be an enormous abuse machine on my personal things - is there any Hollywood film going around the world that is not about intelligence on me or is not based in my written things? It is well possible that this is the covid-19 - that every little influx of historic support there could be to me from the world is channelled into ÖVP by the political construction of Auschwitz and the times after it. Is the world unable to help me find a residence outside Austria? Or do I have to find it myself for my meagre savings - in order to rescue the world from new wars, famines and persecutions?
'Brazil' = 'asylum': It is the only country in the world (as far as I know) where one cannot be forced into psychiatric custody. That is why you can feel rather secure if you do not do anything against the law in Brazil. This was my reason for the application for politial asylum in France 2002 - that I had been forced into psychiatric custody. I did not have any other reasons because nobody had told me. The decision to put me in forced treatment was on basis of a signature from Ragna Grøver.
ESP-agna = ESP-anya = 'edes-anya' in Hungary? Does it mean 'Aktion Reinhard' = 'Eidsvig Ragna' of Hitler/Himmler? 'Edes-anya' is that you have to put your official mother's birthname on every official document - and for me that means the name 'Eidsvig Ragna' which could be the reason why Hitler made Sobibor, Treblinka and Belcez = 'Aktion Reinhard' - 2 million dead or so - also possibly with a later reflex in 'AIDSHIV'. If this were done for me buying the house in Szolnok, that tells of my problems. ES-Pagna, ES-Ragna. 'Es' means to grow in size - could be like 'Lezajsk'. I sent the application to Italy from Szolnok and the only thing it led to seems to have been a burglary in my house - which led to a probably enhanced election victory of ÖVP in Steiermark half a year later - my 25 m2 gingerbread housie has water pipes inside the adobe walls (but no water for use inside the house), could be the flush of water is controlled from far away by some 'intelligence' or 'mafia' - so the house cannot be used for habitation. It could have been constructed for the slogan: "But you have a house, John, you can live there" - and so I could not get out of Zinckgasse. (My theory is that Hungary even has had its economy adjusted to a house price level which made it possible for me to buy the house for my small savings from my pension - the adobe (!) house on the 500 m2 site cost only 12.500 euros - and that was market price). The Oslo terror of 2011 was the proof that the house was preplanned (could be for making a Black Sea Loop run) since 1970 for me to buy it in 2015. It could have been the one and only purpose with the Oslo terror. The Oslo terror also seems to index the 'schimmel graffiti' by the vaguely (by strangulation?) outstanding eye[s] of the female.
...and so I could not get out of Zinckgasse: Were it known even to Hitler that I would have only a disability pension as income? Ragna Grøver (born Eidsvig Ragna) was in the committee that defined the criteria for disability pensions in 1970-71 (the house in Szolnok was according to official registers built in 1970) - the committee was led by Gudmund Harlem, the father of Gro Harlem Brundtland.
It seems that many countries have been rather obsessed with abusing my single person (pretext PTRSIM PIK) for decades - without even telling me a single word about it - and then there comes an epidemic which apparently could be stopped by helping my single person out of Austria (and Hungary) and the same many countries are not able to understand that simple point. How can an epidemic be because of the residence of one person? That is totally incomprehensible?
There is a very sick condition in the world that people do not speak. It is very possible that the western world is possessed by replacing the christian symbol of the cross with the 'coordinate system' of the human bottom as a 'gang of four' - but the catholic church does not say a word about it but let the whole world go down into the drain of abused confidence instead. People are terribly cheated! They continue to have confidence in the evolving politics because nobody says a word and eventually people do not care any more about the christian church - being tired of that priest with that symbol he makes in the air in front of the congregation. Is it a human behind? That is because nobody says anything. The spread of 'the gang of four' symbolism in the communities drains people of their respect for the christian church - a great pity that is. I should have been told these things many decades ago and then I would of course not have been residing in Austria.
Is it impossible to have the 'gang of four' explained as abusive of the cross because it is built on the names of classmates of mine and things like that? But then why dont they help me out of Austria? That could be the covid-19.
I discovered the ÖVP story in christmas 2019 (after years of searching the haystack for the needle - the JFK event 1957, the media attention to it, Figl at Wittgenstein's house, PTRSIM PIK, New Yorker, the founding plaque of ÖVP - lots of minor details had to run together for finding it - an enormous lot of worthless spadework) and that settled the issue - I had to move out of the country (since it is not likely that ÖVP will be closed). But no sooner had I discovered it the coronavirus started to spread and borders were closed and I could not get out of the country. Now the borders are opening again and the world is trembling its quisling finger towards me: "You are to blame!!!! Why havent you moved out of the country?" With my meagre economic resources - be the Redeemer of the human species? Well, if I now travel to another country for finding a new residence, the network of international intelligence will (long before I step onto the train) make it impossible for me to find anything and in the mean time the same network could have started spreading new coronavirus in Austria (infections are already rising) so the borders could be closed again - then I cannot get back and sit there in a hotel and my small savings are running out and I am in the ditch - sit there with my suitcase under a tree in a park over the night and it is raining. All this is very self-evident to me. It is because the world cannot help me - "look here, John, here is a place where you can live in another country, if you go down there you can stay at that place etc". That should be expected?
They maybe wait untill it is too late. There is a teeny weeny little touch of application in what I have written here so it is likely to cost me much and lead to nothing. Or only negative things. But the world forks in the results of my work through 30 years because they so badly needs it.
Covid-19 is likely to be a crisis in the democracy, a sort of ultimatum from the people on the issue of the status of PTRSIM PIK which is a profound mock of the democracy. If the residence of PTRSIM PIK is the reason, why cannot the politicians help him find another residence? That is for having a scapegoat and then the politicians do not have the people's confidence any longer. If PTRSIM PIK is an institution which solves some essential problems in top government, the burden on and abuse of the person himself can have come to be too large to retain any such function and then the goverment is out of control and the power is landing on mafia interests. Then the people wriggle the power out of the government's hands (if no power can stop the epidemic) while waiting for this problem to be solved. It is when the abuse factor goes into a quasi-technological schimmel on the wall that it is steering for the ditch. People do not want another round of nazism and world wars, famines and persecutions of the church.
The spanish flue lasted from february 1918 to april 1920 and struck at the time when Wittgenstein completed his 'Tractatus' and tried in vain to have it published by Jahoda & Siegel (publisher of 'Die Fackel'), Braumüller, Reclam and Ludwig von Ficker - all of whom can be recognized in the schimmel graffiti (see particularly the seal at the foot of the 'packer' underneath Elvira with the 'wrench'-head. It is likely that these were 'publishing names' of those times and that Hitler used these elements for his career (because Wittgenstein had been rejected by them?) - the holocaust for sealing the fate of the jews, Reclam with the claps on the walls treat etc. This again could then have given rise to the 'Kennedy factor' after the war - with the Kennedys having names in accordance with the 'graffiti' scheme in Wittgenstein's 'Wörterbuch'. Why wasn't Wittgenstein's professorship renewed? Had the Steppenwolf with his Tractatus been Astair-Rogers-stepping too much? Why wasnt my 'Hammerfest' published in 1997-98?
It was in 1998 when they rejected the PhD that I understood that I had start doing the spadework myself since I understood that nobody would tell me a word. Now I have been wasting a lot of time through these 22 years - time which should have been spent on literary work instead. I still have not heard a word about all this.
The people are probably mighty tired of this PTRSIM PIK swindle. The matrix should be the field of study of serious science and not power manipulation. Most sciences are standing totally still and unmoving and have done so for many decades because these things are kept secret. It is probably that absolutely nothing has happened in linguistics for half a century - while we are waiting for my fundamental theorem to be released. Of course this cannot continue.
10. The gang of four
It seems that there is such a phenomenon in the political landscape - a channel going from four identities to another four identities. It is well possible that this is the same as I discuss in the article on the blue metre, a book which the world badly needs - 366 poems of 14 lines where each line forms a system in the collective consciousness with a 1000 year memory span - here on line 4 which seems to be about national government - if 'Francois Hollande' is in #44, generally the previous state chief will be in #43 = 'her body is closer to mine' = 'Nicolas Sarkozy':
"There seems to be a compass or coordinate system function - such that if the british state chief is in poem PEB #227, the french will be in 227 - 183 = PEB #44, while the belgian and spanish chief names will be found in a 90 degrees axis to these, that is in 227 + 92 = #319 (Spain) and 44 + 92 = #136 (Belgium). Here are the 4th lines of these:
44 = 'to reinvigorate the life of youth' = Francois Hollande
136 = 'it is a good time' = Yves Leterme
227 = 'of distant friction, joins the packet' = Gordon Brown
319 = 'and all that lived on in their brain' = Mariano Rajoy Brey
[...] There seems to be a tendency for british names to lead attention to the buttock region, and one can follow the names from Brown backwards in this form, with one single exception in 'Harold Wilson' = PEB #222 ('and pull them from the book')".
'Benjamin Netanjahu' seems to be 264-183 = #81 'through the rest of the wall'. The wall could simply be the network of metaphysical knots in a football goal. Is that simply the bathroom wall with its 10 to 28 knockings and schimmel graffiti? It can be argued that this goes through from my TEQ book 1 to book 2 as well: It is contained in the poems under Luke 23:55 for book 1 as well as Luke 24:4 fo book 2.
It can be concluded that this blue metre book of mine is something the world needs. It could not have been written by computer.
The coronavirus epidemic broke out when England brexited. The series of prime ministers in England seems to exhibit a regularity resembling the buttocks a la a coordinate system.
It was shown above that the 'four identities' apply in a series - but the innermost of 1970-71 seems to be hooked on Modern Language Review at the time of the death of Mao in 1976 - this is the second element discussed above but it contains itself the Gressvik (cp. 'Henry Creswicke Rawlinson') names of the second quartet of elements - hence there is a 'british hook' of ditching there. This could perhaps be recognized in the name of the middle east coordinate system of the blue metre for 'Benjamin Netanjahu' - see the near forms of #141-142 = Matthew 6:3-4 in the Genesis-Matthew matrix with the PTRSIM PIK at #948. Matthew 6:3-4 in greek can be recognized in several 'problemshifts' - including the 4444 days between the paralysis of my left hand in 2002 and my right hand in 2014. (Cp. also the quote from Sachs above). This numeral 4444 can be seen to contain both BABA and MAMA of devanagari - and hence concern the role of the upper steering line of devanagari in its upper crossbeam function (quasi 'high metaphysics'?) in e.g. the chinese KUA sign. Notice the 'skorp' of the 'khlebs' - is this simply the 'Klipra connection' where it ditches in the 'bei-side'? It has appeared over and over again that the 'Klipra connection' to protestant England ditches world history in hostile wars and conflicts that cannot be anything but failed attempts to stand upright.
The blue metre PEB is not yet published beyond my few handbound kitchenbench copies - a few dozen at most - even if the world so badly needs this book. Are there many (electronic or paper) pirate or 'kleps' copies around? That could be the reason for the covid-19 - after the crises with Iraq and Syria.
Political power could feel a little compromised by the coordinate quadrants of state leaders on the map when the blue metre emerges as the new logic of the collective consciousness. Is it the Lord who looks down on Earth through binoculars? But to try and take his position will not do either - that cannot re-etablish the authority that could be felt as lost when reducing to a principle of 4th line in a collective logic. Neither can it be done by making a quasi-divine PTRSIM PIK as a jumping jack ('jumpar-n-neg-rover') who can exercise authority via manipulation. It is seen from the above story that it seems to adhere to the name of philosopher Ludwig Josef Johann Wittgenstein, who probably was the previous PTRSIM PIK - a 'lud-twig with the 'genstein' against the 'witt' etc. Wittgenstein was one of 8 siblings - three of his brothers suicided early, cp. the 1-2-3 Kennedys who also were 8 siblings. 1-2-3 could have been early child abuse on me. Kathleen Cavendish Kennedy was a sister - it could be the name of the present story.
Clearly a new information technology based on abuse cannot be right. The new logic and information technology will be found only by sincere and integer studies - it will not be on the format of abracadabra. Conclusion is that the big apparent political intrigue program only tries to reach the knowledge which I have already defined in my PEB = POLAKK English Bloggi (2008-2010).
Added 22 juli 2020: It took me some days to write this article on my home computer. Recently this ad came up - I dont know how coincidental that was or if it is something that has been planned since long. While I was writing this article, a fire broke out in the grandiose organ of the gothic cathedral of Nantes in France (not Nanterre but Nantes-fire?) - the news tell that it was arson - and there was the hotel fire recently in Copenhagen at Borgergade/Adelgade (cp. 'a-DELTA-ge'). There have in the same days been many males stepping out of cars or packing rucksacks etc into the behind of cars when I walk past - a sort of KAR-KAR-KAR? - enough for this to look like stalking, could be a threat. Is it UK raising the Union Jack (= 'brexit' from the union?) now after the second princely 'leg' recently was detached and the corona virus broke out - as if it were me or my authorship? I am not a pirate or 'pi-rat', and I have particularly not stolen any intellectual property. Is it about my theory on a means against virus - has it been used for making a medication against the coronavirus (and possibly even cancer) and now they will not admit that it is my theory, my intellectual property? It is important to understand that the PIK is not divine and cannot be used for enjoying nazism.
It can be noticed that when the 'corona virus' broke out in 'Wu[king]han' just around the time when the 'corona vir' (prince Harry) broke out of 'Buckingham', a certain identification is inevitable (cp. the four identities?). (The 'vir' is latin for 'man', cp. also MLR title 3 above, including 'William Moltzau' for the 'mirror'?) The announcement of downstepping came on 8 january 2020 (after months of deliberation), told the news. "After many months of reflection and internal discussions, we have chosen to make a transition this year in starting to carve out a progressive new role within this institution," Harry and Meghan's statement read. "We intend to step back as 'senior' members of the Royal Family [...]".
It has been said [Hovdhaugen referred to it] that Adam in paradise spoke not hebrew but swedish = 'svenska' = 'South-West-East-North-ish', that is, the coordinate system of the compass. The southern border town between Norway and Sweden is Svinesund ('Pigs Bay' - same as this?). Would, on such a background, the name of Ragnar Søderlind associate with the idea of Ragna's 'suckr-Lind' = 'suckr-self'?
Soami Divyanand moved to Herrischried in 1981. I have earlier referred to his translation of Rigveda. Kofi Annan? If I were sexually abused in e.g. 1970-71 (quasi 'Ludwig Josef Johann Wittgenstein'), could that have given rise to flatulences in the bathroom in 2020? As if the body tried to get out old white stuff from the childhood? There could have been something on my brain as well. Is the 'graffiti' considered as caused by flatulences of 'Belcez' character? This death camp of Himmler-Hitler was a part of 'Aktion Reinhardt'. If 'Belcez' means symmetries, there could have been ideas around about interaction between fertile matter in brain and intestines - as if to create a swap-link between Kennedy 'junior' and Frau Grøver or even a quasi 'pope' - but this I know little or nothing about. If a male gender organ were lifted onto a 'trans' Madonna, could it even have been JFK 'junior' from 1963? That would have created a near identity.
Added 23 juli 2020:
One could spot a certain relevance of the third MLR title above 3. The Latin Primacy of St Edmund's "Mirror of Holy Church". By Alan Wilshere in the reason given by the 'corona vir' prince Harry in the statement of 8 january 2020 (the day after the start of the second Kurz government in Austria): "After many months of reflection and internal discussions, we have chosen to make a transition this year in starting to carve out a progressive new role within this institution". With my 'Bjarne' name (and maybe the 1957 story) I am a little sensitive to such ideas of 'carving out'. The covid-19 epidemic is often called 'the novel coronavirus epidemic' - and I have speculated that the epidemic could have been set in circulation as an attack on my authorship, starting with 'vol.1'. There is the front page illustration of 'Der Dornenstrauch' (a part of vol.4) which in its upper left part has a detail (the wolfshead) which could invoke such associations. Turning the front page of 'The Dreamer' upside down, the same region up left (down right if normal) shows a detail (the following mid one) which resembles the 'packer' down left on the graffiti (the righthand here):
There is a mirroring among the two excerpts which can be recognized also in the detail from 'Der Dornenstrauch' front page relative to another fragment of the 'graffiti' - in the following excerpt:
This excerpt from the graffiti could be the 'Gressviking' KARl-Erik 'Kalle' Solgård part of the turnaround of the name of Henry Creswicke Rawlinson upside down (see above). Combining these of the graffiti with a (coronavir) diagonal with another (coronavir?) diagonal on the SICKle-hammer axis gives the following cross:
Is this the coronavirus epidemic which makes people SICK - after the first princely 'leg' (the 'graffiti' part) detached from Buckingham?
My palm has been in a miserable condition for some weeks. It was in the end of 2008 or was it in 2009 that I gave a copy of the double edition of 'The Dreamer' (in one volume) plus 'The Endmorgan Quartet' (in another volume) - these two books share parallel texts from the Talmud like the Iliad relates to the Odyssey, as goes the theory - to the university library in Bologna. It was the first copies I made of the edition of these in union. Unfortunately I trusted the words from the copyshop that the cover illustration had a lasting quality - and discovered after I had given them to the library that the book jacket, which had a lot of black colour on The Dreamer, gave off colour to the hand that held it - because I had forgotten to 'fixate' the pigments with a 'pulverisateur' or spray (spreading droplets of quasi 'disinfectional fluids' in the air). I therefore made new jackets to these books and gave them to the library in a separate package. Now my palm has had excemas in the regions where the black of this book would have taken off colour from the unfixated jacket pigments.
It was after the news of the death of Umberto Eco (in Bologna) that I understood that he could have been murdered (if it were not a natural death) for making intrigue on the front page illustration of my 'Der Dornenstrauch'. The graphics to this cover is made from the microcope image of the smearout on a glass of what I have rubbed off the white enamel in the bathtub under the current graffiti - there had taken shape four black spots from behind the 'maya' there. Did Eco hold the book and got black colour on his palm?
It is not impossible that the 'Alan Wilshere' name of the third title above could have been the background of the bombings of Sri Lanka on easter day of the presidential election in Ukraina in 2019. The fragment from the cover to 'Der Dornenstrauch' looks somewhat like a man peeping up from the top of a military tank - and could be compared somewhat with the name of Henry Creswicke Rawlinson mirrored or backwards as 'nosnilwar ekciwresc yrneh' = 'no snill war eckie-fresk urne'. ('Snill' = 'nice', 'kind').
See also my PEB #122 (= one third exactly) for the 'kuarz' of 'Der Dornenstrauch' backwards.
Is the graffiti a universal phenomenon or is it a local imprint of current phenomena? It seems that most of the names in Kurz' second government suggest some aspect of the 'graffiti' except for his own for the chinese KUA sign - and the name of interior minister 'Nehammer' is not likely to be about the mermaid - rather the hammer at the foot of the chinese KUA sign. Heinrich Himmler was interior minister for Hitler - and if 'sh-Heinrich sh-Himmler' were the real sense of his name (assuming at least some univerality of the graffiti), there could be an 'onr over' on my name - a la 'on yar nerover'. (These are ideas from the semiotic phenomena - it is not my impression of the politics that I refer to). There was a winter olympics at 'Lillehammer' in Norway. But 'Himmler' was probably a name on the graffiti and maybe 'Nehammer' applies rather to the chinese sign superimposed on it. (Notice also the outlines of China on the map on the back side of 'Der Dornenstrauch' - the korean beak etc). 'Kastrup' is the airport to Copenhagen.
(Fidel Castro's son 'Fidelito' Castro died a tragic death. The news told that he was a friend of 'Paris Hilton' - could be 'pirat's holding' tullet the nows is the point when 'fått-te-litt-til kostræ' much = 'if you have made just a little progress, that will cost you' much. 'Suicided' turns into 'size-jewded' - which could be for the matrix of Madonna in Lezajsk - that is, this swap of spirituality with problemshift).
I notice a certain similarity of my palm ('nail me not'?) with eczema marks corresponding to the cover illustration of 'Der Dornenstrauch'. But if Eco were murdered, it was not my hand who did it. Nor my lower leg. But I did write my books.
It must be understood that 'the world of secret intelligence' (if I have understood it right) probably is not much more than a profound faith in such things as these fungi on the wall. Gee, how can it be the same every time? Cp. Knutsen & Ludvigsen's 'Brunost no igjæn' (= 'brown cheese now again?') = 'nosnilwar ekci'? The secret intelligences are perhaps trying to spread this 'secret brotherhood' all over the world. It is a 'Bermuda triangle' downdrift which hopes for something better - could be like that updrift of the triangle of Kandinsky's art theory - hence the use of the 'graffiti' artwork. Here is Kandinsky's "Über das Geistige in der Kunst" - here from Kapitel II Die Bewegung: "Ein großes spitzes Dreieck in ungleiche Teile geteilt, mit der spitzesten, kleinsten Abteilung nach oben gewendet ist das geistige Leben schematisch richtig dargestellt. Je mehr nach unten, desto größer, breiter, umfangreicher und höher werden die Abteilungen des Dreiecks [etc]".
Is covid-19 put in circulation for reasons of such a triangle?
It would look like an attempt to attach or 'glue' to my authorship in a highly irrelevant manner.
Added 24 july 2020:
The conclusion to the above could be that if the coronavirus epidemic is set in circulation on purpose, it could be for the purpose of suppressing my authorship. The distributional data could also be suggestive of that as a possible interpretation.
The graffiti occurred on 3 july when I wiped it out - but it returned in the course of 3-4 days. Since then it has developed a little, attaining a little schimmel-fungus dust like shadows. Today 24 july 2020 it looks as follows - the original to the right:
Some parts of it has changed a little - such as the foot of the man and, more markedly, the head of the woman where some dust has accumulated over it to make it look like the indian who developed from the 'Ulysses' of James Joyce - here shown with the detail of what is inside her breast:
Clearly the mid photo could be recognized as a 'two-nibble rear'. The heart of this is seen to the right (see also this photo from Krarup Nielsen's book) - it looks like a scene with a painter in front of a nude leaning a little backwards towards something:
Or is it the head of a dog? The title of Dylan Thomas' "Portrait of the painter as a young dog" comes to the mind - and, indeed, looking up his poetry collection 'The map of love' one finds a surprising amount of details from this 'world map' of fungi on the wall. "In the groin of the natural doorway I crouched like a tailor / sewing a shroud for a journey / by the light of the meat-eating sun. / Dressed to die, the sensual strut begun" (from 'Twenty-four years'). Here the 'groin of the natural doorway' could be the following scene - just above the artist's studio scene with the nude models:
It is found in the poem 'When all my five and country senses' which starts as follows:
When all my five and country senses see,
the fingers will forget green thumbs and mark
how, through the halfmoon's vegetable eye,
husk of young stars and handfull zodiac
etc
Is it a coincidence or what is it? It can be argued that the schimmel is the phenomenon when the metaphysics is the material physics - it goes through the wall of existence, so to speak, or the veil of maya - that is when the semantics gets recursive and so to speak tells the innermost secrets of what semantics really is - according to this metaphysical theory, that is. Hence Thomas' 'map of love' could be seen to display the form of the human psyche in its semantic aspects - and therefore the correlations of the poetry with the fungi. Did Dylan Thomas (here from the file MOERINGG.10-12 - cp. also the 'Dial'an Obamas') really exist or were he an 'intelligence project' based on this 'graffiti' (like the Kennedys relative to Wittgenstein's 'Wörterbuch' could have been) and possibly other comparable phenomena? I notice that in 'Knaurs Lexikon der Weltliteratur' the title is translated 'Porträt des Künstlers als junger Dachs'. How could they know that the dog were a dachs? Ah, it is seen on the graffiti - the dachs with long ears! It is interesting that both Joyce and Thomas were irish. (The Fatima revelation took place in 'Cova da Iria').
I am not an 'intelligence project' - such as the 'international secret intelligence services' perhaps could be claiming or pretending to conceive me as. I may be badly abused - possible for the political interests of the 'Bermuda triangle' which I do not support - but I am no 'intelligence project'. If covid-19 were set in circulation for the purposes of suppressing my authorship, could be they had hoped to squeeze my work into a framework which could be recognized as something like that 'essential semantics' - which I doubt that they can make. My function 14 is the definition of 'distributional semantics' in natural language. However, I myself did make a brief comparative study of the relation between Thomas' 'A map of love' and my own TEQ book 14 - see the article Natural language and poetic reality (see part "5. Comment on the 'rainbow'") which I published on the internet on 2 may 2011 but later removed again, replacing it with a shorter version. This was only 11 days (!) after Sebastian Kurz was appointed 'Integrationssekretär' in Faymann's government on 21 april 2011 - while part 5 was added 15 days later, on 17 may, in fact norwegian national day.
In vol.3, 'Poetic semiosis' of 2013, I studied in chapter 23 this 'local function 14' (which is not the same as the 'global function' of distributional semantics) in my own TEQ book 14 in parallel with works by Celan, Ritsos, Mandelstam, Michelangelo and Weöres, but did not include this less interesting 'The map of love' of Thomas. One of the examples I study in this chapter 23 is example 3 book 14 poem 53 'Who was in the middle' which is reproduced and discussed in the article 'The logic of the new technology'. The corresponding lines from Thomas' work would be lines 107,25-109,32 counted from the end, which then would be "mortal wall / heard her speak through the chipped beak / of the stone" - which then could refer to the knocking sounds from the bathroom wall but is otherwise not so interesting. The corona virus epidemic could then be a lethal flue/cold in its attempt to assign reality to this graffiti (including 'two-nibble rear' etc) prior to the local function I define as basis for the global function - addressed in the pandemic = global epidemic. It could be the difference between my literary/spiritual basis for the local function 14 and the 'problemshift' in the Thomas-ÖVP complex (Kurz, Blair, Obama etc) that makes for the respiration crisis - could be also by my residence within the area of the 'political triangle'. The reason for this could be in a 'secret intelligence program'. I could not get out of the area during the lockdown since the borders were closed and my resources are quite limited.
The historic background could be in the story since 1945/1957. Thomas' 'green thumbs and mark' could tell of a RÖNTGENSTRAHL. My 'first line after the green'? His two 'xray' lines "When all my five and country senses see, / the fingers will forget green thumbs and mark" correspond to my book 14 poem 162 "For joining the American interpilote".
See also my poem 'Metatron'.
Clearly a reason for a 'glumy' attack on my function 14 could be in the evidential weight this function has in my proof that the origins or inspiration of my poetry in The Endmorgan Quartet could not be in any form of child abuse of me - or in the possible child abuser or organization of association for that possible person. Of course it does not change the value or status of my proof if Thomas' work should be derived from fungi in a knocking wall - but if this Thomas argument is supported by governmental power from Austria, USA, England - that could lend emphasis to such a biased conception of the inspiration. Hence the global 'respiration' problems? It is ridiculous to assign ominous value to the knockings or fungi - it could be the element of biased or 'abusive' interpretation in conjunction with a power-supported 'white fraud' of Thomas (he should have credited the source if a service photo of the fungi were his inspiration) that could give rise to shortage of breath. It is the source of the inspiration which is the story and the integrity in the crediting of it. (But could it have been the other way round - that 'secret intelligence' or political intrigue discovered the universal-semantic 'fungus substrate' in Thomas' poetry rather early and therefore he was murdered and this MOERINGG project on 'Dialing' Thomas started? 'The map of love' was published in september 1939. The facade of Moeringg. could have been selected for this 'project' during the war, could be including the norwegian 'XU' - alias Bezirk 'XV' on the wall).
Power concerns should be classified as a mafia phenomenon which has no role to play in modern administration - and clearly such phenomena as this graffiti of fungi on the bathroom wall should not be classified as secret. All parts of the archives containing this sort of phenomena used for the power games of the 'services' should of course be downgraded to 'public'.
If Thomas were a clever hoax on this graffiti, for such purposes as launching 'Dialin Obamas' and 'Kennedy party' things like that, it should be downgraded. Even more so if the poet was authentic and the intrigue murdered him for pretending that his poetry originated in a photo from their archives. I do not want to have my work squeezed into such 'universal semantics' by a Bermuda triangle warfare against my work - could be including pandemics etc.
If the US democrat party is a US swindle party, they should not try and dump the swindle onto others.
Added on 29 july 2020:
So what is the 'harrocks' of 'to soma autou'? I refer to Rimbaud's Illuminations #21: 'Sur la pente du talus, les anges tournent leurs robes de laine [...]' That is 21 'sur les pantalons' = ''21' on his trousers'. His 'panier' is my 'leave it' - the bread of the holy communion. A certain craft is needed for making the baskets.
Rimbaud's #21 is in four parts - which this study tells is the four identities. My poem #57 likewise - plus 4-5 cats at the end. Were it four or five? This is an old enigma.
Search this file for the 'thunderbirds' (pre-syntactic aircrafts'?) I saw on 22 september 2013 - could be 4-5 'transformations' of the coordinate system - of the mystery of 'to soma autou'.
Rimbaud wrote his best things around age 14-16 but was derailed early - could be Verlaine had lured him to some 'homo' about which he could not speak since it was forbidden and that was the end of the poet. Verlaine shot him in his hand and a publisher gave him the handful free 'authors copies' he had the right to but otherwise did not release a single copy of the printed edition as long as Rimbaud lived. Since then he did not write anything.
A fate comparable to Rimbaud was Galois, a young math genius whom oldies perhaps wanted to 'take' and he soon had to meet for a duel in the outskirts of a forest - in the night before this tragic event when he was shot dead he wrote down his Galois theory, now a big field in mathematics. Therefore frenchmen (until it became forbidden) smoked a lot of Galoise and Gitane cigarettes - the Gitanes then could have been for Rimbaud derailed by that secrets Verlaine. (Cp. 'fidelito'). I remember the 'jocular' expression "I'll galvanize you!" from my childhood - 60's or early 70's. That could have come from the sad 'world of intelligence' - who also could be quick to the conclusion that this 'galvanize' from my youth is the reason for the similarity of Rimbaud's 21 with my poem. That is not right.
Wien has its problem in what looks like 'shameless homo' - a car with 'Bolt' on its side stands there and a man inside dials an oldfashioned telephone number with his finger towards me. 'Fingeren A fatet'. That is because it is a man and not a woman - and because one cannot take more of that 'homo' - which is a bad form of 'administrative power'. They seem to lack normal sense of human shame in that place when they do such things - there are apparently many such 'Bolt' cars and seemingly dozens if not hundreds of car-outsteppers and people waiting in parked cars. Another car drives around with 11:55 on its side. But it is not their work - it is mine! They must credit the source - otherwise it is bad 'homo' power.
It must be understood that the old 'intelligence intrigues' are not constitutive of my poetry. They get angst when it slips out of their hands? But all this 'intelligence intrigue' must be brought to an end.
Sources:
Rimbaud, A.: Collected poems. Introduced and edited by Oliver Bernard. Penguin 1986.
Sachs, N.: Fahrt ins Staublose. ('In den Wohnungen des Todes', 'Sternverdunkelung', 'Und niemand weiss weiter', 'Flucht und Verwandlung', 'Fahrt ins Staublose', 'Noch feiert Tod das Leben'). Suhrkamp 1988.
Thomas, D.: Collected poems 1934-1953. Phoenix, London 1993.
© John Bjarne Grover
On the web 21 july 2020
Last updated 29 july 2020
